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NORDISKT MUSIKBLAD. Helt År 5 Kr
Redaktör och utgifvare: Pris: fRANS J.j-lUSS. NORDISKT MUSIKBLAD. Helt år 5 kr. — Lö snummer 25 öre. Expedition : Annonspris beräknas efter rutor Kammakaregatan 50, n. b. Stockholm den 15 Januari 1896. af visst antal petitrader. grannland, hvilka under närmaste tiden natur, fri från allt effektsökeri och vir- Eva Nansen. komma att konsertera här, först bland tuosmanér; derför är hennes sång så dem fru Eva Nansen. vinnande, intrycket deraf så djupt. rändskapen mellan Sverige ocb Med den konsert fru Nansen i slutet Det beklagades allmänt, att man då de båda andra skandinaviska af november gaf i Musikaliska akade icke genast fick återhöra den intagande länderna samt Finland sträcker miens stora sal eröfrade hon här, som norska sångerskan, hvars namn redan sig äfven till dessas tonskapelser, upp annorstädes, publikens hjertan genom var sympatiskt genom hennes make, vuxna på en grund af nordisk folkton sin ädla, sanna och själfulla konstnär den käcke nordpolsfararen, för hvars och genom orden i sången gemensam lighet. Hos henne är konsten en adlad öde vi alla så mycket intressera oss, egendom för skandina ett intresse, som nu för ver och finnar. Instru dubblats och på samma mentalmusiken är kos- gång delats på två håll mopolit; vokalmusiken genom bekantskapen med deremot mera nationel, U hans konstnärliga maka. hvarför också en sång Ett nytt konsertbesök artist från ett grann utlofvades emellertid af land, hvars språk en henne till i början af livar förstår, har större detta år, och sålunda utäigt att blifva förstådd motse vi nöjet att i slu och vinna sympati i vi tet af denna månad, nå dare kretsar än en främ got senare dock än först ling, med hvars språk var ämnadt, å nyo få ett fåtal är förtroget. -
NORTHERN STARS MUSIC from the NORDIC and BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars
NORTHERN STARS MUSIC FROM THE NORDIC AND BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars Often inspired by folk tradition, nature, landscape and a potent spirit of independence, the music of Scandinavia, Finland and the Baltic states is distinctive and varied, with each country’s music influenced by its neighbours, yet shaped and coloured by its individual heritage. Traveling composers such as Sweden’s Joseph Kraus introduced 18th and early 19th century classical trends from Germany and Italy, but with national identity gaining increasing importance as Romantic ideals took hold, influential and distinctive creative lines were soon established. The muscular strength of Carl Nielsen’s symphonies grew out of the Danish nationalist vigor shown by Friedrich Kuhlau and Niels Gade, extending to names such as Per Nørgård today. Gade was a teacher of Edvard Grieg, who owes his position as Norway’s leading composer, at least in part, to the country’s traditional folk music and the poignant lyricism of the Hardanger fiddle. The music of Finland is dominated by the rugged symphonies of Jean Sibelius, and his Finlandia ensured his status as an enduring national symbol. Sibelius successfully combined the lessons of Viennese romanticism with a strong Nordic character, and this pragmatic approach has generated numerous contemporary giants such as Aus Sallinen, Einojuhani Rautavaara, Kalevi Aho and Kaija Saariaho. Turbulent history in the Baltic States partially explains a conspicuous individualism amongst the region’s composers, few more so than with Arvo Pärt, whose work distils the strong Estonian vocal tradition into music of striking intensity and crystalline beauty. -
THE JVEDIS. ART SONG Presented to the Graduate Council of the North
