DOCSLIB.ORG

LINED SEATTLE CRUISER Filson Has Been Making the Classic Cruiser for More Than 100 Years

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LINED SEATTLE CRUISER Filson Has Been Making the Classic Cruiser for More Than 100 Years Women’s Alaskan Guide Shirt, p. 63 WOMEN’S LINED SEATTLE CRUISER Filson has been making the classic Cruiser for more than 100 years. The Women’s Lined Seattle Cruiser features the same functional pockets and water-repellent 100% Mackinaw Wool as the original, but it’s cut specifically for women who want mobility without bulk. - Four front pockets, full-width back pocket - Cotton flannel lining and handwarmer pockets add warmth and wind resistance - Sleeves lined with slick polyester twill Made in USA with imported material. MATERIAL – 24-oz. 100% virgin Mackinaw Wool + 8-oz. 100% cotton flannel + polyester twill COLOR – Navy NO. 20046728 – XS, S, M, L, XL $450.00 STETSON WOLF CANYON HAT The Filson Wolf Canyon Hat by Stetson is made of quality fur felt for unmatched comfort, water resistance and shape retention. Made in USA with imported material. MATERIAL – Rabbit fur blend + polyester satin + Bridle Leather COLOR – Dark Brown, Birch NO. 20031028 – S, M, L, XL $300.00 BIRCH BROWN - LAURA BURKHART - Seattle, WA Laura Burkhart (above) drew inspiration from the Pacific Northwest’s mountains, lakes and trees–and used it to develop a refreshing, unique style of artwork. “Woodwork is such a physically demanding medium, forcing me to fully immerse myself in the process. This particular style came to fruition a few years ago when I was asked to help design and create the interior of a friend’s local coffee shop. I wanted to take my own approach to the craft that brought in my love for surface pattern with a sculptural element. I’m intrigued by the juxtaposition between the hard lines and the stark contrast of shapes against the fluidity of the wood grain. I love the way the work celebrates nature’s geometry and symmetry.” 36 37 LAURA BURKHART Woodworker WOMEN’S SCOUT SHIRT The Scout Shirt is lightweight and comfortable, yet built with a durable cotton twill for years of wear. - Button-front with spread collar - Two button-flap closure chest pockets - Rear shoulder pleats for freedom of motion - Garment washed for comfort Imported. MATERIAL – 4-oz. 100% cotton twill COLOR – Teal/Black/Gold, Red/Black/Cream NO. 20049643 – XS, S, M, L, XL $115.00 TEAL/BLACK/ RED/BLACK/ GOLD CREAM NEWTEAL/BLACK/GOLD NEWRED/BLACK/CREAM WOMEN’S FIELD PARKA Our traditional parka provides full protection from the elements. A special dry finish wax provides rain repellency. Drawcord- adjustable waist for a custom fit. - Cotton shell treated with a special dry-feeling wax - Button-front closure with natural Corozo nut buttons - Attached adjustable hood - Action-back pleated shoulders for range of motion - Button-flap handwarmer pockets Made in USA with imported material. MATERIAL – 6.8-oz. 100% cotton Bushwax™ + 6-oz. 100% cotton poplin COLOR – Coriander NO. 20007530 – XS, S, M, L, XL $450.00 38 800.624.0201 | 39 WOMEN’S NEW BUCKSHOT TWILL WHITMARSH MESH CAP Imported. TRENCH COAT MATERIAL – 12-oz. 100% cotton twill + The Women’s Whitmarsh Trench Coat is made of a polyester mesh lightweight, water-repellent waxed cotton and lined COLOR – Navy, Otter Green with our signature Feather Cloth. Outfitted with a NO. 20051029 – One size $35.00 peacoat-style, double-breasted front for classic lines. - Water-repellent 6-oz. Bushwax™ cotton - 3-oz. Feather Cloth cotton lining - Peacoat-style, double-button front - Vent at center back hem - Underarm ventilation grommets - Welted slash handwarmer pockets Made in USA with imported material. MATERIAL – 6-oz. Bushwax™ 100% cotton + 3-oz. 100% cotton lining + polyester COLOR – Olive Gray NO. 20069779 – XS, S, M, L, XL $325.00 WOMEN’S DENIM SHIRT WOMEN’S Our Women’s Denim Shirt is made of sturdy 6.5-oz. denim twill. Outfitted with a banded HYLAND SHIRT collar and tailored fit for clean lines. Made of lightweight 3-oz. cotton, the - 6.5-oz. denim twill Women’s Hyland Shirt provides - White color is bleached denim for an breathability and comfort in warm weather. antiqued look The tailored fit eliminates excess fabric - Banded collar for clean lines while maintaining a full range - Single chest pocket of motion. - Button-adjustable cuffs - Button front with spread collar - Single chest pocket Imported. MATERIAL – 6.5-oz. 100% cotton denim twill - Button-adjustable cuffs COLOR – Indigo Blue, White Imported. NO. 20049639 – XS, S, M, L, XL $155.00 MATERIAL – 3-oz. 100% cotton poplin COLOR – Gray/Ivory/Turquoise , Charcoal/Tan/Rust INDIGO BLUE WHITE NO. 20049641 – XS, S, M, L, XL $98.00 NEWCHARCOAL/TAN/RUST NEWGRAY/IVORY/TURQUOISE 40 | FILSON.COM 800.624.0201 | 41.
