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Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
CV Born 1966, Folkestone, UK. Lives and Works In
Jyll Bradley - CV Born 1966, Folkestone, UK. Lives and works in London Education 1985-1988 Goldsmiths’ College, University of London. BA (Hons) Fine Art 1991-1993 Slade School of Art, University of London. Higher Diploma, Fine Art (Media) Selected Solo Exhibitions and Projects 2019 ‘Currency/Dial (for K&M)’ Private Commission, London, UK 2019 ‘Currency/Dial (for C&A)’ Private Commission, Mallorca, Spain 2019 ‘Opening the Air and Other Stories’, HS Projects, Howick Place, London, UK 2019 ‘Dutch/Light (for Agneta Block)’, Sculpture in the City, London, UK 2018 ‘Opening the Air’, Sculpture in the City, London, UK. Commissioned by City of London. 2017-18 ‘Dutch/Light (for Agneta Block)’ Turner Contemporary, Margate, UK Curated by Victoria Pomery and Sarah Martin 2017 ‘Green/Shade’ Riverside projects, Hull, UK 2017 ‘Brigitte’, Strange Cargo, Cheriton, UK. Curated by Strangelove Festival 2016 ‘Currency’, L’etrangere, London UK. Curated by Joseph Constable 2015 'Le Jardin hospitalier', Hopital Roger Salangro, CHRU, Lille, France. Commissioned and Produced by Amanda Crabtree, artconnexion, Lille, France. 2014 'The friend I have/is a passionate friend', Mummery+Schnelle, London, UK. Curated by Gill Hedley. 2013 'City of Trees', The National Library of Australia, Canberra, Australia. Produced by Canberra 100 (The Centenary of Canberra). 2012 'Lovers, neighbours, friends', artconnexion, Lille, France. Curated by Amanda Crabtree. 2011 'Airports for the Lights, Shadows and Particles' the Bluecoat, Liverpool, UK. Curated by Sara-Jayne Parsons. 2010 'Naming Spaces' Newlyn Art Gallery (The Exchange), Penzance, UK. Curated by Blair Todd. 2008 'The Botanic Garden' The Walker Art Gallery, Liverpool, UK. Project commissioned for Liverpool European Capital of Culture. -
Press Release
Press Release Abigail Lane Tomorrows World, Yesterdays Fever (Mental Guests Incorporated) Victoria Miro Gallery, 4 October – 10 November 2001 The exhibition is organized by the Milton Keynes Gallery in collaboration with Film and Video Umbrella The Victoria Miro Gallery presents a major solo exhibition of work by Abigail Lane. Tomorrows World, Yesterdays Fever (Mental Guests Incorporated) extends her preoccupation with the fantastical, the Gothic and the uncanny through a trio of arresting and theatrical installations which are based around film projections. Abigail Lane is well known for her large-scale inkpads, wallpaper made with body prints, wax casts of body fragments and ambiguous installations. In these earlier works Lane emphasized the physical marking of the body, often referred to as traces or evidence. In this exhibition Lane turns inward giving form to the illusive and intangible world of the psyche. Coupled with her long-standing fascination with turn-of-the-century phenomena such as séances, freak shows, circus and magic acts, Lane creates a “funhouse-mirror reflection” of the life of the mind. The Figment explores the existence of instinctual urges that lie deep within us. Bathed in a vivid red light, the impish boy-figment beckons us, “Hey, do you hear me…I’m inside you, I’m yours…..I’m here, always here in the dark, I am the dark, your dark… and I want to play….”. A mischievous but not sinister “devil on your shoulder” who taunts and tempts us to join him in his wicked game. The female protagonist of The Inclination is almost the boy-figment’s antithesis. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
TESS JARAY Present Lives and Works in London, UK 1957-60 Slade
TESS JARAY Present Lives and works in London, UK 1957-60 Slade School of Fine Art, University College, London, UK 1954-57 Saint Martins School of Art and Design, London, UK 1938 Moved to UK 1937 Born in Vienna, Austria Public Collections Abbot Hall Art Gallery, Kendal, UK Arts Council Collection, London, UK Contemporary Art Society, London, UK Graves Art Gallery, Sheffield, UK Museum of Contemporary Art, Belgrade, Serbia Museum des 20 Jahrhunderts, Vienna, Austria Städtisches Museum, Leverkusen, Germany Sundsvall Museum, Sundsvall, Sweden Szépmüvészeti Múzeum, Budapest, Croatia The British Council, London, UK The British Museum, London, UK The Fogg Art Museum, Harvard University, MA, US The Sainsbury Centre, Norwich, UK The Tate Collection, London, UK The Victoria and Albert Museum, London, UK University College London, London, UK Walker Art Gallery, Liverpool, UK Western Australia Art Gallery, Perth, Australia Whitworth Art Gallery, Manchester, UK Worcester City Art Gallery and Museum, Worcester, UK Select Solo Exhibitions 2018 Tess Jaray: Aleppo, Exile Gallery, Berlin, Germany 2017 Tess Jaray, Early Paintings, Sotheby’s S|2, London, UK Tess Jaray, Djanogly Art Gallery, Nottingham, UK Tess Jaray: Into Light, Marlborough Fine Art, London UK Tess Jaray: The Light Surrounded, Albertz Benda, New York, NY 2016 Tess Jaray: Dark & Light, Megan Piper, London, UK 2015 Extra Terrestrial, East Gallery NUA, Norwich University of the Arts, Norwich, UK 2014 The Landscape of Space, Djanogly Art Gallery, Nottingham, UK 2013 Drawings, Karsten Schubert, -
