Real-Time Adaptive Image Compression
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Free Lossless Image Format
FREE LOSSLESS IMAGE FORMAT Jon Sneyers and Pieter Wuille [email protected] [email protected] Cloudinary Blockstream ICIP 2016, September 26th DON’T WE HAVE ENOUGH IMAGE FORMATS ALREADY? • JPEG, PNG, GIF, WebP, JPEG 2000, JPEG XR, JPEG-LS, JBIG(2), APNG, MNG, BPG, TIFF, BMP, TGA, PCX, PBM/PGM/PPM, PAM, … • Obligatory XKCD comic: YES, BUT… • There are many kinds of images: photographs, medical images, diagrams, plots, maps, line art, paintings, comics, logos, game graphics, textures, rendered scenes, scanned documents, screenshots, … EVERYTHING SUCKS AT SOMETHING • None of the existing formats works well on all kinds of images. • JPEG / JP2 / JXR is great for photographs, but… • PNG / GIF is great for line art, but… • WebP: basically two totally different formats • Lossy WebP: somewhat better than (moz)JPEG • Lossless WebP: somewhat better than PNG • They are both .webp, but you still have to pick the format GOAL: ONE FORMAT THAT COMPRESSES ALL IMAGES WELL EXPERIMENTAL RESULTS Corpus Lossless formats JPEG* (bit depth) FLIF FLIF* WebP BPG PNG PNG* JP2* JXR JLS 100% 90% interlaced PNGs, we used OptiPNG [21]. For BPG we used [4] 8 1.002 1.000 1.234 1.318 1.480 2.108 1.253 1.676 1.242 1.054 0.302 the options -m 9 -e jctvc; for WebP we used -m 6 -q [4] 16 1.017 1.000 / / 1.414 1.502 1.012 2.011 1.111 / / 100. For the other formats we used default lossless options. [5] 8 1.032 1.000 1.099 1.163 1.429 1.664 1.097 1.248 1.500 1.017 0.302� [6] 8 1.003 1.000 1.040 1.081 1.282 1.441 1.074 1.168 1.225 0.980 0.263 Figure 4 shows the results; see [22] for more details. -
How to Exploit the Transferability of Learned Image Compression to Conventional Codecs
How to Exploit the Transferability of Learned Image Compression to Conventional Codecs Jan P. Klopp Keng-Chi Liu National Taiwan University Taiwan AI Labs [email protected] [email protected] Liang-Gee Chen Shao-Yi Chien National Taiwan University [email protected] [email protected] Abstract Lossy compression optimises the objective Lossy image compression is often limited by the sim- L = R + λD (1) plicity of the chosen loss measure. Recent research sug- gests that generative adversarial networks have the ability where R and D stand for rate and distortion, respectively, to overcome this limitation and serve as a multi-modal loss, and λ controls their weight relative to each other. In prac- especially for textures. Together with learned image com- tice, computational efficiency is another constraint as at pression, these two techniques can be used to great effect least the decoder needs to process high resolutions in real- when relaxing the commonly employed tight measures of time under a limited power envelope, typically necessitating distortion. However, convolutional neural network-based dedicated hardware implementations. Requirements for the algorithms have a large computational footprint. Ideally, encoder are more relaxed, often allowing even offline en- an existing conventional codec should stay in place, ensur- coding without demanding real-time capability. ing faster adoption and adherence to a balanced computa- Recent research has developed along two lines: evolu- tional envelope. tion of exiting coding technologies, such as H264 [41] or As a possible avenue to this goal, we propose and investi- H265 [35], culminating in the most recent AV1 codec, on gate how learned image coding can be used as a surrogate the one hand. -
Source Coding: Part I of Fundamentals of Source and Video Coding
