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A Life-Changing Knee Injury Sidelines Soccer Player
INDEPENDENT SINCE 1956 INSIDE NEWS PATRIOT Act explored in documentary PAGE 6 FEATURE 31 architecture students study in Paris PAGE 11 A&E Natalie Portman rallies for Kerry PAGE 13 A life-changing knee injury Administration takes sidelines soccer player every measure to By Nick Dettmann once repair is complete, you Sports Editor can begin weight-bearing fireproof campus * the first day. What those two Typically after a victory, structures do are completely By Brian Resop of Environmental Health, there is much rejoicing, cheer different." News Editor Safety and Risk Manage ing, hugging, high-fives and Normally, the injury occurs ment, urged that during any smiling faces up and down the in middle-aged non-athlete After a recent string of fire alarm, all students and University of Wisconsin-Mil adults performing non-athlet seven fires on campus in waukee men's soccer team's ic activities, such as tripping 16 days, the University of bench. over a stair. But it is not as Wisconsin-Milwaukee ad On-Campus Fire Safety Tips: But on Oct. 15, those same common among highly active ministration is taking ex • During any fire alarm, evacuate faces were somber and in adults, or athletes. tra steps to safeguard the the building. State law requires disbelief after what had hap "It's not common like an campus and its students it. pened in the 79th minute in the ankle sprain or medical collat- from future related fires. • Call the campus police. They can Pathers' game against Wright "We take this situation be reached from any campus phone by dialing 9-911. -
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019 -
Listeréalisateurs
A Crossing the bridge : the sound of Istanbul (id.) 7-12 De lʼautre côté (Auf der anderen Seite) 14-14 DANIEL VON AARBURG voir sous VON New York, I love you (id.) 10-14 DOUGLAS AARNIOKOSKI Sibel, mon amour - head-on (Gegen die Wand) 16-16 Highlander : endgame (id.) 14-14 Soul kitchen (id.) 12-14 PAUL AARON MOUSTAPHA AKKAD Maxie 14 Le lion du désert (Lion of the desert) 16 DODO ABASHIDZE FEO ALADAG La légende de la forteresse de Souram Lʼétrangère (Die Fremde) 12-14 (Ambavi Suramis tsikhitsa - Legenda o Suramskoi kreposti) 12 MIGUEL ALBALADEJO SAMIR ABDALLAH Cachorro 16-16 Écrivains des frontières - Un voyage en Palestine(s) 16-16 ALAN ALDA MOSHEN ABDOLVAHAB Les quatre saisons (The four seasons) 16 Mainline (Khoon Bazi) 16-16 Sweet liberty (id.) 10 ERNEST ABDYJAPOROV PHIL ALDEN ROBINSON voir sous ROBINSON Pure coolness - Pure froideur (Boz salkyn) 16-16 ROBERT ALDRICH Saratan (id.) 10-14 Deux filles au tapis (The California Dolls - ... All the marbles) 14 DOMINIQUE ABEL TOMÁS GUTIÉRREZ ALEA voir sous GUTIÉRREZ La fée 7-10 Rumba 7-14 PATRICK ALESSANDRIN 15 août 12-16 TONY ABOYANTZ Banlieue 13 - Ultimatum 14-14 Le gendarme et les gendarmettes 10 Mauvais esprit 12-14 JIM ABRAHAMS DANIEL ALFREDSON Hot shots ! (id.) 10 Millenium 2 - La fille qui rêvait dʼun bidon dʼessence Hot shots ! 2 (Hot shots ! Part deux) 12 et dʼune allumette (Flickan som lekte med elden) 16-16 Le prince de Sicile (Jane Austenʼs mafia ! - Mafia) 12-16 Millenium 3 - La reine dans le palais des courants dʼair (Luftslottet som sprangdes) 16-16 Top secret ! (id.) 12 Y a-t-il quelquʼun pour tuer ma femme ? (Ruthless people) 14 TOMAS ALFREDSON Y a-t-il un pilote dans lʼavion ? (Airplane ! - Flying high) 12 La taupe (Tinker tailor soldier spy) 14-14 FABIENNE ABRAMOVICH JAMES ALGAR Liens de sang 7-14 Fantasia 2000 (id. -
Roger Ebert and the Terrifying Girl Next Door
Roger Ebert and the Terrifying Girl Next Door By Richard Leader Adonis hile Roger Ebert has long had a reputation of being a Liberal—in 1996, Michael Medved, an also-ran film critic and conservative pundit, made Ebert the target Wof his own personal crusade out of some sort of revenge for his Mirror approval of Oliver Stone’s Nixon—it took Michael Moore to make that liberalism finally matter to Ebert’s sizeable main- stream audience. In a series of columns about Fahrenheit 9/11, its victory at Cannes, and Moore’s subsequent speech at the Oscars, Ebert made his own views on the Bush presidency abundantly clear to his readers across the political spectrum. Backlash centered not just on those views but his very right to make them as he existed in their minds as a mere film critic, a box that he dare not venture from; an especially ironic position to take if one considers that Medved has done the reverse over the years, opportunistically attaching himself at the hip to demagogues from Rush Limbaugh to Pat Robertson, hoping to finally be taken seriously as a film critic. One of patriarchy’s greatest coups is the compartmentalization of human activity, dividing everything into disparate spheres that cannot be compared or contrasted—preventing a big pic- ture look that might call the system as a whole into question— and Ebert argued valiantly that to be an informed critic, and reader, one must be honest and upfront about one’s own polit- ical views and how they intersect with popular culture in a holistic way. -