Load more

Recommended publications
  • Indigenising the Interior of Some Selected Hotels in Enugu Metropolis Through the Production of Textile, Using Igbo Motifs
    International Journal of Art and Art History December 2020, Vol. 8, No. 2, pp. 24-39 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v8n2p3 URL: https://doi.org/10.15640/ijaah.v8n2p3 Indigenising the Interior of Some Selected Hotels in Enugu Metropolis through the Production of Textile, using Igbo Motifs Adaeze Q. Silas-Ufelle1 and Pius A. Ntagu2 Abstract It was observed that interior of hotels in Enugu metropolis are predominantly adorned with foreign fabrics that do not reflect the culture of the host communities. The essence of actualizing and stabilizing the economy, especially the hospitality industry in Enugu metropolis implies employing all workable parameters that can restructure the cultural and economic growth of the people positively. Therefore, there is need to indigenize the interiors of hospitality industry in Enugu using Igbo traditional motifs. Selected hotels were used to mirror this attenuation by employing the Igbo unique traditional symbols and mural designs to acculturate their interior environments. Qualitative research was adopted and snowball sampling was used for the selection of hotels. As a studio area, the work employed the transfer of developed designs on fabrics with the aids of batik, tie-dye and screen printing method of fabric production. The final fabric works were produced to satisfy the various end uses relevant to hotel interiors and to provide materials for documentations as a means of projecting the esteemed culture of Enugu metropolis in particular and Ndigbo in general. The studio experimentation employed mixed media and construction techniques.
    [Show full text]
  • She Has Good Jeans: a History of Denim As Womenswear
    Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style.
    [Show full text]
  • Textile Printing
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik.
    [Show full text]
  • Evaluation of Independent Mesh Modeling for Textile Composites
    EVALUATION OF INDEPENDENT MESH MODELING FOR TEXTILE COMPOSITES A Thesis by JEFFREY SCOTT MCQUIEN Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Chair of Committee, John D. Whitcomb Committee Members, Mohammad Naraghi Terry Creasy Head of Department, Rodney Bowersox May 2017 Major Subject: Aerospace Engineering Copyright 2017 Jeffrey Scott McQuien ABSTRACT The Independent Mesh Method (IMM) was used to analyze stress distributions within a unit cell model for a symmetrically stacked plain weave textile composite. Results from these analyses were compared to those of conventional finite element analyses, which are well established. Preliminary comparisons showed extreme dis- agreement between the two methodologies. Further investigation into the source of these differences led to significant corrections to the IMM implementation. After these updates, much better agreement between the two methodologies was observed; however, noticeable differences were still present. The remaining differences were characterized using a simple two-inclusion model upon which the impacts of the penalty displacement method, which the IMM relies upon heavily, were more appar- ent. It was shown that the implementation of the penalty displacement method for maintaining approximate displacement continuity between two surfaces induces sig- nificant error in stress distributions close to the interface. While these effects are less noticeable in the plain weave model, they are still present and diminish the fidelity of stress information in important tow-matrix interface regions, prohibiting the reliable prediction of damage initiation and growth. ii DEDICATION This thesis is dedicated to my father, without whom, it would have never been.
