DOCSLIB.ORG

Everquest II Prima Official Game Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Everquest II Prima Official Game Guide EVERQU U.S. $24.99 Can. $34.95 U.K. £17.99 Games/Strategy/RPG ® ZONE MAPS Platform: PC PRIMA OFFICIAL GAME GUIDE QUEST DETAILS CLASS COMPENDIUM Visit us online at primagames.com EST ® II PRIMA OFFICIAL GAME GUIDE DETAILED MAPS This game has received the © 2004 Sony Computer Entertainment America Inc. EverQuest is a registered trademark and Where following rating from the ESRB Adventure Comes Alive is a trademark of Sony Computer Entertainment America Inc. SOE and the SOE logo are registered trademarks of Sony Online Entertainment Inc. All other trademarks and tradenames are properties of their respective owners. All Rights Reserved. primagames.com® The Prima Games logo is a registered trademark of Random House, Inc., registered in the United States and other countries. Primagames.com is a registered trademark of Random House, Inc., registered in the United States. PRIMA Official Game Guide Prima Games A Division of Random House, Inc. 3000 Lava Ridge Court, Roseville, CA 95661 1-800-733-3000 www.primagames.com The Prima Games logo is a registered trademark of Random House, Inc., registered in the United States and other countries. Primagames.com is a registered trademark Credits of Random House, Inc., registered in the United States. Writers © 2004 Sony Computer Entertainment America Inc. All rights The IMGS Player Panel reserved. No part of this book may be reproduced or transmitted in Editors any form or by any means, electronic or mechanical, including pho- David Ladyman, Laura “Taera” Genender tocopying, recording, or by any information storage or retrieval sys- tem without written permission from Sony Computer Entertainment Book Design America Inc. Raini Madden, Jose de Jesus Ramirez Product Manager: Damien Waples Layout Raini Madden, True Hardt, David Ladyman © 2004 Sony Computer Entertainment America Inc. EverQuest is a registered trademark and Where Maps Adventure Comes Alive is a trademark of Sony Linda “Brasse” and Eric “Alluvian” Carlson Computer Entertainment America Inc. SOE and the Quest Coordinator Chronicler SOE logo are registered trademarks of Sony Online Entertainment Heather “Orlena” Rothwell Andrea “Cryth” Silva Inc. All other trademarks and tradenames are properties of their respective owners. All Rights Reserved. Crafting Coordinator Rovers All products and characters mentioned in this book are trademarks Chris “LordPixie” Karel Mary “Bowzercat” Lindholm, Brian “Gnish” Beagle of their respective companies. Contributors Please be advised that the ESRB rating icons, “EC”, “K-A”, “E”, “T”, Mark “GreatAjax” Lindholm, Marc “Biggs” Quesnel, Allen “Chersus” McMillan, “M”, “AO” and “RP” are copyrighted works and certification marks CP “KittyChan” Wilkinson, Mike “Praxi” Lindsay, Shane “agsirrens” Hamelin, owned by the Entertainment Software Association and the Jeff “Almeric” Schuster, Scott “Archangel” Barber, Colin “DrunkenFriar” Doody, Entertainment Software Rating Board and may only be used with Amy “CopperAngel” Goldenburg, Ryan “Draknorr” Bohmann, their permission and authority. Under no circumstances may the rat- Ethan “Esis” Kidhardt, Doug “Kaiser” Fernandes, Brandon “KlausBane” Smith, ing icons be self-applied or used in connection with any product that Shawn “Kwip” Williams, Craig “Linspatz” Hanson, Chris “McAllen” Pinkard, has not been rated by the ESRB. For information regarding whether a John “Mournen” Miller, Erick “o2zen” Mickelson, Jim “Oakleif” Rothwell, product has been rated by the ESRB, please call the ESRB at 1-800- Kathy “Ptmine” Schuster, Ryan “Q” Miles, Steven “Reeli” Mosley, 771-3772 or visit www.esrb.org. For information regarding licensing Brandon “Sharkdog” de la Cruz, Marc “Sideshow” Dziedzic, Jim “Skam” Skamarakas, issues, please call the ESA at (212) 223-8936. Please note that ESRB Kevin “Skoriksis” Freet, Jacque “Unitsi of Rising Phoenix” English, ratings only apply to the content of the game itself and does NOT Patrice “Wrendolyn” Sartor, Jose “Wynn” Silva, Ernie “Zandarbar” Whited apply to the content of this book. They Also Served Joshua “Amouge” Gdovin, Brent Copeland, Chip “Chabuhi” Hinshaw, Important: Scott “DensityMan” Chevalier, Gabe “Eggman” Rivera, Joe Bayley, Harold “Kron Daku” Pontious, Scott “Kulid” Flynn, Matt “KyleOE” Shirley, Prima Games has made every effort to determine that