Sundance Institute Selects 11 Artists with VR and Emerging Media Storytelling Projects for New Frontier Story Lab
FOR IMMEDIATE RELEASE Media Contact: May 10, 2017 Jenelle Scott 310.360.1981 [email protected] Sundance Institute Selects 11 Artists with VR and Emerging Media Storytelling Projects for New Frontier Story Lab New Projects Explore Topics Including Biohacking, Homeless Queer Youth and Alien Abductions Rosie Haber | Silas Howard | Charlotte Stoudt | Laura Wexler | Heather Dewey-Hagborg | Toshiaki Ozawa Griffin Frazen | Sutu | Charles Henden | Callum Cooper | Amelia Winger-Bearskin | Los Angeles, CA — Sundance Institute announced today the six projects selected for the annual New Frontier Story Lab, which supports independent artists working at the cutting-edge convergence of film, art, media, live performance and technology. The New Frontier Story Lab is a week-long intensive that empowers creatives with individualized story sessions, conversations about key artistic, design and technology issues and case study presentations from experts in diverse related disciplines. Past participants include Roger Ross Williams, Yung Jake, Chris Milk, Hasan Minhaj, Tommy Pallotta, Navid and Vassiliki Khonsari, Karim Ben Khelifa, Tracy Fullerton and Yasmin Elayat. The Lab takes place May 17-22 at the Sundance Resort in Utah, under the guidance of Sundance Institute Feature Film Program Founding Director Michelle Satter and Kamal Sinclair, Director of New Frontier Lab Programs. Sinclair said, “Our New Frontier Story Lab brings accomplished Fellows together to experiment with their projects as they continue to break new ground and challenge the -
Changing Narratives
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives Changing Narratives Five Essays on Hollywood History Erlend Lavik Dissertation for the degree philosophiae doctor (PhD) at the University of Bergen 01.10.2007 Contents Preface…………………………………………………………………………………………….3 PART I: FINAL CONTRIBUTION…………………………………………………………….8 General introduction……………………………………………………………………………..9 Theoretical Approach……………………………………………………………………………9 Research focus………………………………………………………………………………….14 Introduction to the articles……………………………………………………………………..30 The Sixth Sense article………………………………………………………………………….30 The historiography articles……………………………………………………………………..40 The blockbuster articles………………………………………………………………………...48 PART II: THE ARTICLES…………………………………………………………………….67 “Narrative Structure in The Sixth Sense: A New Twist in ‘Twist Movies’?”………………….68 “’Not the Obstacle but the Means’: Film History and the Postmodern Challenge”……………87 “Perspectives on and in The Classical Hollywood Cinema”………………………………….111 “The Battle for the Blockbuster: Discourses of Spectacle and Excess”………………………141 “New Narrative Depths? Spectacle and Narrative in Blockbuster Cinema Revisited”……….165 2 Preface The road traveled: towards a meta-perspective This thesis was supposed to be a broad and systematic empirical study of changes in narrative and stylistic conventions in Hollywood cinema. Some four years ago I wrote a preliminary introduction to my thesis which stated that “The central theme of this dissertation is the comparison of some kind of ‘Hollywood now’ with some kind of ‘Hollywood past’ (or ‘pasts’)”. Today that assertion is merely moderately accurate. While it holds true for certain sections of the book, it seems to me that, for the most part, what I have ended up doing is the theoretical and philosophical groundwork for such a study. There are several reasons for this. -
1. the Process of Creating Ever-More Dazzling and Appealing Consumer Settings Is What Ritzer Has Called “Enchanting a Disenchanted World” (Ritzer 2005)
