Assets, Strengths and Educational Pathways of First-Generation Doctoral Students

Total Page:16

File Type:pdf, Size:1020Kb

Assets, Strengths and Educational Pathways of First-Generation Doctoral Students Assets, Strengths and Educational Pathways of First-generation Doctoral Students A dissertation presented to the faculty of The Patton College of Education of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Becky A. Bushey-Miller August 2016 © 2016 Becky A. Bushey-Miller. All Rights Reserved. 2 This dissertation titled Assets, Strengths and Educational Pathways of First-generation Doctoral Students by BECKY A. BUSHEY-MILLER has been approved for the Department of Counseling and Higher Education and The Patton College of Education by Peter C. Mather Associate Professor of Counseling and Higher Education Renée A. Middleton Dean, The Patton College of Education 3 Abstract BUSHEY-MILLER, BECKY A., Ph.D., August 2016, Higher Education, Assets, Strengths and Educational Pathways of First-generation Doctoral Students Director of Dissertation: Peter C. Mather The research on first-generation undergraduate student access and success is voluminous; however, the research on first-generation doctoral students’ experiences is limited. In an effort to contribute to the overall first-generation college student body of knowledge, this study focused on first-generation doctoral students from the United States and their experiences and educational pathways to their doctoral programs. This study addresses two research questions. What are personal and educational pathways first-generation doctoral students from the United States travel as they move toward graduate school? How do first-generation doctoral students from the United States experience graduate school? The theoretical framework informing this research is capital theory. The researcher defined four forms of capital: cultural, economic, social and psychological. A discussion about the connection of these four forms of capital can be found in the final chapter. The researcher used a basic interpretive qualitative design for the study, interviewed 11 first-generation doctoral students from the United States, and analyzed the collected data using content analysis. Against the statistical odds, the 11 first-generation doctoral students from the United States who participated in this study found success. They developed their identities, nurtured supportive networks, exercised independence, and found 4 empowerment. Through their developing identities, the participants accumulated psychological capital. As their supportive networks grew, the participants saw an increase in social capital and the bearing it could have on their success. As their independence expanded so did their economic capital. Because of their changing worldviews, a sense of belonging, and their internal motivation, these students experienced empowerment. This empowerment brought increased cultural capital. Because of accumulating capital in all forms, these 11 first-generation doctoral students from the United States found success. 5 Acknowledgments Without the support of many important people, the completion of this dissertation would not have been possible. To my committee members, I aspired to be a part your group. Thank you for everything you did to help me. To Cindy, when my methodology perplexed me, you knew exactly what to say enabling me to complete my analysis. To Pete, when I lost focus, your persistence, ongoing support, and wise counsel helped me find my way back to the goal. You had confidence I could achieve this. To my dear cohort women, Dianne, Patti and Tanya, although this journey was long, I could not have found a smarter, more compassionate group of women with which to travel. Thank you for being there from beginning to end. To the many other friends who shared portions of this road, I appreciated your support. One teacher from long ago noticed something in me and nurtured it. Thank you, Jan Myers, for being my coach, my teacher, and my long time mentor. To my daughters, Francesca, Sophie, and Zoe, the completion of this “project” caused me to miss school events, dance performances, and basketball games. Thank you for your understanding, encouragement, and love. To my mother, Jean Bushey, thank you for the endless, unconditional support. You helped motivate me when I needed it most. To other family members, every well wish and encouraging word inspired and motivated. To Scott, without you and your belief in me, none of this would have been possible. Thank you for believing this degree was possible and encouraging me to pursue it so many years ago. Along the way, I was derailed, but you always believed. Now we can turn our attention to other things, how about kayaking? 