110,2 THE JVEDIS. ART SONG THESIS Presented to the Graduate Council of the North Texas State College in Partial ifillment of the requirements For the Degree of MAST ER OF MUSIC by 223569 Alfred R. Skoog, B. Mus. Borger, Texas August, 1953 223569 PREFACE The aim of this thesis is to present a survey of Swedish vocal music, a subject upon which nothing in English exists and very little in Swedish. Because of this lack of material the writer, who has spent a year (195152) of research in music in Sweden, through the generosity of Mrs. Alice M. Roberts, the Texas Wesleyan Academy, and the Texas Swedish Cultural Foundation, has been forced to rely for much of his information on oral communication from numerous critics, composers, and per- formers in and around Stockholm. This accounts for the paucity of bibliographical citations. Chief among the authorities consulted was Gsta Percy, Redaktionssekreterare (secretary to the editor), of Sohlmans Jusiklexikon, who gave unstintedly, not only of his vast knowledge, but of his patience and enthusiasm. Without his kindly interest this work would have been impossible, iii TABLE OF CONTENTS Page . 1.F. .:.A . !. !. ! .! . .! ! PREFACE.! . ! .0 01 ! OF LIST ITLISTRATITONS. - - - . a- . a . V FORH4ORD . .* . .- . * .* . * * * * * * * . vii Chapter I. EARLYSEDIS0H SONG. I The Uppsala School II. NINETEENTH CENTURY NATIONALISTS . 23 The Influence of Mid-Nineteenth Century German Romanticism (Mendelssohn, Schumann, Liszt and Wagner) The French Influence III. LATE NINETEENTH CENTURY ND EARLY TWENTIETH CENTURY COMPOSERS . 52 Minor Vocal Composers of the Late Nine- teenth Century and Early Twentieth Century IV. THE MODERN SCHOOL OF S7E)ISl COMPOSERS. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Heckelphone / Bass Oboe Repertoire
Heckelphone / Bass Oboe Repertoire by Peter Hurd; reorganized and amended by Holger Hoos, editor-in-chief since 2020 version 1.2 (21 March 2021) This collection is based on the catalogue of musical works requiring heckelphone or bass oboe instrumen- tation assembled by Peter Hurd beginning in 1998. For this new edition, the original version of the repertoire list has been edited for accuracy, completeness and consistency, and it has been extended with a number of newly discovered pieces. Some entries could not (yet) be rigorously verified for accuracy; these were included nonetheless, to provide leads for future investigation, but are marked clearly. Pieces were selected for inclusion based solely on the use of heckelphone, bass oboe or lupophone, without any attempt at assessing their artistic merit. Arrangements of pieces not originally intended for these instruments were included when there was clear evidence that they had found a significant audience. The authors gratefully acknowledge contributions by Michael Finkelman, Alain Girard, Thomas Hiniker, Robert Howe, Gunther Joppig, Georg Otto Klapproth, Mark Perchanok, Andrew Shreeves and Michael Sluman. A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · X · Y · Z To suggest additions or corrections to the repertoire list, please contact the authors at [email protected]. All rights reserved by Peter Hurd and Holger H. Hoos, 2021. A Adès, Thomas (born 1971, UK): Asyla, op. 17, 1997 Duration: 22-25min Publisher: Faber Music (057151863X) Remarks: for large orchestra; commissioned by the John Feeney Charitable Trust for the CBSO; first performed on 1997/10/01 in the Symphony Hall, Birmingham, UK by the City of Birmingham Symphony Orchestra under Simon Rattle Tags: bass oboe; orchestra For a link to additional information about the piece, the composer and to a recording, please see the on-line version of this document at http://repertoire.heckelphone.org. -
21St-Century Tuba Concertos Øystein Baadsvik
