Fas 2020 VII. Film Laburren Zinemaldia VII

Total Page:16

File Type:pdf, Size:1020Kb

Fas 2020 VII. Film Laburren Zinemaldia VII 2020 www.cineclubfas.com URTARRILA / OTSAILA / MARTXOA // ENERO / FEBRERO / MARZO J.B.an ZINEMARIK ONENA EL MEJOR CINE DE AUTOR EN V.O. BAZKIDE SOCIO/A BAZKIDE HAZTE EGIN SOCIO/A Bilboko zine eskaintzarik onena La mejor oferta cinematográfica de Bilbao Emanaldi guztiak J.B.an Todas las sesiones en V.O. Zinemari buruzko hitzaldiak Conferencias sobre cine Zuzendari, aktore, kritikariekin,… solasaldiak Coloquios con directores, actores, críticos,… Zineklubaren liburutegia erabiltzeko aukera Acceso a la biblioteca del cineclub Zine ekitaldietarako gonbidapenak Invitación a eventos cinematográficos Multicines aretoetan astelehenetik ostiralera De lunes a viernes precio del día del espectador ikuslearen eguneko prezioan en los Multicines 2 EGITARAUA PROGRAMA ENERO 7 14 21 28 / BAGDAD CAFÉ LIBERTÉ CUANDO FUIMOS GENERACIÓN Percy Adlon Albert Serra BRUJAS ANTI TODO VII. (KORTeN!): Inv.: Albert Serra Nietzchka Keene Iñigo Cobo MATEOREN AMA, VII. (KORTeN!): LURSAGUAK, Inv.: Iñigo Cobo (dir/zuz), Josemari Goenaga-Aitor Arregi Izibene Oñederra Roberto Moso (…, per/kaz) Inv.: Lander Otaola (actor/ URTARRILA URTARRILA aktorea). Josemari Goenaga- Aitor Arregi (dir/zuz) 4 11 18 25 FEBRERO EL HOTEL A EL PERAL LA MUJER BURNING / ORILLAS DEL RÍO SALVAJE DE LA ARENA Lee Chang-dong Hong Sang-soo Nuri Bilge Ceylan Hiroshi Teshigahara VII. (KORTeN!): ARTIKO, Inv.: Mónica Aparicio (Fas) Josu Venero OTSAILA Jesusmari Lazkano O Z R A M 3 10 17 24 / RETRATO DE UNA LA MUJER LA FELICIDAD O QUINTO EVANXEO MUJER EN LLAMAS DE LA MONTAÑA Agnès Varda DE GASPAR HAUSER Céline Sciamma Benedikt Erlingsson VII. (KORTeN!): Alberto Gracia Inv.: Carlos Loureda (cri/kri) Inv.: Pendiente/Jakin gabe LABO, VII. (KORTeN!): Jesús Mª Palacios LA VÍA FLOTANTE, MARTXOA Inv.: Pendiente/Jakin gabe Zazpi T’erdi Inv.: : Alberto Gracia (dir/zuz). 31 Zazpi T’erdi (dir/zuz) SEDER-MASOCHISM Nina Paley VII. (KORTeN!): THE JUGGLER, Skirma Jakaite Inv.: Nina Paley (dir/zuz) Animakom-2020* saria. Skirma Jakaite (dir/zuz), Pedro Rivero (Animakom dir/zuz) 3 SALNEURRIAK TARIFAS 80 € Carné socio* 45 € Kide Txartela* Bono 10 sesiones 5 € 10 sarrera bonua Cuata de preinscripción** Izen emate kuota** Hiruhilabeteko emanaldi guztiak dohainik Todas las proyecciones del trimestre serán izango dira bazkide guztientzat gratuitas para nuestros socios Fas Zineklubak liburutegi zerbitzu osotu bat El Cineclub Fas dispone de una completa eskaintzen du, entziklopedi eta milaka liburu biblioteca con cientos de libros y miles de eta aldizkariekin revistas de cine *Estudiantes y parados / ikasle eta langabeziak: 60 € 4 **Estudiantes y parados / ikasle eta langabeziak: 3 € AURKEZPENA NEGUA 2020 INVIERNO PRESENTACIÓN Urte berriarekin batera, Fas klubak apustua egiten du gogoetara Y comenzamos un nuevo año en el que el Fas apuesta eta elkarrizketara animatzen duen zinemagintza baten alde, bere por una cinematografía que invita a la reflexión y al denbora eskatzen duen zinema intimoago eta urratzaileago baten diálogo, a la magia de un cine más íntimo y trasgresor, magia bilatuz, eta begirada patxadatsu bat, aukera emateko gure y que necesita de un tiempo, y una mirada tranquila emozioei era naturalean eta bat-batekoan atera daitezen. para que las emociones surjan de una manera natural y espontánea. Batzuetan istorio gogorrak izango dira, beste batzuetan samurragoak, baina guztiek kontatzen dizkigute arazoak eta horien Historias a veces duras, otras veces tiernas que nos bilakaerak askotariko ikuspuntuetatik. cuentan desde diferentes ópticas los conflictos y el devenir de los mismos. Gauzak horrela, urtarrila hasiko dugu Percy Adlon zuzendariaren “Bagdad