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III. Discussion Questions A. Individual Stories Nathaniel Hawthorne
III. Discussion Questions a. Individual Stories Nathaniel Hawthorne, “Rappaccini’s Daughter” (1844) 1. As an early sf tale, this story makes important contributions to the sf megatext. What images, situations, plots, characters, settings, and themes do you recognize in Hawthorne’s story that recur in contemporary sf works in various media? 2. In Hawthorne’s The Scarlet Letter, the worst sin is to violate, “in cold blood, the sanctity of the human heart.” In what ways do the male characters of “Rappaccini’s Daughter” commit this sin? 3. In what ways can Beatrice be seen as a pawn of the men, as a strong and intelligent woman, as an alien being? How do these different views interact with one another? 4. Many descriptions in the story lead us to question what is “Actual” and what is “Imaginary”? How do these descriptions function to work both symbolically and literally in the story? 5. What is the attitude toward science in the story? How can it be compared to the attitude toward science in other stories from the anthology? Jules Verne, excerpt from Journey to the Center of the Earth (1864) 1. Who is narrator of this tale? In your opinion, why would Verne choose this particular character to be the narrator? Describe his relationship with the other members of this subterranean expedition. Many of Verne’s early novels feature a trio of protagonists who symbolize the “head,” the “heart,” and the “hand.” Why? How does this notion apply to the protagonists in Verne’s Journey to the Center of the Earth? 2. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Sasquan Convention Guide
Sasquan Convention Guide The 73rd World Science Fiction Convention Spokane, Washington, USA, Earth • August 19–23, 2015 See inside back cover for Doubletree map. CONTENTS 1 Sasquan The 73rd World Science Fiction Convention Spokane, Washington, USA, Earth • August 19-23, 2015 2 ...................... Quick Reference 27 ......................... Wednesday 39 ...........................Thursday 67 ............................. Friday 96 ........................... Saturday 124 ...........................Sunday 136 ...............Participant Schedules Credits: Chair: Sally Woehrle Program Division Head: Laurie Mann Convention Guide Editor: Paul Selkirk Proofreader: Kaye Tornbrugh Content Organizers: Phyllis Eide, Laurie Mann Cover: Brad W. Foster “World Science Fiction Society,” “WSFS,” “World Science Fiction Convention,” “Worldcon,” “NASFiC,” “Hugo Award,” and the distinctive design of the Hugo Award rocket are service marks of the World Science Fiction Society, an unin- corporated literary society. 2 QUICK REFERENCE Greetings from the Chair Greetings and Welcome to Sasquan! All the staff and I are happy that you have made the trek to beautiful Spokane. We are working on making this an experience that you will remember for years. Inside this book is most everything that you need to know about Sas- quan. Tere are policies so that you know what is expected. Tere are lists of where everything in the Convention Center and Hotels are located. By everything I mean items such as: t Where are the Exhibits and specific exhibits? t Where is the Art Show, Dealers Room, Programming Rooms, and the Office? t Where and when are certain Events? t What are the hours of operation for all of these places? So please take a few minutes to look through this book. Ten go out and have a wonderful exciting and informative time. -
Progress Report #1
Welcome to the first progress report for the 2021 World Fantasy Convention! We are pressing on, in times of Covid, and continuing to plan a wonderful in person convention in Montréal, Canada. We have a stunning guest list and a superlative team for both planning and the creation of the gathering not to be missed. We will be at the Hôtel Bonaventure, an iconic landmark in the city. The hotel is located in the heart of downtown and just outside the Old Port of Montréal. It is near major roads, right across the street from Gare Centrale, the Montréal train station, and is directly connected to two Metro stations, making it easily accessible for both motorists and public transport users. We will be able to enjoy a lavish 2.5 acres of gardens with streams inhabited by ducks and fish as well as a year-round outdoor heated pool. Our committee is busy excitedly planning a convention that will surpass your every expectation. Our theme will be YA fantasy. The field of young adult fantasy has grown from being popular to becoming a dominant category of 21st century literature, bringing millions of new readers to hundreds of new authors. We are working on a diverse program that will explore this genre that celebrates fantasy fiction in all of its forms: epic, dark, paranormal, urban, and other varieties. We invite members to share what they enjoy, what they have learned, what they have written themselves, and what they hope to see coming in the field of young adult fantasy fiction. We look forward to seeing you all in Montréal! Diane Lacey Chair Diversity Statement The committee for the 2021 World Fantasy Convention is unconditionally devoted to promoting diversity within our convention. -