21ST-CENTURY TUBA CONCERTOS fredrik högberg jan sandström kalevi aho ØYSTEIN BAADSVIK norrköping symphony orchestra mats rondin BIS-CD-1685 BIS-CD-1685_f-b.indd 1 09-03-10 11.04.05 BIS-CD-1685 tuba:booklet 10/3/09 16:07 Page 2 HÖGBERG, Fredrik (b. 1971) Rocky Island Boat Bay (2006) (Gehrmans) 21'59 Concerto for Tuba and Orchestra 1 Part 1: Molto vigoroso – Intermezzo espressivo 6'55 2 Part 2: Love song – Menuette – Grandioso 6'16 3 Part 3: Chanson populaire – Percussion expo – Cadenza – Finale feroce 8'40 SANDSTRÖM, Jan (b. 1954) The Lemon House (2002) (STIM / Svensk Musik) 23'05 Concerto for Tuba and Orchestra 4 I. Las Medusas en el Puerto (The Jellyfish in the Harbour) 2'41 5 II. Old Man with Garage 2'12 6 III. Todos al Padre (All to the Father) 4'15 7 IV. Los Tranvías (The Trams) 4'28 8 V. The Lemon House 9'14 AHO, Kalevi (b. 1949) Concerto for Tuba and Orchestra (2000–01) (Fennica Gehrman) 28'30 9 I. Andante 9'16 10 II. Allegro – Cadenza – Tempo I 9'25 11 III. Larghetto – Presto – Tempo I 9'43 TT: 74'41 Øystein Baadsvik tuba Norrköping Symphony Orchestra Mats Rondin conductor 2 BIS-CD-1685 tuba:booklet 10/3/09 16:07 Page 3 Fredrik Högberg The Swedish composer Fredrik Högberg (b. 1971) received his training from Jan Sand ström among others. Highly productive, he has written a large catalogue of works ranging from orchestral music and concertos to choral pieces, ballets, opera and chamber music. -
Radio 3 Listings for 2 – 8 June 2018 Page 1 of 20 SATURDAY 02 JUNE 2018 (Conductor)
Radio 3 Listings for 2 – 8 June 2018 Page 1 of 20 SATURDAY 02 JUNE 2018 (conductor) SAT 01:00 Through the Night (b0b494jm) 3:56 AM 2017 BBC Proms: Renee Fleming and the Royal Stockholm Jacques Buus (c.1500-1565) Philharmonic Ricercare Jonathan Swain presents a 2017 BBC Prom concert with the Amsterdam Loeki Stardust Quartet Royal Stockholm Philharmonic conducted by Sakari Oramo with soprano Renée Fleming singing Richard Strauss. 4:03 AM Giacomo Puccini (1858-1924) 1:01 AM Cio Cio San's aria 'Un bel dì vedrem' (one fine day) - from Andrea Tarrodi (b. 1981) 'Madame Butterfly', Act II part I Liguria for orchestra Michèle Crider (soprano), Orchestre de la Suisse Romande, Royal Stockholm Philharmonic Orchestra, Sakari Oramo Armin Jordan (conductor) 1:14 AM 4:08 AM Samuel Barber (1910-1981) Domenico Scarlatti (1685-1757) Knoxville - summer of 1915 Op 24 Sonata for Mandolin in D minor, K.90 Renée Fleming (soprano), Royal Stockholm Philharmonic Avi Avital (mandolin) , Shalev Ad-El (harpsichord) Orchestra, Sakari Oramo 4:17 AM 1:30 AM Antonin Dvorak (1841-1904) Samuel Barber (1910-1981) Polonaise for orchestra in E flat major Sure on this shining night Op 13'3, arr. voice and orchestra Slovak Radio Symphony Orchestra in Bratislava, Ludovít Rajter Renée Fleming (soprano), Royal Stockholm Philharmonic (conductor) Orchestra, Sakari Oramo 4:24 AM 1:34 AM Johann Peter Emilius Hartmann (1805-1900) arr. Gunther, P & Richard Strauss (1864-1949) Teuber, U Daphne - opera in 1 act Op 82: 'Ich komme...ich komme, Blomstre som en rosengård (Blooming like a rose garden) grunende Bruder' Fionian Chamber Choir, Alice Granum (director) Renée Fleming (soprano), Royal Stockholm Philharmonic Orchestra, Sakari Oramo 4:29 AM Camille Saint-Saëns (1835-1921) 1:45 AM Danse Macabre (symphonic poem arr. -
29 July 2020
29 July 2020 12:01 AM Ludwig van Beethoven (1770-1827) Creatures of Prometheus (Die Geschopfe des Prometheus), Overture, Op 43 BBC Symphony Orchestra, Jiri Belohlavek (conductor) GBBBC 12:06 AM Hubert Parry (1848-1918) Lord, let me know mine end (Songs of Farewell) BBC Singers, Stephen Cleobury (conductor) GBBBC 12:17 AM Edvard Grieg (1843-1907) Holberg suite Op 40 vers. for string orchestra Sofia Soloists, Plamen Djourov (conductor) BGBNR 12:37 AM Robert Schumann (1810-1856) Abegg variations Op.1 for piano Annika Treutler (piano) CASRC 12:45 AM Henryk Pachulski (1859-1921) Suite in Memory of Tchaikovsky, Op 13 Polish Radio Symphony Orchestra, Lukasz Borowicz (conductor) PLPR 01:02 AM Bohuslav