Cafe” filmarekin, eta, jarraipena Albert Serrak emango Así enero lo inauguramos con “Bagdad Café” de Percy dio, bere “Liberté” azken filmaren aurkezpenarekin. Ondoren, Adlon, le seguirá Albert Serra que nos presentará su Nietzchka Keenek zuzendutako “Cuando fuimos brujas” última película “Liberté”, después estrenaremos “Cuando estreinatuko dugu, eta, hilabetea bukatuko dugu Iñigo Cobo eta fuimos brujas” de Nietzchka Keene, y finalizaremos el bere “Generación Anti Todo” dokumentalarekin, Roberto Mosok mes con Iñigo Cobo y su documental “Generación Anti lagundurik. Todo” acompañado por Roberto Moso. Otsailean ekialdera joango gara, eta Hong Sang-soo zuzendariaren En febrero nos vamos hacia oriente y lo iniciaremos “El hotel a orillas del rio” filmarekin hasiko dugu hilabetea. con “El hotel a orillas del río” de Hong Sang-soo, Ondoren, Nuri Binge Ceylanen “El peral salvaje” filmarekin continuaremos con “El peral salvaje” de Nuri Binge jarraituko dugu eta Horoshi Teshigahararen “La mujer de la arena” Ceylan, recuperamos “La mujer de la arena” de Horoshi berreskuratuko dugu. Azkenik, Lee Chang-dong zuzendariaren Teshigahara, y terminaremos con “Burning” de Lee “Burning” emango dugu hilabete amaieran. Chang-dong. Martxoan, Zinegoak jaialdiarekin elkarlanean, Celine Sciammaren Y marzo en colaboración con Zinegoak proyectaremos “Retrato de una mujer en llamas” filma proiektatuko dugu, eta, “Retrato de una mujer en llamas” de Céline Sciamma, con Mugari gabeko ekonomilari erakundearekin, berriz, Benedikt Economistas sin Fronteras “La mujer de la montaña” de Erlingssonen “La mujer de la montaña” filma. Gainera, Agnes Benedikt Erlingsson, rendiremos homenaje a Agnés Varda Varda omenduko dugu “La felicidad” emanda (oharkabean pasatu con “La felicidad” (que pasó inadvertida), nos visitaran zen filma). Zazpi T’erdi ekoiztetxekoak ere gurera etorriko dira “La Zazpi T’erdi con “La vía flotante” (premio Fas en ZINEBI) y via flotante” filmarekin (Fas saria ZINEBIn), eta Alberto Gracia “O Alberto Gracia con “O Quinto Evanxeo de Gaspar Hauser”, Quinto Evanxeo de Gaspar Hauser” filmarekin. Martxoari amaiera para acabar marzo con la visita de Nina Paley y su emateko, Nina Paleyk bisita egingo digu bere “Seder-Masochism” “Seder-Masochism” en colaboración con Animakom. filmarekin, Animakomekin elkarlanean. Y por supuesto, nuestro Festival KORTeN! que llega a su Eta, nola ez, aurten VII. KORTeN jaialdia izango du. VII edición. Txaro Landa 5 mendata berria VII Festival de Cortometrajes KORTeN! Fas 2020 VII. Film Laburren Zinemaldia 07/01 VII. KORTeN! (1) Mateoren ama, Josemari Goenaga-Aitor Arregi, EH, 2019,14’30”. Fik. 21/10 VII. KORTeN! (2) Lursaguak, . Izebene Oñederra, EH, 2019, 12’. Ani. 04/02 VII. KORTeN! (3) Artiko, Josu Venero-Josemari Lazkano, EH, 2019, 17’. Dok. 17/03 VII. KORTeN! (1) Labo, Jesús Mª Palacios, EH, 2019, 14’. Dok. 24/03 VII. KORTeN! (fuera de concurso) LA VÍA FLOTANTE, ZAZPI T’ERDI, EH, 2019, 25’. DOK. FAS-ZINEBI 31/03 VII. KORTeN! (fuera de concurso) THE JUGGLER, Skirma Jakaite, Lit-Fra, 2018, 11’. Ani. Animakom 6 SESIÓN 2373 SAIOA 19:45 07 / 01 / 2020 BAGDAD CAFÉ BAGDAG CAFE R.F. ALEMANIA-USA - 1987 - 91 M. Zuz. / Dir.: Percy Adlon G.: Percy Adlon, Eleonore Adlon, Christopher Doherty Musika / Música: Bob Telson Akt . / Int.: Marianne Sägebrecht, Jack Palance, Christine Kauffman, CCH Pounder, Monica Calhoun (+) KORTEN! MATEOREN AMA Zuz. / Dir.: Josemari Goenaga-Aitor Arregi Percy Adlon (Munich, 1935) errealizazioan hasi zen Percy Adlon (Munich, 1935) se inicia en realización para TV, telebistarako, eta Bagdag Café filmak eman dizkio Bagdag Café le da reconocimiento y fama internacional. nazioarteko errekonozimendua eta ospea. Ritmo calmado que nos sitúa casi en medio de la nada Erritmo barearekin hasten da