February 14, 2021

Total Page:16

File Type:pdf, Size:1020Kb

February 14, 2021 FREE Reporting on the Planet Daily FREE Volume 8 | Issue 5 dailyplanetdc.com February 14, 2021 NEW TRAILER FOR ‘ZACK SNYDER’S JUSTICE LEAGUE’ DEBUTS UNITEDBy Zack Benz dreds of millions of so- Daily Planet cial media mentions, it became a powerful An epic new trailer g l o b a l m o v e m e n t for “Zack Snyder’s Jus- among cinephiles and tice League” has pre- comic book fans alike. miered today. Inten- S o m e o f t h e d i s- tionally released on course with the the- Feb. 14 (2/14) to signify atrical cut was rooted the runtime of Snyder’s around Henry Cavill’s original take, the trailer mustache debacle and revealed something far substitute Director beyond any “cul-de- J o s s W h e d o n ’ s sac.” Snyder’s highly reshoots that updated sought after cut of writing and altered the "Justice League" will be cinematic storyline. four hours long, mak- Whedon took over ing it the longest su- directorial duties after perhero movie to date. Zack and Deborah The highly anticipated Snyder stepped back film will be released to from post-production HBO Max on March 18, to deal with a family 2021. tragedy. After the planet wide Soon after the films #ReleaseTheSnyderCut theatrical release, the m o v e m e n t , H B O movement gained ma- Max and Warner Bros. jor momentum as DC Pictures announced lovers called for Direc- last year that it will ex- tor Zack Snyder’s full clusively world pre- vision, plotted soon af- miere Zack Snyder’s ter “Man of Steel” (2013) director’s cut of the to finally be realized. 2017 feature film “Jus- Back in 2017, Justice tice League.” League was deemed a #ReleaseTheSnyder- critical flop. Now, over Cut first became a pas- three years after the sionate rallying social initial release, fans and media cry among fans actors alike are getting in 2017. From countless the Justice League Henry Cavill as Superman in “Zack Snyder’s Justice League,” which will be available on HBO Max with a subscription starting March press articles and hun- 18, 2021. It will be a four-hour long spectacle. Photo courtesy of Warner Media they deserve. THE ROAD TO THE SNYDER CUT How ‘Zack Snyder’s Justice League’ became a reality By Zack Benz but received its official and Sam Kentman moniker on May 21, Daily Planet 2014. The film, which was originally planned For decades, the Jus- to be a sequel to “Man tice League has saved of Steel,” was first an- humanity f rom the nounced at the San worst threats it has Diego Comic-Con on ever faced, from alien July 20, 2013. warlords to ancient Following the official demons and powerful title announcement for sorcerers, to the God of “ B a t m a n v s . Evil himself, Darkseid. Superman,” Warner And every time, they Bros. revealed their have overcome the planned slate of uni- odds and saved the verse building films to human race. One foe, shareholders on Oct. 15, however, altered their 2014. emergence onto the big screen time and Continued on Page 3 time again, and this One snippet of three posters for “Zack Snyder’s Justice League” released on Jan. 29, 2021. This time it was humanity's singular poster features a still of the fabled directors cut, “Reborn.” Photo courtesy of Zack Snyder turn to rescue the world's greatest he- in the movies leading hasn’t been the same "It will be a further ex- ––What’s inside–– roes. up to its premiere. since. In an article pub- pansion of this uni- W h e n “ J u s t i c e R e c o g n i z i n g t h i s lished by the Wall verse," Silverman told The Dailies | Page 2 League” premiered in tonal shift, fans called Street Journal on April the Wall Street Journal. 2017, it was a critical for the release of the 27, 2014, Warner Bros. "'Superman vs Batman' Superman, world’s greatest heroes | Page 2 flop. It’s creative direc- film’s original director's President of Worldwide will lead into 'Justice tion, lax storyline and cut. The Snyder Cut. In Production Greg Sil- League.’" The Road continued | Page 3 cheap styled special an effort to achieve verman confirmed that At the time, the con- effects felt completely such an endeavor, an Snyder will be direct- ceptualized title for Fallen | Page 3 off. The film was starkly enormous campaign ing Justice League, “Batman vs Superman: different from the sto- was launched and the which was still in its Dawn of Justice” was Risen | Page 4 ries expressed before in world of entertainment early developmental “Superman vs Batman” dailyplanetdc.com @DailyPlanetDC | 1 Dailies February 14, 2021 Continued from the last issue Continued in next issue Superman, World’s Greatest Heroes Continued from the last issue Continued in next issue The Daily Planet is where heroes are born and the story continues. We are proud to report on the planet, daily. The Planet is a nonprofit news organization inspired by DC Comics. Our organization prides itself on journalistic integrity. We hope to help inform the world in order to make it a better place. All of our writers and content contributors are volunteers from across the globe with a passion for comics, writing, news and entertainment. The Daily Planet has always been a beacon of hope for our publisher, Zack Benz. It is his life’s mission to make it shine in a similar light to so many around the world. We’re a voice for the people by the people. Except