SETLIST: a MEMOIR by MICHAEL WATSON a Thesis Submitted to The
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Super Trash Permalink https://escholarship.org/uc/item/6w27981t Author Gledhill, Jennifer Anne Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Super Trash A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Jennifer Gledhill March 2014 Thesis Committee: Professor Joshua Malkin, Co-Chairperson Professor Charles Evered, Co-Chairperson Professor Bill Rabkin Copyright by Jennifer Gledhill 2014 The Thesis of Jennifer Gledhill is approved: __________________________________________________ __________________________________________________ Committee Co-Chairperson __________________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgements I want to thank Elizabeth Crane Brandt for always having seen me. And then for letting me know that I was seen. Thanks, also, to Joshua Malkin, who graciously kept up with my madness, a task not for the faint of heart. Mr. Malkin also had the rare ability to speak “Jenn-Anne.” While maybe not quite fluent (who is?), he was proficient enough to navigate this girl through the Class VI rapids of her own mind. And I would like to thank Marsha. You nailed it thirty- six years ago. Wish I hadn’t taken so long to hear your wisdom. iv For Gavin v EXT: A MAP OF THE UNITED STATES - DAY A patriotic song dissolves into a techno hip-hop jam. There are four large “states” in the United States, each a different color. Cal Town. Asterisk! G-Mart, and Razzmatazz. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
F a L L W I N T E R 2 0
NEW BOOKS FALL WINTER 2020 TABLE OF CONTENTS Welcome New Publishers ..............................................................................................2 Featured Titles ...................................................................................................................3 Biography/History/True Crime......................................................................................5 Science and Social Sciences ......................................................................................30 Fiction/Poetry/Graphic Novels ...................................................................................41 Religion and Inspiration ..............................................................................................64 Games/Gifts/Seasonal .................................................................................................72 Crafts and Hobbies .......................................................................................................81 Performing Arts and The Arts ............................................................................... 102 Cooking .......................................................................................................................... 117 Children’s ....................................................................................................................... 125 Health/Self-Help/Parenting ..................................................................................... 137 Sports and Recreation ......................................................................................... -
Experiences of Millennials' Usage of the Cassette Tape As Music Media
Play, Rewind, Play Again: Experiences of Millennials’ Usage of the Cassette Tape as Music Media Waleed Rashidi California State University, Fullerton This paper was presented at the 2018 International Summit of the Music & Entertainment Industry Educators Association March 22-24, 2018 https://doi.org/10.25101/18.23 This project was funded by a MEIEA research grant. Abstract Cassette tape purchases in the United States increased Introduction 35% from 2016 to 2017, with 174,000 units sold in 2017 In 2014, Hollywood Records released one of the most (Caulfield 2018). New titles from contemporary artists and popular cassette-based soundtrack albums within the past reissues of classic albums are currently being released on decade. The tape was a soundtrack for Guardians of the cassette, with teens and young adults as some of the recent Galaxy, a film which grossed approximately $773 million users of the analog technology. worldwide (Box