Foundations and Trends R in sample Vol. 1, No 1 (2011) 1–217 c 2011 Thomas Wiegand and Heiko Schwarz DOI: xxxxxx Source Coding: Part I of Fundamentals of Source and Video Coding Thomas Wiegand1 and Heiko Schwarz2 1 Berlin Institute of Technology and Fraunhofer Institute for Telecommunica- tions — Heinrich Hertz Institute, Germany, [email protected] 2 Fraunhofer Institute for Telecommunications — Heinrich Hertz Institute, Germany, [email protected] Abstract Digital media technologies have become an integral part of the way we create, communicate, and consume information. At the core of these technologies are source coding methods that are described in this text. Based on the fundamentals of information and rate distortion theory, the most relevant techniques used in source coding algorithms are de- scribed: entropy coding, quantization as well as predictive and trans- form coding. The emphasis is put onto algorithms that are also used in video coding, which will be described in the other text of this two-part monograph. To our families Contents 1 Introduction 1 1.1 The Communication Problem 3 1.2 Scope and Overview of the Text 4 1.3 The Source Coding Principle 5 2 Random Processes 7 2.1 Probability 8 2.2 Random Variables 9 2.2.1 Continuous Random Variables 10 2.2.2 Discrete Random Variables 11 2.2.3 Expectation 13 2.3 Random Processes 14 2.3.1 Markov Processes 16 2.3.2 Gaussian Processes 18 2.3.3 Gauss-Markov Processes 18 2.4 Summary of Random Processes 19 i ii Contents 3 Lossless Source Coding 20 3.1 Classification -
Download This PDF File
Sindh Univ. Res. Jour. (Sci. Ser.) Vol.47 (3) 531-534 (2015) I NDH NIVERSITY ESEARCH OURNAL ( CIENCE ERIES) S U R J S S Performance Analysis of Image Compression Standards with Reference to JPEG 2000 N. MINALLAH++, A. KHALIL, M. YOUNAS, M. FURQAN, M. M. BOKHARI Department of Computer Systems Engineering, University of Engineering and Technology, Peshawar Received 12thJune 2014 and Revised 8th September 2015 Abstract: JPEG 2000 is the most widely used standard for still image coding. Some other well-known image coding techniques include JPEG, JPEG XR and WEBP. This paper provides performance evaluation of JPEG 2000 with reference to other image coding standards, such as JPEG, JPEG XR and WEBP. For the performance evaluation of JPEG 2000 with reference to JPEG, JPEG XR and WebP, we considered divers image coding scenarios such as continuous tome images, grey scale images, High Definition (HD) images, true color images and web images. Each of the considered algorithms are briefly explained followed by their performance evaluation using different quality metrics, such as Peak Signal to Noise Ratio (PSNR), Mean Square Error (MSE), Structure Similarity Index (SSIM), Bits Per Pixel (BPP), Compression Ratio (CR) and Encoding/ Decoding Complexity. The results obtained showed that choice of the each algorithm depends upon the imaging scenario and it was found that JPEG 2000 supports the widest set of features among the evaluated standards and better performance. Keywords: Analysis, Standards JPEG 2000. performance analysis, followed by Section 6 with 1. INTRODUCTION There are different standards of image compression explanation of the considered performance analysis and decompression. -
Neural Multi-Scale Image Compression
Neural Multi-scale Image Compression Ken Nakanishi 1 Shin-ichi Maeda 2 Takeru Miyato 2 Daisuke Okanohara 2 Abstract 1.00 This study presents a new lossy image compres- sion method that utilizes the multi-scale features 0.98 of natural images. Our model consists of two networks: multi-scale lossy autoencoder and par- 0.96 allel multi-scale lossless coder. The multi-scale Proposed 0.94 JPEG lossy autoencoder extracts the multi-scale image MS-SSIM WebP features to quantized variables and the parallel BPG 0.92 multi-scale lossless coder enables rapid and ac- Johnston et al. Rippel & Bourdev curate lossless coding of the quantized variables 0.90 via encoding/decoding the variables in parallel. 0.0 0.2 0.4 0.6 0.8 1.0 Our proposed model achieves comparable perfor- Bits per pixel mance to the state-of-the-art model on Kodak and RAISE-1k dataset images, and it encodes a PNG image of size 768 × 512 in 70 ms with a single Figure 1. Rate-distortion trade off curves with different methods GPU and a single CPU process and decodes it on Kodak dataset. The horizontal axis represents bits-per-pixel into a high-fidelity image in approximately 200 (bpp) and the vertical axis represents multi-scale structural similar- ms. ity (MS-SSIM). Our model achieves better or comparable bpp with respect to the state-of-the-art results (Rippel & Bourdev, 2017). 1. Introduction K Data compression for video and image data is a crucial tech- via ML algorithm is not new. The -means algorithm was nique for reducing communication traffic and saving data used for vector quantization (Gersho & Gray, 2012), and storage. -
