Serenity Volume 2: Better Days Pdf, Epub, Ebook
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RICO List of Unlicensed Activity for April-June 2019
QUARTERLY REPORT ON ACTIONS AGAINST UNLICENSED ACTIVITY (April – June 2019) The Regulated Industries Complaints Office (RICO) is a statewide agency of the Department of Commerce and Consumer Affairs. It is the enforcement arm for the various professions and vocations that are licensed in the State. RICO investigates allegations of professional misconduct by licensees and also investigates possible unlicensed activity that may be occurring in the State. The following is a list of recent unlicensed activity actions. Additional information, including information about disciplinary actions taken against licensees, is available at cca.hawaii.gov/rico. DEFENDANT/RESPONDENT SANCTION DATE Garey Jerry Rivera, Jr., doing business $500.00 administrative assessment and 04-02-19 as Rivera’s Custom Landscaping and Assurance of voluntary compliance Excavating Respondent entered into an Assurance of Voluntary Compliance agreeing that in the future he will not enter into any contractors to act as a contractor without possessing the appropriate license[s]. Zachary J. Durnford, doing business as $250.00 civil penalty, permanent 04-02-19 Street Attack Racing injunction and consent judgment The Court ordered Respondent be enjoined from engaging in the business of a motor vehicle repair dealer until Respondent obtains the appropriate license(s). Ken Koga d/b/a Serenity $2,500.00 civil penalty, permanent 04-03-19 injunction and consent judgment The Court ordered Respondent be enjoined from engaging in the business of a contractor until Respondent obtains the appropriate license. Wendell Choy; HI Energy Permanent injunction and consent 04-03-19 Alternatives, Inc. judgment The Court ordered Respondent be enjoined from engaging in the business of a contractor until Respondent obtains the appropriate license. -
A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing. -
Legendary Encounters Rules – Firefly
® ™ A Deck Building Game “You got a job, we can do it. Don’t much and wound the players. If you take damage care what it is.” – Captain Malcolm Reynolds equal to or greater than your health, then you’re defeated. Don’t worry though – another Game Summary player can heal you back into the game. But if Welcome to Legendary ® Encounters: everyone gets defeated at the same time, then A Firefly™ Deck Building Game. In this fully you lose. cooperative game for 1-5 players, you’ll take Some enemies attack Serenity herself. If she on the role of Mal, Zoe or one of the other takes too many hits, then it’s all over. crew members. Your First Game You start with a deck of basic cards and For your first game, follow the setup rules on a special Talent card. At the start of your Page 3, using the specific card stacks listed turn, take a card from the Episode deck and there. This will allow you to play the Pilot place it face-down onto the board. It could Episode “Serenity” and “The Train Job.” be an outlaw thug, an alliance ship, or even (Note: The Pilot episode is split into two a reaver raiding party. You’ll play cards separate Episode Decks.) from your hand to generate Attack, Recruit After your first game, you can play through Points, and special abilities. You’ll use all 14 Episodes of the series or mix and match Attack to defeat enemies and to scan hidden Episodes to play them in a different order. -
Normalizing Monstrous Bodies Through Zombie Media
Your Friendly Neighbourhood Zombie: Normalizing Monstrous Bodies Through Zombie Media by Jessica Wind A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Communication Carleton University Ottawa, Ontario © 2016 Jess Wind Abstract Our deepest social fears and anxieties are often communicated through the zombie, but these readings aren’t reflected in contemporary zombie media. Increasingly, we are producing a less scary, less threatening zombie — one that is simply struggling to navigate a society in which it doesn’t fit. I begin to rectify the gap between zombie scholarship and contemporary zombie media by mapping the zombie’s shift from “outbreak narratives” to normalized monsters. If the zombie no longer articulates social fears and anxieties, what purpose does it serve? Through the close examination of these “normalized” zombie media, I read the zombie as possessing a non- normative body whose lived experiences reveal and reflect tensions of identity construction — a process that is muddy, in motion, and never easy. We may be done with the uncontrollable horde, but we’re far from done with the zombie and its connection to us and society. !ii Acknowledgements I would like to start by thanking Sheryl Hamilton for going on this wild zombie-filled journey with me. You guided me as I worked through questions and gained confidence in my project. Without your endless support, thorough feedback, and shared passion for zombies it wouldn’t have been nearly as successful. Thank you for your honesty, deadlines, and coffee. I would also like to thank Irena Knezevic for being so willing and excited to read this many pages about zombies. -
Zack Whedon Davidé Fabbri Zack Whedon 2/17/12 1:11 Pm ® S R