Group Exhibition
GALERIE THADDAEUS ROPAC GROUP EXHIBITION SEX AND THE BRITISH SALZBURG VILLA KAST 15 Apr 2000 - 03 Jun 2000 SLAP AND TICKLE A perspective on the sexual content of British Art since the 1960s An exhibition under the curatorship of Norman Rosenthal and Max Wigram Great art has often been inspired and driven by Eros. When we talk about eroticism and sex in art, we touch the most original source of artistic inspiration. Important intemationally renowned British artists such as Francis Bacon, Lucian Freud or David Hockney have repeatedly used sex as a leitmotif for their works, indeed their work has even depended on it. Far from being uptight about sex, these artists have explored areas of sexual practice with a graphic opemiess that never shies away from controversy. Besides significant works by Gilbert + George this exhibition brings together the most sensual exhibits of a younger generation of artists, showing fascinating representations of erotic and sexual motifs in art. The explosive development of British art since 1990 owes much to the Vanguard, which paved the way in the 1960s and l970s. Sex has become even more of a major theme in the work of the so-called YBA's (Young British Artists). Sex is nothing to shy away from nor is its fantasy to be disputed because of its frank inclusion in much of contemporary British work. Using the contemporary energy of shock and more traditional ideas of beauty this exhibition contains some extremely explicit and provocative works. It confronts issues of pomography, homosexuality and amorality with a directness that will subsequently make the British and sex appear in a new light. -
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CITY OF LONDON’S PUBLIC ART PROGRAMME SCULPTURE IN THE CITY – 2016 EDITION ANNOUNCED 6th Edition to site 15 works in and around architectural landmarks from the Gherkin to the Cheesegrater Large-scale pieces to include works by Sarah Lucas, William Kentridge & Gerhard Marx, Sir Anthony Caro, Enrico David, Jaume Plensa and Giuseppe Penone Jaume Plensa, Laura, 2013, Cast Iron, 702.9 x 86.4 x 261 cm, Photo: Kenneth Tamaka 28 June 2016 – May 2017, June media previews and installation opportunities to be announced www.cityoflondon.gov.uk/sculptureinthecity @sculpturecity /visitthecity @visitthecity #sculptureinthecity 16 May, 2016, London: The City of London’s annual public art programme, Sculpture in the City, places contemporary art works in unexpected locations, providing a visual juxtaposition to the capital’s insurance district. This year’s edition, the largest to date, will showcase 15 works ranging considerably in scale. A seven-metre high, cast-iron head, by Catalan sculptor Jaume Plensa will peer over visitors to the Gherkin, while a series of delicate and playful lead paper chain sculptures © Brunswick Arts | 2016 | Confidential | 1 by Peruvian artist, Lizi Sánchez, will invite the attention of the more observant passer-by in multiple locations including Leadenhall Market, Bishopsgate and in and around the Cheesegrater. The critically acclaimed, open-air exhibition, has built a rapport with many who live, work and visit the area. Sculpture in the City is known for bringing together both established international artists and rising stars. During the month of June, works will begin to appear around the unique architectural mix of London’s City district. -
A Economia Estética Na Moda Contemporânea a Partir Da Passarela De Alexander Mcqueen (1992-2010)
UNIVERSIDADE FEDERAL DE JUIZ DE FORA INSTITUTO DE ARTES E DESIGN - IAD PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES, CULTURA E LINGUAGENS HENRIQUE GRIMALDI FIGUEREDO ENTRE PADRÕES DE ESTETIZAÇÃO E TIPOLOGIAS ECONÔMICAS: A ECONOMIA ESTÉTICA NA MODA CONTEMPORÂNEA A PARTIR DA PASSARELA DE ALEXANDER MCQUEEN (1992-2010) Juiz de Fora 2018 1 HENRIQUE GRIMALDI FIGUEREDO ENTRE PADRÕES DE ESTETIZAÇÃO E TIPOLOGIAS ECONÔMICAS: A ECONOMIA ESTÉTICA NA MODA CONTEMPORÂNEA A PARTIR DA PASSARELA DE ALEXANDER MCQUEEN (1992-2010) Dissertação apresentada ao Programa de Pós-Graduação em Artes, Cultura e Linguagens, área de concentração: Teorias e Processos Poéticos Interdisciplinares, do Instituto de Artes e Design da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Prof. Dra. Maria Lucia