Office Mojo, n.d.). Dubbed Awesome Mix This exploratory qualitative study’s purpose is to de- Vol. 1, the compilation included classic tracks by popular scribe and categorize the experiences of millennials’ recent artists of the 1970s and 1980s, including the Jackson 5, Da- purchases and playing of cassette tapes via a presentation vid Bowie, The Raspberries, The Runaways, and Marvin of themes derived from multiple in-depth interviews. The Gaye. Another cassette compilation from the film, Cosmic study offers insight on how some millennials purchase cas- Mix Vol. 1, was released less than a year later with music settes, where and how they play their cassettes, and the at- from artists of similar eras. -
OF CROSSINGS and CROWDS: RE/SOUNDING SUBJECT FORMATIONS by Devon R. Kehler a Dissertation Submitted T
Of Crossings and Crowds: Re/Sounding Subject Formations Item Type text; Electronic Dissertation Authors Kehler, Devon R. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:11:05 Link to Item http://hdl.handle.net/10150/625373 OF CROSSINGS AND CROWDS: RE/SOUNDING SUBJECT FORMATIONS by Devon R. Kehler __________________________ Copyright © Devon R. Kehler 2017 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN RHETORIC, COMPOSITION AND THE TEACHING OF ENGLISH In the Graduate College THE UNIVERSITY OF ARIZONA 2017 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Devon R. Kehler, titled Of Crossings and Crowds: Re/Sounding Subject Formations and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ___________________________________________________________ Date: April 14, 2017 Adela C. Licona ____________________________________________________________ Date: April 14, 2017 Maritza Cardenas ____________________________________________________________ Date: April 14, 2017 John Melillo Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
COUNTRY MUSIC 41 Ri? MARCH 10, 1995 NEW & ACTIVE
COUNTRY MUSIC 41 Ri? MARCH 10, 1995 NEW & ACTIVE KOLANDER Black Dresses (River North Nashville) JEFF CARSON Yeah Buddy (MCG/Curb) MARTINA McBRIDE Where I Used To Have A Heart (RCA) STEVE Adds: 10, WBCS 7, WYAK 5, Total Stations: 37, Total Points: 1424, Total Adds: 7, WHKZ B. WFMB 10, Total Stations: 86, Total Points: 4037, Total Adds: 27, WBCS 15, WCLB Total Stations: 50, Total Points: 1956, Total 12, 9, KNIX 10, WACO 5, KQFC 7, WTHI 6, WTCR 5, KEBC 5, KNIX 10, WACO 10 5, WCTK 5, WPKX 7, WPOC 16, WGTY 11, WKML 13, WHLZ 11, WYAK WQDR 7, WBTU 7, WTCM WAMZ Plays: WAYZ 12 (12), WGTR 14 (13), WWQQ 15 (15), WCUZ 19 (19), 5, WGH 14, WCHY 6, WIRY 5, WCUZ 5, WDDD 18, WMIL 5, WXCL 14, KTOM 8 WGTY KKIX 15 (7), WDRM 9 (6), KDDK 7 (7), WAMZ 7 (9), KGNC 10 (10), WGTC 5, KKIX 7, WNOE 6, KFGO 16, KIXQ 6, KNUE 10, WACO 10, KALF Plays: WFGY 2C (20), WAYZ 12 (12), WYNY 7 (7), WDSY 6 (6), 12 KTEX 10 (5), KLUR 14 (14), KYGO 13 (13), KKAT 5 (5), KiIKF 10 (10), 6, KATM 9, KPLM 14, KNCI 7 17 (16), WTDR 7 (7), WAXX 16 (16), WCUZ 19 (19), WFMB (10), KFDI 12 (5), KLUR 14 (14) KNCI 7 (7) SAMMY KERSHAW If You're Gonna Walk, I'm Gonna Crawl (Mercury) CLINTON GREGORY You Didn't Miss A Thing (Polydor lltashville) 1729, Total Adds: 4, WHKZ 6, KBUL 5, Total Stations: 66, Total Points: 3843, Total Adds: 57, including WXKX Total Stations: 48, Total Points: TOBY KEITH You Ain't Much Fun (Polydor Nashville) KALF 6 38, WEZL 14, WTDR 14, WCKT 15, WRNS 15, WGH 14, WTNT 13, KKAT 5, Total Stations: 15, Total Points: 1101, Total Adds: 15, WTDR 7, WGTR 10 (10), WGTR 14 (13), WRBQ -
An Advanced Songwriting System for Crafting Songs That People Want to Hear
How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big -
Literary Magazine 08.Qxp
