Women of Rochester Who Made a Difference!
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2: Provincial Matters
2: Provincial matters Thirty years before Richard Hoggart lived in Rochester, Kathleen McEnery [ 19 ] Cunningham presided at the centre of a lively cultural scene there. In 1914, she had married Francis Cunningham, then secretary and general manager of James Cunningham, Son and Company, a luxury coach- and car-making company. She was probably introduced to Cunningham by his cousin, Rufus Dryer, a good friend of hers in New York and, like her, an artist and a student of Robert Henri at the Art Students League a few years earlier. Before her marriage, she lived in New York, where she was already achieving success as a young artist. Her paintings were exhibited in gallery shows in the city with the work of Stuart Davis, Edward Hopper, George Bellows and other now well-known artists, and two were included in the landmark 1913 Armory Show, known as the major exhibition which introduced European modernism to the United States. In Rochester, she continued to paint – mainly still life works and portraits of her friends and acquaintances. The city was transformed in the years immediately after McEnery’s arrival. I wrote about this a few years ago, in a book about English and American artists outside the mainstream of institutionally accredited ‘modern art’. Economically, the first three decades of the twentieth century had been described as Rochester’s golden age, and the centrality of Eastman-Kodak to the city’s prosperity had important cultural consequences. The establishment by George Eastman of the Eastman School of Music and the Eastman Theatre in 1922 was the single most important event marking the ‘end of provincialism’. -
Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Central Library of Rochester and Monroe County · Historic Scrapbooks Collection
Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Central Library of Rochester and Monroe County · Historic Scrapbooks Collection ttvf • K+f1F^ttS%^^**miii>^m+ ' *•* %2=£3*f^4__ljsj If Mrs. Paul B. Aex had her way, I this little sketch of behind the jj A, scenes at No. 255 Woodbine Ave nue wouldn't have been written. Comptroller's Wife Would Rathe Mrs. Aex would then equal 'X' and we should have to leave it to Talk About Her Son Than Hers the dear public to solve this per sonality problem. But it wouldn't be fair to skip the attractive wife of the new comp troller of Rochester in rounding out this series. Rochesterian Appointed Executive Yes, Mrs. Aex is quiet, demure j—she doesn't like to talk about herself. There's a seventeen-year- Director of Woman's Associatio old Paul Aex, Jr., taller than she— and Mrs. Aex could not "be called • tTteg; "the little woman"—whom she Will Assist President*' of I would much rather talk about. And there's Dic-a-doo, the pedi National Body—Founder greed Boston bull, who snaps out Of Woman's City Club a welcome—a quick little piece, in whom Mrs. Aex takes great de As executive director of the light. American Women's Association, "Do I have a pet?"—that question I Mrs. Helen Probst Abbott, one of from the photographer — brought Rochester's most active woman \ forth the most animated part of •. •workers for woman's suffrage, the the interview. City Manager Plan, and the "You bet I do!" said Mrs. -
Production Handbook for Undergraduate Theatre Majors (Pdf)
Maggie Allesee Department of Theatre and Dance Production Handbook for Undergraduate Theatre Majors “THE ROPES" 2017-18 “The Ropes” is a description of the operating procedures for Undergraduate students’ participation in all theatre Activities. “The Ropes” is a production manual and should be shown that respect in its use. Students are responsible for reading this material and complying with its requirements. (Revised 1 February 2018) TABLE OF CONTENTS Welcome to WSU Theatre & Dance .................................................................................................................................... 3 Attitude/professional deportment .................................................................................................................................... 3 The Bonstelle Company .......................................................................................................................................................... 3 Student Assistantships ............................................................................................................................................................ 4 Call Board & Communications ............................................................................................................................................. 4 Performance Opportunities .................................................................................................................................................. 5 Auditions ...................................................................................................................................................................................... -