Bueno Ramos Juiz de Fora 2018 2 3 TERMO DE APROVAÇÃO DA DISSERTAÇÃO DO PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES, CULTURA E LINGUAGENS Henrique Grimaldi Figueredo Nome do aluno Entre padrões de estetização e tipologias econômicas: a economia estética na moda contemporânea a partir da passarela de Alexander McQueen (1992-2010) Título Prof. Dra. Maria Lucia Bueno Ramos Orientador Dissertação apresentada ao Programa de Pós-Graduação em Artes, Cultura e Linguagens, Área de Concentração: Teorias e Processos Poéticos Interdisciplinares, Linha de pesquisa: Arte, Moda: História e Cultura, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Aprovada em 14/12/2018 Banca Examinadora: ____________________________________________ -
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery -
A FUND for the FUTURE Francis Alÿs Stephan Balkenhol Matthew
ARTISTS FOR ARTANGEL Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno Ryan Gander Robert Gober Nan Goldin Douglas Gordon Antony Gormley Richard Hamilton Susan Hiller Roger Hiorns Andy Holden Roni Horn Cristina Iglesias Ilya and Emilia Kabakov Mike Kelley + Laurie Anderson / Kim Gordon / Cameron Jamie / Cary Loren / Paul McCarthy / John Miller / Tony Oursler / Raymond Pettibon / Jim Shaw / Marnie Weber Michael Landy Charles LeDray Christian Marclay Steve McQueen Juan Muñoz Paul Pfeiffer Susan Philipsz Daniel Silver A FUND FOR THE FUTURE Taryn Simon 7-28 JUNE 2018 Wolfgang Tillmans Richard Wentworth Rachel Whiteread Juan Muñoz, Untitled, ca. 2000 (detail) Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno ADVISORY GROUP Ryan Gander Hannah Barry Robert Gober Erica Bolton Nan Goldin Ivor Braka Douglas Gordon Stephanie Camu Antony Gormley Angela Choon Richard Hamilton Sadie Coles Susan Hiller Thomas Dane Roger Hiorns Marie Donnelly Andy Holden Ayelet Elstein Roni Horn Gérard Faggionato LIVE AUCTION 28 JUNE 2018 Cristina Iglesias Stephen Friedman CONDUCTED BY ALEX BRANCZIK OF SOTHEBY’S Ilya and Emilia Kabakov Marianne Holtermann AT BANQUETING HOUSE, WHITEHALL, LONDON Mike Kelley + Rebecca King Lassman Laurie Anderson / Kim Gordon / Prue O'Day Cameron Jamie / Cary Loren / Victoria Siddall ONLINE -
Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue Published by WCA ● Gallery Guide
1 Wexner Center for the Arts Exhibition History Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue published by WCA ● Gallery Guide ●LaToya Ruby Frazier: The Last Cruze February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Sadie Benning: Pain Thing February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Stanya Kahn: No Go Backs January 22 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●HERE: Ann Hamilton, Jenny Holzer, Maya Lin September 21 – December 29, 2019 *+●Barbara Hammer: In This Body (F/V Residency Award) June 1 – August 11, 2019 *Cecilia Vicuña: Lo Precario/The Precarious June 1 – August 11, 2019 Jason Moran June 1 – August 11, 2019 *+●Alicia McCarthy: No Straight Lines February 2 – August 1, 2019 John Waters: Indecent Exposure February 2 – April 28, 2019 Peter Hujar: Speed of Life February 2 – April 28, 2019 *+♦Mickalene Thomas: I Can’t See You Without Me (Visual Arts Residency Award) September 14 –December 30, 2018 *● Inherent Structure May 19 – August 12, 2018 Richard Aldrich Zachary Armstrong Key: * Organized by the Wexner Center ♦ Catalogue published by WCA + New Work Commissions/Residencies ● Gallery Guide Updated July 2, 2020 2 Kevin Beasley Sam Moyer Sam Gilliam Angel Otero Channing Hansen Laura Owens Arturo Herrera Ruth Root Eric N. Mack Thomas Scheibitz Rebecca Morris Amy Sillman Carrie Moyer Stanley Whitney *+●Anita Witek: Clip February 3-May 6, 2018 *●William Kentridge: The Refusal of Time February 3-April 15, 2018 All of Everything: Todd Oldham Fashion February 3-April 15, 2018 Cindy Sherman: Imitation of Life September 16-December 31, 2017 *+●Gray Matters May 20, 2017–July 30 2017 Tauba Auerbach Cristina Iglesias Erin Shirreff Carol Bove Jennie C. -
Michael Landy Selected Biography Born in London, 1963 Lives And
Michael Landy Selected Biography Born in London, 1963 Lives and works in London, UK 1985-88, Goldsmith's College Solo Exhibitions 2015 Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam Three-piece, Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia H.2.N.Y, Alexander and Bonin, New York 2004 Welcome To My World built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, London, UK 2000 Handjobs (with Gillian Wearing), Approach Gallery, London, UK 1999 Michael Landy at Home, 7 Fashion Street, London, UK 1996 The Making of Scrapheap Services, Waddington Galleries, London, UK Scrapheap Services, Chisenhale Gallery, London; Electric Press Building, Leeds, UK (organised by the HenryMoore