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Leituras Freudianas E Lacanianas Do Espaço Simbólico Hitchcock's Films O
Universidade de Aveiro Departamento de Línguas e Culturas Ano 2017 Mark William Poole Os Filmes de Hitchcock no Sofá: Leituras Freudianas e Lacanianas do Espaço Simbólico Hitchcock’s Films on the Couch: Freudian and Lacanian Readings of Symbolic Space Universidade de Aveiro Departamento de Línguas e Culturas Ano 2017 Mark William Poole Os Filmes de Hitchcock no Sofá: Leituras Freudianas e Lacanianas do Espaço Simbólico Hitchcock’s Films on the Couch: Freudian and Lacanian Readings of Symbolic Space Tese apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Estudos Culturais, realizada sob a orientação científica do Doutor Anthony David Barker, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro o júri Doutor Carlos Manuel da Rocha Borges de Azevedo, Professor Catedrático, Faculdade de Letras, Universidade do Porto. Doutor Mário Carlos Fernandes Avelar, Professor Catedrático, Universidade Aberta, Lisboa. Doutor Anthony David Barker, Professor Associado, Universidade de Aveiro (orientador). Doutor Kenneth David Callahan, Professor Associado, Universidade de Aveiro. Doutor Nelson Troca Zagalo, Professor Auxiliar, Universidade do Minho. presidente Doutor Nuno Miguel Gonçalves Borges de Carvalho, Reitor da Universidade de Aveiro. agradecimentos Primarily, I would like to thank Isabel Pereira, without whose generosity this entire process would not have been possible. She believes in supporting all types of education and I cannot express my gratitude enough. I express equal gratitude to Marta Correia, who has been the Alma Reville of this thesis. She has had the patience to listen to my ideas and offer her invaluable insights, while proofreading and criticising the chapters as this thesis evolved. -
An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
Surviving Antigone: Anouilh, Adaptation, and the Archive
SURVIVING ANTIGONE: ANOUILH, ADAPTATION AND THE ARCHIVE Katelyn J. Buis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Cynthia Baron, Advisor Jonathan Chambers ii ABSTRACT Dr. Cynthia Baron, Advisor The myth of Antigone has been established as a preeminent one in political and philosophical debate. One incarnation of the myth is of particular interest here. Jean Anouilh’s Antigone opened in Paris, 1944. A political and then philosophical debate immediately arose in response to the show. Anouilh’s Antigone remains a well-known play, yet few people know about its controversial history or the significance of its translation into English immediately after the war. It is this history and adaptation of Anouilh’s contested Antigone that defines my inquiry. I intend to reopen interpretive discourse about this play by exploring its origins, its journey, and the archival limitations and motivations controlling its legacy and reception to this day. By creating a space in which multiple readings of this play can exist, I consider adaptation studies and archival theory and practice in the form of theatre history, with a view to dismantle some of the misconceptions this play has experienced for over sixty years. This is an investigation into the survival of Anouilh’s Antigone since its premiere in 1944. I begin with a brief overview of the original performance of Jean Anouilh’s Antigone and the significant political controversy it caused. The second chapter centers on the changing reception of Anouilh’s Antigone beginning with the liberation of Paris to its premiere on the Broadway stage the following year. -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
The Little Foxes Program
THE LITTLE FOXES 2016/17 SEASON We are deeply saddened by the recent passing of Zelda Fichandler, Arena Stage’s co-founder and first Artistic Director. She was 91. Zelda was an extraordinary woman and brilliant theater professional who transformed American theater with her vision and artistry. From Artistic Director Molly Smith: Zelda is the mother of us all in the American theater. It was her thinking as a seminal artist and architect of the not-for-profit resident theater that imagined resident theaters creating brilliant theater in our own communities. A revolutionary idea. Her thinking and her writing have forged the way we were created and the resident nature of our movement. She is irreplaceable but lives on in every single not-for-profit theater in America — now over 1,500 strong. Her legacy stretches from coast to coast. Arthur Miller wrote in the preface to Arena’s 40th anniversary keepsake book (The Arena Adventure) that Arena had the makings of a national theater for the U.S. Without Zelda and Margo Jones and Nina Vance there would not be this robust American theater landscape. So, it was a vision like Zelda’s that could lead to a time where our vision at Arena for American work can thrive. She had a remarkable openness to new ideas and most of all, to always, always support the artist. Our thoughts and prayers go out to her family and friends who knew her best. The Lillian Hellman Festival is dedicated to the memory of Zelda Fichandler. 2 2016/17 SEASON Remembering Zelda Fichandler1924 - 2016 Celebrate the Life of Zelda Fichandler The Words of a Visionary The Molly Smith Study Sunday, October 23 2:00 PM - 7:00 PM Public Memorial Service The Fichandler Monday, October 24 2:00 PM - 4:00 PM VISIT ARENASTAGE.ORG/ZELDA FOR MORE INFORMATION. -
THE 71St ANNUAL TONY AWARDS LIVE and ONLY on Foxtel Arts, Monday, June 12 from 10Am AEST with a Special Encore Screening Monday June 12 at 8.30Pm AEST