filma, eta ia ezerezaren (desierto de Mohave, Arizona), Adlon da una vuelta de erdian kokatzen gaitu (Mohaveko basamortua, Arizona). tuerca al convertir un viaje turístico en una ruptura que Adlonek ustekabeko bira bat ematen dio, bidaia turistiko deriva también a ‘emigrante’ (adaptación en un entorno bat haustura bihurtzen duenean eta ‘emigrante’ izaera hostil, y sin papeles). Y nos prepara sorpresas, tal vez su ere ematen dionean (inguru latz batera egokitu beharra, formación en teatro y canto le lleva a crear un espacio- eta paperik gabe). Eta ezusteko gehiago ekarriko cabaré, una jaula de grillos, donde el tiempo (antes vacío) dizkigu; antzerkigintzan eta kantuan trebatua dagoelako, comienza a tener sentido y diversión. beharbada, kabaret-espazio bat sorrarazten du, eroetxe bat, non denbora (artean hutsala izan dena) zentzua hartzen Vemos unos personajes bien definidos (escuela alemana) hasten den eta harekin joko bat egiten duen. a los que vamos tomando cariño irremediablemente, para ello cuenta con una ‘enorme’ (en todos los sentidos) Ondo zehaztutako pertsonaiak ageri zaizkigu (Alemaniako Marianne Sägebrecht a la que da réplica un especial Jack eskola), eta, ezinbestean, gero eta maitagarriagoak egingo Palance. Seguro que, al terminar el film, tod@s salimos zaizkigu; horretarako, Marianne Sagebrecht handiarekin tarareando una canción. kontatuko du (handia alde guzietatik), eta haren parean, Jack Palance berezia. Ziur naiz filma bukatzean guztiok aterako garela abesti bat ahoan. Gonb. / Inv.: Lander Otaola (actor/aktorea). Josemari Goenaga-Aitor Arregi (dir/zuz) 7 SESIÓN 2374 SAIOA LIBERTÉ Badirudi Albert Serra Fas klubeko ‘seme kutuna’ Da la impresión que Albert Serra es como ‘un dela. Aho bete hortz utzi gintuen bere Honor de hijo predilecto’ del Fas. Nos dejó boquiabiertos cavalleria (2006) lanarekin eta El Quijote eleberriaz con su Honor de cavalleria (2006) y su visión duen ikuspegiarekin; izan ere, ohiko eskema de El Quijote, en el que ya rompe con los narratzaileak hautsi zituen ordurako... Film horri esquemas tradicionales narrativos… A este film beste film batzuek jarraitu zioten —horiek ere pasatu le sucedieron otros, que también fueron pasando
Recommended publications
  • Alumni & Friends 2005
    DEPARTMENT OF COMMUNICATION ARTS Alumni & Friends SPRING 2005 Nietzchka Keene GUESS WHO? Remembering Professor Nietzchka Keene The Department of At UW–Madison, she led the Department’s Communication Arts video production courses, teaching advanced suffered a huge loss film and video production, screenwriting, and with the death of editing, and overseeing the production studios. Professor Nietzchka Her creative guidance shaped the lives of hun- Keene on October 20, dreds of students who passed through the pro- 2004, after a brief but duction courses in the comm arts major; she was valiant battle with selective in whom she accepted into her courses cancer. and rigorous in her expectations. She is greatly Professor Keene was missed by her colleagues, friends, and students a distinguished film- past and present. maker and dedicated “She had her own ideas and goals for what He’s a film graduate student photo by Stephanie Judge teacher who had writ- she wanted to accomplish and would follow them who made an appearance on ten, directed, and produced three feature-length with intensity and strength,” said her friend and Jeopardy last year. films. Her first film, The Juniper Tree, was set film-making partner, Patrick Moyroud. “Not and filmed in Iceland and starred singer-actress many people have produced, written, and direct- Who is Ethan DeSeife? Bjork in her first film role. Her second film, ed three feature films on budgets that would not Heroine of Hell, funded by a prestigious ITVS even pay for a three-bedroom house today.” grant and aired on PBS, starred Catherine On January 27, the Department held an Is the assistant to the vice pres- Keener, Wendy Phillips, and Dermott event in her honor.
