PINK FLOYD the LATER YEARS’ Data Di Uscita: 29 Novembre 2019
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The 2019 Programme
Shenington with Alkerton’s Music & Literature Festival The 2019 Programme Shenington with Alkerton’s Music & Literature Festival Welcome to Shenfest 2019 We are again pleased to welcome our community together, with their family and friends, to have fun, to enjoy quality music and literature events and to help raise money for great local causes. Help and encouragement has come from many sources but we would particularly like to thank our sponsors and advertisers. Their kindness and generosity has allowed our costs to be covered and thus we are able again to make entry to all events FREE. We would like to encourage everyone attending to make donations at each event to help maintain our two beautiful Norman churches and to support the inspiring work of the Banbury Young Homelessness Project (BYHP). The programme summary for Shenfest 2019, complete with timing and location details, is on the back page of this brochure. The festival begins with an evening of jazz and swing from the Great Central Big Band, followed by more contemporary music in The Bell. Little Shenfest has a Narnia theme at lunchtime on Saturday and is followed by a talk in Alkerton church by Jacqui Furneaux about her extended trip through Asia and South America on a Royal Enfield Bullet motorbike. We are then very fortunate to have a quintet from the London Mozart Players as our main musical event on Saturday evening. In contrast, The Bell will then host The Popes until late into the evening. On Sunday afternoon the Sloggers again take on The Authors at the cricket ground in Wroxton. -
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017 Quelle: http://www.videodiskothek.com The Orb + David Gilmour - Metallic Spheres (audio only) Alan Parsons + David Gilmour - Return To Tunguska (audio only) Pink Floyd - The Dark Side Of The Moon (full album) Roger Waters - Wait For Her David Gilmour - Rattle That Lock Pink Floyd - Another Brick In The Wall Pink Floyd - Marooned Pink Floyd - On The Turning Away Pink Floyd - Wish You Were Here (live) Pink Floyd - The Gunners Dream Pink Floyd - The Final Cut Pink Floyd - Not Now John Pink Floyd - The Fletcher Memorial Home Pink Floyd - Set The Controls For The Heart Of The Sun Pink Floyd - High Hopes Pink Floyd - The Endless River (full album) [LASERSHOW] Pink Floyd - Cluster One Pink Floyd - What Do You Want From Me Pink Floyd - Astronomy Domine Pink Floyd - Childhood's End Pink Floyd - Goodbye Blue Sky Pink Floyd - One Slip Pink Floyd - Take It Back Pink Floyd - Welcome To The Machine Pink Floyd - Pigs On The Wing Roger Waters - Dogs (live) David Gilmour - Faces Of Stone Richard Wright + David Gilmour - Breakthrough (live) Pink Floyd - A Great Day For Freedom Pink Floyd - Arnold Lane Pink Floyd - Mother Pink Floyd - Anisina Pink Floyd - Keep Talking (live) Pink Floyd - Hey You Pink Floyd - Run Like Hell (live) Pink Floyd - One Of These Days Pink Floyd - Echoes (quad mix) [LASERSHOW] Pink Floyd - Shine On You Crazy Diamond Pink Floyd - Wish You Were Here Pink Floyd - Signs Of Life Pink Floyd - Learning To Fly David Gilmour - In Any Tongue Roger Waters - Perfect Sense (live) David Gilmour - Murder Roger Waters - The Last Refugee Pink Floyd - Coming Back To Life (live) Pink Floyd - See Emily Play Pink Floyd - Sorrow (live) Roger Waters - Amused To Death (live) Pink Floyd - Wearing The Inside Out Pink Floyd - Comfortably Numb. -