Downloaded from Manchesterhive.Com at 09/24/2021 01:00:39PM Via Free Access Which He Was Too Ill to Attend
2: Provincial matters Thirty years before Richard Hoggart lived in Rochester, Kathleen McEnery [ 19 ] Cunningham presided at the centre of a lively cultural scene there. In 1914, she had married Francis Cunningham, then secretary and general manager of James Cunningham, Son and Company, a luxury coach- and car-making company. She was probably introduced to Cunningham by his cousin, Rufus Dryer, a good friend of hers in New York and, like her, an artist and a student of Robert Henri at the Art Students League a few years earlier. Before her marriage, she lived in New York, where she was already achieving success as a young artist. Her paintings were exhibited in gallery shows in the city with the work of Stuart Davis, Edward Hopper, George Bellows and other now well-known artists, and two were included in the landmark 1913 Armory Show, known as the major exhibition which introduced European modernism to the United States. In Rochester, she continued to paint – mainly still life works and portraits of her friends and acquaintances. The city was transformed in the years immediately after McEnery’s arrival. I wrote about this a few years ago, in a book about English and American artists outside the mainstream of institutionally accredited ‘modern art’. Economically, the first three decades of the twentieth century had been described as Rochester’s golden age, and the centrality of Eastman-Kodak to the city’s prosperity had important cultural consequences. The establishment by George Eastman of the Eastman School of Music and the Eastman Theatre in 1922 was the single most important event marking the ‘end of provincialism’. -
Detroit, Michigan 48226
ADVANCE PROGRAMS for Detroit Meetings of Theatre Library Association (Wednesday, July 7, 1965) and Music Library Association (Thursday and Friday July 8 and 9, 1965) This year it has been possible to work out a measure of coordination between the meetings of these two specialized associations concerned with the performing arts. The meetings are being held on successive days in Detroit's Cultural Center with headquarters in the Detroit Public Library's rebuilt and greatly enlarged Main Library at 5201 Woodward Avenue. There will be excursions to the opening night of the Meadow Brook Festival at Oakland University and to Ann Arbor for a day of meetings at the University of Michigan's new School of Music building. Details of the programs follow. Program chairman for the Theatre Library Association meeting is Barnard Hewitt of the University of Illinois' Department of Speech and Theatre. Program chairman for the Music Library Association meeting is Forrest H. Alter of the Flint Public Library's Art, Music and Drama Department. Local arrangements chairman for the two meetings is Kurtz Myers of the Detroit Public Library's Music and Performing Arts Department, assisted by William Hulsker of the Wayne State University General Library (Humanities Division) and William J. Weichlein, University of Michigan School of Music. It is hoped that we will have a good representation of our memberships at these meetings and that a substantial number of the librarians attending the American Library Association Conference in Cabo Hall, who are interested in the performing arts as an area for library service, will join us for some of our programs. -
Emily Sibley Watson (1855-1945)
Emily Sibley Watson (1855-1945) Emily Sibley Watson was a Rochester grand dame who lives on in most people’s imaginations, if she lives on at all, as a staid and starchy dowager. However, archival materials tell a different and vital story, one about a vibrant girl who grew to be a devoted daughter, wife and mother, steadfast friend, intrepid traveler, and compassionate and generous philanthropist. At the same time, as materials have migrated from one generation to the next and into widely separated archives, there are limits to our understanding and interpretation. Still, it is a story filled with adventure, celebration, and tragedy, and its arc overlaps and intersects with the growth of the city famous for Frederick Douglass, Susan B. Anthony, and George Eastman. She remains one of Rochester’s least well-known individuals, overshadowed by the accomplishments of her father and son1, but her gifts to the community have put Rochester on the cultural map for over one hundred years. Emily Sibley Watson in later life Born in 1855, Emily Sibley Watson made her ar- rival around the time that her father, Hiram Sib- ley, was consolidating the Western Union Company. The youngest of four children, and one of only two to survive beyond the 1860s, her life bore only slight resemblance to that of her elder sister, Louise Sibley Atkinson (1833- 1868). Louise spent her earliest years in rural Monroe County, traveled exclusively within the New York/New England region, went to school in Canandaigua, and fretted about expenses. Emily, twenty-two years young- er, was born into immense wealth and privilege and access to the highest levels of culture and society. -