    [Show full text]
  • Download the Cinema Reborn Catalogue
    Cinema Reborn Melbourne Season 14 – 17 October 2021 A Celebration of Cinema’s Grand Heritage 1 Cinema Reborn The Films Aimless Bullet 5 Le Corbeau 8 Criss Cross 12 Filibus 20 Vintage Ads Four flms from CAAMA 23 Vintage Ads Le amiche 28 NFSA ONLINE EXHIBITION NFSA ONLINE EXHIBITION The Juniper Tree 36 Discover the National Film and Sound Archive of Australia’s collection of vintage The Leopard 41 Discover the National Film and Sound Archive of Australia’s collection of vintage Australian cinema, radio and television advertisements, which spans six decades, Australian cinema, radio and television advertisements, which spans six decades, Shadow Panic 45 two world wars and thirteen prime ministers. two world wars and thirteen prime ministers. Sons of Matthew 46 In these ads – dating from 1914 to 1969 – you’ll see iconic brands, hear familiar In these ads – datingjingles from and 1914 possibly to 1969 recognise – you’ll a few see famous iconic brands,faces. hear familiar jingles and possibly recognise a few famous faces. Cover photo: Te Leopard, courtesy Park Circus 2 NFSA.GOV.AU 3 NFSA.GOV.AU Tis page: Te Juniper Tree, courtesy Arbelos Films Cinema Reborn CINEMA Aimless Bullet Introduction by Tony Rayns restored the flm in 2014/15, the major challenge was to digitally erase those REBORN Te flm culture of South Korea was intrusive subtitles while returning the a virtual closed book until the end images to something like their original of military dictatorships and the sharpness and grading. Tey were not A message from the Organising Committee introduction of democratic reforms in able to mitigate all the damage or restore the early 1990s.
    [Show full text]
  • Cando Fomos Bruxas Os Ollos Verdes
    CANDO FOMOS BRUXAS 607 Nietzchka Keene, 1990 PASE ÚNICO EN NUMAX: 25.11.2019 | V.O.S.E. | +12 The Juniper Tree (1990, 78’) filmografía sinopse Dirección: Nietzchka Keene Barefoot to Jerusalem, 2001 A finais da Idade Media, a moza Guión: Nietzchka Keene (Libro: Jacob Ludwig e Wilhelm Karl Heroine of Hell, 1996 Margit e a súa irmá maior Katla foxen Grimm) Aves, 1994 [curtametraxe] ás montañas despois da morte da súa Elenco: Björk Guðmundsdóttir, Bryndis Petra Bragadóttir, Cando fomos bruxas, 1986 nai, queimada por bruxaría. Ambas Valdimar Örn Flygenring, Guðrún Gísladóttir, encontran refuxio con Jóhann, un Geirlaug Sunna Þormar viúvo que vive co seu fillo pequeno Son: Patrick Moyroud Jónas. Mentres Katla trata de seducir Montaxe: Nietzchka Keene Fotografía: Randolph Sellars o campesiño, Margit e Jónas fanse Dirección de arte: Dominique Polain bos amigos. Pero o pequeno está Música: Larry Lipkis convencido de que Katla é unha bruxa Produtora: Keene , Moyroud Productions (Islandia) e ódiaa profundamente… Distribuidora: Capricci Formato de proxección: DCP2K, 1.66:1 Idioma orixinal: Islandés «Distintivo, ambicioso e xenuinamente poético» LOS ANGELES TIMES OS OLLOS VERDES O CINEMA INÉDITO DE NUMAX OS CANDO FOMOS O CINEMA OLLOS INÉDITO BRUXAS VERDES DE NUMAX Nietzchka Keene, 1990 Notas da directora facer ningunha observación concreta os ollos verdes sobre a bruxaría. O seu estatus ontolóxico O programa Os ollos verdes. O cinema inédito de apenas importa: existe a partir do intre NUMAX proxecta obras recentes que non foron estreadas comercialmente en España. Filmes que no que cres nela. Eu quería retratar unha procuran novas formas e linguaxes para o cinema realidade na que a bruxaría formase e cuxa calidade vén refrendada cos premios e parte da cultura.