“WISH YOU WERE HERE” RECORDING SESSIONS ROGER WATERS Di Jill Furmanovsky
“WISH YOU WERE HERE” RECORDING SESSIONS ROGER WATERS di Jill Furmanovsky Luogo: Abbey Road Studios, Londra. Data: 1975. ll racconto: “Erano passati solo alcuni mesi dal tour di Dark Side of the Moon e Storm mi contattò chiedendomi di andare negli studi di registrazione di Abbey Road per fotografare i Pink Floyd al lavoro. Mi chiese anche di fotografare usando la massima discrezione. Iniziò così la mia esperienza quotidiana al fianco della band che stava per creare uno dei capolavori della musica contemporanea.” Edizione: Edizione 30. Qualità di stampa: stampa Fine Art digitale d’archivio su carta Hahnemuhle. Catalogo: PINKFLOYD001JF “WISH YOU WERE HERE” RECORDING SESSIONS DAVID GILMOUR di Jill Furmanovsky Luogo: Abbey Road Studios, Londra. Data: 1975. Il racconto: “Sfortunatamente non mi trovavo in studio durante la leggendaria visita di Syd Barrett, il 9 giugno del 1975. Syd, grande amico e membro della band fino al 1968, lasciò i Pink Floyd per problemi psichici legati all’abuso di LSD. Syd apparve senza preavviso nel mezzo di una sessione di registrazione e venne riconosciuto a fatica dagli altri. Era molto ingrassato ed aveva la testa e le sopracciglia rasate. Dopo attimi di sconcerto generale, Gilmour lo invitò al suo ricevimento di nozze presso gli uffici della EMI, che si svolgeva proprio quel giorno. Syd accettò di seguire i compagni ma poi scomparve così come era apparso e nessun membro della band lo vide più fino al giorno della sua morte, nel 2006. “Shine on you crazy diamond” è dedicata a lui.” Edizione: Edizione 30. Qualità di stampa: stampa Fine Art digitale d’archivio su carta Hahnemuhle. -
Leibniz and the Foundations of Physics: the Later Years
Philosophical Review Leibniz and the Foundations of Physics: The Later Years Jeffrey K. McDonough Harvard University 1. Introduction In the opening paragraphs of his now classic paper “Leibniz and the Foundations of Physics: The Middle Years,” Daniel Garber (1985, 27) suggests that Leibniz must seem something of a paradox to contemporary readers. On the one hand, Leibniz is commonly held to have advanced a broadly idealist metaphysics according to which the world is ultimately grounded in mind-like monads whose properties are exhausted by their perceptions and appetites. On such a picture, physical bodies would seem to be nothing more than the perceptions or thoughts (or contents there- of ) enjoyed by immaterial substances.1 On the other hand, it is generally recognized (if perhaps less clearly) that Leibniz was also a prominent physicist in his own day and that he saw his work in physics as supporting, and being supported by, his metaphysics.2 But how, in light of his ideal- ism, could that be? How could Leibniz think that his pioneering work in physics might lend support to his idealist metaphysics and, conversely, Earlier versions of this essay were presented to audiences at the Westfa¨lische Wilhelms- Universita¨tMu¨nster, Yale University, Brown University, and Dartmouth College. I am grateful to participants at those events, as well as to referees of this journal for their comments on earlier drafts. I owe special thanks as well to Donald Rutherford and Samuel Levey for helpful discussion of the material presented here. 1. For an entry point into idealist interpretations of Leibniz’s metaphysics, see Adams (1994) and Rutherford (1995). -
Inclusive Education: a Special Right?