    [Show full text]
  • Kalemie L'oubliee Kalemie the Forgotten Mwiba Lodge, Le Safari Version Luxe Mexico Insolite Not a Stranger in a Familiar La
    JUILLET-AOUT-SEPTEMBRE 2018 N° 20 TRIMESTRIEL N° 20 5 YEARS ANNIVERSARY 5 ANS DÉJÀ LE VOYAGE EN AFRIQUE TRAVEL in AFRICA LE VOYAGE EN AFRIQUE HAMAJI MAGAZINE N°20 • JUILLET-AOUT-SEPTEMBRE 2018 N°20 • JUILLET-AOUT-SEPTEMBRE HAMAJI MAGAZINE MEXICO INSOLITE Secret Mexico GRAND ANGLE MWIBA LODGE, LE SAFARI VERSION LUXE Mwiba Lodge, luxury safari at its most sumptuous VOYAGE NOT A STRANGER KALEMIE L’OUBLIEE IN A FAMILIAR LAND KALEMIE THE FORGOTTEN Par Sarah Waiswa Sur une plage du Tanganyika, l’ancienne Albertville — On the beach of Tanganyika, the old Albertville 1 | HAMAJI JUILLET N°20AOÛT SEPTEMBRE 2018 EDITOR’S NEWS 6 EDITO 7 CONTRIBUTEURS 8 CONTRIBUTORS OUR WORLD 12 ICONIC SPOT BY THE TRUST MERCHANT BANK OUT OF AFRICA 14 MWIBA LODGE : LE SAFARI DE LUXE À SON SUMMUM LUXURY SAFARI AT ITS MOST SUMPTUOUS ZOOM ECO ÉCONOMIE / ECONOMY TAUX D’INTÉRÊTS / INTEREST RATES AFRICA RDC 24 Taux d’intérêt moyen des prêts — Average loan interest rates, % KALEMIE L'OUBLIÉE — THE FORGOTTEN Taux d’intérêt moyen des dépôts d’épargne — Average interest TANZANIE - 428,8 30 % rates on saving deposits, % TANZANIA AT A GLANCE BALANCE DU COMPTE COURANT EN MILLION US$ 20 % CURRENT ACCOUNT AFRICA 34 A CHAQUE NUMERO HAMAJI MAGAZINE VOUS PROPOSE UN COUP D’OEIL BALANCE, MILLION US$ SUR L’ECONOMIE D’UN PAYS EN AFRIQUE — IN EVERY ISSUE HAMAJI MAGAZINE OFFERS 250 YOU A GLANCE AT AN AFRICAN COUNTRY’S ECONOMY 10 % TRENDY ACCRA, LA CAPITALE DU GHANA 0 SOURCE SOCIAL ECONOMICS OF TANZANIE 2016 -250 -500 0 DENSITÉ DE POPULATION PAR RÉGION / POPULATION DENSITY PER REGION 1996
    [Show full text]
  • Uniform Procurement Guide
    UNITED STATES COAST GUARD AUXILIARY UNIFORM PROCUREMENT GUIDE How do we look? ILLUSTRATIONS AND INSTRUCTIONS – 10/1/2009 ANSC # 7053 RECORD OF CHANGES # DATE CHANGE PAGE 1. Insert “USCG AUXILIARY TUNIC OVERBLOUSE” information page with size chart. 19 2. Insert the Tunic order form page. 20 3. Replace phone and fax numbers with “TOLL FREE: (800) 296-9690 FAX: (877) 296-9690 and 26 1 7/2006 PHONE: (636) 685-1000”. Insert the text “ALL WEATHER PARKA I” above the image of the AWP. 4. Insert the NEW ALL WEATHER II OUTERWEAR SYSTEM information page. 27 5. Insert the RECEIPT FOR CLOTHING AND SMALL STORES form page. 28 1. Insert additional All Weather Parka I information. 26 2 11/2006 2. Insert All Weather Parka II picture. 27 1. Replace pages 14-17 with updated information. 14-17 3 3/2007 2. Insert UDC Standard Order Form 18 1. Change ODU Unisex shoes to “Safety boots, low top shoes, or boat shoes***” 4 4/2007 6, 8 2. Add a footnote for safety boots, low top shoes, or boat shoes 5 2/2008 1. Remove ODU from Lighthouse Uniform Company Inventory 25 1. Reefer and overcoat eliminated as outerwear but can be worn until unserviceable 6-10 6 3/2008 2. Remove PFD from the list of uniform items that may be worn informally 19 3. Update description of USCG Auxiliary Tunic Over Blouse Option for Women 21 1. Remove “Long”, “Alpha” and “Bravo” terminology from Tropical Blue and Service Dress Blue 7 6/4/2009 All uniforms 1. Sew on vendors for purchase of new Black “A” and Aux Op authorized 32 8 10/2009 2.