6 Table of Contents Page Abstract ............................................................................................................................... 3 Acknowledgments............................................................................................................... 5 List of Tables .................................................................................................................... 12 List of Figures ................................................................................................................... 13 Chapter One: Introduction ................................................................................................ 14 The Experience of One First-generation Doctoral Student........................................... 14 Purpose of the Study ..................................................................................................... 17 Research Questions ....................................................................................................... 18 Context and Significance of the Study.......................................................................... 19 Theoretical Frameworks: Social Capital, Cultural Capital, and Psychological Capital 23 Methodological Approach: Basic Interpretive Qualitative Research ........................... 25 Limitations of the Study................................................................................................ 26 Delimitations of the Study ............................................................................................ 27 Organization of the Study ............................................................................................. 27 Chapter Two: Literature Review....................................................................................... 29 What We Know about the First-generation Student Experience .................................. 33 Why first-generation college students seek higher education................................... 34 First-generation college student success. .................................................................. 38 Enrollment rates of first-generation college students. .............................................. 39 Demographic and enrollment characteristics of first-generation college students. .. 40 First-generation college students experience higher education differently. ............. 42 First-generation college students are inadequately informed and academically unprepared................................................................................................................. 43 The transition between K-12 and higher education. ................................................. 45 Pathways for first-generation college students are different..................................... 47 First-generation college students straddle two worlds. ............................................. 48 Summary of first-generation college students’ experiences. .................................... 49 Current State of Graduate Education ............................................................................ 50 Employment shifts in higher education effects graduate student enrollment. .......... 51 7 Doctoral completion rates are low. ........................................................................... 52 Non-traditional graduate students need different services. ....................................... 53 Graduate students want services offered with their needs in mind........................... 54 Summary of current state of graduate education. ..................................................... 57 Capital and How It Impacts First-generation College Student Success ....................... 57 Social capital defined. ............................................................................................... 60 Cultural capital defined. ............................................................................................ 64 What first-generation college students “take on” when going to college. ................ 69 What first-generation college students “leave off” when going to college............... 71 Familial support differs. ............................................................................................ 73 Psychological capital................................................................................................. 75 Summary of capital and first-generation college students. ....................................... 76 Conclusion .................................................................................................................... 77 Chapter Three: Methodology ............................................................................................ 80 Methodological Approach: Basic Interpretive Qualitative Research ........................... 83 Research Sample/Research Participants ......................................................................