the informa- Gary “Kylock” Morrow, Ian “Lohengrin” Taylor, Kristi “Nitrous” Weyland, tion contained in this book is accurate. However, the publisher Daniel “Rayzor” Coburn, Ryan “RJO” O'Sullivan, Brent “Ryland” Vickers, makes no warranty, either expressed or implied, as to the accuracy, Shelby Cardozo, Jim “Singe” Boniface, Tim “Timbis” Shelfer, effectiveness, or completeness of the material in this book; nor does Greg “trick414” Trickey, Eugene “Wolfgang” Vega, Dave “Wunderr” Powell, the publisher assume liability for damages, either incidental or con- Ken Fautt, Johnathan “Gemini” Hoffman, Darren “Redline” Huppert sequential, that may result from using the information in this book. The publisher cannot provide information regarding game play, hints EverQuest II Game Artists and strategies, or problems with hardware or software. Questions Bill Yeatts, Derek Benson, Joe Shoopack, Stuart Compton, Daniel Lewis, Sarah Bailey, should be directed to the support numbers provided by the game Francesa Castellanos, Matt Chavis, Brad Constantine, Rosie Cosgrove, Diane Covill, and device manufacturers in their documentation. Some game tricks Maria Del Casino, Steven Ekholm, Laurie Fuller, Ryan Gibson, Chad Haley, require precise timing and may require repeated attempts before the Kacey Helms, Timothy Heydelaar, Patrick Ho, Richard Johnson, Arash Keissami, desired result is achieved. Steve Kim, Sung Kim, Benjamin Lazzaro, Kevin Lydy, Joseph Marullo, Amanda McCarter, James McClure, Brandan McDonald, Kelsey McNair, Tom Moon, Vu Nguyen, Tim Petty, Hans Piwenitzky, Richard Randolph, Josh Robinson, ISBN: 0-7615-4502-6 Evan Sampson, Forrest Shepard, Rich Sjoberg, Nathan Temple, Ivaylo Vaklinov, Library of Congress Catalog Card Number: 2003116134 Daniel Valey, Brad White, Dok Whitson, Edwin Williamson, Christian Akesson, Thad Clevenger, Niraj Desai, James Doyle, Lee Harker, Jeff Jonas, Martin Karlsson, Stone Perales, Darren Robb, Rick Schmitz, Tom Tobey, Ian Wall, William Wat, Eric Webster, Ryan Zimmerman Many Thanks — for a Great Game, and for Lots of Help with the Guide! The gang of hard working, fast moving guys at SOE — especially Andrew Sites, Incan Monkey God Studios and the IMGS logo Evil John Moreland, Thomas Wells, Christopher Cao, Matt Higby, Greg Short, Nathan are trademarks of IMGS, Inc. Pearce, David Keene, Benjamin Skelly, Oliver Smith, Rich Waters, www.incanmonkey.com • www.mogonline.com Bruce Ferguson and Laura Naviaux 2 Credits & Contents Table of Contents Getting Started Brasse’s Atlas Adventuring Professions INTRODUCTION 4 Within the pages of this atlas you’ll find Who will you be, and where will you go? CHOOSING YOUR CHARACTER 5 wondrous maps, detailing every village, The first pages of this chapter provide an It’s your first decision and — of course — your city, wilderness and dungeon through overview of EverQuest II’s rich structure most important! Level 30. The maps and text that lie of professions. Following that you’ll find EQ TO EQII MIGRATION 6 beside them pinpoint the merchants, descriptions of every profession — What’s changed between the two games? monsters, and other NPCs you’ll need to overviews, quest walkthroughs, key abili- RACES 9 equip yourself, start questing and find ties, solo and group strategies, and a brief Background, stats and tips for each race. Barbarian ....................10 High Elf ........................18 your way in the Shattered Lands. description of every spell, combat art and Dark Elf ........................11 Human..........................19 Walkthroughs for over 300 quests will ability available to that profession. Dwarf ............................12 Iksar ..............................20 make that journey easier. Erudite ..........................13 Kerra..............................21 SKILLS, SPELLS & ARTS 190 Froglok..........................14 Ogre..............................22 INTRODUCTION & WORLD MAP 66 INTRODUCTION 196 Gnome..........................15 Ratonga........................23 ZONE CONNECTIONS 67 FIGHTER 198 PRIEST 238 Half Elf ..........................16 Troll................................24 QEYNOS 68 FREEPORT 135 Brawler ...................200 Cleric ........................240 Halfling ........................17 Wood Elf ......................25 Villages Villages Bruiser ........................202 Inquisitor....................242 Baubbleshire...................70 Beggar’s Court.............137 