    [Show full text]
  • The Cloth Parka
    CCM-00072 UNIVERSITY OF ALASKA FAIRBANKS UNIVERSITY OF ALASKA FAIRBANKS The Cloth Parka Introduction face can stand some exposure if forehead and cheeks are protected Making cloth parkas is fun if one has done some with a ruff of long, shaggy fur sewing before and if simple designs are used. The around the face. A scarf over the cloth parka is a traditional item of clothing for mouth is not good, as it soon Alaska Natives and is popular with non-Native becomes frosted and icy. people living in Alaska as well. It is a practical way of staying warm and combines both Native and Roomy. A loose parka Western design techniques. The parka always has permits easy circulation of a hood, and a zipper is used for the front closing, blood, saves heat and wears although some sort of additional fastening should better. A good parka has be included for anyone who might have trouble with large armholes and is loose a zipper when the weather is extremely cold. Loop across the shoulders but is buttonholes or frogs could be used with buttons. belted and snug at the hips. To avoid wasting expensive materials one should Mittens should be loose enough take time to make a test pattern. Only experienced to double your fist. seamstresses should make the parka without a test shell. Boots or mukluks should be large enough for extra socks and inner The beginner should use easy-to-sew materials and soles and loose enough to wiggle simple trimmings. A very effective parka can be your toes.
    [Show full text]
  • Price List Best Cleaners 03-18.Xlsx
    Price List Pants, Skirts & Suits Shirts & Blouses Pants Plain…………………………………………… 10.20 Business Shirt Laundered and Machine Pants, Silk/Linen…………………………………… . 12.30 Pressed (Men’s & Women’s)…… 3.60 Pants, Rayon/Velvet………………………………… 11.80 Pants Shorts………………………………………. 10.20 Chamois Shirt…………………………………………… 5.35 Skirts, Plain………………………………………… . 10.20 Lab Smock, Karate Top………………………………… . 7.30 Skirts, Silk, Linen………………………………….. 12.30 Polo, Flannel Shirt……………………………………… .. 5.35 Skirts, Rayon Velvet……………………………… .. 11.80 Sweat Shirt……………………………………………… . 5.70 Skirts Fully Pleated………………………………. 20.95 T-Shirt…………………………………………………… .. 4.60 Skirts Accordion Pleated………………………… . 20.95 Tuxedo Shirt……………………………………………… . 6.10 Suit 2 pc. (Pants or Skirt and Blazer)……………… 22.40.. Wool Shirt………………………………………………… . 5.35 Suit 3 pc. (Pants or Skirt Blazer & Vest)……………… 27.75. Suit, body suit………………………………………… 10.60. Blouse/Shirt, Cotton, Poly…………………………………… 9.50.. Suit, Jumpsuit…………………………………… 25.10 Blouse/Shirt, Rayon, Velvet………………………………… 11.10.. Sport Jacket, Blazer……………………………… .. 12.20 Blouse/Shirt, Silk, Linen……………………………………… 11.60 Tuxedo……………………………………………… . 22.95 Blouse/Shirt, Sleeveless……………………………………… 7.80 Vest………………………………………………… . 5.35 Dresses Outerwear Dress, Plain, Cotton, Wool, Poly, Terry, Denim…….. 19.00 Blazer, Sport Jacket……………………………… . 12.20 Dress,Silk, Linen …….………………………………. 23.20 Bomber Jacket………………………………….. 16.20 Dress,Rayon,Velvet …………………………………. 22.20 Canvas Field Coat………………………………… 16.20 Dress, 2-Piece, Dress & Sleeveless Jkt……………………… 27.60 Canvas Barn Jacket………………………………
    [Show full text]
  • How to Dress for Success