A History of Theatre in New Orleans from 1925 to 1935. Melvin Howard Berry Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1973 A History of Theatre in New Orleans From 1925 to 1935. Melvin Howard Berry Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Berry, Melvin Howard, "A History of Theatre in New Orleans From 1925 to 1935." (1973). LSU Historical Dissertations and Theses. 2446. https://digitalcommons.lsu.edu/gradschool_disstheses/2446 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Emily Sibley Watson, Founder of the Memorial Art Gallery
Emily Sibley as a young person. Emily Sibley Watson as an elderly lady. EMILY SIBLEY WATSON, he was discussing with czarist officials the possibility of a trans-Siberian telegraph FOUNDER OF THE connecting Europe and America. However, MEMORIAL ART GALLERY the Atlantic cable, laid in 1868, made this unnecessary. Later in life, Emily traveled By Christina Palis extensively in Europe, evidenced by her correspondence from Paris and London, and Emily Sibley Watson (1855-1945) she and her second husband took frequent Hiram Sibley (1807-1888), father cruises in their yacht. At the outbreak of James G. Averell (1877-1904), son World War I, they were in the Baltic Sea on and other family members. the way to Russia, and they were marooned in Helsinki for an extended period. Description of the life and accomplishments of Emily Sibley Watson, including the The profit that the Sibley family gained from establishment of the Memorial Art Gallery in the great success of the telegraph allowed memory of her son James G. Averell, them to be generous to charitable initiating the Hochstein School of Music, organizations and higher education, as well and the Sibley family founding of the as generous patrons of the arts. Emily’s Genesee Hospital. Emily Sibley Averell and her son, James. father, Hiram Sibley, was one of the incorporators of Cornell University, endowing the Sibley College of Mechanic In Rochester, New York, the Memorial Art of these integral parts of providing Arts. Emily’s brother Hiram Watson Sibley Gallery contains more than 12,000 works of healthcare, art, and music to the city of founded the Sibley Music Library, housed in art in a collection renowned for its quality Rochester are indebted to an incredible the University of Rochester’s Sibley Hall. -
Frances Parkinson Keyes
The Library of America • Story of the Week From The American Stage: Writing on Theater from Washington Irving to Tony Kushner (The Library of America, 2010 ), pages 521 –535 . Originally published in Atlantic Monthly (April 1953 ). FRANCES PARKINSON KEYES One of the remarkable features of the American theatre in the 1920 s and ’ 30 s was the number of women in charge: Eva Le Gallienne and Katharine Cornell heading their own companies, Alla Nazimova in Hollywood and Jessie Bonstelle in Detroit, Cheryl Crawford at the Group Theatre, Hallie Flanagan at the Federal Theatre Project. In advance of them all was Theresa Helburn, an other product of George Pierce Baker’s Harvard class. After serving a brief stint as a reviewer for The Nation , she became the iron-willed administrator of the The - atre Guild, an offshoot of the Washington Square Players, which championed Shaw and the New Stagecraft. To keep it on a financially even keel, she provided glamour by inviting Alfred Lunt and Lynn Fontanne into the company and produced both the groundbreaking musical comedy Oklahoma! and Paul Robeson’s Othello . There is something piquant in the fact that, by a fluke of childhood friendship, the career of this no-nonsense lesbian should be chronicled by Frances Parkinson Keyes ( 1885 – 1970 ). Keyes, a convert to Roman Catholicism, a firm believer in virginity before marriage, married to a stodgy Republican senator, was a popular purveyor of “women’s fic - tion.” Her first writing had been a series of articles about life in Wash - ington for Good Housekeeping . In the 1950 s, she became a fixture of New Orleans society, which loosened her up. -
The Theatre Magazine; an Analysis of Its Treatment of Selected Aspects of American Theatre