Arxiv:2002.01657V1 [Eess.IV] 5 Feb 2020 Port Lossless Model to Compress Images Lossless
LEARNED LOSSLESS IMAGE COMPRESSION WITH A HYPERPRIOR AND DISCRETIZED GAUSSIAN MIXTURE LIKELIHOODS Zhengxue Cheng, Heming Sun, Masaru Takeuchi, Jiro Katto Department of Computer Science and Communications Engineering, Waseda University, Tokyo, Japan. ABSTRACT effectively in [12, 13, 14]. Some methods decorrelate each Lossless image compression is an important task in the field channel of latent codes and apply deep residual learning to of multimedia communication. Traditional image codecs improve the performance as [15, 16, 17]. However, deep typically support lossless mode, such as WebP, JPEG2000, learning based lossless compression has rarely discussed. FLIF. Recently, deep learning based approaches have started One related work is L3C [18] to propose a hierarchical archi- to show the potential at this point. HyperPrior is an effective tecture with 3 scales to compress images lossless. technique proposed for lossy image compression. This paper In this paper, we propose a learned lossless image com- generalizes the hyperprior from lossy model to lossless com- pression using a hyperprior and discretized Gaussian mixture pression, and proposes a L2-norm term into the loss function likelihoods. Our contributions mainly consist of two aspects. to speed up training procedure. Besides, this paper also in- First, we generalize the hyperprior from lossy model to loss- vestigated different parameterized models for latent codes, less compression model, and propose a loss function with L2- and propose to use Gaussian mixture likelihoods to achieve norm for lossless compression to speed up training. Second, adaptive and flexible context models. Experimental results we investigate four parameterized distributions and propose validate our method can outperform existing deep learning to use Gaussian mixture likelihoods for the context model. -
Image Formats
Image Formats Ioannis Rekleitis Many different file formats • JPEG/JFIF • Exif • JPEG 2000 • BMP • GIF • WebP • PNG • HDR raster formats • TIFF • HEIF • PPM, PGM, PBM, • BAT and PNM • BPG CSCE 590: Introduction to Image Processing https://en.wikipedia.org/wiki/Image_file_formats 2 Many different file formats • JPEG/JFIF (Joint Photographic Experts Group) is a lossy compression method; JPEG- compressed images are usually stored in the JFIF (JPEG File Interchange Format) >ile format. The JPEG/JFIF >ilename extension is JPG or JPEG. Nearly every digital camera can save images in the JPEG/JFIF format, which supports eight-bit grayscale images and 24-bit color images (eight bits each for red, green, and blue). JPEG applies lossy compression to images, which can result in a signi>icant reduction of the >ile size. Applications can determine the degree of compression to apply, and the amount of compression affects the visual quality of the result. When not too great, the compression does not noticeably affect or detract from the image's quality, but JPEG iles suffer generational degradation when repeatedly edited and saved. (JPEG also provides lossless image storage, but the lossless version is not widely supported.) • JPEG 2000 is a compression standard enabling both lossless and lossy storage. The compression methods used are different from the ones in standard JFIF/JPEG; they improve quality and compression ratios, but also require more computational power to process. JPEG 2000 also adds features that are missing in JPEG. It is not nearly as common as JPEG, but it is used currently in professional movie editing and distribution (some digital cinemas, for example, use JPEG 2000 for individual movie frames). -
Widetek® Wide Format MFP Solutions 17