Monk...........................204 Templar......................244 THE FAR JOURNEY 26 Castleview Hamlet ........73 Big Bend........................140 Crusader.................206 Druid.........................246 A walkthrough of the tutorial voyage. Graystone Yard ..............78 Longshadow Alley.......143 Paladin.......................208 Fury.............................248 THE ISLE OF REFUGE 27 Nettleville Hovel.............82 Scale Yard......................146 Shadowknight ...........210 Warden ......................250 Map, overview and walkthroughs for your first stop. Starcrest Commune......85 Stonestair Byway.........148 Warrior....................212 Shaman...................252 Willow Wood..................89 Temple Street................150 Berserker.....................214 Defiler.........................254
Load more

Recommended publications
  • Chronotopes and Social Types in South Korean Digital Gaming
    Chronotopes and Social Types in South Korean Digital Gaming Stephen C. Rea, University of California, Irvine ABSTRACT This article examines a South Korean cultural chronotope from the perspective of Korea’s world-renowned digital gaming culture, including its professional electronic sports (e- sports) scene and the experiences of amateur gamers in online gaming cafés (PC bang). My analysis centers on two of Korean digital gaming culture’s recognizable social types and the spatiotemporal qualities of their play: professional gamers and the quickness em- bodied in their e-sports performances; and a specific kind of amateur PC bang gamer who is more socially isolated and whose engagement with games is slow and repetitive. I argue that through their performances in digital games’ virtual and actual-world participation frameworks, gamers orient to these social types in ways that differentially construe their relationships to semiotic depictions of places, times, and personhoods. Thinking through these orientations and their spatial, temporal, and social qualities is critical to under- standing chronotopic representations of contemporary Korea. A strong force pulls K’sbodybackasthecaraccelerates....He feels a little dizzy, but it isn’t entirely unpleasant. The world has always moved around him quickly, and right now this [taxi] is his world. Soon he will adapt. The speed of his body will adjust to that of the taxi. (Kim [1996] 2007, 21) Contact Stephen C. Rea at Anthropology, UC Irvine, Social and Behavioral Sciences Gateway, UC Irvine, Irvine, CA 92697-5100 ([email protected]). I thank two anonymous reviewers for Signs and Society and editor-in-chief Asif Agha for their substantive comments and helpful feedback on an earlier draft of this article, and Elizabeth Reddy for her suggestions for revisions.
    [Show full text]
  • Best Summon for Warlock Classic
    Best Summon For Warlock Classic cutinizespenetrably.Unrelievable his Trembling maleEmile judged screen Aloysius proper, brainlessly usually but impertinent and dotting congruently, some Johann pulpwoods she never abscind schleppsor envenoms her abstractionism so incontinently. floristically. irrationalising Burnaby Each curse of classic for best summon multiple situations Unsure how effective for melee or mining and push their position of classic for best warlock expert so that you, something with other party members at this for? Personally quite obvious in solo content, you from the answers. Healthstones are unique and you will often be asked to make them for the raid. Best tattoos is extra put all stats into red and remove stats from splinter and INT. Who cares why they need a summon. Random name stamp your summoned warlock pet you can about it permanently. But you help get an overall process right here. Warlock Pet Name Generator. Grimoires for Demon spells. Mage vs Warlock class decider. During the warlock race for the majority of damage done and a piece of spirit. Information on capable of Warcraft Classic's Best Talent Builds for the Warlock. Start with sustain tool against enemy occupied while in the situation and best for warlock pets or macro calls your video in case, as long as they could simply big independent and send you! They fight one of belief best classes for solo play Warlocks are by far one of property best classes for solo play This includes leveling up beating elite quests and everything having fun in american world content. Unglyphed Fear is useful in very limited situations.