as noted, all books, titles, characters, character names, slogans, logos, and related indicia are trademarks and copyright of DC Comics and/or WildStorm Productions, an imprint of DC Comics. We are not paid for, sponsored by, or affiliated with DC Comics or Warner Brothers. The Daily Planet logo was originally designed by Jason Sweers. The DC logo is a trademark of DC Comics. dailyplanetdc.com @DailyPlanetDC | 2 News February 14, 2021 The road moving on to Iceland, continued from Page 1 where he later shared a photo of Aquaman ac- The DC films slate at tor Jason Momoa with t h e t i m e i n c l u d e d the caption “One King.” “Batman v Superman: The following week, Dawn of Justice” (2016), “Justice League’s” film- “Suicide Squad” (2016), ing finally concluded “ W o n d e r W o m a n ” as the cast and crew (2017), “Justice League: celebrated the event Part One” (2017), ‘“The with a wrap party, Flash” (2018), “Aqua- where Momoa shared man” (2018), “Shazam” a shirtless picture of (2019), “Justice League: himself thanking all Party Two” (2019), “Cy- involved for the experi- b o r g ” ( 2 0 2 0 ) , a n d ence. “Green Lantern” (2020). Although filming had Of course, we all know finished, production those plans changed. was far from over and From conceptualiza- Zack Snyder would tion to conception, spend the following 2016 truly was the months perfecting his dawn of the DCEU. film. As 2016 drew to a When “Batman vs Su- close, the direc tor perman” premiered shared a first look at March 25, 2016, fans the blockbuster while were introduced to live doing post-production action versions of their work with the caption favorite DC characters. "Working in the dark" In a universe building on Vero. epic, we were intro- Snyder opened 2017 duced to Gal Gadot’s with a shared photo of Wonder Woman, Ben Gal Gadot doing alter- Affleck’s Batman, Ray native dispute resolu- Fisher’s Cyborg, Ezra tion as part of post- Miller’s Flash, Jason production work for Momoa’s Aquaman “Justice League” with and more. the caption "Wonder All heroes introduced Woman working hard in “Batman vs Super- in LA on post of JL" on man” were slated to his favored social net- return to their respec- work, Vero. tive roles for Zack Sny- As production con- d e r ’ s u p c o m i n g tinued, Snyder shared p r o j e c t , “ J u s t i c e a photo of the coloring League: Part One,” process with the cap- which was set to start tion “Down at CO3 with filming in April, with Stefan” on Vero. Cine- Ben Affleck boosted to matographer Larr y an Executive Producer Fong later tweeted a role. response to the Vero As production on post. “Hey kids, this is “ J u s t i c e L e a g u e ” how movies get their commenced, a new, final look, in a digital critical cloud shrouded intermediate suite, over the dusk of this s h o t b y s h o t , n o bold new universe. Af- ‘filters,” on Twitter. ter the destruction in Snyder continued to “Man of Steel,” and the share photos of the dark aftermath wit- work on Vero. In early nessed in “Batman vs March Zack shared two Superman,” some crit- photos of Jason Mo- ics thought Zack Sny- moa’s Aquaman on der’s take on the DC Vero, stressing the universe was too dark character isn’t strictly and surreal. It lacked CGI in his underwater the fanciful nature of dialog. superheroes. However The Snyder’s, and incorrect they may their team, continued have been, the prover- working diligently on bial damage was done the film, but an unex- and the studio started pected family tragedy looking into creating a resulted in their priori- “lighter” cinematic ex- ties shifting towards perience.
Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Army of the Dead” Films in New Mexico
    Michelle Lujan Grisham Governor Alicia J. Keyes Cabinet Secretary Todd Christensen Director FOR IMMEDIATE RELEASE: Bruce Krasnow August 5, 2019 (505) 827-0226, cell: (505) 795-0119 [email protected] “Army of the Dead” films in New Mexico Santa Fe, N.M. – The Netflix-produced feature film “Army of the Dead,” has started principal photography at Albuquerque Studios and will continue through October, announced New Mexico State Film Office Director Todd Christensen. The production will employ 501 New Mexico crew members, 20 New Mexico actors, and 2,163 New Mexico background talent. The feature is directed and produced by Zack Snyder (“Watchmen,” “Man of Steel,” “300”) alongside producers Deborah Snyder (“Watchmen,” “Man of Steel,” “300”) and Wesley Coller (“Watchmen,” “Man of Steel,” “300”). In “Army of the Dead” Snyder returns to his directorial roots, offering this zombie- adventure film. “Army of the Dead” follows a group of mercenaries who, following a zombie outbreak in Las Vegas, take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted. “Netflix is making good on its promise, as part of the 2018 partnership with New Mexico, to bring $1 billion dollars in production to New Mexico over the next 10 years and create up to 1,000 production jobs a year,” said Cabinet Secretary Alicia J. Keyes of the Economic Development Department. “Netflix is a great partner for the State of New Mexico and we are very excited that they chose to film such a high profile project as one of their first films under the NM Partnership Agreement” Starring Dave Bautista (“Guardians of the Galaxy,” “Guardians of the Galaxy Vol.
