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PHILIPPE HERREWEGHE ‘Las Estaciones’, De Haydn

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SÉMELE número 8 – mayo de 2014 – boletín de novedades discográficas PHILIPPE HERREWEGHE ‘Las estaciones’, de Haydn nuevo disco en Phi 5 ... y las novedades de Accent, Alpha, Arcana, Audite, BIS, Bongiovanni, Carus, Chandos, Christophorus, CPO, Cypres, Dynamic, Evil Penguin, Fuga Libera, Glossa, Hänssler Classic, Intergroove, Kairos, Lindoro, MDG Dabringhaus und Grimm, Neos, Non Profit Music, Orfeo, Pan Classics, Pentatone, Phi, Ramée, Ricercar, Satirino, Stradivarius, Supraphon, Timpani, Vanitas, Verso & Zig-Zag Territoires 5 SÉMELE en asociación con elartedelafuga.com y laquintademahler.com número 8 – mayo de 2014 Sémele Proyectos Musicales es un innovador servicio de distribución discográfica, marketing y promoción de música clásica con sede en San Lorenzo de El Escorial, al noroeste de Madrid. Los sellos distribuidos en exclusiva por Sémele en España (y muchos de ellos también en Portugal) son actualmente los siguientes: Accent, Aeon, Alpha, Alqhai & Alqhai, Anima e Corpo, Arcana, Arte Verum, Audite, Berli Music, BIS, Bongiovanni, Carus, CDM Capella de Ministrers, Chandos, Christophorus, Columna Música, CMY Baroque, CPO, Cypres, Dynamic, Ediciones Singulares, Enchiriadis, Eurydice, Evil Penguin, Fuga Libera, Glossa, Glyndebourne, Hänssler Classic, IBS Classical, Intergroove, Kairos, Lauda, La Mà de Guido, Lindoro, MDG Dabringhaus und Grimm, Música Antigua Aranjuez, Musica Ficta, Musiépoca, Musique en Wallonie, Muso, Neos, OBS Prometeo, Obsidian, Ondine, Orfeo, Pan Classics, Passacaille, Pentatone, Phi, Ramée, Ricercar, Satirino, Stradivarius, Supraphon, Tempus, Timpani, Tudor, United Archives, Vanitas, Verso, Zig-Zag Territoires. 5 En asociación con Sémele Proyectos Musicales, y compartiendo sus esfuerzos por explorar el espíritu de la belleza, El arte de la fuga es una revista online dedicada a cubrir el mundo de la música clásica internacional desde una perspectiva española, con colaboradores de primer nivel que ofrecen reseñas y noticias diarias, con especial dedicación a los sellos discográficos distribuidos por Sémele, o que nos han confiado la difusión de sus actividades. En diciembre de 2013 quedó inaugurado nuestro espacio físico (y online) de venta de discos y libros, lugar de encuentro para todos los aficionados a la música clásica, La Quinta de Mahler , que se ubica en el centro de la ciudad de Madrid (c/ Amnistía, 5), a pocos pasos de destinos emblemáticos como la Puerta del Sol, el Teatro Real y la Plaza Mayor. TODOS LOS PRECIOS INDICADOS EN ESTE BOLETÍN SON SIN DESCUENTO. POR FAVOR, CONSULTE NUESTRA WEB PARA OFERTAS PUNTUALES Y DESCUENTOS POR FIDELIDAD. EN TODOS LOS PEDIDOS (ONLINE, TELEFÓNICOS O POR CORREO) SE APLICARÁN LOS PRECIOS CON EL DESCUENTO MÁXIMO VIGENTE. WWW. LAQUINTADEMAHLER.COM © 2014 Sémele Proyectos Musicales s.l. © 2014 El arte de la fuga s.l. fotografías de portada y contraportada © Michiel Hendryckx oficina & almacén : Sémele Proyectos Musicales s.l. | Timoteo Padrós, 31 | 28200 San Lorenzo de El Escorial | España información y pedidos : tel. (+34) 91 896 1480 | tel. (+34) 91 890 0234 | [email protected] tienda física en madrid : La Quinta de Mahler | Amnistía, 5 | 28013 Madrid | tel. (+34) 91 805 3899 más información, escuchas y reseñas en laquintademahler.com | mayo de 2014 | SÉMELE | 3 accent illiam Dongois es uno de los mejores intér - raición, venganza, un amor prohibido en la W pretes de cornetto de nuestro tiempo. No T corte persa... Esta mezcolanza de afectos y sólo es capaz de defender todo el repertorio de pasiones inspiraría a Haendel la ópera Siroe, Re di este instrumento debido a una pasión omnívora, Persia , una de sus últimas composiciones para la sino que también es un gran estudioso de la obra Royal Academy of Music. Haendel basó este dra - de autores como Buxtehude, del que Dongois ma lírico en un libreto de Metastasio, que gracias adapta aquí varias obras para violín confiriéndoles al elenco de primer orden convocado por una sonoridad no legitimada históricamente pero Laurence Cummings se recupera ahora y se con - de un indudable atractivo sonoro. El registro se firma como una entrada indispensable en el catá - completa con preludios, fantasías y corales escri - logo haendeliano. tos originalmente para órgano. Georg Friedrich Haendel (1685-1759) Dieterich Buxtehude (c. 1637-1707) Siroé Sonatas con cornetto Adjei, Denis, Abadie, Zamojska, Giovannini, William Dongois, cornetto. Stefan Legée, trombón. Romgobin. FestspielOrchester Göttingen. Pierre-Alain Clerc, órgano. Le Concert Brisé. Laurence Cummings, dirección. ACC 24291. 1 CD. 4015023242913. PVP: 15,95 € ACC 26401. 3 CD. 4015023264014. PVP: 38,85 € alpha, arcana omo director de Les Musiciens de Saint- a octava grabación de Enrico Gatti para C Julien, François Lazarevitch nos ha encandi - L Arcana, que supone el debut de su Ensemble lado con numerosos tesoros procedentes del Aurora en la modalidad de cuarteto de cuerda, es mundo de la danza y la música folclórica. Por pri - posiblemente la más original de todas. Sobre hom - mera vez en este sello propone un programa bros de gigantes es un emocionante viaje a las raíces bachiano, en este caso en torno a las sonatas para del contrapunto: desde la tablatura renacentista al flauta. El programa resulta todo un festín para los fundacional Cuarteto en sol mayor de Mozart sentidos. Estamos ante un Bach eléctrico que debe pasando por Castello, Rosenmüller, Bach o mucho a una sec ción de bajo continuo formada Corelli, Gatti nos propone una maravillosa bús - por algunos de los mejores especialistas. queda a través de los siglos. Johann Sebastian Bach (1685-1750) On the shoulders of giants Sonatas y solos para flauta travesera Trazando las raíces del contrapunto Jean Rondeau, Lucile Boulanger, Thomas Dunford. Obras de Palestrina, Frescobaldi, Lassus, Castello, Les Musiciens de Saint-Julien. Rosenmüller, Corelli, Bach y Mozart. Ensemble François Lazarevitch, dirección. Aurora. Enrico Gatti, dirección. ALPHA 186. 1 CD. 8760014191862. PVP: 15,95 € A 373. 1 CD. 3760195733738. PVP: 15,95 € 4 | SÉMELE | mayo de 2014 | más información y escuchas en laquintademahler.com audite sta antología de la integral de las grabaciones l cuarto volumen de la integral de la música a presente grabación cierra una trilogía muy E a solo de Julius Katchen realizadas durante los E de cámara para cuerda de Felix Mendelssohn L especial: la integral de Sinfonías para órgano años 1962 y 1964 expande su discografía en nada propiciada por Audite presenta al Mandelring de Louis Vierne. Un corpus que desde la Primera a menos que seis registros inéditos hasta el momen - Quartett en pleno dominio de un género que la Sexta va creciendo tanto en coloraciones como to. Entre ellos, la lectura virtuosística y energética siempre ha estado a la sombra de la noble forma en misticismo. El