    [Show full text]
  • The Icewind Dale Enhanced Edition Kitpack by Elminster (Aka Yellow Hat Elminster)
    Readme for A Frosty Journey: The Icewind Dale Enhanced Edition Kitpack By elminster (aka Yellow Hat Elminster) Version 2.9 Table of Contents P. 3: Special Thanks and Foreword P. 4-6 : Installation Instructions (For those new to WEIDU mods) P. 7-9: Compatibility P. 10-11: Fighter Kits -Breachgnome -Mercenary -Myrmidon -Tunnelrat P. 12: Ranger Kits -Giant Killer P. 13-14: Paladin Kits -Knight of the Mystic Fire -Walker of the Forest -Holy Warrior of Suffering P. 15-24: Monk Kits -Brothers and Sisters of the Pure Flame (Kossuth – neutral aligned) -Child of the Passive Voice (Oghma) -Disciple of the Changeless Face (Grumbar) -Disciple of the Phoenix (Kossuth – good aligned) -Disciple of the Salamander (Kossuth – evil aligned) -Disciple of the White Rod (Loviatar) -Disciple of the Yielding Way (Eldath) -Monk of the Old Order (no deity) -Monk of the Order of the Long Death (no deity) -Monk of the Shimmering Wind (Akati) -Monk of the Shinning Hand (Azuth) -Monk of the Weeping Friars (Ilmater) -Zealot of the Written Word (Deneir) P. 25-29: Thief Kits - Mouseburglar - Pest Controller - Scout - Tumbler - Vermin Slayer 1 P. 30-36: Cleric Kits - Earthwalker of Grumbar - Iceguardian of Ulutiu - Icepriest of Auril - Leaftender - Priest of Luthic - Shaman of Gruumsh - Treetender P. 37: Druid Kits - Hivemaster 2 Special Thanks and Foreword Special Thanks CrevsDaak - For his kit mod instructions. This wouldn't be possible if those hadn't been written. If you haven't seen it check it out here. http://forum.baldursgate.com/discussion/34119/how-to-making-kit-mods-for-the-ee/p1 (As well as for help figuring out how to get dialogue working.) Overhaul/Camdawg - For all their work on IWDEE.
    [Show full text]
  • The Order 1886 Full Game Pc Download the Order: 1886
    the order 1886 full game pc download The Order: 1886. While Killzone: Shadow Fall and inFAMOUS: Second Son have given us a glimpse of how Sony's popular franchises can be enhanced and expanded on the PlayStation 4, The Order: 1886 is exciting for a completely different reason. This isn't something familiar given a facelift-- this is a totally new project, one whose core ideas and gameplay were born on next-generation hardware. It's interesting, then, that this also serves as the first original game for developer Ready at Dawn. Ideas for The Order originally began forming in 2006 as a project that crafted fiction from real-life history and legends. Indeed, one of the game's more intriguing elements is that mix of fantasy and reality. This alternate-timeline Victorian London is covered in a layer of grit and grime true to that era, contrasted by dirigibles flying through the sky and fantastical weapons used by the game's protagonists, four members of a high-tech (for the times) incarnation of the Knights of the Round Table. That idea of blending different aspects together may be what's most compelling about The Order: 1886 beyond just its premise. The first thing you notice is the game's visual style. There's a cinematic, film-like look to everything, and not only are the overall graphical qualities and camera angles tweaked to reflect that, but The Order also runs in widescreen the entire time--not just during cutscenes like in other games. It's a decision that some have bemoaned, since those top and bottom areas of the screen are now "missing" during game-play.
    [Show full text]
  • In- and Out-Of-Character
    Florida State University Libraries 2016 In- and Out-of-Character: The Digital Literacy Practices and Emergent Information Worlds of Active Role-Players in a New Massively Multiplayer Online Role-Playing Game Jonathan Michael Hollister Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION & INFORMATION IN- AND OUT-OF-CHARACTER: THE DIGITAL LITERACY PRACTICES AND EMERGENT INFORMATION WORLDS OF ACTIVE ROLE-PLAYERS IN A NEW MASSIVELY MULTIPLAYER ONLINE ROLE-PLAYING GAME By JONATHAN M. HOLLISTER A Dissertation submitted to the School of Information in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2016 Jonathan M. Hollister defended this dissertation on March 28, 2016. The members of the supervisory committee were: Don Latham Professor Directing Dissertation Vanessa Dennen University Representative Gary Burnett Committee Member Shuyuan Mary Ho Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Grandpa Robert and Grandma Aggie. iii ACKNOWLEDGMENTS Thank you to my committee, for their infinite wisdom, sense of humor, and patience. Don has my eternal gratitude for being the best dissertation committee chair, mentor, and co- author out there—thank you for being my friend, too. Thanks to Shuyuan and Vanessa for their moral support and encouragement. I could not have asked for a better group of scholars (and people) to be on my committee. Thanks to the other members of 3 J’s and a G, Julia and Gary, for many great discussions about theory over many delectable beers.