    [Show full text]
  • Fairy Tale Films
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2010 Fairy Tale Films Pauline Greenhill Sidney Eve Matrix Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Greenhill, P., & Matrix, S. E. (2010). Fairy tale films: Visions of ambiguity. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Fairy Tale Films Visions of Ambiguity Fairy Tale Films Visions of Ambiguity Pauline Greenhill and Sidney Eve Matrix Editors Utah State University Press Logan, Utah 2010 Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Cover photo adapted from The Juniper Tree, courtesy of the Wisconsin Center for Film and Theater Research, Nietzchka Keene papers, 1979-2003, M2005-051. Courtesy of Patrick Moyroud and Versatile Media. ISBN: 978-0-87421-781-0 (paper) ISBN: 978-0-87421-782-7 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Fairy tale films : visions of ambiguity / Pauline Greenhill and Sidney Eve Matrix, editors. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-781-0 (pbk. : alk. paper) -- ISBN 978-0-87421-782-7 (e-book) 1. Fairy tales in motion pictures. 2. Fairy tales--Film adaptations. I. Greenhill, Pauline.
    [Show full text]
  • Never-Never-Land
    QUAND NOUS ÉTIONS sorcières UN FILM DE NIETZCHKA KEENE Capricci présente SUNDANCE AFIFEST American Film Film Festival Institute 1991 2018 DISTRIBUTION CAPRICCI FILMS 103 rue Sainte Catherine 33000 Bordeaux 05 35 54 51 92 [email protected] Björk dans � QUAND PROGRAMMATION NOUS ÉTIONS LES BOOKMAKERS 23 rue des Jeûneurs 75002 Paris 01 84 25 95 65 SORCIÈRES [email protected] (D’APRÈS LE CONTE DU GENÉVRIER) � Un film inédit en France RELATIONS PRESSE de Nietzchka Keene Annie Maurette 06 60 97 30 36 [email protected] SORTIE AU CINÉMA LE 8 MAI 2019 1990 – ISLANDE/ÉTATS-UNIS – 1H19 – 1.66. – 5.1. – NOIR ET BLANC MATÉRIEL PRESSE ET PHOTOS TÉLÉCHARGEABLES SUR 2018 – COPIE RESTAURÉE 4K WWW.CAPRICCI.FR / WWW.LES-BOOKMAKERS.COM Restauré par The Wisconsin Center for Film & Theater Research et The Film Foundation, avec le soutien de la George Lucas CONCEPTION GRAPHIQUE : JULIETTE GOURET - IMPRIMÉ PAR Family Foundation Avant-propos Tourné dans les fabuleux paysages volcaniques d’Islande en 1986-87, Quand nous étions sorcières offre son premier rôle à la chanteuse Björk, alors âgée de 20 ans. Pour des raisons de financement, le film ne sera montré pour la première fois en salle qu’en 1991, au Festival du film de Sundance. Entre-temps, Björk est devenue une star mon- diale au sein du groupe The Sugarcubes. Le film demeurera ensuite invisible pendant près de 30 ans. Quand nous étions sorcières a fait l’objet d’une restauration 4K à partir du négatif 35mm original par le Wisconsin Center for Film & Theater Research et la Film Foundation, avec la participa- tion de la George Lucas Family Foundation.