Recommended publications
  • Kenna / a Transgender Life
    Kenna / A Transgender Life by Kenna Henderson Copyright 2012 by Kenna Henderson Smashwords Edition This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you‟re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author. To my wife, whose love without condition made the journey possible. CONTENTS Preface Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 PREFACE Tomorrow, I would step out of the closet. Born and socialized as male, I would enter the workplace presenting myself as a woman. How had I come to this point? What was this internal force that rode roughshod over my fears and pushed me to do something I believed to be fraught with peril? Why was it so important that I seek validation as being female when I was, in all physical respects, a man? And the most troubling question of all: Where would this journey take me? * * * As a child in the 1940s and 1950s, I knew nothing of matters involving gender or sex.
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • ALL-2017 \226 Bele\236Nica
    ALL-2017 Index Good Short Total Song 1 334 0 334 ŠANK ROCK - NEKAJ VEČ 2 269 0 269 LOS VENTILOS - ČAS 3 262 0 262 RUDI BUČAR & ISTRABEND - GREVA NAPREJ 4 238 0 238 RED HOT CHILLI PEPPERS - SICK LOVE 5 230 0 230 NIKA ZORJAN - FSE 6 229 0 229 CHAINSMOKERS - PARIS 7 226 1 227 DNCE & NICKI MINAJ - KISSING STRANGERS 8 226 0 226 NINA PUŠLAR - ZA VEDNO 9 200 0 200 ALICE MERTON - NO ROOTS 10 198 0 198 SKALP - HLADEN TUŠ 11 196 0 196 BQL - MUZA 12 195 0 195 KINGS OF LEON - FIND ME 13 195 1 196 RUSKO RICHIE & ROKO BAŽIKA - ZBOG NJE 14 192 0 192 ALYA - HALO 15 190 0 190 NEISHA - VRHOVI 16 185 0 185 DISTURBED - THE SOUND OF SILENCE 17 179 0 179 MI2 - LANSKI SNEG 18 175 0 175 KATY PERRY - CHAINED TO THE RHYTM 19 173 0 173 LITTLE MIX & CHARLIE PUTH - OOPS 20 172 2 174 ED SHEERAN - GALWAY GIRL 21 169 0 169 SIA - MOVE YOUR BODY 22 169 0 169 LINKIN PARK feat. KIIARA - HEAVY 23 167 0 167 ANABEL - OB KAVI 24 164 0 164 ED SHEERAN - SHAPE OF YOU 25 161 1 162 BOHEM - BALADA O NJEJ 26 158 0 158 JAN PLESTENJAK - IZ ZADNJE VRSTE 27 157 0 157 SIDDHARTA - DOLGA POT DOMOV 28 156 0 156 SELL OUT - NI PANIKE 29 156 1 157 LUKAS GRAHAM - 7 YEARS 30 153 0 153 HARRY STYLES - SIGN OF THE TIMES 31 151 0 151 ED SHEERAN - CASTLE ON THE HILL 32 151 0 151 MAROON 5 & FUTURE - COLD 33 145 0 145 LEONART - DANES ME NI 34 145 1 146 RICKY MARTIN & MALUMA - VENTE PA'CA 35 145 0 145 ED SHEERAN - HOW WOULD YOU FEEL 36 144 0 144 WEEKEND & DAFT PUNK - STARBOY 37 143 0 143 BQL - HEART OF GOLD 38 143 1 144 RAIVEN - ZAŽARIM 39 143 0 143 STING - I CAN'T STOP THINKING ABOUT YOU 40 142 0 142
    [Show full text]
  • Making Metadata: the Case of Musicbrainz
    Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation.....................................................................................
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • WOMEN's MUSIC • FEMINIST MUSIC Cris Williamson: Circle of Friends (P
    LADYSLIPPER _•_[ HP__ /7 _^__. n j MJf_L_T_#. Winter 1991-1992 ECORDINGS • BY • WOMEN Table of Contents Our Holiday Gift to You 3 Reggae * Calypso 47 Ordering Information 4 Country 48 Order Blank 5 Folk * Traditional 49 More Free Gifts 6 Rock 55 Ladyslipper's Top 40 6 R&B * Rap * Dance 59 Gift Order Blank 7 Gospel 60 Gift Certificates 7 Blues 61 Donor Discount Club 8 Jazz 62 Musical Month Club 8 Classical 63 Especially Recommended New Titles 9 Spoken 65 Women's Spirituality * New Age 10 Babyslipper Catalog 66 Recovery 22 "Mehn's Music" 70 Women's Music * Feminist Music 23 Videos 72 Comedy 35 Kids'Videos 76 Holiday 35 Songbooks, Posters, Grab-Bag 77 International: African 38 Jewelry, Books 78 Arabic * Middle Eastern 39 Resources 80 Asian 39 Calendars, T-Shirts, Cards 81 Celtic * British Isles 40 Ladyslipper Mailing List 84 European 43 Be A Slipper Supporter 84 Latin American 43 Extra Order Blank 85 Native American 44 Artist Index 86 Jewish 46 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- We also distribute recordings on a wide variety of Donations are tax-deductible, and we do need the exempt organization which has been involved in many labels to book and record stores in the eastern sea­ help of friends to continue to grow. We have instituted facets of women's music since 1976. Our basic pur­ board states, from eastern Pennsylvania down two clubs to add some pizzazz to fund-raising, the pose has consistently been to heighten public aware­ through Florida.