northern lights two thousand eight North Hunterdon Art & Literary Magazine North Hunterdon High School Senior Editors: 1445 Route 31 South Lindsay Aspin Annandale, NJ 08801 Beatriz Bianco Tina McLuckie Editors: Laura Bartram Chelsa Salesman Layout Editor: Lindsay Aspin Advisor: Suanne Fetherolf Artwork Credits: Front Cover: Prophet, Chelsa Salesman This Page: Good Times With Grape Soda, Tina McLuckie Back Cover: Giles and Machete Boy, Beatriz Bianco Table of contents...Writing The Woman of the Night, Juliana Rosas 67 Ralau, Chelsa Salesman 8 Fear of Dancing, Beatriz Bianco 69 Wall-Street Shuffle, Autumn Dilley 9 Moving On, Faye Nordmeyer 71 Shoes, Tina McLuckie 10 Shoot Up Love, Brittany Gecik 72 Her Reflection, Britney Gruver 11 My Lazy Days, Jacquie Foran 72 Stitched Between Fingers, Erin Wood 13 You’re Visiting, Chelsa Salesman 73 Light in the Sky, Kenny Nerger 13 Sun Specked Clouds, Deidre Supple 14 ...Artwork Live Oak, Autumn Dilley 14 Transformations, Beatriz Bianco 7 Coyote Collar, Lindsay Aspin 15 Devil Tree, Tina McLuckie 8 I’m One Too, Beatriz Bianco 16 Mariachi on the R Train, Beatriz Bianco 9 Contagious Harmony, Mike Waskiewicz 18 Angry, young and poor, Tina McLuckie 10 Exhale, Meghan Coates 19 Regard, Lindsay Aspin 11 Mouth, Michaela Walsh 19 A home for moths and girls, Beatriz Bianco 12 Tobacco Temptations, Kim Andersen 21 Mannequin, Tina McLuckie 15 Body Part Poems, Tyler Sontag 21 Smith, Tina McLuckie 17 Sunflower Sensations, Kim Andersen 22 Amelia and Dan Tender, Beatriz Bianco 18 Raindance, Laura Bartram 22 Drummer in -
The Winonan - 2010S the Winonan – Student Newspaper
Winona State University OpenRiver The Winonan - 2010s The Winonan – Student Newspaper 3-23-2011 The Winonan Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan2010s Recommended Citation Winona State University, "The Winonan" (2011). The Winonan - 2010s. 34. https://openriver.winona.edu/thewinonan2010s/34 This Newspaper is brought to you for free and open access by the The Winonan – Student Newspaper at OpenRiver. It has been accepted for inclusion in The Winonan - 2010s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. WINONAN Wednesday, March 23, 2011 Volume 89 Issue 20 Tragedy strikes Japan as international students prepare for donation process Chelsea Filipovich University, this disaster has National Police Agency, the surrounding Japanese facilities. of the Fukushima Daiichi Winonan made a significant impact. number ofmissing people stood Takata said that when Nuclear Plant blew a hole in "Everyone asks me how I am at 10,316 and is continually she primarily heard of the the wall and roof, immediately On March 11, a 9.0 doing," Hazuki Takata said, rising. As the tsunami disaster, she thought it was injuring 11 workers. magnitude earthquake struck who has attended Winona engulfed entire ports, cars, fiction. As it becomes more Helicopters, fire trucks, the coast of northern Japan, State since Aug. 2010. boats, and homes, it left little and more real, the tragic and police water cannons which triggered an enormous Because the tragedy hits so trace of clean water and food. truths remain significant as rushed to the scene to tsunami that consumed close to home for Takata and Lines at the supermarket death tolls continue to rise. -
Across the Universe Is a Movie That Makes a Statement, in Every Way
Across the Universe is a movie that makes a statement, in every way possible. This visual movie demands your attention and pulls you in from the very beginning. The experience is spectacular because not only is it a musical, but It has meaning woven into every little detail. The Beatles’ songs are incorporated all throughout the film to tell the tale of war and peace. Even though Across the Universe is a tribute to the legendary band, it shows the trials and tribulations of sixties era. This movie displays a variety of important messages. Most involve love, but some parts of the film depict brutal war scenes, police shootings and riots. Across the Universe makes a political statement as well, with its clear message of anti-war and violence, just as strong as it was back in the day. In the beginning, you see a little bit about the main character’s lives and their problems. Each character has their own story, but they all fit together in the end, after numerous triumphs and failures. The characters develop as you venture further into the musical, as they journey to find themselves and love along the way. Like a puzzle, and rely on one another to paint the final picture. The opening scene takes place on a beach in Ireland, setting the tone of the movie. Jude (Jim Sturgess) is on the search for his father in America, while Lucy (Rachel Wood) bid’s a sad goodbye to her boyfriend drafted into Print to PDF without this message by purchasing novaPDF (http://www.novapdf.com/) the war.