    [Show full text]
  • Barefoot to Jerusalem
    Barefoot to Jerusalem Barefoot to jerusalem. Corbeau Films. San Francisco, CA, United States. Corbeau Films is proud to announce the release of Barefoot To Jerusalem, the final film by acclaimed filmmaker Nietzchka Keene, director of The Juniper Tree. A shocking tragedy sends Mara (Meleah Veit) hurtling down a path of sin, redemption and grace. With a modern sense of irony and an age-old spirituality, Barefoot to Jerusalem Elements of folklore meld with illuminating truths about modern life in The Juniper Tree director Nietzchka Keene's final film, a tale of one woman's quest for redemption, and her earthly struggle against the Devil himself. An irresistible beauty, Mara (Meleah Veit) is pursued by the smitten Geoffrey. Yet despite Geoffrey's best efforts in winning her heart, Mara does not love him in return. Barefoot to Jerusalem is the story of a woman struggling to face her deepest desires, her darkest fears, and ultimately, the devil. Embed the video. Barefoot to Jerusalem- clip. Autoplay. OnOff. Add the video to your site with the embed code above. Report this video. Select an issue. Barefoot to Jerusalem is a 2008 American drama film directed by Nietzchka Keene. It is a story of a woman's journey, after her lover's suicide, through a solitary landscape which brings her into battle with the devil. For faster navigation, this Iframe is preloading the Wikiwand page for Barefoot to Jerusalem. Home. News. Barefoot to Jerusalem is a 2008 American drama film directed by Nietzchka Keene. It is a story of a woman's journey, after her lover's suicide, through a solitary landscape which brings her into battle with the devil.
    [Show full text]
  • Casquarterlyfall2007
    FEATURES Emmy Winners . 14 Dennis Sands, CAS. 16 2007 Career Achievement Award recipient The Road to ADR . 22 Collaborating on The Road to Empire Walkin’ Through the Convention. 28 Recaps the 123rd AES Convention rituals Who’s Afraid of the Doctor? . 32 The perils of taking a hearing test 16 DEPARTMENTS 10 President’s Letter . 5 From the Editors . 6 Say hello to Matt & good-bye to David Food for Thought. 10 Not a bad time to be in broadcast post (maybe)… Technically Speaking . 13 A Sound Discussion . 19 22 Basic TV mix routing and configuring Been There Done That . 35 CAS members check in In Remembrance . 45 The Lighter Side . 46 28 CAS QUARTERLY FALL 2007 3 Yours, Mine, and Ours I want to thank everyone that participated in our RF The culmination of many but not all of the Seminar of November 3, 2007. Sharing information Board’s efforts are centered on the Annual among our communities at large is one of the benefits of Awards Dinner. This year we will return to the THE PRESIDENT’S LETTER the Cinema Audio Society. A great deal of backstage work Crystal Ballroom of the Millennium Biltmore goes into the design and creation of a seminar. Your Board Hotel. We have worked hard to make sure that of Directors endorses these events fully and without their the Awards recognize outstanding achieve- tireless volunteerism they would never come to fruition. ments within the designated categories. A great The Cinema Audio Society will be holding annual deal of effort goes into making the process something to elections soon, and I urge those of you who want to uphold with pride for the Cinema Audio Society as well as become a part of the support system that maintains for the volunteers that assist all the way through to the pre- the CAS to please contact anyone on the current Board sentations.
    [Show full text]
  • Board of Regents of the University of Wisconsin System Agenda
    Board of Regents of the University of Wisconsin System Office of the Secretary 1860 Van Hise Hall Madison, Wisconsin 53706 (608)262-2324 November 29, 2000 TO: Each Regent FROM: Judith A. Temby RE: Agendas and supporting documents for meetings of the Board and Committees to be held on December 7 and 8, 2000. Thursday, December 7, 2000 12:00 noon – 1:00 p.m. – Development Program 1820 Van Hise Hall All Regents Invited 1:00 p.m. – Business and Finance Committee 1820 Van Hise Hall All Regents Invited 2:00 p.m. – Joint Session with Business and Finance Committee and Physical Planning and Funding Committee 1820 Van Hise Hall 2:00 p.m. – Education Committee 1920 Van Hise Hall 2:30 p.m. – Business and Finance Committee reconvenes 1820 Van Hise Hall 2:30 p.m. – Physical Planning and Funding Committee reconvenes 1511 Van Hise Hall Friday, December 8, 2000 9:00 a.m. – Board of Regents 1820 Van Hise Hall Persons wishing to comment on specific agenda items may request permission to speak at Regent Committee meetings. Requests to speak at the full Board meeting are granted only on a selective basis. Requests to speak should be made in advance of the meeting and should be communicated to the Secretary of the Board at the above address. g:\regents\agnda\agnda\covltr BOARD OF REGENTS OF THE UNIVERSITY OF WISCONSIN SYSTEM DEVELOPMENT PROGRAM Thursday, December 7, 2000 12:00 – 1:00 p.m. 1820 Van Hise Hall 1220 Linden Drive Madison, Wisconsin Topic: E-business: vision, strategy, policies, and outcomes Presenter: Robert B.