    [Show full text]
  • Download The
    Treat me like a woman A mixed studies review into treatment burden to develop gender sensitive rheumatic care Treat me like a woman A mixed studies review into treatment burden to develop gender sensitive rheumatic care M. Heijmans J. Menting T. van Merode H. Boeije January 2019 ISBN 978-94-6122-539-9 030 272 97 00 [email protected] www.nivel.nl © 2019 Nivel, P.O.Box 1568, 3500 BN UTRECHT, THE NETHERLANDS Data from this publication may be reproduced by specifying Nivel and the name of the publication. The use of numbers and/or text as explanations or support in articles, books and theses is also permitted, provided that the source is clearly stated. Preface Rheumatoid arthritis (RA) occurs three times more in women that in men. Moreover, observational studies have suggested that, on a whole, women with RA do worse than men, reporting more severe symptoms, an earlier progression, worse functional outcomes and quality of life. These important differences between men and women in clinical manifestation and outcomes are not well understood and knowledge about gender differences in the presentation, course and outcomes of RA is very scarce. With the study described in this report we will try to fill this knowledge gap by focusing on a factor that may be an important explanation for the gender differences observed: treatment burden (TB). TB is a relatively new concept in care and research and can be defined as ‘the self-care practices that patients with a chronic illness must perform to respond to the advice and treatment recommendations of their health care providers, as well as the impact that these practices have on patient functioning and well-being’.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • Knowledge Extraction and Representation Learning for Music Recommendation and Classification
    Knowledge Extraction and Representation Learning for Music Recommendation and Classification Sergio Oramas Martín TESI DOCTORAL UPF / 2017 Director de la tesi: Dr. Xavier Serra Casals Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Technologies of Universitat Pompeu Fabra in partial fulfillment of the require- ments for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright © 2017 by Sergio Oramas Martín Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Commu- nication Technologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www. upf.edu), Barcelona, Spain. iii The doctoral defense was held on ......................... at the Universitat Pompeu Fabra and scored as ........................................................... Dr. Xavier Serra Casals (Thesis Supervisor) Universitat Pompeu Fabra (UPF), Barcelona, Spain Dr. Markus Schedl (Thesis Committee Member) Johannes Kepler University, Linz, Austria Dr. Emilia Gómez (Thesis Committee Member) Universitat Pompeu Fabra (UPF), Barcelona, Spain Dr. Brian Whitman (Thesis Committee Member) Spotify, New York, USA a Olivia y Chiara, la luz en el camino... Acknowledgements First of all, I would like to thank my supervisor, Dr. Xavier Serra, for giving me the opportunity to work in this fantastic environment, the Music Technology Group, and for his wise advises. Also, I want to give special thanks to Paco Gomez for teaching me how to be a researcher. This thesis does not have a specific co-supervisor, but along this journey I have met three great researchers and better persons who have helped me through my PhD and without whom this work would have not been possible, Mohamed Sordo, Vito Claudio Ostuni, and Oriol Nieto.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfihn master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fece, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are availd)le for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 WOMEN WITH MULTIPLE IDENTITIES: A QUALITATIVE SEARCH FOR PATTERNS OF IDENTITY DEVELOPMENT AMONG COMPLEX DIFFERENCES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Heather C.
    [Show full text]
  • What Is Fair? Exploring the Artists' Perspective on the Fairness of Music
    What is fair? Exploring the artists’ perspective on the fairness of music streaming platforms Andr´es Ferraro1, Xavier Serra1, and Christine Bauer2 1Universitat Pompeu Fabra, [email protected] 2Utrecht University, [email protected] This is the accepted version of the paper appearing in the Proceedings of the 18th IFIP International Conference on Human-Computer Interaction (INTERACT 2021). Andr´es Ferraro, Xavier Serra and Christine Bauer. “What is fair? Exploring the artists’ perspective on the fairness of music streaming platform”. 18th IFIP International Conference on Human-Computer Interaction (INTERACT 2021). Bari, Italy. Abstract Music streaming platforms are currently among the main sources of music consumption, and the embedded recommender systems significantly influence what the users consume. There is an increasing interest to ensure that those platforms and systems are fair. Yet, we first need to understand what fairness means in such a context. Although artists are the main content providers for music platforms, there is a research gap concerning the artists’ perspective. To fill this gap, we conducted interviews with music artists to understand how they are affected by current platforms and what improvements they deem necessary. Using a Qualitative Con- tent Analysis, we identify the aspects that the artists consider relevant for fair platforms. In this paper, we discuss the following aspects derived from the interviews: fragmented presen- tation, reaching an audience, transparency, influencing users’ listening behavior, popularity bias, artists’ repertoire size, quotas for local music, gender balance, and new music. For some topics, our findings do not indicate a clear direction about the best way how music platforms should act and function; for other topics, though, there is a clear consensus among our inter- viewees: for these, the artists have a clear idea of the actions that should be taken so that music platforms will be fair also for the artists.
    [Show full text]