preciado órgano Goll es el vehí - de la Sonata de Liszt se cuenta entre las grandes del cuarteto: el quinteto para dos violines, dos culo ideal para recrear este universo en todo su grabaciones de esta obra, sin olvidar sus brillantes violas y un chelo. En dos ocasiones escribiría lirismo poético y su espesor sinfónico, toda vez acercamientos a Chopin, Beethoven y al Brahms Mendelssohn para este dispositivo: primero en su que la acústica ayuda a perfilar nítidamente la postrero, caracterizados por una combinación etapa de joven prodigio y más tarde como un estructura polifónica de estas composiciones y los natural de virtuosismo, musicalidad y sentido de la compositor ya asentado. En ambas crearía indis - concisos tempi de Hans-Eberhard Roß . forma que testimonian su manera única. tintamente obras maestras tan audaces y eufóni - cas como las aquí registradas. Julius Katchen interpreta Liszt, Brahms, Beethoven, Schumann y Chopin Felix Mendelssohn Bartholdy (1809-1847) Louis Vierne (1870-1937) Julius Katchen, piano (grabaciones radiofónicas de Integral de la música de cámara para cuerda, IV Sinfonías para órgano, vol. III 1962 y 1964). Mandelring Quartett. Op. 47 y op. 59. Hans-Eberhard Roß, órgano. AUD 21419. 2 CD. 4022143214195. PVP: 15,95 € AUD 92659. 1 SACD. 4022143926593. PVP: 16,95 € AUD 92676. 1 SACD. 4022143926760. PVP: 16,95 € bis unque Jean Sibelius sea más conocido por i bien dentro del repertorio beethoveniano las A sus siete sinfonías y su Concierto para violín , S 32 sonatas para piano y las grandes variacio - su faceta de “pintor y poeta” –tal como él mismo nes ( Eroica , Diabelli ) constituyen el legado más se describiría en 1894 – queda inmejorablemente querido por los amantes del instrumento, cierto reflejada por estas dos obras programáticas basa - es que en ellas no se agota el discurso del compo - das, respectivamente, en el Kalevala finlandés y en sitor de Bonn. El genial Ronald Brautigam lo un poema del sueco Viktor Rydberg. La Sinfónica demuestra una vez más en la decimotercera entre - de Lahti y el director Osmo Vänskä vuelven a des - ga de su aclamada integral de obras para piano tilar aquí el auténtico “sonido Sibelius” que les ha solo de Beethoven en la que despuntan unos iri - hecho mundialmente famosos. discentes rondós y piezas de carácter “ligero” que sintetizan maravillosamente el genio del composi - tor al teclado. Jean Sibelius (1865-1957) Lemminkäinen Suite. The Wood-Nymph. Ludwig van Beethoven (1770-1827) Lahti Symphony Orchestra. Integral de la obra para piano, vol. 13 Osmo Vänskä, dirección. Ronald Brautigam, fortepiano. BIS 1745. 1 SACD. 7318599917450. PVP: 13,95 € BIS 1892. 1 SACD. 7318599918921. PVP: 13,95 € más información, escuchas y reseñas en laquintademahler.com | mayo de 2014 | SÉMELE | 5 bis n este nuevo monográfico de Jan Lehtola para i Finlandia tiene a Sibelius, Noruega a Grieg y E órgano se agrupan cinco piezas breves de S Dinamarca a Nielsen, Suecia tiene a Wilhelm Kalevi Aho para órgano solo y tres para órgano y Stenhammar. A pesar de seguir siendo un gran des - varios instrumentos. Compuestas para la boda de conocido entre el público melómano, el presente su hermana, las dos marchas nupciales muestran a disco viene a poner las cosas en su sitio: en estas un Aho plenamente tonal, mientras que en Ludus obras sinfónicas defendidas por el entusiasta solemnis las tesituras del instrumento adquieren los Christian Lindberg y su familiar Royal Flemish colores de una orquesta.