NOTES CHAPTER 1 1. The process of creating ever-more dazzling and appealing consumer settings is what Ritzer has called “enchanting a disenchanted world” (Ritzer 2005). This process is not limited to everyday items of consumption but extends as well to the world of erotica and pornography. As just one example, early pornographic stag films, which were produced in the first half of the twen- tieth century, were crudely made, grainy, often with barely discernible images. Today’s pornography films, while not necessarily cinematographic works of art, are generally slickly filmed and cleverly marketed; the porn film is increasingly “enchanted.” 2. A few planned shopping centers were created in the decades before World War II, but the first modern shopping mall was created in Edina, Minnesota, in 1956. It was Victor Gruen who conceived of the “intro- verted” mall, which was distinctive because the entrances and windows of the stores faced inward to an enclosed mall rather than outward toward the parking areas (Gladwell 2004). 3. Despite the general acceptance of Victoria’s Secret window displays, occa- sionally their decorators overstep the bounds of acceptance. In 2005, the Victoria’s Secret store in a Northern Virginia shopping mall created some shopper outrage, which led to newspaper and television stories. The win- dow display went “over the top” with female mannequins that were barely dressed and in provocative poses (Dwyer 2005). The ensuing discourse about this display is an early illustration of how those who are offended by sexual displays and materials often add to the attention directed toward them. The next chapter will elaborate on how opponents of sexual mate- rial, erotica, and pornography add to the level of discourse about subjects they oppose. -
Ien, in Das Am Ganges Gelegene Dorf Bodh Gaya, Gebeten Und Niederwerfungen
rad der zeit muxmäuschenstill Um die halbe Welt ist Werner Herzog im Laufe seiner Filmemacher-Kar- Derweil die Mönche am Mandala arbeiten, begibt sich Herzog in RAD Mux ist unterwegs und er hat eine Mission: Der Titelheld von MUX- rung alles Guten und Reinen erscheint und sich dann doch bloss als ein riere gereist und hat an über vierzig Spiel- und Dokumentarfilmen mit- DER ZEIT auf Entdeckungsreise. Er fragt den Dalai Lama nach der Aus- MÄUSCHENSTILL hat sich zum Weltverbesserer erkoren. «Ich bin Teil weibliches Wesen mit primitiven, menschlichen Lüsten entpuppt, sieht e gewirkt. Nun ist er der Einladung einer Gruppe Buddhisten aus Graz legung des Kalachakra Mandalas. Er beobachtet die Pilger bei ihren einer Gesellschaft, in der wir unsere Ideale verloren haben», spricht er Mux rot. Eine als Fake-Doku aufgezogene, brandschwarze Komödie ist gefolgt. Er ist nach Indien, in das am Ganges gelegene Dorf Bodh Gaya, Gebeten und Niederwerfungen. Er schaut hinter die Kulissen, in die ins Diktiergerät und zieht auf der Jagd nach fehlbaren Mitbürgern durch MUXMÄUSCHENSTILL. Er entwirft das erschütternde Bild einer gar nicht o ie s und in den Westen Tibets an den Fuss des Berges Kailash gereist und Küche, wo in riesigen Töpfen Mahlzeiten für unzählige Pilger vorberei- Berlin. Er entlarvt Ladendiebe, enttarnt Schwarzfahrer und Schwimm- so utopischen Gesellschaft, in welcher der von Jan Henrik Stahlberg mit w nr. 83 7 8 2004 zeitung für denn studiofilm im arthouse alba • arthouse commercio • •v / / stellt mit RAD DER ZEIT seinen faszinie- tet werden, in die Schlaflager, wo in- bad-Pinkler, stellt Graffiti-Sprayer und grosser Intensität und beeindruckender arthouse movie 1+2 • arthouse nord-süd • arthouse le paris • arthouse piccadilly • riff raff • uto rendsten Dokumentarfilm vor. -
2012 Preliminary Program Draft 02
Program Sessions Wednesday, March 21, 2012 10:00AM-11:45PM (Session A) A1: Political Cinema from the "Periphery" Room: Alcott Chair: Bruce Williams (William Paterson University) Leslie Marsh (Georgia State University), "Postmemory, Violence, and Trauma in La teta asustada (2009) and Quase Dois Irmãos (2004)" Alex Lykidis (Montclair State University), "Allegories of Peripheral Modernity in Giorgos Lanthimos’ Dogtooth" Ali Sengul (University of Texas, Austin), "Transnationality and the Geopolitics of Kurdish Cinema" Bruce Williams (William Paterson University), "In the Heat of Agitprop: The Global Fires of The Hour of the Furnaces" A2: Cyborgs, Avatars, Immigrant Terminators: Eye-Jabbing Aesthetics and the Cinematic Body Room: Cambridge Chair: Katarzyna Marciniak (Ohio University) Respondent: Neda Atanasoski (University of California, Santa Cruz) Allison de Fren (Occidental College), "Eye Robot: The Critical Function of the Visual Uncanny in Ghost in the Shell 2: Innocence" Bruce Bennett (Lancaster University), "An Eye-Watering Aesthetic: Avatar and the Technological Fantasies of 3-D Cinema" Katarzyna Marciniak (Ohio University), "Immigrant Rage Fantasy and Mexican Terminators: Robert Rodriguez’s Machete" A3: Teaching the Moving Target Room: Beacon Hill Chair: Craig Dietrich (University of Southern California) Workshop Participants: Virginia Kuhn (University of Southern California) Vicki Callahan (University of Wisconsin, Milwaukee) Sean O'Sullivan (Ohio State University) Anne Moore (Tufts University) Craig Dietrich (University of Southern -