® The WideTEK 36CL-MF scanner forms the basis of all of the MF solutions and is the fastest, most productive wide format MFP so- lution on the market, running at 10 inches per second at 200 dpi in full color, at the lowest possible price. At the full width of 36“ and 600 dpi resolution, the scanner still runs at 1.7 inches per second. ® WideTEK 36CL-MF is the best choice to build a powerful and high quality MFP with either an integrated printer series specifi c stand, a high stand or a standalone stand. All MFP solutions come with a built in closed loop color calibration function producing the best possible copies on your selected printer and paper combination. Scanner Optics CIS camera, scans in color, grayscale, B&W Resolution 1200 x 1200 dpi scanner resolution 9600 x 9600 dpi interpolated (optional) Document Size 965 mm (38 inch) width, nearly unlimited length Scans 915 mm (36 inch) widths Scanning Speed 200 dpi - 15 m/min (10 inch/s) in color Face up scanning with on the fl y rotation and modifi cation 600 dpi - 8 m/min (5 inch/s) in grayscale of images without rescanning. Automated crop & deskew. Color Depth 48 bit color, 16 bit grayscale Built in closed loop color calibration function for best possible copies Scan output 24 bit color, 8 bit grayscale, bitonal, enhanced half- tone LED lamps, no warm up, IR/UV free Output Formats Multipage PDF (PDF/A) and TIFF, JPEG, JPEG 2000, Large 21“ full HD color touchscreen for simple operation in PNM, PNG, BMP, TIFF (Raw, G3, G4, LZW, JPEG), optional bundles AutoCAD DWF, JBIG, DjVu, DICOM, PCX, Postscript, EPS, Raw data Scan2USB, FTP, SMB and Network. -
Optimization of Image Compression for Scanned Document's Storage
ISSN : 0976-8491 (Online) | ISSN : 2229-4333 (Print) IJCST VOL . 4, Iss UE 1, JAN - MAR C H 2013 Optimization of Image Compression for Scanned Document’s Storage and Transfer Madhu Ronda S Soft Engineer, K L University, Green fields, Vaddeswaram, Guntur, AP, India Abstract coding, and lossy compression for bitonal (monochrome) images. Today highly efficient file storage rests on quality controlled This allows for high-quality, readable images to be stored in a scanner image data technology. Equivalently necessary and faster minimum of space, so that they can be made available on the web. file transfers depend on greater lossy but higher compression DjVu pages are highly compressed bitmaps (raster images)[20]. technology. A turn around in time is necessitated by reconsidering DjVu has been promoted as an alternative to PDF, promising parameters of data storage and transfer regarding both quality smaller files than PDF for most scanned documents. The DjVu and quantity of corresponding image data used. This situation is developers report that color magazine pages compress to 40–70 actuated by improvised and patented advanced image compression kB, black and white technical papers compress to 15–40 kB, and algorithms that have potential to regulate commercial market. ancient manuscripts compress to around 100 kB; a satisfactory At the same time free and rapid distribution of widely available JPEG image typically requires 500 kB. Like PDF, DjVu can image data on internet made much of operating software reach contain an OCR text layer, making it easy to perform copy and open source platform. In summary, application compression of paste and text search operations. -
Download Special Issue
Wireless Communications and Mobile Computing Error Control Codes for Next-Generation Communication Systems: Opportunities and Challenges Lead Guest Editor: Zesong Fei Guest Editors: Jinhong Yuan and Qin Huang Error Control Codes for Next-Generation Communication Systems: Opportunities and Challenges Wireless Communications and Mobile Computing Error Control Codes for Next-Generation Communication Systems: Opportunities and Challenges Lead Guest Editor: Zesong Fei Guest Editors: Jinhong Yuan and Qin Huang Copyright © 2018 Hindawi. All rights reserved. This is a special issue published in “Wireless Communications and Mobile Computing.” All articles are open access articles distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, pro- vided the original work is properly cited. Editorial Board Javier Aguiar, Spain Oscar Esparza, Spain Maode Ma, Singapore Ghufran Ahmed, Pakistan Maria Fazio, Italy Imadeldin Mahgoub, USA Wessam Ajib, Canada Mauro Femminella, Italy Pietro Manzoni, Spain Muhammad Alam, China Manuel Fernandez-Veiga, Spain Álvaro Marco, Spain Eva Antonino-Daviu, Spain Gianluigi Ferrari, Italy Gustavo Marfia, Italy Shlomi Arnon, Israel Ilario Filippini, Italy Francisco J. Martinez, Spain Leyre Azpilicueta, Mexico Jesus Fontecha, Spain Davide Mattera, Italy Paolo Barsocchi, Italy Luca Foschini, Italy Michael McGuire, Canada Alessandro Bazzi, Italy A. G. Fragkiadakis, Greece Nathalie Mitton, France Zdenek Becvar, Czech Republic Sabrina Gaito, Italy Klaus Moessner, UK Francesco Benedetto, Italy Óscar García, Spain Antonella Molinaro, Italy Olivier Berder, France Manuel García Sánchez, Spain Simone Morosi, Italy Ana M. Bernardos, Spain L. J. García Villalba, Spain Kumudu S. Munasinghe, Australia Mauro Biagi, Italy José A. García-Naya, Spain Enrico Natalizio, France Dario Bruneo, Italy Miguel Garcia-Pineda, Spain Keivan Navaie, UK Jun Cai, Canada A.-J. -
