Swedish Literature Katarina Bernhardsson, Lund University
Swedish Literature Katarina Bernhardsson, Lund University 1. General Maria M. Berglund, Värv och verk. Förnyelse och tradition i Nordisk kvinnolitteraturhistoria från tillkomst till tryckt bok, Karlstad U.P., 320 pp., a Karlstad dissertation, is an evaluation of the large Nordic project in history of literature, The History of Nordic Women’s Literature, published in four volumes 1993–98. B. analyses the process of writing, the reception, and the resulting volumes. In three case studies she focuses on the reinterpretation of three canonical authors — Swedish Anna Maria Lenngren, Norwegian Amelie Skram, and Danish Karen Blixen — as well as on the selection of literary genres covered in the work. Åsa Arping, ‘Hvad gör väl namnet?’ Anonymitet och varumärkesbyggande i svensk litteraturkritik 1820–1850, Gothenburg, Makadam, 350 pp., is a study of author names and the function of the author in the press and book market of the early 19th century. In the 1840s, A. discerns a structural change, where anonymous publishing was challenged by new demands for individual perspectives and, as a result, image-making. A. studies the use of anonymity, traditionally seen as concealment and protection, especially for female writers, and shows how anonymity for women also offered possibilities to transgress prescribed norms. A. specifically studies the critics and journalists Wendela Hebbe, Oscar Patrick Sturtzenbecher, and Johan Peter Theorell. Lina Samuelsson, Kritikens ordning. Svenska bokrecensioner 1906, 1956, 2006, Karlstad, Bild, Text & Form, 273 pp., a Karlstad dissertation, approaches a century of literary criticism by in-depth study of three years. Through this ‘media archaeological’ approach, and by choosing years that are not known for any specific literary event or debate, S.
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