ZACKZACK WHEDONWHEDON ® DAVIDÉDAVIDÉ FABBRIFABBRI STAR WARS FREE ® FROM YOUR PALS AT DARK HORSE COMICS AND COMICS HORSE DARK AT PALS YOUR FROM FCBD12 SW-SEREN.indd 1 2/17/12 1:11 PM FCBD12 SW-SEREN.indd 2 tions, or locales, without satiric intent, is coincidental. Printed by Cadmus Communications, Easton, PA, U.S.A. tions, orlocales,without satiricintent,iscoincidental.Printed byCadmusCommunications,Easton, PA, Anyresemblancetoactual persons(livingordead),events,institu either aretheproduct oftheauthor’simaginationorareused fictitiously. writtenpermissionofDarkHorse Comics,Inc.Names,characters,places,andincidentsfeaturedinthispublication without theexpress categories andcountries.Allrightsreserved. Noportionofthispublicationmaybereproducedortransmitted,inanyform or are ©2012LucasfilmLtd.DarkHorse Comics® andtheDarkHorselogoaretrademarksofComics,Inc.,registered inva Wars andillustrationsforStar Text ©2012LucasfilmLtd.&™.Allrightsreserved.Usedunderauthorization. Milwaukie, OR97222.StarWars ArtoftheBadDeal,”May2012.PublishedbyDarkHorseComics, Inc.,10956SEMainStreet, WARS—“The STAR FREE COMICBOOK DAY: RONDA D MICHAEL A D ZACK WHEDON ZACK advertising sales: (503) 905-2370 » comic shop locator service: (888)266-4226 service: (503)905-2370»comicshop locator sales: advertising ALLA ALLA DA AVIDÉ FABBRI AVIDÉ MIKE RANDY RANDY M H M C assistant editor assistant collection editor P F HRISTIAN REDD cover art SIERRA R lettering V T ATTISON T ICHARDSON INA ALESSI ECCHIA talk about this issue online at: online at: aboutthisissue talk Pencils HO UGHES Colors STRADLE publisher D script designer YE YE AVID M editor Inks HAHN LINS AS Y STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS | STAR WARS ANDERMAN at lucas licensing. ANDERMAN at ALDERS, CAROL special thankstoJ ROEDER Comics! Horse Dark from pals this your at free offering enjoy please afirst-timer, or time reader along you’re whether But Emperor. -
Firefly: Legacy Edition Book Two Kindle
FIREFLY: LEGACY EDITION BOOK TWO PDF, EPUB, EBOOK Zack Whedon | 336 pages | 21 Mar 2019 | Boom! Studios | 9781684153084 | English | Los Angeles, United States Firefly: Legacy Edition Book Two PDF Book Animal Farm and by George Orwell and A. Prices and offers may vary in store. About the Author Joss Whedon is an American producer, director, screenwriter, comic book writer, and composer. To see if pickup is available, select a store. Screnwriting runs in Zachary Whedon's family. Chesapeake Bay Ckbk. See all 19 - All listings for this product. Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm. Firefly 21 [26]. Shelve 8-Bit Christmas. Author : Alex G. Horrible's Sing-Along Blog. Views Read Edit View history. See details. The official follow-up to the critically acclaimed hit film Serenity, that sees the band of Firefly 23 [28]. Fragrance of the Lord. Unleashing the Wild Physique Graham , Winston. Shelve The Magnificent Nine Firefly 2. Firefly 2 by Greg Pak. Firefly: Legacy Edition Book Two Writer Angel h Firefly 15 [19]. From the heart of the Whedonverse comes the next chapter of Firefly! Firefly 22 [27]. This Barnes and Noble exclusive edition features both a variant cover by JOCK and a bonus page story from critically acclaimed screenwriter Josh Lee Gordon and artist Francesco Mortarino, revealing the secret origin of one of the most beloved Firefly One of Serenity 's greatest mysteries is finally revealed in The Shepherd's Tale , filling in the life of one of the show's most beloved characters—Shepherd Book! More books from this author: Zack Whedon. -
Dr. Horribles Sing-Along Blog: the Book 1St Edition Pdf, Epub, Ebook
DR. HORRIBLES SING-ALONG BLOG: THE BOOK 1ST EDITION PDF, EPUB, EBOOK Joss Whedon | 9781848568624 | | | | | Dr. Horribles Sing-Along Blog: The Book 1st edition PDF Book Last week, I broke down the opening act of Dr. Full script including the Commentary: The Musical version , all the sheet music, and some behind- the-scenes and backstory. Horrible played by Neil Patrick Harris , an aspiring supervillain ; Captain Hammer Nathan Fillion , his superheroic nemesis; and Penny Felicia Day , a charity worker and their shared love interest. Retrieved December 7, Reply to Bubbles. Archived from the original on July 20, Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon's works. Horrible's Sing-Along Blog and stated that due to its success they had been able to pay the crew and the bills. Horrible's Sing-Along Blog Soundtrack made the top 40 Album list on release, despite being a digital exclusive only available on iTunes. Horrible's Live Sing-Along Blog" hits the stage". Then Dr. Lassie, and she always gets a treat So you wonder what your part is Because you're homeless and depressed But home is where the heart is So your real home's in your chest Everyone's a hero in their own way Everyone's got villains they must face They're not as cool as mine But folks you know it's fine to know your place Everyone's a hero in their own way In their own not-that-heroic way So I thank my girlfriend Penny Yeah, we totally had sex She showed me there's so many different muscles I can flex There's the deltoids of compassion, There's the abs of being kind It's not enough to bash in heads You've got to bash in minds Everyone's a hero in their own way Everyone's got something they can do Get up go out and fly Especially that guy, he smells like poo Everyone's a hero in their own way You and you and mostly me and you I'm poverty's new sheriff And I'm bashing in the slums A hero doesn't care if you're a bunch of scary alcoholic bums Everybody! Itsjustsomerandomguy, the Guild, Dr. -