R-Photo User's Manual
User's Manual © R-Tools Technology Inc 2020. All rights reserved. www.r-tt.com © R-tools Technology Inc 2020. All rights reserved. No part of this User's Manual may be copied, altered, or transferred to, any other media without written, explicit consent from R-tools Technology Inc.. All brand or product names appearing herein are trademarks or registered trademarks of their respective holders. R-tools Technology Inc. has developed this User's Manual to the best of its knowledge, but does not guarantee that the program will fulfill all the desires of the user. No warranty is made in regard to specifications or features. R-tools Technology Inc. retains the right to make alterations to the content of this Manual without the obligation to inform third parties. Contents I Table of Contents I Start 1 II Quick Start Guide in 3 Steps 1 1 Step 1. Di.s..k.. .S..e..l.e..c..t.i.o..n.. .............................................................................................................. 1 2 Step 2. Fi.l.e..s.. .M..a..r..k.i.n..g.. ................................................................................................................ 4 3 Step 3. Re..c..o..v..e..r.y.. ...................................................................................................................... 6 III Features 9 1 File Sorti.n..g.. .............................................................................................................................. 9 2 File Sea.r.c..h.. ............................................................................................................................ -
Entropy Coding 83
1 X-Media Audio, Image and Video Coding Laurent Duval (IFP Energies nouvelles) Eric Debes (Thalès) Philippe Morosini (Supélec) Supports Moodle/NTNoe http://www.laurent-duval.eu/lcd-lecture-supelec-xmedia.html 2 General information Contents 3 • Introduction to X-Media coding generic principles • Audio data recording/sampling, physiology • Data, audio coding LZ*, Mpeg-Layer 3 • Image coding JPEG vs. JPEG 2000 • Video coding MPEG formats, H-264 • Bonuses, exercices Initial motivation 4 Initial motivation 5 • Coding/compression as a DSP engineer discipline information reduction, standards & adaption, complexity, integrity & security issues, interaction with SP pipeline • Composite domain, yet ubiquitous sampling (Nyquist-Shannon, filter banks), statistical SP (KLT, decorrelation), transforms (Fourier, wavelets), classification (quantization, K-means), functional spaces (basis & frames), information theory (entropy), error measurements, modelling Initial motivation 6 Digital Image Processing Digital Image Characteristics Spatial Spectral Gray-level Histogram DFT DCT Pre-Processing Enhancement Restoration Point Processing Masking Filtering Degradation Models Inverse Filtering Wiener Filtering Compression Information Theory Lossless Lossy LZW (gif) Transform-based (jpeg) Segmentation Edge Detection Description Shape Descriptors Texture Morphology Initial motivation 7 • Exemplar underline importance of specific steps (related to other lectures) to make stuff work which algorithm for which task? ° process text? sound? images? video? "the toolbox quote" (Juran) • Evolving steady evolution of standards, tools, overview of future directions (and tools) • Central to SP task what is really important in my data? (stored) info. overflow + degradations (decon.) 8 Principles Principles 9 • What is data (image) Compression? Data compression is the art and science of representing information in a compact form. Data is a sequence of symbols taken from a discrete alphabet.