This dissertation has been 63-3305 microfilmed exactly as received MEERSMAN, Roger Leon, 1931- THE THEATRE MAGAZINE; AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE. University of Illinois, Ph.D., 1962 Speech-Theater University Microfilms, Inc.. Ann Arbor. Michigan aa*" *i Copyright by ROGER LEON MEERSMAN 1963 _ < -.-• J-1'.-. v» •>; I, THE THEATRE MAGAZINE: AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE BY ROGER LEON MEERSMAN B.A., St. Ambrose College, 1952 M.A. , University of Illinois, 1959 THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Speech in the Graduate College of the University of Illinois, 1962 Urbana, Illinois UNIVERSITY OF ILLINOIS THE GRADUATE COLLEGE September 20, 1962 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION Ttv Roger Leon Meersman FNTTTT.PX> The Theatre Magazine: An Analysis of Its Treatment of Selected Aspects of American Theatre BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE rw Doctor of Philosophy ./$<j^Y±4S~K Afc^r-Jfr (A<Vf>r In Charge of Thesis yrt rfnSSL•o-g^ . Head of Department Recommendation concurred inf Cw .MluJ^H, ^ya M< Committee ( WgJrAHJ- V'/]/eA}tx.rA on UP, ^A^k Final Examination! fl. ^L^^fcc^A f Required for doctor's degree but not for master's DS17 iii ACKNOWLEDGMENTS I sincerely wish to thank the members of my committee, Professors Karl Wallace, Wesley Swanson, Joseph Scott, Charles Shattuck and Marvin Herrick for establishing high standards of scholarship and for giving me valuable advice in the courses I took from them. -
MAG App Object Scripts: Art by Culture Or Date - Descriptions 10/14/11 1
MAG App Object Scripts: Art By Culture or Date - Descriptions 10/14/11 1 American Art: 20th Century American Art Only a single work of American art appears on this version of the app, but be sure to visit the rest of the American collection on the 1st floor. Ancient Middle Eastern Art At the Crossroads See selected artworks produced up to 4,000 years ago by artists and artisans from the earliest societies of the Middle East and western Asia. Chinese Art Arts of Asia See a selection of traditional artworks produced by artists working over centuries of different dynasties and influences in ancient and medieval China. Egyptian Art Berkeley Gallery of Ancient Art Explore the decorative and functional works of art produced for daily, ceremonial, and funerary purposes in ancient Egypt. The Helen H. Berkeley Gallery is made possible by Helen H. Berkeley, with additional support from the National Endowment for the Arts and public funding secured by New York State Senator Joseph E. Robach. Etruscan Art The Helen H. Berkeley Gallery of Ancient Art See a selection of artworks representing the unique characteristics of the Etruscan civilization of ancient Italy. The Helen H. Berkeley Gallery is made possible by Helen H. Berkeley, with additional support from the National Endowment for the Arts and public funding secured by New York State Senator Joseph E. Robach. European Art: 19th Century European Art Only a single work of art from this period appears on this version of the app, but look for additional works of later European art in other areas of the 2nd Floor. -
KATHARINE CORNELL and ROGER L
Western Kentucky University TopSCHOLAR® Student Organizations WKU Archives Records 1955 UA68/17/2 Scrapbook 1954-1955 Western Players Follow this and additional works at: http://digitalcommons.wku.edu/stu_org Part of the Journalism Studies Commons, Mass Communication Commons, Performance Studies Commons, Photography Commons, and the Public Relations and Advertising Commons Recommended Citation Western Players, "UA68/17/2 Scrapbook 1954-1955" (1955). Student Organizations. Paper 168. http://digitalcommons.wku.edu/stu_org/168 This Other is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Student Organizations by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. , ,. • JII C. • • " - - - • • • • Pres ide.nt Geo'(',.ge Re.eceY' X.Yld Vi c e. Pre sid e'n t Co..th;J AileY) 1st" Vi ce Pre side Y) (j Ma.Y'~ Wo.Y'd \ , I I I \ / \ I I H"storio...Yl 'SecY'e"t"o..Y'~ Po_t V{). n 'vii Y) KI e Ca.ro I AnY)e. Chea.l Trea..sureY' Western Players Hold Traditional Open House The Western Players officially The older club members were began their activities for the year quite pleased with the turnout of last night with their traditional prospective new members. and open house, which is primarily for indications are that the Players the purpose of interesting new will have another successful sea students in the club. gon during the school year. Entertainment was provided in • • • the form of a skit, written by Because of the absence of the Wayne Everly. presenting scenes 9lub's regular faculty sponsor, Rus from plays which the club has pro~ sell H .