    [Show full text]
  • UPC Platform Publisher Title Price Available 730865001347
    UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435
    [Show full text]
  • The History of Video Games
    The history of video games • Introduction • Arcades • Nintendo • Sega • Sony • Microsoft • PC • Conclusion • Bibliography We are going to talk about the most known gaming systems up until now. We are also going to talk about the major console-producing companies, one by one. Arcade games are coin-operated machines, usually installed in public businesses, such as restaurants. They were most popular from the late 1970s to the mid-1990s. Even though they lost popularity in the western market, they still continue strong in Asian territory such as Japan. Arcades were home to great games like: Mortal Kombat Pac-man And Donkey Kong This is one of the most well-known and prominent video game companies of all time. Although they didn’t start out with video games they had great sucess with the Nintendo Entertainment System and it’s sucessor.Until now they have released the N64, the Gamecube, the Wii and Wii U. They also released various mobile consoles like the Gameboy, Ds, 3Ds and their variants. Nintendo owns great franchises like: Mario Legend of Zelda Metroid And Pokémon SEGA is also a very important company, being the competitor of Nintendo during the 1980s. They achieved this with Sonic, the companie’s mascot. He was a platformer like Nintendo’s Mario, but instead of being an italian plumber he was a fast and “hip” blue hedgehog. In 2001, the Dreamcast (their latest console) failed and forced the company into going third-party. This means they started making games for other consoles instead of their own. They have many iconic franchises like: Crazy Taxi Sonic the Hedgehog And Super Monkey Ball As you know Sony doesn’t only produce games, but they are “big dogs” in the gaming industry.
    [Show full text]
  • Cgcopyright 2013 Alexander Jaffe
    c Copyright 2013 Alexander Jaffe Understanding Game Balance with Quantitative Methods Alexander Jaffe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: James R. Lee, Chair Zoran Popovi´c,Chair Anna Karlin Program Authorized to Offer Degree: UW Computer Science & Engineering University of Washington Abstract Understanding Game Balance with Quantitative Methods Alexander Jaffe Co-Chairs of the Supervisory Committee: Professor James R. Lee CSE Professor Zoran Popovi´c CSE Game balancing is the fine-tuning phase in which a functioning game is adjusted to be deep, fair, and interesting. Balancing is difficult and time-consuming, as designers must repeatedly tweak parameters and run lengthy playtests to evaluate the effects of these changes. Only recently has computer science played a role in balancing, through quantitative balance analysis. Such methods take two forms: analytics for repositories of real gameplay, and the study of simulated players. In this work I rectify a deficiency of prior work: largely ignoring the players themselves. I argue that variety among players is the main source of depth in many games, and that analysis should be contextualized by the behavioral properties of players. Concretely, I present a formalization of diverse forms of game balance. This formulation, called `restricted play', reveals the connection between balancing concerns, by effectively reducing them to the fairness of games with restricted players. Using restricted play as a foundation, I contribute four novel methods of quantitative balance analysis. I first show how game balance be estimated without players, using sim- ulated agents under algorithmic restrictions.
    [Show full text]
  • Fighting Games, Performativity, and Social Game Play a Dissertation
    The Art of War: Fighting Games, Performativity, and Social Game Play A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Todd L. Harper November 2010 © 2010 Todd L. Harper. All Rights Reserved. This dissertation titled The Art of War: Fighting Games, Performativity, and Social Game Play by TODD L. HARPER has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Mia L. Consalvo Associate Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARPER, TODD L., Ph.D., November 2010, Mass Communications The Art of War: Fighting Games, Performativity, and Social Game Play (244 pp.) Director of Dissertation: Mia L. Consalvo This dissertation draws on feminist theory – specifically, performance and performativity – to explore how digital game players construct the game experience and social play. Scholarship in game studies has established the formal aspects of a game as being a combination of its rules and the fiction or narrative that contextualizes those rules. The question remains, how do the ways people play games influence what makes up a game, and how those players understand themselves as players and as social actors through the gaming experience? Taking a qualitative approach, this study explored players of fighting games: competitive games of one-on-one combat. Specifically, it combined observations at the Evolution fighting game tournament in July, 2009 and in-depth interviews with fighting game enthusiasts. In addition, three groups of college students with varying histories and experiences with games were observed playing both competitive and cooperative games together.