Intuition PR 1
INTUITION Progress Report I November 1996 INTUITION PROGRESS REPORT ONE November 1996 INTUITION CONTENTS British National Science Fiction Convention (“Eastercon”) 1998 From the Depths of the Sofa - Fran Dowd 10-13 April 1998 Hotel Jarvis Piccadilly Connie Willis: a One-Sided Dialogue — Manchester Paul Kincaid Intuition Committee Is that a “Science” in your Acronym or Sofa are You just Pleased to See Me? Science Programming at Intuition — Fran Dowd AmandaBaker Treasurer David Cooper Discovering Ian McDonald — Paul Kincaid Secretary Jenny Glover Crossword — Jan Taylor Membership Secretary Drama and SF — Kathy Taylor 10 Kathy Taylor Operations News from the Committee 12 Fiona Anderson Programme, Publications and Fran’s Breakfast Mushrooms — Fran Dowd i Publicity Claire Brialey Overseas Agents 13 Maureen Kincaid Speller HelenSteele Membership List 14 Amanda Baker(Science) COVER: by Sue Mason PRI Edited by: Helen Steele Intuition Progress Report One was produced on Microsoft Internal Art by: Word and Quark Xpress on the PC and the Mac(twice — an idiot Sue Mason burglar hasthe first paste-up...) Proofreading by: If you are interested in advertising in subsequent progress reports or in the programmebookpleasesee page 12 for details. the committee INTUITION PROGRESS REPORT1 From the Depthsof the Sofa Fran Dowd Welcometo Intuition. I’m a left-handed woman, aware of sexual and social undercurrents, break- so I’m supposedto havea lot ofit. ups, fights, pick-ups and loveat first sight, and men tend not to be. Groups of women in more Intuition is mystical, irrational, stubborn.It has formal situations use consensus management, no place in modern scientific thought. Intuition whereas mixed groups or groups of men are is being convinced that your plane will crash, more involved with power and dominance that your numbers will come upin the National games. -
El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
ASKANCE Whole Number 46
1 July 2019 Volume XII Number 2 ASKANCE Whole Number 46 The Steampunk Issue Edited & published by John Purcell, 3744 Marielene Circle, College Station, TX 77845-3926 USA Proof reading on this issue courtesy of our cats Inga, Eyegore, and Froderick. If there are typos anywhere in this issue, these are the responsible parties. Good help is so hard to find these days. Contents © 2019 by John A. Purcell. Contact information: [email protected] Even so, all rights revert to original artists and authors upon publication. Disclaimers are a dirty business, but are always included. You understand. I know you do. What you have here in your hands (or on screen) is another Mythical Publication. Copies of this fine, back on a quarterly schedule fanzine can be had for The Usual, which means expressed interest, submission and eventual inclusion of articles and artwork, letters of comment, and cold hard cash in the amount of $3.00 USD if you want a printed copy mailed to you. Bribes are also accepted. Of course, if you send in locs, articles, and artwork, you just earned a life-time free subscription. Consider yourself lucky, indeed. Table of Contents Bemused Natterings………………………………………………………..…..3 All Steamed Up: an introduction to “Writing Steampunk”……5 Writing Steampunk: author perspectives from Gail Carriger, Paul di Filippo, Jonathan Fesmire, and Rie Sheridan Rose……………………………………………………….6 Becoming a Steampunk Vendor, by Lloyd Penney……………..11 The Grime is Afoot, fiction by Taral Wayne…………………………14 Sun Thunder, fiction by John Purcell………………………….……….16 -
Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep. -
Starlog Magazine