A Cut Above: the End (And Ends) of Film Censorship
A CUT ABOVE: THE END (AND ENDS) OF FILM CENSORSHIP by Daniel Vincent Sacco Master of Fine Arts York University, Toronto, Ontario, 2010 Bachelor of Arts Queen’s University, Kingston, Ontario, 2007 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture. Toronto, Ontario, Canada, 2017 ©Daniel Sacco 2017 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University and York University to lend this dissertation to other institutions or individuals for the purpose of scholarly research I further authorize Ryerson University and York University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract A CUT ABOVE: THE END (AND ENDS) OF FILM CENSORSHIP Daniel Vincent Sacco Doctor of Philosophy Ryerson University and York University Toronto, Ontario, Canada, 2017 By the beginning of the twenty-first century in the West, the notion of government-appointed bodies mandated for censoring cinematic content had fallen considerably out of fashion as institutional censorship was largely curtailed. Barring widely shared concerns regarding the exposure of underage children to material deemed inappropriate, newly rebranded “classification” boards have acted to limit the extent to which they themselves can prohibit images from entering the public market, shifting their emphasis away from censorship and toward consumer edification and greater consideration of artistic merit and authorial intent. -
Constraining Lars Von Trier: Issues of Censorship
CONSTRAINING LARS VON TRIER: ISSUES OF CENSORSHIP, CREATIVITY, AND PROVOCATION A Dissertation By Kirsten L. Boatwright Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2011 Major Subject: English UMI Number: 3506848 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3506848 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONSTRAINING LARS VON TRIER: ISSUES OF CENSORSHIP, CREATIVITY, AND PROVOCATION Kirsten L. Boatwright Approved as to style and content by Graduate Committee: <f. Dr. Linda C. Badley, Dissertation Director TU^-, Dr. Will Brantley, Reader Dr. Laura Dubek, Reader Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION A university's essential character is that of being a center of free inquiry and criticism—a thing not to be sacrificed for anything else. -Richard Hofstadter, Columbia University, 1968 This dissertation is dedicated to the seventy faculty members in whose classes I listened, inquired, and learned. Thank you for guiding my journey. u ACKNOWLEDGEMENTS Although writing a dissertation may at times be a lonely process, it is never a solitary endeavor. -
Page 1 2004 a N N U a L R E P O R T 2004 a N N U a L R E P O R T
2004 ANNUAL REPORT 21 EXHIBITIONS 1,000 OBJECTS ACQUIRED 47 SERIES OF FILM “The George Eastman exhibit is simply breathtaking!” EXHIBITIONS 65 LOANS TO INTERNATIONAL INSTITUTIONS 10 NEW TRUSTEES 140 PUBLIC PROGRAMS 50 PHOTOGRAPHS AND PHOTOGRAPHIC BOOKS RESTORED 3300 FILMS PRESERVED “Very cool! David Byrne’s work makes me think! Thank you!” TWO NEW MASTER’S PROGRAMS LAUNCHED IMAGE MAGAZINE RE-INTRODUCED THREE SCHOOLS OF PRESERVATION AND CONSER- “What a treat and tribute to Eastman. An elegy to film.” VATION 338 FILM SCREENINGS 11 TRAVELING EXHIBITIONS TO 19 INTERNATIONAL VENUES Above: Johannes Hepp (German, b. 1969). NEW YORK CITY, September 11, 2001. Chromogenic development print. Photography collection purchase in 2004 with funds from the Photographic Acquisitions Endowment Fund. S ACQUIRED47 SERIES OF FILM INTERNATIONAL INSTITUTIONS “Walking through the galleries makes me want to shoot pictures all day long.” C PROGRAMS 50 PHOTOGRAPHS S RESTORED 3300 FILMS PRESERVED MS LAUNCHED IMAGE MAGAZINE “No matter how many times I visit, I always learn something new.” S OF PRESERVATION AND CONSER- 11 TRAVELING EXHIBITIONS TO —Comments from Eastman House visitors in 2004 The lists of exhibitions, programs, and acquisitions you'll see in these pages tell only a part of the dynamic story of George Eastman House. The Museum's character is a complex of service, administered through the disciplines of photography, motion pictures, and the legacy of George Eastman. Our collections are at the heart of this service. This report centers upon the images and legacy that give purpose to our mission. Here are several examples: Eastman House's role as leader in image conservation and preservation education was extended in 2004 in two significant ways.