    [Show full text]
  • Marvel References in Dc
    Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros.
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • AKA Clark Kent) Middle Name Is Joseph
    Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane.
    [Show full text]
  • Superman: What Makes Him So Iconic?
    SUPERMAN: WHAT MAKES HIM SO ICONIC? Superman: What makes him so Iconic? Myriam Demers-Olivier George Brown College © 2009, Myriam Demers-Olivier SUPERMAN: WHAT MAKES HIM SO ICONIC? Introduction “Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound. Look! Up in the sky! It’s a bird, it’s a plane, it’s Superman! “ (Daniels, 1998, p. 1-7). Some people might not recognize the reference to early radio shows and cartoons, but most people will recognize the name Superman. Superman has become such an amazing cultural icon, that almost everyone knows his name, and often his weakness, his powers, the colors of his suit and the name of his arch nemesis. It’s part of common knowledge and everyone has been exposed to him at some time or another. Since the creation of Superman in 1938, comic book research and literary studies have come along way. These allows us to more deeply analyze and understand, as well as unravel the deeper signified meanings associated with the iconic Superman (Wandtke, 2007, p. 25). He is seen as a superhero, but also upholds “truth, justice and the American way” (Watt-Evans, 2006, p. 1). Some see him as Christ-like or Jewish, and even as a fascist. He fulfills some of our needs from the Maslow’s hierarchy of needs, and also expresses different messages depending on the medium in which he is portrayed. There is no end to the Superman merchandise, but Superman as an icon, can change a person.
    [Show full text]
  • Batman, Screen Adaptation and Chaos - What the Archive Tells Us
    This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot.
    [Show full text]
  • Superman Ebook, Epub
    SUPERMAN PDF, EPUB, EBOOK Jerry Siegel | 144 pages | 30 Jun 2009 | DC Comics | 9781401222581 | English | New York, NY, United States Superman PDF Book The next event occurs when Superman travels to Mars to help a group of astronauts battle Metalek, an alien machine bent on recreating its home world. He was voiced in all the incarnations of the Super Friends by Danny Dark. He is happily married with kids and good relations with everyone but his father, Jor-EL. American photographer Richard Avedon was best known for his work in the fashion world and for his minimalist, large-scale character-revealing portraits. As an adult, he moves to the bustling City of Tomorrow, Metropolis, becoming a field reporter for the Daily Planet newspaper, and donning the identity of Superman. Superwoman Earth 11 Justice Guild. James Denton All-Star Superman Superman then became accepted as a hero in both Metropolis and the world over. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. Superman Earth -1 The Devastator. The next few days are not easy for Clark, as he is fired from the Daily Planet by an angry Perry, who felt betrayed that Clark kept such an important secret from him. Golden Age Superman is designated as an Earth-2 inhabitant. You must be a registered user to use the IMDb rating plugin. Filming on the series began in the fall. He tells Atom he is welcome to stay while Atom searches for the people he loves.
    [Show full text]
  • The Evolution of Batman and His Audiences
    Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history.
    [Show full text]
  • Master Class Superman at 80
    Master Class Superman at 80 The iconic superhero, who turned 80 in 2018, has come in and out of fashion. A historian explores why. Interview by Karen McCally ’02 (PhD) The Superman movie, released at the end of 1978, was a turning point. On the one hand, it was the way that it was marketed that I grew up in Australia in the 1960s. The Adventures of Superman made it important, and made Superman important, in my view. television show was on constantly. And I read a lot of comics— They enlisted Marlon Brando in a small role and at a very expen- Superman, Batman, those kind of comics. You could buy black- sive salary, because Christopher Reeve was then an unknown. And and-white reprints of Superman comics, because at the time you they hired several other marquee names, like Gene Hackman. It couldn’t get books published by DC Comics in Australia. So the was one of the first movies to use Dolby sound. And DC Comics superheroes were just there. Just part of the media. was also a very successful licensor of toys and other products. Superman was a product of the Depression, and he was a symbol But I also think the movie came at a moment when America of hope. During the war, it was quite interesting that in the comic was ready for it. I’m pretty sure it wasn’t designed to plug into book, he never really engaged in war. The comic books themselves post-Watergate angst, but it certainly was aware of that.
    [Show full text]
  • “I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
    “I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon.
    [Show full text]
  • Mplc Studio Liste 2020
    MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production
    [Show full text]