Martinu (1890-1959) Variations on a Slovak theme for cello and piano Peter Jarusek (cello), Daniela Varinska (piano) SKSR 01:13 AM Felix Mendelssohn (1809-1847) Piano Quartet No 1 in C minor, Op 1 Harald Aadland (violin), Nora Taksdal (viola), Audun Sandvik (cello), Christian Ihle Hadland (piano) NONRK 01:41 AM Jean-Baptiste Lully (1632-1687) Le Bourgeois gentilhomme suite Norwegian Chamber Orchestra, Terje Tonnesen (conductor) NONRK 02:01 AM Ludwig van Beethoven (1770-1827) String Quartet No 7 in F major, Op 59, No 1 'Razumovsky' Rolston String Quartet ESCAT 02:41 AM Andrew Staniland (b.1977) Four Elements Rolston String Quartet ESCAT 02:48 AM He Xuntian (b.1952) Scent Dance III Simply Quartet ESCAT 02:58 AM Ludwig van Beethoven (1770-1827) String Quartet No 8 in E minor, Op 59, No 2, 'Razumovsky' Simply Quartet ESCAT 03:36 AM Max Bruch (1838-1920) -
Inventering Hösten 2012 Av Kvinnliga Tonsättares Verk I MTB:S Raritetssamlingar
Inventering hösten 2012 av kvinnliga tonsättares verk i MTB:s raritetssamlingar (Uppdaterad 2017-10-25) Av Johanna Grut I listan finns hänvisningar till material som ligger i arkiv- och raritetssamlingen (”Stallet”) samt i autografsamlingen i Gäddviken, och även i magasin 1 och 3. Allt material i Stallet har kontrollerats att det ligger på plats. För noter som ligger i magasin 1 och 3 har ingen kontroll gjorts, utan förteckningen återger den information som finns i den digitaliserade kortkatalogen (digilellky). Förteckningen över verk av Elfrida Andrée (42 s.) är upprättad av A. Lönn (1965), rev. av S. Haglund (2012). Bibliografisk beskrivning av material i övriga tonsättararkiv kommer från befintliga arkivförteckningar. Förteckningen kommer att uppdateras kontinuerligt. Sök i förteckningen genom att trycka Ctr + F så att en sökruta tänds. Man kan söka på t ex stråk stråkkvartett kör orgel violoncell baryton orkester samt naturligtvis namn och ord i titlar. För att söka i en Ipad: klicka på ”Öppna i iBooks”, då öppnas dokumentet i programmet iBooks, som har en sökruta med en liten förstoringsglas-ikon. Markera och få en översikt över alla namnen genom att skriva tecknet # i sökrutan. Kolumnen "placering" längst till höger i listan kan antingen vara tom, vilket innebär att verket står i tonsättarens personarkiv, eller ha ett signum (t ex "Z", "Serie I 4870" eller ”2013/172”) som man anger om man vill beställa verket som hemlån, läsesalslån eller kopia beroende på materialets karaktär. Dig. anger att noten finns digitaliserad och kan laddas ner från bibliotekets katalog eller från Libriskatalogen. 1 2 Kolumn 1: antal uppslag=bilder vid ev skanning. -
11 June 2021 Page 1 of 12
Radio 3 Listings for 5 – 11 June 2021 Page 1 of 12 SATURDAY 05 JUNE 2021 Widmung S.566, transcribed for piano 9.30am Building a Library: Leah Broad on Sibelius’ Violin Zheeyoung Moon (piano) Concerto SAT 01:00 Through the Night (m000wm7j) An English Dream and Beethoven's Breakthrough 04:19 AM Leah Broad talks to Andrew with a recommendation for Georg Philipp Telemann (1681-1767) Sibelius's enduringly beautiful violin concerto to buy, download Eight centuries of English choral music and the most successful Concerto for 3 oboes in B flat major or stream. of Beethoven's early chamber works, his Septet. Taken from Peter Westermann (oboe), Michael Niesemann (oboe), Piet two concerts held last year in Denmark. With Catriona Young. Dhont (oboe), Musica Antiqua Koln, Reinhard Goebel 10.15am New Releases (director) 01:01 AM Romantic Piano Encores – music by Grainger, Mendelssohn, Orlando Gibbons (1583-1625) 04:28 AM Godowski, etc Now each flowery Bank of May Camille Saint-Saens (1835-1921) Kenneth Hamilton Ars Nova Copenhagen, Paul Hillier (conductor) Mon coeur s'ouvre from 'Samson et Dalila' (arr for trumpet & Prima Facie PFCD160 orchestra) https://primafacie.ascrecords.com/ 