    HOW TO DRESS FOR SUCCESS Expanding Your Wardrobe Wherever your business takes you, it’s important to look great and make a positive first impression. So whether it’s the boardroom, a golf outing, or a black tie event, you need to be prepared with a well-rounded wardrobe that’s as stylish and professional as you are. That’s where Men’s Wearhouse comes in. For over 35 years, we’ve been helping men look their best, with comfortable, great-fitting clothes for every occasion. You can count on us for quality clothing and expert style tips to help you make great choices that reflect who you are—and where you’re headed next. AT WORK It all starts with the suit In today’s big Since the suit is the foundation for your entire wardrobe, meeting, you’re it’s important to make sure you have a range of looks — not just for around the office, but for power lunches, representing your off-site meetings, and special presentations where all company. Do you eyes are upon you. have what it takes When considering a new suit, remember that your best to make the right look begins with comfort and fit. That’s why we offer Traditional, Athletic, and Modern cuts to work best with statement? your build and give you room to express your own sense of style. Once you know what looks and feels great, we’ll • Classic two-button suit help you choose from a variety of designer brands to with a great fit round out your wardrobe with a mix of solids, pinstripes, and two- or three-button styles.
    [Show full text]
  • Confidential the District Solicitied 401 Suppliers and Received 9 Responses
    BID TABULATION GARLAND INDEPENDENT SCHOOL DISTRICT Auction Title:168-20 Bid Rfq Softball Uniforms & Num:32339 Equipment *Confidential Ln # Award (Y/N) Reason Item Description Quantity UOM Supplier Price Extended Price 1 NA Dudley Thunder Heat Yellow Softballs 40 DZ SCHOOL SPECIALTY INC NB NB with Red stitching & NFHS STAMP #WT12YFP, core .47 – 12”, no subs district game ball Y PYRAMID SCHOOL PRODUCTS 62.00 2,480.00 AMERICA TEAM SPORTS 64.00 2,560.00 VARSITY BRANDS HOLDINGS CO 69.91 2,796.40 INC DAN CAREYS SPORTING GOODS 72.00 2,880.00 LTD *PRO PLAYER SUPPLY 83.97 3,358.80 2 NA Charcoal Badger Hooded Sweatshirt 15 ST SCHOOL SPECIALTY INC NB NB #1254 with two color lettering & pant #1277 open bottom no lettering, lettering & sizes to follow when order is placed, no subs fill-ins Y AMERICA TEAM SPORTS 34.00 510.00 RIDDELL ALL AMERICAN 34.45 516.75 DAN CAREYS SPORTING GOODS 38.57 578.55 LTD VARSITY BRANDS HOLDINGS CO 44.00 660.00 INC ROBIN BAUGH 45.00 675.00 *PRO PLAYER SUPPLY 46.95 704.25 3 NA Badger Hooded Sweatshirt #125400 & 10 ST SCHOOL SPECIALTY INC NB NB pant #147800 with two color lettering on sweatshirt & right leg of pant, sizes to follow when order is placed, no subs fill- ins Y AMERICA TEAM SPORTS 42.50 425.00 DAN CAREYS SPORTING GOODS 52.56 525.60 LTD ROBIN BAUGH 53.00 530.00 *PRO PLAYER SUPPLY 53.96 539.60 VARSITY BRANDS HOLDINGS CO 56.00 560.00 INC 4 NA Royal Blue Badger Hooded Sweatshirt 22 ST SCHOOL SPECIALTY INC NB NB #125400 & pant #147800 with "Colonel" "Softball" & "SG" "Softball" on pant in white, sizes to follow when
    [Show full text]
  • The Developing Years 1932-1970