Inclusive education: a special right? Gordon C. Cardona We need to make a further shift in how we As I progressed further with my education, I started meeting other perceive the role of education. We have to disabled people and, for the first time, grew more aware that there were others who shared some of my experiences and had their own conceive educational institutions as not simply a unique way of tackling difficult situations. Yet, I felt that going about preparation for work but as an opportunity for my business and presenting myself as ‘normal’ as possible was the children to appreciate human diversity and build course to follow. Whether I wished to admit it or not, school had positive characters and social values. Indeed, socialised me into accepting that my physical disability was a source of while there are many things I learned from my shame and somehow a failure on my part to improve (Barnes, 2003). non-disabled peers at school and beyond, I hope At university, I would also become a regular wheelchair user, which that I also contributed to their experience and created its own problems once I realised that I now had to look out for accessibility in the environment. However, it would not be until I indirectly helped them enrich their lives. developed a visual impairment in the first year of my English Masters degree that I knew that I could not cope with the amount of literature I needed to get through to complete my studies. Over Introduction the next few years, I had to abandon my previous plans and was faced with learning new knowledge and skills. -
Pink Floyd – Live at Knebworth 1990
Pink Floyd – Live At Knebworth 1990 (55:45, CD, LP, Digital, Parlophone/Warner, 1990/2021) Es war zu erwarten, dass die einzelnen Elemente des teuren „The Later Years“-Boxsets nach und nach auch als Standalone- Veröffentlichungen eintrudeln würden. Nachdem schon relativ kurz nach der Box die überarbeitete „Delicate Sound Of Thunder“ in den Regalen stand, gibt’s nun mit „Live At Knebworth 1990“ das nächste Liveschnittchen derGilmour - geführten Pink Floyd. Nun waren Pink Floyd bei besagtem Konzert nur einer von vielen Mega-Acts und spielten deshalb auch nur ein knappes Festivalset-Stündchen – wie Dire Straits, Phil Collins (mit Genesis-Gastauftritt), Paul McCartney, Eric Clapton, Tears For Fears und Status Quo auch. Auf Live-Raritäten oder Experimente muss man hier also verzichten. Neben dem damals noch einigermaßen aktuellen ‚Sorrow‘ gibt’s hier lediglich je zwei Songs von „The Wall“ (‚Run Like Hell‘, ‚Comfortably Numb‘), zwei von „Wish You Were Here“ (‚Shine On…‘ und den Titelsong) sowie unvermeidlicherweise auch zwei von „Dark Side Of The Moon“ – ‚Money‘ und ‚The Great Gig In The Sky‘. Der Grund für die Auswahl des Letzteren dürfte darin zu finden sein, das an diesem Abend mit Clare Torry die Originalsängerin des Stücks mit Floyd auf der Bühne stand. Damit sind wir auch schon bei der Besonderheit dieses Knebworth-Auftritts: die prominenten Gäste. Pink Floyd waren ja nicht unbedingt dafür bekannt, sich Freunde auf die Bühne einzuladen. Da fallen den Meisten wohl nur Billy Corgan 1996 in der Rock And Roll Hall Of Fame, Frank Zappa 1969 auf einem Festival in Belgien und Douglas Adams 1994 im Earls Court ein, und so ist das Auftauchen gleich dreier Nicht-Bandmitglieder schon ein Grund für Sammler, das vorliegende Album in die Sammlung einzureihen. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue. -
Copyright by Daniel Raymond Nass 2007
Copyright by Daniel Raymond Nass 2007 The Dissertation Committee for Daniel Raymond Nass certifies that this is the approved version of the following dissertation: SCATTERED NEEDLES Committee: ______________________________ Donald Grantham, Supervisor ______________________________ Russell Pinkston ______________________________ Bruce Pennycook ______________________________ David Neumeyer ______________________________ Samantha Krukowski SCATTERED NEEDLES by Daniel Raymond Nass, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts The University of Texas at Austin May 2007 Dedication This work is dedicated to my wonderful wife, Gina. Thanks for your unwavering love and support—without which, this work would not have been possible—and especially for not making me sleep in the car after every time that I told you I needed another semester to complete this degree. Acknowledgements I would first like to thank the members of my dissertation committee: Donald Grantham, Russell Pinkston, David Neumeyer, Bruce Pennycook, and Samantha Krukowski. I am grateful for their time, support, and patience throughout this process. Many thanks to all the people who assisted me in the interpretation and understanding of Syd Barrett’s words—in particular, Tim Willis, David Gilmour, and the Laughing Madcaps Online Discussion Group. Special thanks to Kathryn Ostien of Essex Music and Mira Livingston of Lupus Music for their work in acquiring permission for me to set Barrett’s texts in this cycle. Thanks to Steve Vandewater and his staff at the Bean Factory, for providing me a happy, warm, and comfortable place to write this dissertation. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