01:04 AM Jouko Harjanne (trumpet), Norwegian Radio Orchestra, Ari Ralph Vaughan Williams (1872-1958), William Shakespeare Rasilainen (conductor) Dvořák & Martinů: Cello Concertos (author) Victor Julien-Laferrière (cello) Three Shakespeare Songs 04:34 AM Orchestre Philharmonique de Liège Ars Nova Copenhagen, Paul Hillier (conductor) Wilhelm Stenhammar (1871-1927) Gergely Madaras (conductor) Mellanspel ur Sången, Op 44 Alpha ALPHA731 01:11 AM Baltic Sea Youth Philharmonic, Kristjan Järvi (conductor) https://outhere-music.com/en/albums/Dvorak-MartinU-Cello- Anon. -
Orchestral Works He Had Played in His 35-Year Tenure in the Orchestra
KALEVI AHO ORCHESTRAL WORKS KALEVI AHO – a composer of contrasts and surprises alevi Aho (born in Finland in 1949) possesses one of today’s most exciting creative voices. A composer with one foot in the past and one in the pres- K ent, he combines influences from the most disparate sources and transforms them through his creative and emotional filter into something quite unique. He does not believe in complexity simply for the sake of it. His music always communicates directly with the listener, being simultaneously ‘easy’ yet ‘difficult’, but never banal, over-intellectual, introvert or aloof. In his own words, “A composer should write all sorts of works, so that something will always evoke an echo in people in different life situations. Music should come to the help of people in distress or give them an ex- perience of beauty.” Kalevi Aho is equally natural and unaffected in his symphonies and operas as he is in his intimate musical miniatures. Monumental landscapes painted in broad brush- strokes go hand in hand with delicate watercolours, serious artistic confessions and humour. The spectrum of human emotions is always wide, and he never lets his lis- teners off lightly. He poses questions and sows the seeds of thoughts and impulses that continue to germinate long after the last note has died away. “His slightly unassuming yet always kind appearance is vaguely reminiscent of Shosta- kovich, while his musical voice, with its pluralistic conception of the world and its intricate balance between the deliberately banal and the subtle, is undoubtedly closer to late Mahler.” It is easy to agree with this anonymous opinion of Kalevi Aho. -
Kalevi Aho Symphony No
KALEVI AHO SYMPHONY NO. 15 DOUBLE BASS CONCERTO MINEA Kalevi Aho BIS-1866 BIS-CD-1866_f-b.indd 1 2013-08-16 18.00 AHO, Kalevi (b. 1949) 1 Minea (Concertante Music for Orchestra) (2008) 18'59 Concerto for Double Bass and Orchestra (2005) 28'14 2 I. Moderato, Passionato 5'21 3 II. Cadenza I (Pizzicato) 3'17 4 III. Presto – Tranquillo – Presto 8'23 5 IV. Misterioso (Cadenza II) 4'39 6 V. Andante – Allegro ritmico 6'33 Eero Munter double bass Symphony No. 15 (2009–10) 30'08 7 I. Nebbia 9'07 8 II. Musica bizzarra 6'31 9 III. Interludio 4'37 10 IV. Musica strana 9'48 TT: 78'19 Lahti Symphony Orchestra (Sinfonia Lahti) Osmo Vänskä conductor [Minea] Jaakko Kuusisto conductor [Double Bass Concerto] Dima Slobodeniouk conductor [Symphony No. 15] Music publisher: Fennica Gehrman Oy 2 Kalevi Aho Kalevi Aho was born in 1949. He commenced violin studies at the age of ten, and his first compositions date from this time. Aho studied the violin and composition (under Einojuhani Rautavaara) at the Sibelius Academy in Helsinki and continued his studies in Berlin as a pupil of Boris Blacher at the Staatliche Hochschule für Musik und Dar stel lende Kunst. From 1974 until 1988 he was a lecturer in musi co logy at Helsinki University, and from 1988 until 1993 he was a professor of com position at the Sibelius Aca demy. Appointed as the Lahti Symphony Orch estra’s composer-in- residence in 1992 and as its honorary composer in 2011, Aho has been a freelance composer since the autumn of 1993.