—' 'IV \ j, ! t ''timmffy* STAR WARS Christopher Lee vs. Yoda! REIGN OF FIRE Total future dragon war! EIGHT LEGGED FREAKS Spider nightmare fun! Discover the power af the dark side with the Star Wars Trading Card Game. The tempting new Sith Rising card set lets you crush your enemies with weapons, ships, and villains from The Star Wars saga. Or refuse to give in to your anger, and thwart those who would tyrannize the galaxy. Once you learn to control the Force, take your battle into a new arena the Star Wars TCG League. You will embark on Jedi training, and even a Sith Lord can't stop you from earning exclusive promo cards and learning Jedi secrets. Rules only available in: Two-Player Starter Game Advanced Starter Decks Dfficial Star Wars Web Site www.starwars.CDm © 2002 Lucasfilm Ltd. & TM. All rights resen/ed. Wizards of the Coast is a registered trademark of Wizards of the Coast, Inc. BACK IN BLACK Barry Sonnenfeld directs the scum of the universe again FILING MINORITY REPORT i { Producer Bonnie Curtis takes a reel view of future paranoia TOM CRUISE ON THE RUN He's desperate to prove he's an innocent guilty man SECRETS OF FARSCAPE Pssst! David Kemper reveals all—or not—on the series' new year MISSION: ODYSSEY 5 Only creator Manny Coto knows why the world ends MY PET KILLER ALIEN watercolor Lilo's world with thoughts of Elvis & Stitch WEBS OF SPIDER DEATH Producer Dean Devlin Preeds Eight Legged Freaks HERE THERE BE DRAGONS Director RoP Bowman readies Earth for a Reign of Fire CHRISTOPHER LEE SPEAKS Now, the legend in starlight can talk aPout Star Wars MIND READER Anthony Michael Hall predicts success for The Dead Zone NIGHT, ARES Not content with munching GOOD SWEET STARLOG's indicia The late Kevin Smith recalled life with (see the replacement on xena & Hercules page 6), Stitch taste-tests the logo. -
The Study of Novelisation: a Typology and Secondary Bibliography
Belphégor Thomas Van Parys K.U. Leuven The study of novelisation: A typology and secondary bibliography The phenomenon of novelisation is remarkably widely underresearched, even within adaptation studies, which has generally limited itself – until quite recently – to the one-sided direction of literature to film. Considering that the field of ‘film and literature’, which has vigorously started emancipating itself over the past decade, has traditionally been regarded as only a subfield of film studies, it is obvious that the study of novelisation is rather marginal in the grand scholarly universe, in the film department as well as the literature department. While film adaptation studies focus on the adaptation from novel to film, literary science is primarily occupied with the study of highbrow literature. Needless to say, novelisations are widely derided and discarded as low forms of paraliterature. But the genre is peripheral in content as well, since the novelisation is a ‘hybrid’ form, often mixing film, literature, screenplay, and even film photography into one package. It is in other words ‘the odd novel out’ in the disciplinary academic world. Here I make a plea for more attention to novelisations, not to demand respectability for these novels per se (for bad writing is unfortunately the rule rather than the exception), but to show its significance and ubiquity as a cultural and literary practice. The novelisation is ideally suited to refine, modify, and perhaps subvert the typical pet peeves in film adaptation studies, such as the assumption of linearity or the notion of fidelity. In this essay, though, I will not concern myself much with the theoretical implications or the historical roots of novelisation. -
Juliette Trichet Philology in Tolkien's Work : the Creation of a Myth
Juliette Trichet Philology in Tolkien's Work : the Creation of a Myth through the Power of languages -------------------------------------------------------------------------------------------------------------------------- TRICHET Juliette. Philology in Tolkien's Work : the Creation of a Myth through the Power of languages, sous la direction de Manuel Jobert. - Lyon: Université Jean Moulin (Lyon 3), 2016. Mémoire soutenu le 30/05/2016. -------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le reproduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fins commerciales. Faculty of Languages Department of English Studies 7jsJj%V11F6$G5F11FaD51Dj16Gc$15F.k$CjEg21#N6$C`^CsDt$89N65$68BjF5E4aEt%hFa6G8t#j1Dj7 Philology in Tolkien’s Work The Creation of a Myth through the Power of Languages j71Djt#86GahFt%aE45EjF865$69N8t$sD`^CF6$C1#N2gjEk$C.5F1c$6G1j1D5aD1F15F6$G1F1j%VsJ7j Juliette TRICHET Director of Research: Pr. Manuel JOBERT Master’s Thesis Master 2 LCE Anglais 2015-2016 “Not all those who wander are lost.” —J. R. R. Tolkien 1 Acknowledgments Thank you to M. Jobert, for your understanding of my initial fears regarding the scale of this master’s thesis. Thank you for your attentive ear, your guidance and your suggestion of this subject which proved to be so interesting to work on. Finally, thank you for these years of learning and discovering at Jean Moulin University, and for sparking my passion for phonetics and linguistics. Thank you to Maria Prozesky, lecturer at the University of Auckland, for instigating my fascination for Old and Middle-English and for all things medieval.