    National Park Service Uniforms: The Developing Years 1932-1970 National Park Service National Park Service Uniforms The Developing Years, 1932-1970 NATIONAL PARK SERVICE UNIFORMS The Developing Years 1932-1970 Number 5 By R. Bryce Workman 1998 A Publication of the National Park Service History Collection Office of Library, Archives and Graphics Research Harpers Ferry Center Harpers Ferry, WV TABLE OF CONTENTS nps-uniforms/5/index.htm Last Updated: 01-Apr-2016 http://npshistory.com/publications/nps-uniforms/5/index.htm[8/30/18, 3:05:33 PM] National Park Service Uniforms: The Developing Years 1932-1970 (Introduction) National Park Service National Park Service Uniforms The Developing Years, 1932-1970 INTRODUCTION The first few decades after the founding of America's system of national parks were spent by the men working in those parks first in search of an identity, then after the establishment of the National Park Service in 1916 in ironing out the wrinkles in their new uniform regulations, as well as those of the new bureau. The process of fine tuning the uniform regulations to accommodate the various functions of the park ranger began in the 1930s. Until then there was only one uniform and the main focus seemed to be in trying to differentiate between the officers and the lowly rangers. The former were authorized to have their uniforms made of finer material (Elastique versus heavy wool for the ranger), and extraneous decorations of all kinds were hung on the coat to distinguish one from the other. The ranger's uniform was used for all functions where recognition was desirable: dress; patrol (when the possibility of contact with the public existed), and various other duties, such as firefighting.
    [Show full text]
  • January February March April 2021 January 2021
    JANUARY FEBRUARY MARCH APRIL 2021 JANUARY 2021 JANUARY LAND OF LITTLE RAIN Cinnamon, sage, and dusky blue. Our palette draws from New Mexico and its mountains, grasses, cacti, and sunset skies. A casual, laid back vibe emerges. Easy silhouettes, soft sustainable fabric, and understated looks. 2 WHOLESALE.WEARETHOUGHT.COM JANUARY 2021 LAND OF LITTLE RAIN BLACK MID BLUE SAGE GREEN VANILLA CREAM CINNAMON BROWN WHOLESALE.WEARETHOUGHT.COM 3 JANUARY 2021 EVERLY WRAP DRESS WSD5380 LOREN CARDIGAN WWT4950 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 100% ORGANIC COTTON KNITWEAR 6 8 10 12 14 16 18 £20212495€20213140 6 8 10 12 14 16 18 20 £20211595€20211990 BLACK AMBER BLACK BIRCH GREY 4 WHOLESALE.WEARETHOUGHT.COM JANUARY 2021 MADELYN JUMPSUIT WSD5373 AURELIA JUMPER WST5382 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 85% ORGANIC COTTON 15% WOOL KNITWEAR 6 8 10 12 14 16 18 £20212295€20212895 6 8 10 12 14 16 18 £20212595€20213250 MID BLUE MID BLUE WHOLESALE.WEARETHOUGHT.COM 5 JANUARY 2021 MADELYN LEGGINGS WSB5377 KATIE TROUSERS WSB4612 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 64% MODAL 36% VISCOSE DERIVED FROM BAMBOO 6 8 10 12 14 16 18 £20211150€20211450 6 8 10 12 14 16 18 £20212115€20212660 MID BLUE BLACK 6 WHOLESALE.WEARETHOUGHT.COM JANUARY 2021 MADELYN TUNIC WST5374 NELL TOP WST5394 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 95% ORGANIC COTTON 5% ELASTANE JERSEY 6 8 10 12 14 16 18 £20211920€20212395 6 8 10 12 14 16 18 £20211535€20211925 MID
    [Show full text]