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    Philippe Herreweghe wurde in Gent geboren und kombinierte dort sein Universitätsstudium mit einer musikalischen Ausbildung am Konservatorium. Zur selben Zeit begann er zu dirigieren und gründete 1970 das Collegium Vocale Gent. Nikolaus Harnoncourt und Gustav Leonhardt bemerkten seine außergewöhnliche Vorgehensweise und luden ihn ein, an der Aufnahme sämtlicher Bach-Kantaten mitzuarbeiten. Schon bald wurde Herreweghes lebendiger, authentischer und rhetorischer Ansatz der Barockmusik gelobt, und 1977 gründete er in Paris das Ensemble La Chapelle Royale, mit dem er Musik des französischen Goldenen Zeitalters zur Aufführung brachte. Von 1982 bis 2002 war er Künstlerischer Leiter der Académies Musicales de Saintes. Zu dieser Zeit gründete er verschiedene Ensembles, mit denen er eine adäquate und gründliche Lesart eines Repertoires von der Renaissance bis zu zeitgenössischer Musik zu geben wusste. So war das Ensemble Vocal Européen auf Renaissancepolyphonie spezialisiert und das 1991 gegründete Orchestre des Champs-Élysées zur Interpretation des romantischen und vorromantischen Repertoires auf Originalinstrumenten. Immer auf der Suche nach musikalischen Herausforderungen beschäftigt sich Philippe Herreweghe seit einiger Zeit sehr aktiv mit dem großen symphonischen Repertoire von Beethoven bis Gustav Mahler. Seit 1997 ist er Hauptdirigent der Königlichen Philharmonie von Flandern. Außerdem ist er gefragter Gastdirigent bei Orchestern wie dem Concertgebouworkest Amsterdam, dem Gewandhausorchester Leipzig oder dem Mahler Chamber Orchestra. Mit all seinen Ensembles erschuf Philippe Herreweghe im Laufe der Jahre bei den Labels Harmonia Mundi France, Virgin Classics und Pentatone eine umfangreiche Diskographie von mehr als hundert Aufnahmen. 1990 wählte ihn die europäische Musikpresse zur »Musikpersönlichkeit des Jahres«. Zu seinen weiteren Auszeichnungen zählen unter anderem der Titel eines »Chevalier de la Légion d’Honneur« sowie die Bach-Medaille der Stadt Leipzig für seine außergewöhnlichen Verdienste als Bach-Interpret.
  • Recording Master List.Xls

    Recording Master List.Xls

    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
  • Royal Academy of Music 2021/22 Prospectus Digital

    Royal Academy of Music 2021/22 Prospectus Digital

    YOUR FUTURE IS MUSIC’S FUTURE PROSPECTUS 2021/22 Music must always move forward. There has to be a place for new musicians to connect, collaborate and create. We are that place. A risk-taking conservatoire where the traditions of the past meet the talent of the future. Our mission: to create the music that will move the world tomorrow. This is an accessible pdf. Royal Academy of Music ©2020 Every effort has been made to ensure that the information included in this prospectus is correct at the time of publication. Please consult our website for the most accurate and up-to-date information. Please address any queries about this publication to2 [email protected] . CONTENTS 3 INTRODUCTION 40 OUR DEPARTMENTS 6 A message from our Principal 42 Accordion 8 Imagine yourself here 44 Brass 46 Choral Conducting 10 ABOUT THE ACADEMY 48 Composition & 12 Music’s future starts here Contemporary Music 14 Into our third century 50 Conducting 16 Sending music to the world 52 Guitar 17 Creative partners 54 Harp 56 Historical Performance 18 STUDENT LIFE 58 Jazz 20 Your future is music’s future 60 Musical Theatre 22 The new generation 62 Opera 24 Meet your mentor 64 Organ 27 Learn by performing 66 Piano 28 Skills for life 68 Piano Accompaniment 29 Space to grow 70 Strings 30 Your stage awaits 72 Timpani & Percussion 32 Find inspiration, find knowledge 74 Vocal Studies 34 Musicians, united 76 Woodwind 35 All together now 36 London calling 78 OUR COURSES 38 Find your place 80 Academy courses 39 Reaching outwards 82 Undergraduates 83 One-year courses 84 Postgraduates 85 Postgraduate degrees 86 Postgraduate diplomas 88 Research 89 The art of collaboration 90 Open Academy 92 YOUR FUTURE STARTS HERE 94 The next step 95 Ready to audition? 96 Tuition fees 97 Get in touch INTRODUCTION 3 4 INTRODUCTION TODAY’S ASPIRATION TOMORROW’S ARTIST We take musical potential, then challenge our students to find their own voice and develop individual excellence.