    [Show full text]
  • Fairy Tale Films. Visions of Ambiguity
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 1-1-2010 Fairy Tale Films Pauline Greenhill Sidney Eve Matrix Follow this and additional works at: http://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Greenhill, P., & Matrix, S. E. (2010). Fairy tale films: Visions of ambiguity. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Fairy Tale Films Visions of Ambiguity Fairy Tale Films Visions of Ambiguity Pauline Greenhill and Sidney Eve Matrix Editors Utah State University Press Logan, Utah 2010 Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Cover photo adapted from The Juniper Tree, courtesy of the Wisconsin Center for Film and Theater Research, Nietzchka Keene papers, 1979-2003, M2005-051. Courtesy of Patrick Moyroud and Versatile Media. ISBN: 978-0-87421-781-0 (paper) ISBN: 978-0-87421-782-7 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Fairy tale films : visions of ambiguity / Pauline Greenhill and Sidney Eve Matrix, editors. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-781-0 (pbk. : alk. paper) -- ISBN 978-0-87421-782-7 (e-book) 1. Fairy tales in motion pictures. 2. Fairy tales--Film adaptations.
    [Show full text]
  • Akko-Chan (Himitsu No Akko- Chan, 1962), Pretty Soldier Sailor Moon (Bishōjo Senshi Sērā Mūn, 1991) Y Pretty Cure (Purikyua, 2004)
    In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Authors: Mario-Paul Martínez Fabre, Fran Mateu, Samanta Sempere, Kevin Díaz Alché, Claudia Torres Pastor, Manuel Ferri Gandía, Ryan Garcia, William Watson, Sylvia Lenaers Cases, Ruth Cristina Hernández Ching, Laura Agüera Santiago, César Oliveros Aya, Jasper Vrancken, Germán Piqueras Arona, Pol Vegara Meirelles, / javi moreno, Vicente Javier Pérez Valero. Editors: Mario-Paul Martínez Fabre and Fran Mateu. Cover design: Vicente Javier Pérez Valero. Book design: Vicente Javier Pérez Valero - Francisco Cuéllar Santiago Association of Development and Dissemination of the Fantastic Gender “Black Unicorn” (“Unicornio Negro”). CIF: G54802251. Massiva Research Group. International Congress of Fantastic Genre, Audiovisuals and New Technologies. [email protected] Editorial Committee Editorial Committee President: Dr. Vicente Javier Pérez Valero (Miguel Hernández University) Members of the Editorial Committee: Dr. Tatiana Sentamans Gómez (Miguel Hernández University) Dr. Vicente Barón (Polytechnic University of Valencia) Dr. Mario-Paul Martínez Fabre (Miguel Hernández University) Fran Mateu (Miguel Hernández University) Dr. María José Zanón (Miguel Hernández University) Dr. Juan F. Martínez Gómez de Albacete (Miguel Hernández University) Beatriz Higón (Polytechnic University of Valencia) Jasper Vrancken (Luca School of Arts, Belgium) Dr. Carmen García Muriana (Miguel Hernández University) Johanna Caplliure (Miguel Hernández University) Dr. Lorena Amorós Blasco (University of Murcia) Dr. Guillermo López Aliaga (Miguel Hernández University) Dr. Francisco Cuellar Santiago (Miguel Hernández University) First edition: November 2019. ISBN: 978-84-09-16300-7 Edited in Spain. The total or partial reproduction of this digital book is strictly prohibited. No part of this publication will be reproduced, stored, transmitted or used by any means or system without the prior written authorization of the editors.
    [Show full text]