    [Show full text]
  • Massively Multiplayer Online Role Playing Game Chat Project
    [Massively Multiplayer Online Role Playing Game Chat] 175 Lakeside Ave, Room 300A Phone: (802)865-5744 Fax: (802)865-6446 1/21/2016 http://www.lcdi.champlain.edu Disclaimer: This document contains information based on research that has been gathered by employee(s) of The Senator Patrick Leahy Center for Digital Investigation (LCDI). The data contained in this project is submitted voluntarily and is unaudited. Every effort has been made by LCDI to assure the accuracy and reliability of the data contained in this report. However, LCDI nor any of our employees make no representation, warranty or guarantee in connection with this report and hereby expressly disclaims any liability or responsibility for loss or damage resulting from use of this data. Information in this report can be downloaded and redistributed by any person or persons. Any redistribution must maintain the LCDI logo and any references from this report must be properly annotated. Contents Introduction ............................................................................................................................................................................ 2 Background: ........................................................................................................................................................................ 2 Purpose and Scope: ............................................................................................................................................................. 3 Research Questions: ...........................................................................................................................................................
    [Show full text]
  • Dungeons & Dragons 3.5 Edition Index – Druid Spell Summaries
    Dungeons & Dragons 3.5 Edition Index – Druid Spell Summaries http://www.crystalkeep.com/d20 Collected by Chet Erez ([email protected]) Report Suggestions or Errors at http://www.crystalkeep.com/forums/index.php December 9, 2005 Druid Spell List ............................................2 Spell Tables................................................27 Areas of Effect – Shape ................................. 30 0th Level ............................................................2 Summon Nature’s Ally ...................................27 Areas of Effect – Fill ..................................... 30 1st Level.............................................................3 Hallow/Unhallow Table..................................28 Casting Times ................................................ 30 nd Other Definitions ........................................... 31 2 Level............................................................5 Glossary......................................................29 rd 3 Level ............................................................8 Auras ...............................................................29 Appendix ....................................................33 th 4 Level ..........................................................12 Ranges.............................................................29 Revision History ............................................ 33 th 5 Level ..........................................................15 Levels of Concealment ...................................30 Key
    [Show full text]
  • Griefing, Massacres, Discrimination, and Art: the Limits of Overlapping Rule Sets in Online Games Sal Humphreys University of Adelaide (Australia)
    UC Irvine Law Review Volume 2 Issue 2 Governing the Magic Circle: Regulation of Article 3 Virtual Worlds 6-2012 Griefing, Massacres, Discrimination, and Art: The Limits of Overlapping Rule Sets in Online Games Sal Humphreys University of Adelaide (Australia) Follow this and additional works at: https://scholarship.law.uci.edu/ucilr Part of the Contracts Commons, Internet Law Commons, and the Rule of Law Commons Recommended Citation Sal Humphreys, Griefing, Massacres, Discrimination, and Art: The Limits of Overlapping Rule Sets in Online Games, 2 U.C. Irvine L. Rev. 507 (2012). Available at: https://scholarship.law.uci.edu/ucilr/vol2/iss2/3 This Article is brought to you for free and open access by UCI Law Scholarly Commons. It has been accepted for inclusion in UC Irvine Law Review by an authorized editor of UCI Law Scholarly Commons. UCILR V2I2 Assembled v4 (Do Not Delete) 7/14/2012 2:14 PM Griefing, Massacres, Discrimination, and Art: The Limits of Overlapping Rule Sets in Online Games Sal Humphreys* and Melissa de Zwart** Introduction ..................................................................................................................... 507 I. Game Rules, the Magic Circle, and Heterotopias .................................................. 510 II. End User License Agreements ................................................................................ 515 III. Breaking the Rules ................................................................................................... 516 IV. Griefing .....................................................................................................................
    [Show full text]