Firefly Season 2” Is the Only Work of Fan Fiction I’Ve Ever Written, and I Wouldn’T Be Surprised If It’S the Only One I Ever Write
Firefly 201 + script bible 30th January 2016 revision Mike Le Page Author’s notes: The act of creating art is something I hold sacred, and I have no interest in shitting on someone else’s work, especially someone I respect as much as Joss Whedon. The following spec script for “Firefly season 2” is the only work of fan fiction I’ve ever written, and I wouldn’t be surprised if it’s the only one I ever write. I only wrote it because I had a waking dream that provided a neat way to tie up several loose ends from the series/movie as well as a way to bring Wash back that performs a critical plot function and isn’t just fan-service. This was written with longer-format episodes in mind. The crazy idea I had was that Firefly would be the ideal property with which to trial a kind of in-cinema, once-a-month mini-movie format which would promote the community of fans gathering at cinemas and allow studios to recoup the costs of shooting more expensive “TV” shows – much the same way that iMAX cinemas sold out for showings of Game of Thrones episodes. The idea was a second season of 8x 80-90 minute minimovies of Firefly, shot in a LOTR style shoot and released once a month over a single calendar year. This idea is in no way necessary for this script to work, but it perhaps goes some way to explain the length of this script. What you’ll notice is that I’ve erred on the side of changing things considerably from the first season/movie, separating the crew and mothballing Serenity for reasons to be explained: I don’t think it’s plausible that we could come back to the crew 10+ years later and have it be exactly the same. -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: -
2009 Global Press Release
TV fans to raise $150,000 for Charity at the 4th Annual "Can't Stop The Serenity" Worldwide Movie Screenings Between May and September 2009, fans of popular cult television and film writer/ director Joss Whedon, will gather worldwide to raise money for "Equality Now," a charity dedicated to promoting the human rights of beleaguered women and girls. Worldwide (CSTS) May 7th, 2009 - For the fourth year in a row, thousands of people around the world will participate in “Can’t Stop the Serenity” fund-raising events to benefit "Equality Now," a charity organization working to protect the basic human rights of women and girls across the planet. Since 2006, more than a quarter of a million dollars has been raised and they plan to add another $150,000 in 2009. Who is behind this phenomenon? It’s not the product of any formal action network like Equality Now, a relief group or even a foundation. These humanitarians aren't even a group of rich philanthropists or celebrities. They are simply the fans of a prematurely canceled sci-fi television series called "Firefly" and its climactic movie, "Serenity". The volunteers who organize these charitable events, without prompting from the show’s creators or Equality Now, have created a worldwide event that spans three continents. This annual celebration of equality and Joss Whedon’s birthday is known as "Can't Stop the Serenity," and the men and women behind it are simply known as "Browncoats" after the heroes of the show. Says Amanda Sullivan, director of Equality Now: “Amazing as it is, we are heading into our fourth season of CSTS global screenings! It is a difficult time for us and a difficult time for everyone right now. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
The Expanded 'Verse
The Expanded 'Verse: Serialized Transmediality in Firefly/Serenity ............ by Frederick Blichert, BA (Hons.) A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Submitted August 2014 © 2014, Frederick Blichert ii We know now that a text is not a line of words releasing a single "theological" meaning (the "message" of the Author- God) but a multi-dimensional space in which a variety of writings, none of them original, blend and clash. Roland Barthes1 iii ABSTRACT Popular narratives often extend textual content across multiple media platforms, creating transmedia stories. Recent scholarship has stressed the permeability of "the text," suggesting that the framework of a text, made up of paratexts including trailers and DVD extras, must be included in textual analysis. Here, I propose that this notion may be productively coupled with a theory of seriality––we may frame this phenomenon in the filmic terms of a narrative being comprised of transmedia sequels and/or prequels, or in the televisual language of episodes in a series. Through a textual analysis of the multifaceted transmedia narrative Firefly (2002-2003), I argue for a theoretical framework that further destabilizes the traditional text by considering such paratextual works as comic books, web videos, and the feature film Serenity (Joss Whedon, 2005) as narrative continuations within a single metatext that eschews the centrality of any one text over the others in favour of seriality. iv ACKNOWLEDGEMENTS I wish to thank Erika Balsom, Malini Guha, André Loiselle, and Charles O'Brien for their notes on various versions, drafts, and proposals of this material, along with Sylvie Jasen and Murray Leeder, who encouraged me to workshop some of these ideas as guest lecturer in their undergraduate courses.