The Great Gig in the Sky
ABOUT THE GREAT GIG IN THE SKY “The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry. The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife What have the artists said about the song? Almost everyone involved in this song with the exception of drummer Nick Mason has commented about the production, offering different inputs and insights about how the song was created. Great Gig in the Sky? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Richard Wright, taken from 1984 interview with Charlie Kendall It was something that Rick had already written. It’s a great chord sequence. “The Great Gig in the Sky” and the piano part on “Us and Them,” in my view, are the best things that Rick did – they’re both really beautiful. And Alan [Parsons] suggested Clare Torry. I’ve no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, “There’s no lyrics. -
Album- Cover-Art
Making Music Visible? Album-Cover-Art als Konzept der Überschreitung zwischen auditiver und visueller Kunst Storm Thorgersons Gestaltung des Plattencovers „The Division Bell“ von Pink Floyd Entwicklung des Plattencover-Designs als künstlerisches Medium Entstehung Tonträger (Edisons Walzenphonograph um 1877, Berliners Grammophon um 1887) Änderung Verkaufstechniken ab 1940er Jahre neuer Stellenwert des Plattencover-Designs neue soziale Kontexte des Musikhörens, Musik wird zur Ware zuvor Platten meist hinter Theke, Kauf-Entscheidung über Verkaufsgespräch, Wachswalzen, Edison Zylinder und späterer ‚Amberol‘-Zylinder in Boxen verstaut ‚Bücherregal-Präsentationsform‘ Cover erst sichtbar, wenn Verkäufer Platte aus Regal holt standardisierte Dekoration mit wenigen dekorativen Verzierungen und Werbespruch Hinwendung zum ‚self-service‘ ‚impulse-buying‘, visueller Anreiz ersetzt verbale zur Qualität des Produktes; Aufkleber signalisierte, welche Aufnahme in Box Kommunikation zweckmäßige Verpackung zum Schutz der Schallplatte bis 1910 Standard neue Präsentationsform galerieähnliche Inszenierung, Cover nach vorne ausgerichtet Papiertüten ohne Verzierung, wichtige Infos waren auf Label direkt auf der Platte Plattenhülle als Werbemittel Signalwert Cover-Design, Aufmerksamkeitserreger visueller später wurde durch eine Aussparung in der Mitte der Papiertüte das Label nach außen freigelegt Papierplattenhülle, Anreiz animiert Konsumenten zum Herausnehmen und Betrachten, Anhören und Kaufen dann entstanden Designs auf Papiertüten, die sich -
Solo Works JAPAN
Solo Works JAPAN David Gilmour David Gilmour Sampler David Gilmour Guest Appearances David Gilmour Promotional Issues Roger Waters Roger Waters Sampler Roger Waters Soundtrack Roger Waters Promotional Issues PINK FLOYD DVD DISCOGRAPHY Copyright © 2003-2011 Hans Gerlitz. All rights reserved. www.pinkfloyd-forum.de/discography [email protected] This discography is a reference guide, not a book on the artwork of Pink Floyd. The photos of the artworks are used solely for the purposes of distinguishing the differences between the releases. The product names used in this document are for identification purposes only. All trademarks and registered trademarks are the property of their respective owners. Permission is granted to download and print this document for personal use. Any other use including but not limited to commercial or profitable purposes or uploading to any publicly accessibly web site is expressly forbidden without prior written consent of the author. JAPAN PINK FLOYD DVD DISCOGRAPHY PINK FLOYD DVD DISCOGRAPHY Solo Works JAPAN David Gilmour David Gilmour in Concert Label: Capitol Catalog numbers: TOBW-3059 4 988006 942912 (barcode) Country of origin: Japan Format : 16:9 Notes: Concert film from 2002 with guest appearance of Richard Wright. Issued in a standard Amaray case. David Gilmour in Concert Label: Capitol Catalog numbers: TOBW-92008 4 988006 946255 (barcode) Country of origin: Japan Format : 16:9 Notes: Concert film from 2002 with guest appearance of Richard Wright. Issued in a standard Amaray case. JAPAN PINK FLOYD DVD DISCOGRAPHY On An Island – Limited Edition CD + DVD Label: Sony Catalog numbers: MHCP 1223-4 (on OBI spine) MHCP 1223-4 (on rear of OBI) 4 582192 932636 (barcode on OBI) 8 2876-80280-2 5 (barcode on rear of the CD cover) MHCP 1223-4 (on rear of the CD cover) MHCP 1223 (on CD) no barcode on rear of the DVD cover MHCP 1223-4 (on rear of the DVD cover) MHCP 1224 (on DVD) Country of origin: Japan Notes: Limited edition which includes the regular CD and the “Live And In Session” DVD.