Media Release: Monday June 5, 2017 THE 71st ANNUAL TONY AWARDS Stars from stage and screen join host Kevin Spacey LIVE AND ONLY ON FOXTEL ARTS NEXT MONDAY JUNE 12 AT 10AM Or stream it on Foxtel Play Foxtel Arts channel will broadcast Broadway’s ultimate night of nights the 71st Annual Tony® Awards live and exclusive from Radio City Music Hall in New York City on Monday June 12 from 10am. Marking 71 years of excellence on Broadway, The Tony Awards honour theatre professionals for distinguished achievement on Broadway and has been broadcast on CBS since 1978 and are presented by The Broadway League and the American Theatre Wing. For the first time, Tony and Academy Award winning actor Kevin Spacey will host the Tonys and will be joined by some of the biggest stars from theatre, television, film and music who will take to the stage at the 71st Annual Tony Awards. Broadway’s biggest night will feature appearances by Orlando Bloom, Stephen Colbert, Tina Fey, Josh Gad, Taraji P. Henson, Scarlett Johansson, Anna Kendrick, Keegan-Michael Key, Olivia Wilde, and 2017 Tony Nominees Josh Groban, Bette Midler and Ben Platt. Natasha, Pierre and the Great Comet of 1812, an offbeat pop opera based on a slice of Tolstoy’s “War and Peace”, which stars Josh Groban leads with 12 nominations, including the category for Best Musical alongside Come From Away, about a Canadian town that sheltered travellers after the terrorist attacks of 2001, Dear Evan Hansen, about an anxiety-ridden adolescent who insinuates himself into the life of a grieving family and Groundhog Day The Musical, an adaptation of the Bill Murray Film. -
The Little Foxes Pdf, Epub, Ebook
THE LITTLE FOXES PDF, EPUB, EBOOK Lillian Hellman | 81 pages | 01 Jun 1995 | Josef Weinberger Plays | 9780822206774 | English | London, United Kingdom The Little Foxes PDF Book Samuel J. For this ideological experimentation, she found herself blacklisted by the film industry in and was required to appear before the McCarthy subcommittee on. Nor did she reserve her harsh moralizing for the South—most of her plays attack universal moral faults. Our grandfather and our father learned the new ways and learned how to make them pay. In designing this costume, Orry-Kelly may have referred to images of famed turn-of-the-century actresses like Camille Clifford, who was often featured on postcards wearing dresses with dangerously skimpy straps fig. Ink on paper. Skeffington , This film was ultimately produced as a star vehicle for Bette Davis—and as the so-called First Lady of Hollywood, she was obligated to deliver glamour to her fans in this role fig. Mother Goddam. Death of a Salesman. A few weeks before the official premiere of The Little Foxes , turn-of-the-century influences on contemporary fashion were already prevalent. The taut engineering of the plot garnered immediate attention. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. For our study, we analyzed 1, program transcripts from the two ideologically branded channels— right-wing Fox and left-wing MSNBC—between 6 p. Hellman makes other adjustments to the Greek model of tragedy as well. Follow Us Facebook Twitter Instagram. -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind. -
Classic American Drama Opens Season 71
FORT SMITH LITTLE THEATRE Spotlight 401 North 6th Street February 3, 2018 www.fslt.org Dates: Opening Night Gala of FSLT’s production of The Little Classic American Drama Foxes will be Feb. 15. Regular performances will be Feb. 16, 17, Opens Season 71 and 21 - 24. A Sunday Matinee will be offered on Feb. 18. “Take us the foxes, the little foxes, that spoil the vines: for our vines have Times: All evening performances tender grapes.” — Chapter 2, Verse 15, Song of Solomon begin at 7:30 p.m. Patrons may be A black-hearted leading lady, greedy, unscrupulous siblings, money, and seated after 6:45 p.m.The matinees Southern hospitality circa 1900 Alabama combine for a sparkling poisonous begin at 2:00 p.m. Patrons may be brew in the drama The Little Foxes opening at Fort Smith Little Theatre seated after 1:15 p.m. February 15. Director Jim Moody returns after a hiatus to helm this popular American drama by playwright Lillian Hellman. NEW Box Office Hours: The box office will be staffed, and tickets Lillian Hellman was an American dramatist famous for her mastery of the “well- can be picked up, from 5:30 to 6:30 made” play. The Little Foxes premiered on Broadway in February 1939 starring p.m. Monday-Friday beginning Tallulah Bankhead and Patricia Collinge. The 1941 film, with a screenplay Feb. 5, and from 5:30 to 6:30 p.m. written by Hellman, was a famous vehicle for film actress Bette Davis. In 2016 on Saturdays during the run of actresses Laura Linney and Cynthia Nixon alternated in the roles of Regina the show. -
The Little Foxes by Lillian Hellman Directed by Eda Holmes
The Little Foxes by Lillian Hellman Directed by Eda Holmes “There are people who eat the earth and eat all the people on it … Then there are people who stand around and watch them eat it.” In a small town in the deep South, two brothers, Ben and Oscar Hubbard put together a business deal to build a cotton mill in their town. Determined to be a part of plantation aristocracy, they find themselves in need of more capital to complete the deal. They turn to their sister Regina and her husband Horace for the extra money. They have written letters to Horace who is ill and in hospital but he never responds to their requests. In order for the family to maintain controlling interest in the business, they need this money. Oscar: Naturally, you are our sister and we want you to benefit from anything that we do. Regina: And in addition to your concern for me, you do not want control to go out of the family. That right, Ben? Ben: That’s cynical. Cynicism is an unpleasant way of telling the truth. Regina resolves that she will get her husband to agree to their terms and sends her young daughter, Alexandra, to bring Horace home, despite his illness. When Alexandra protests, Regina stands firm, “You must let me be the judge of his condition …Tell your papa that I want him to come home, that I miss him very much.” A week passes and Horace has not returned with Alexandra. In desperation, the brothers begin to formulate a plan to get Horace’s money without his permission. -
University Microilms International 300 N
MAUREEN STAPLETON, AMERICAN ACTRESS. Item Type text; Thesis-Reproduction (electronic) Authors Rosen, Esther. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 12:15:27 Link to Item http://hdl.handle.net/10150/274791 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame.