DOCSLIB.ORG

Replaceable Grouted External Post-Tensioned Tendons 6

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Replaceable Grouted External Post-Tensioned Tendons 6 Replaceable Grouted External Post-Tensioned Tendons Publication No. FHWA-HIF-19-067 October 2019 Notice This document is disseminated under the sponsorship of the U.S. Department of Transportation (USDOT) in the interest of information exchange. The U.S. Government assumes no liability for the use of the information contained in this document. The U.S. Government does not endorse products or manufacturers. Trademarks or manufacturers’ names appear in this report only because they are considered essential to the objective of the document. They are included for informational purposes only and are not intended to reflect a preference, approval, or endorsement of any one product or entity. FHWA is the source for all images unless otherwise noted, Quality Assurance Statement The Federal Highway Administration (FHWA) provides high-quality information to serve Government, industry, and the public in a manner that promotes public understanding. Standards and policies are used to ensure and maximize the quality, objectivity, utility, and integrity of its information. FHWA periodically reviews quality issues and adjusts its programs and processes to TECHNICAL REPORT DOCUMENTATION PAGE 1. Report No. 2. Government Accession No. 3. Recipient’s Catalog No. FHWA-HIF-19-067 4. Title and Subtitle 5. Report Date October 2019 Replaceable Grouted External Post-Tensioned Tendons 6. Performing Organization Code: 7. Author(s) 8. Performing Organization Report No. Ledesma, T. 9. Performing Organization Name and Address 10. Work Unit No. 11. Contract or Grant No. WSP USA DTFH61-14-D-00048 One Penn Plaza, 2nd floor, 250 W 34th Street NY 10119 New York United States 12. Sponsoring Agency Name and Address 13. Type of Report and Period 14. Sponsoring Agency Code Federal Highway Administration Office of Infrastructure – Bridges and Structures 1200 New Jersey Ave., SE Washington, DC 20590 15. Supplementary Notes Work funded by task order “Advance Concrete Bridge Technology to Improve Infrastructure Performance” between FHWA and WSP. 16. Abstract Corrosion of prestressing strands has required replacement of external post-tensioning tendons in several existing post-tensioned bridges. External tendons are commonly used in concrete box girder bridges constructed using the span-by-span or balanced cantilever methods. Currently in the US, external tendons are discretely bonded at anchorages and deviator locations. Replacement of these types of tendons is a complex and time-consuming operation with safety concerns for personnel. Under task order 5009, WSP conducted a state-of-the-art review, then developed and presented guidance for fully replaceable grouted external tendons. Specific details included post-tensioning system components, structural design and detailing aspects, and tendon installation and replacement procedures. 17. Key Words 18. Distribution Statement No restrictions. This document is available to the public Post-tensioning, bridge design, box girder, through the National Technical Information Service, replaceable, deviator, diablo, double enveloped Springfield, VA 22161. 19. Security Classif. (of this report) 20. Security Classif. (of this page) 21. No. of Pages 22. Price Unclassified Unclassified 47 Free Form DOT F 1700.7 (8-72) Reproduction of completed page authorized. TABLE OF CONTENTS 1.0 INTRODUCTION ---------------------------------------------------------------------------1-1 1.1 Background -------------------------------------------------------------------------------1-1 1.2 Objectives ---------------------------------------------------------------------------------1-1 1.3 Review of Other Replaceable Tendon Concepts --------------------------------1-2 2.0 REPLACEABLE EXTERNAL TENDON CONCEPT ------------------------------2-4 2.1 Current Detailing of External Tendons----------------------------------------------2-4 2.2 Proposed Detailing of External Tendons -------------------------------------------2-7 3.0 DIABOLOS ----------------------------------------------------------------------------------3-1 3.1 Cross Section Shape -------------------------------------------------------------------3-1 3.2 Basic Geometry --------------------------------------------------------------------------3-4 3.3 Diabolo Uses -----------------------------------------------------------------------------3-5 3.4 Half-Shell Cushion Form System ----------------------------------------------------3-8 4.0 POST-TENSIONING ANCHORAGES ------------------------------------------------4-1 5.0 TESTING -------------------------------------------------------------------------------------5-1 5.1 SR 826/ SR 836 Interchange Design-Build Project, Miami, FL ---------------5-1 6.0 DESIGN PARAMETERS -----------------------------------------------------------------6-1 6.1 Tendon Curvature Effects -------------------------------------------------------------6-1 6.2 Diabolo Dimensions---------------------------------------------------------------------6-2 6.3 Deviators with Diabolos ----------------------------------------------------------------6-3 7.0 CONSTRUCTION CONSIDERATIONS ----------------------------------------------7-1 7.1 Diabolo Construction -------------------------------------------------------------------7-1 7.2 Grouting of External PT Tendon -----------------------------------------------------7-3 7.3 De-tensioning an External PT Tendon----------------------------------------------7-4 7.4 Stressing of New External PT Tendon----------------------------------------------7-6 8.0 REFERENCES -----------------------------------------------------------------------------8-1 i LIST OF FIGURES Figure 1-1 Typical External Tendons in a Box Girder ------------------------------------- 1-1 Figure 2-1 Typical External Tendon Details ------------------------------------------------- 2-4 Figure 2-2 Bonded Rigid Steel Pipes in Deviator ------------------------------------------ 2-5 Figure 2-3 Bonded Rigid Steel Pipe in Diaphragm ---------------------------------------- 2-5 Figure 2-4 Cracked Concrete Anchor Block During De-tensioning -------------------- 2-6 Figure 2-5 Rigid Steel Pipe Pull-out Resulting in Spalled Concrete ------------------- 2-6 Figure 2-6 Replaceable External Tendons using the Double Envelope Concept -- 2-7 Figure 3-1 Alternative Diabolo Cross Section Shapes ------------------------------------ 3-2 Figure 3-2 Rendering of Trumpet Shaped Diabolos at a Deviator --------------------- 3-3 Figure 3-3 Rendering of Race Track Shaped Diabolos at a Deviator ----------------- 3-3 Figure 3-4 View of External Tendons at a Deviator --------------------------------------- 3-4 Figure 3-5 Diabolo Form Basic Geometry --------------------------------------------------- 3-5 Figure 3-6 Elevation View of a Span-by-Span Bridge with External Tendons ------ 3-6 Figure 3-7 Type 1 Form at Deviator----------------------------------------------------------- 3-6 Figure 3-8 Type 2 Form at Pier Diaphragm for a Continuous Tendon ---------------- 3-7 Figure 3-9 Type 3 Form near Anchorage ---------------------------------------------------- 3-7 Figure 3-10 Type 4 Form near Anchorage -------------------------------------------------- 3-8 Figure 3-11 DSI PE Deflection Half Shell Systems ---------------------------------------- 3-9 Figure 3-12 DSI Half Shell Inserts in Diaphragm during Installation------------------ 3-10 Figure 3-13 DSI PE Half Shell Inserts ------------------------------------------------------- 3-10 Figure 4-1 DSI External PT Plate Anchorage System ------------------------------------ 4-1 Figure 4-2 VSL Type A Plate Anchorage System ----------------------------------------- 4-2 Figure 4-3 VSL Type GC Anchorage System for External Tendons ------------------ 4-2 Figure 5-1 ETAG 013 Deviator Test Set-up for Static Load Test ---------------------- 5-2 Figure 5-2 Diabolo Test Specimen Prior to Concreting----------------------------------- 5-2 Figure 5-3 Diabolo Testing in Progress ------------------------------------------------------ 5-3 Figure 5-4 Stressing Jack Fully Retracted--------------------------------------------------- 5-3 Figure 5-5 Duct Internal Area Wear after Testing------------------------------------------ 5-4 Figure 6-1 Minimum Tendon Radii and Tangent Length --------------------------------- 6-1 Figure 6-2 Deviator Design --------------------------------------------------------------------- 6-3 Figure 7-1 Diabolo Constructed using Removable Form – During Construction --- 7-1 ii Figure 7-2 Diabolo Constructed using Stay-In-Place Form ------------------------------ 7-2 Figure 7-3 Diabolo Constructed using Removable Form – After Construction ------ 7-2 Figure 7-4 Current Grouting Detail for Tendon at Diaphragm--------------------------- 7-3 Figure 7-5 Proposed Grouting Detail for Tendon at Diaphragm ------------------------ 7-3 Figure 7-6 Proposed Grouting Detail for Tendon at Diaphragm ------------------------ 7-4 Figure 7-7 Tendon De-tensioning Schematic ----------------------------------------------- 7-5 Figure 7-8 U-bolt Clamps around Strands --------------------------------------------------- 7-6 Figure 7-9 Stressing End Clearance Diagram ---------------------------------------------- 7-7 Figure 7-10 Anchorage Clearance at Interior Diaphragm for Span-by-Span Construction ---------------------------------------------------------------------------------------- 7-9 Figure 7-11 Non-Stressing End Anchorage Clearance at End Diaphragm ---------- 7-9 LIST OF TABLES Table 1-1 External Tendon Requirements in Various Countries ----------------------- 1-3 Table 6-1 Minimum
Load more

Recommended publications
  • National Circus and Acrobats of the People's Republic of China
    Friday, September 11, 2015, 8pm Saturday, September 12, 2015, 2pm & 8pm Zellerbach Hall National Circus and Acrobats of the People’s Republic of China Peking Dreams Cal Performances’ $"#%–$"#& season is sponsored by Wells Fargo. PROGRAM Peking Dreams EKING (known today as Beijing), the capital of the People’s Republic of China, is a Pfamous historical and cultural city with a history spanning 1,000 years and a wealth of precious Chinese cultural heritage, including the Great Wall, the Forbidden City, the Summer Palace, and the Temple of Heaven. Acrobatic art, Chinese circus, and Peking opera are Chinese cultural treasures and are beloved among the people of Peking. These art forms combine music, acrobatics, performance, mime, and dance and share many similarities with Western culture. Foreign tourists walking along the streets or strolling through the parks of Peking can often hear natives sing beautiful Peking opera, see them play diabolo or perform other acrobatics. Peking Dreams , incorporating elements of acrobatics, Chinese circus, and Peking opera, invites audiences into an artistic world full of history and wonder. The actors’ flawless performance, colorful costumes, and elaborate makeup will astound audiences with visual and aural treats. PROGRAM Opening Acrobatic Master and His Pupils The Peking courtyard is bathed in bright moonlight. In the dim light of the training room, three children formally become pupils to an acrobatic master. Through patient teaching, the master is determined to pass his art and tradition down to his pupils. The Drunken Beauty Amidst hundreds of flowers in bloom, the imperial concubine in the Forbidden City admires the full moon while drinking and toasting.
    [Show full text]
  • The Beginner's Guide to Circus and Street Theatre
    The Beginner’s Guide to Circus and Street Theatre www.premierecircus.com Circus Terms Aerial: acts which take place on apparatus which hang from above, such as silks, trapeze, Spanish web, corde lisse, and aerial hoop. Trapeze- An aerial apparatus with a bar, Silks or Tissu- The artist suspended by ropes. Our climbs, wraps, rotates and double static trapeze acts drops within a piece of involve two performers on fabric that is draped from the one trapeze, in which the ceiling, exhibiting pure they perform a wide strength and grace with a range of movements good measure of dramatic including balances, drops, twists and falls. hangs and strength and flexibility manoeuvres on the trapeze bar and in the ropes supporting the trapeze. Spanish web/ Web- An aerialist is suspended high above on Corde Lisse- Literally a single rope, meaning “Smooth Rope”, while spinning Corde Lisse is a single at high speed length of rope hanging from ankle or from above, which the wrist. This aerialist wraps around extreme act is their body to hang, drop dynamic and and slide. mesmerising. The rope is spun by another person, who remains on the ground holding the bottom of the rope. Rigging- A system for hanging aerial equipment. REMEMBER Aerial Hoop- An elegant you will need a strong fixed aerial display where the point (minimum ½ ton safe performer twists weight bearing load per rigging themselves in, on, under point) for aerial artists to rig from and around a steel hoop if they are performing indoors: or ring suspended from the height varies according to the ceiling, usually about apparatus.
    [Show full text]
  • JUGGLING in the U.S.S.R. in November 1975, I Took a One Week Tour to Leningrad and Ring Cascade Using a "Holster” at Each Side
    Volume 28. No. 3 March 1976 INTERNATIONAL JUGGLERS ASSOCIATION from Roger Dol/arhide JUGGLING IN THE U.S.S.R. In November 1975, I took a one week tour to Leningrad and ring cascade using a "holster” at each side. He twice pretended Moscow, Russia. I wasfortunate to see a number of jugglers while to accidentally miss the catch of all 9 down over his head before I was there. doing it perfectly to rousing applause and an encore bow. At the Leningrad Circus a man approximately 45 years old did Also on the show was a lady juggler who did a short routine an act which wasn’t terribly exciting, though his juggling was spinning 15-inch square glass sheets. She finished by spinning pretty good. He did a routine with 5, 4, 3 sticks including one on a stick balanced on her forehead and one on each hand showering the 5. He also balanced a pole with a tray of glassware simultaneously. Then, she did the routine of balancing a tray of on his head and juggled 4 metaf plates. For a finish, he cqnter- glassware on a sword balanced point to point on a dagger in her spun a heavy-looking round wooden table upside-down on a 10- mouth and climbing a swaying ladder ala Rosana and others. foot sectioned pole balanced on his forehead, then knocked the Finally, there were two excellent juggling acts as part of a really pole away and caught the table still spinning on a short pole held great music and variety floor show at the Arabat Restaurant in in his hands.
    [Show full text]
  • What's Happening at the IJA ?
    THE INTERNATIONAL JUGGLERS’ ASSOCIATION October 2007 IJA e-newsletter editor: Don Lewis (email: [email protected]) Renew at http://www.juggle.org/renew What’s Happening at the IJA ? In This Issue: 2008 Lexington IJA Festival Help Wanted Have You Moved, or Gotten a New Email Address? Treasury Remember, the only way to ensure that you don't miss a World Juggling Day single issue of JUGGLE magazine is to give us your new Marketing the IJA address. The USPS will generally not forward JUGGLE Joggling Record magazine. Insurance To update your mailing address, email, or phone, please Regional Festivals send email to [email protected] or call TurboFest - Quebec City 415-596-3307 or write to: IJA, PO Box 7307, Austin, TX 78713-7307 USA. World Circus Year 2008 IJA Festival, Lexington, Kentucky The Hyatt is connected to the convention center. The convention center has a food court and shops and they are Lexington Notes by Richard Kennison open on a daily basis. There is a vibrant downtown area right Everyone, around the convention center. I just spent two days in Lexington, KY. I am very thrilled to tell The convention center contact person, the hotel contact person you that I think it is a wonderful site. I will not go into long and the theatre contact person are all professional and excited details here but: that we are coming. Bond Jacobs—the visitors bureau contact You can park your car (for free if you stay the the Hyatt) and person is an asset and will go the extra mile for us.
    [Show full text]
  • Circus Class Overview & Links to Victorian Curriculum
    Circus Class Overview & Links to Victorian Curriculum FunFit Circus classes assist students to develop a variety of circus skills that are increasingly popular today. There is nothing like learning a new skill for satisfaction and self-approval. With our huge range of different circus disciplines, there’s something for everyone. Most are individual activities so students can learn at their own pace and hone in on the circus toys they love. They can then work together on partner and group skills and even create short or long circus shows. Circus skills are also something that students can take home and develop. Families and friends love watching as students proudly perform their new circus tricks! Each class addresses the Victorian Curriculum learning area of Health and Physical Education through the strand and sub-strands identified below: Health and Physical Education: Movement and Physical Activity • Moving the body • Understanding movement • Learning through movement Circus classes may also align to the following learning areas and capabilities: • Health and Physical Education: Personal, Social and Community Health • The Arts: Dance • The Arts: Drama • The Arts: Music • Personal and Social Capability • Critical and Creative Thinking Capability For a more detailed understanding of what and how the Movement and Physical Activity content descriptors are addressed through our Circus classes see below: Foundation Level – Includes Juggling, Hula Hoops, Acrobalance, Poi, Staff, Diabolo and Clowning Movement & Physical Activity: Sub-Strand Curriculum (what) - Content Description Pedagogy (how) – Through these circus workshops students will: Practice fundamental movement skills and Practice a variety of fundamental movement skills through a fun warm up activity.
    [Show full text]
  • The Coriolis Force and the Rattleback
    The Coriolis Force and the Rattleback Frederick David Tombe, Belfast, Northern Ireland, United Kingdom, [email protected] 17th December 2010 Abstract. The rattleback (Celtic Stone) is the most mysterious phenomenon in classical mechanics. It reverses its angular momentum by inducing a Coriolis pressure from the dense background sea of rotating electron-positron dipoles which is the medium for the propagation of light. [1] Magnets and Rattlebacks I. Magnets and rattlebacks share in common the fact that they involve a mutual alignment of the spin moments of their constituent atoms and molecules. They differ however in that rattlebacks involve a rotation on the large scale in order to bring this alignment about. In magnetic materials, the induced spin alignment results in a linear force, whereas in rattlebacks, the induced spin alignment results in a reversal torque which opposes the initial rotation. Another important difference is that rattlebacks are generally made of materials which are not as dense as magnetic materials. [2] Gravity and Friction II. Gravity acts vertically downwards and so the reversal torque in a rattleback cannot be sourced in gravity. Sliding friction is involved in that it dissipates the entire motion, but sliding friction by its nature is not something that could cause a reversal torque. Static friction is necessary in order to enable the rocking stage of the rattleback’s cycle. Without static friction, a rattleback will not work. However, static friction by its nature is not something that could actually go as far as to cause a reversal torque. 1 Forging a Torque by Mathematical Manipulation III.
    [Show full text]
  • Juggling – 15013000/15013100 HOPE PE 1506320G
    Course: Juggling – 15013000/15013100 HOPE PE 1506320G Credit for Graduation: 1.0 Credit – HOPE elective credit / Physical Education Credit Pre-requisite: Desire to explore and develop the skill set needed for juggling. Description: Expectations: The purpose of this course is to provide students Students will be expected to embrace the many with the knowledge, skills, and values they need to challenges involved in developing a unique skill become healthy and physically active for a lifetime. set. In addition to developing skills with assorted This course addresses both the health and skill- props, students will be expected to learn about related components of physical fitness which are the greater juggling community, learning theory, critical for students' success. The SAIL juggling program exists to promote self-expression and to prop building, routine development etc. encourage creativity. Students will have the Participation and movement are key components opportunity to form new friendships and develop for being successful in this course. skills that will last a lifetime. In addition to conventional ball, club and ring juggling, students will be exposed to a plethora of props likely including but not limited to unicycle, cigar box manipulation, rolla bolla, contact juggling, card throwing, throw top, yo-yo, diabolo, hacky sack, passing, kendama and ball spinning. Resources/Materials: Assorted jugging equipment Website: https://www.leonschools.net/Domain/2453 Course: Juggling 15013000 / 15013000 HOPE PE: #15063200 Credit for Graduation: 1.0 Credit - HOPE elective credit Pre-requisite: Description: Expectations: HOPE PE: The purpose of this course is to develop and enhance healthy behaviors that influence lifestyle choices and student health and fitness.
    [Show full text]
  • HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine
    INNOVATIVE SOLUTIONS IN MODERN SCIENCE № 2(11), 2017 UDC 792 (792.7) HISTORY AND STAGE METHOD OF JUGGLING WITH HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine Research the methods of teaching juggling tricks by the big and small hula hoops, due to rising demand for hula hoops in recent years. Hula hoops acquire much popularity both abroad and in Ukraine, and are used not only in school, gymnastics and emotional pleasure, but also in a circus and juggling sports. Also highlights the main directions in the juggling with their features and how the juggling acts itself directly on human health. Also will be examined where this fascinating art form came to us, how it developed, and what kinds acquired in the present. Keywords: hula hoops, juggling, "track", stage technique, white substance, "helicopter". Problem definition and analysis of researches. Today juggling reached incredible development. There is no country where people would not be interested in juggling. There are a lot of conventions and juggling competitions, where people come from all over the world and share experiences with each other. But it should be noted, that there aren’t so much professional juggling schools. And if we talk about juggling by hula hoops, we can admit that there aren’t so much real experts in this field. Peter Bon, Tony Buzan in collaboration with Michael J. Gelb, Luke Burridge, Alexander Kiss, Paul Koshel and many others have written about all kinds of juggling, but left unattended hula hoops juggling. That is why in this article will be examples of author’s tricks with large and small hula hoops with a detailed description.
    [Show full text]
  • Dec 14 Newsletter
    Mill Run Register Newsletter for Mill Run Elementary Volume 48 December 2014 Vickers’ Views: December At-A-Glance As I type my monthly newsle/er ar2cle, I am excitedly awai2ng the arrival of many of you to OUR school, as this is the day of our annual SCA Warming Tree will continue until th Turkey Feast. We will soon be serving nearly 2,000 turkey meals. We December 12 ! Please consider sending in new hats, gloves, scarves, and thermal had six wonderful volunteers here this morning to help with the set- socks. These will be shared with our up, and everyone just seems to be in the best of spirits. I was raised friends in Sterling, VA! by my own parents to love tradi2ons and to do everything within my power to perpetuate them. The Mill Run Turkey Feast is one of the Dec. 1 : Science Expo packets go home very best tradi2ons that we have here, and the excitement is Dec. 3 : Mt. Lion Pride Citizenship Breakfast @ 7:50 palpable with our students, their parents, and our staff. am (by invitation) Dec. 4 : This is a 2me of year when many of us become especially nostalgic, PTO Gift Card Orders Due and we cleave 2ghtly to our families and to our own tradi2ons. As I Snowman Contest info sent home look back to all that has happened here at Mill Run in November and Dec. 5 : PTO Movie Night from 6:30-9:00 p.m. project myself forward through Winter Break, I can’t help but focus Dec.
    [Show full text]
  • Dust Palace Roving and Installation Price List 2017
    ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result.
    [Show full text]
  • How to Plan and Organize a Circus Workshop Page 2 Basics of Acrobalance Page 3
    Index How to plan and organize a circus workshop page 2 Basics of acrobalance page 3 - Part 1 page 4 - Part 2 page 9 Basics of circus props page 15 - Juggling with balls page 17 - Chinese plate page 27 - Diabolo page 23 - Pois page 25 Balloon twisting workshop page 28 How to make your own props page 31 How to prepare a show page 33 Balance and equilibrism page 35 - Slack line page 36 - Stilts page 38 Anja in Denis Mikič Crovella: Circus pedagogy 2016, Cirkus La Bulle and Association CIK How to plan and organize a circus workshop There are several ways to build a program of circus workshops. The planning, organization and implementation of the workshop will depend on various factors. First of all: your pedagogical project . Consider the goals and aims of your organization. What is their main vision? Is it the personal development of the participants? Their physical development? In some cases you will organize workshop in collaboration with other organization. Also consider the goals and aims of your partners. Are they institutional partners? Etc. Then you have to think about yourself . What do you want to achieve by implementing a circus workshop? What are your pedagogical objectives? And how can you reach them? Do you aim to develop personal and social competences of your participant or do you want them only to have fun? Do you want to create a show with the participants? You will have to adapt your objectives to your capacities, that mean that you will have to think about your technical skills and your teaching skills (group management, organization…).
    [Show full text]
  • IJA Enewsletter Editor Don Lewis (Email: [email protected]) Renew at Http
    THE INTERNATIONAL JUGGLERS! ASSOCIATION August 2011 IJA eNewsletter editor Don Lewis (email: [email protected]) Renew at http:www.juggle.org/renew IJA eNewsletter IJA Stage Championships Results, July 21 - 22, 2011 Individuals Contents: 1st: Tony Pezzo 2011 Championships Results 2nd: Kitamura Shintarou IJA Busking Competition 3rd: Tomohiro Kobayashi Joggling Correction Video Download Help Teams Club Tricks Handouts 1st: Showy Motion - Stefan Brancel and Ben Hestness Magazine Process 2nd: Smirk - Reid Belstock and Warren Hammond Will Murray in Afghanistan 3rd: The Jugheads - Rory Bade, Michael Barreto, Alex Behr, Daniel Burke, Sean YEP Report Carney, Tom Gaasedelen, Joe Gould, Danny Gratzer, Conor Hussey, Reid Johnson, Griffin Kelley, Jonny Langholz, Jack Levy, Chris Lovdal, Mara Moettus, Chris Olson, Montreal Circus Festival Evan Peter, Scott Schultz, Joey Spicola, and Brenden Ying Stagecraft Corner Regional Festivals Juniors Best Catches IJA Games Winners 1st: David Ferman 2nd: Jack Denger FLIC Auditions 3rd: Patrick Fraser Busking Competition 1st: Cate Flaherty 2nd: Kevin Axtell 3rd: Gypsy Geoff See all the results online at: http://www.juggle.org/history/champs/champs2011.php Juggling Festivals: Davidson, NC S.Gloucestershire, UK Kansas City, MO Portland, OR Philadelphia, PA Asheville, NC St. Louis, MO Baden, PA Waidhofen, Austria North Goa, India Bali, Indonesia photo: Martin Frost WWW.JUGGLE.ORG Page 1 THE INTERNATIONAL JUGGLERS! ASSOCIATION August 2011 IJA Busking Competition, Most of us know there are a lot of great buskers amongst IJA members, but most of us don!t get to see their street acts in the wild. Stage shows and street shows are totally different dynamics, and different again from the zaniness that occurs on the Renegade stage.
    [Show full text]