JUNE 2012 Welcome to

The Scottsboro Boys is one of the most celebrated and daring musicals of the decade, and The Old Globe is proud to bring it to San Diego audiences in its West Coast premiere. We also welcome acclaimed director and choreographer Susan Stroman, who created the original Broadway production — The Scottsboro Boys marks her Globe debut. The production follows the true story of nine young African American

HENRY DIROCCO HENRY men falsely accused of a terrible crime. Their shockingly unjust trials sparked nationwide protests and helped set the stage for the Civil Rights Movement. We hope you’ll explore this real-life drama even further through the information in this program and on our website. The Scottsboro Boys was nominated for 12 Tony Awards, and it has inspired and galvanized its audiences, reminding us all of a chapter in American history that should never be forgotten.

Just across Copley Plaza in the Sheryl and Harvey White Theatre, The Old Globe is offering another musical, the world premiere of Itamar Moses and Gaby Alter’s Nobody Loves You. We hope to see you back this summer for our 2012 Summer Shakespeare Festival. Under Shakespeare Festival Artistic Director Adrian Noble, this outdoor favorite features Richard III, As You Like It and Inherit the Wind in the Lowell Davies Festival Theatre. The summer season will also feature Michael Kramer’s Divine Rivalry as well as Yasmina Reza’s Tony Award-winning comedy God of Carnage. As always, we thank you for your support as we continue our mission to bring San Diego audiences the very best theatre, both classical and contemporary.

Michael G. Murphy Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 presents in association with AMERICAN CONSERVATORY THEATER Carey Perloff, Artistic Director | Ellen Richard, Executive Director THE SCOTTSBORO BOYS MUSIC AND LYRICS BY JOHN KANDER & FRED EBB BOOK BY DAVID THOMPSON

Beowulf Boritt Toni-Leslie James Ken Billington Jon Weston SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Eric Ebbenga Eric Santagata MUSIC DIRECTOR ASSISTANT CHOREOGRAPHER Larry Hochman Glen Kelly David Loud ORCHESTRATIONS MUSIC ARRANGEMENTS VOCAL ARRANGEMENTS Rick Sordelet Janet Foster, CSA Joshua Halperin FIGHT DIRECTOR CASTING STAGE MANAGER

ASSOCIATE DIRECTOR AND CHOREOGRAPHER JEFF WHITING

DIRECTION AND CHOREOGRAPHY BY SUSAN STROMAN

The Scottsboro Boys received its World Premiere at the Vineyard Theatre, Douglas Aibel, Artistic Director, Jennifer Garvey-Blackwell, Executive Director, New York City, February 2010.

Originally produced on Broadway by Barry and Fran Weissler and Jacki Barlia Florin, Janet Pailet/Sharon A. Carr/Patricia R. Klausner Nederlander Presentations, Inc/The Shubert Organization, Inc. Beechwood Entertainment Broadway Across America Mark Zimmerman Adam Blanshay/R2D2Productions Rick Danzansky/Barry Tatelman Bruce Robert Harris/Jack W. Batman Allen Spivak/Jerry Frankel Bard Theatricals/Probo Productions/Randy Donaldson Catherine Schreiber/Michael Palitz/Patti Laskawy Vineyard Theatre

The Scottsboro Boys is presented through special arrangement with Music Theatre International (MTI). New York, NY www.mtishows.com Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center April 29 - June 10, 2012

2 PERFORMANCES MAGAZINE THE CAST THE INTERLOCUTOR...... Ron Holgate MR. BONES...... Jared Joseph MR. TAMBO...... JC Montgomery THE LADY...... C. Kelly Wright

The Scottsboro Boys OLEN MONTGOMERY...... David Bazemore EUGENE WILLIAMS...... Nile Bullock ANDY WRIGHT...... Christopher James Culberson HAYWOOD PATTERSON...... Clifton Duncan CLARENCE NORRIS...... Eric Jackson WILLIE ROBERSON...... Cornelius Bethea OZIE POWELL...... James T. Lane CHARLES WEEMS...... Clifton Oliver ROY WRIGHT...... Clinton Roane

Playing Various Other Characters SHERIFF BONES/LAWYER BONES/GUARD BONES/ATTORNEY GENERAL/CLERK...... Jared Joseph DEPUTY TAMBO/LAWYER TAMBO/GUARD TAMBO/SAMUEL LEIBOWITZ...... JC Montgomery VICTORIA PRICE...... Clifton Oliver RUBY BATES...... James T. Lane JUDGE/GOVERNOR OF ALABAMA...... Ron Holgate ELECTRIFIED CHARLIE...... Christopher James Culberson ELECTRIFIED ISAAC/BILLY...... Clinton Roane PREACHER...... Eric Jackson LITTLE GEORGE...... Nile Bullock

UNDERSTUDIES...... for Haywood Patterson – James T. Lane; for The Interlocutor – JC Montgomery; for The Lady – Audrey Martells; for Mr. Tambo, Roy Wright, Ozie Powell & Willie Roberson – Shavey Brown; for Mr. Bones, Clarence Norris, Andy Wright & Charles Weems – Max Kumangai; for Olen Montgomery & Eugene Williams – Clinton Roane SWINGS...... Shavey Brown, Max Kumangai DANCE CAPTAIN/FIGHT CAPTAIN...... Eric Jackson

Stage Manager...... Joshua Halperin Assistant Stage Manager (San Diego)...... Evangeline Rose Whitlock Assistant Stage Manager (New York)...... Megan Schneid

PRODUCTION STAFF Associate Scenic Design...... Alexis Distler Assistant Scenic Design...... Sean Fanning Associate Costume Design...... Nicole Tobolski Assistant Costume Design...... Charlotte Devaux Associate Lighting Design...... John Demous Assistant Lighting Design...... Amanda Zieve Moving Light Programmer...... Alex Fogel Associate Sound Design...... Jason Strangfeld Assistant Sound Design...... Sean Foote Studio Teacher...... Judy Ridgeway Music Assistant...... Jon Lorenz Stage Management Intern...... Danielle Kimball The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 The Scottsboro Boys AN AMERICAN LEGACY

One beautiful but chilly spring demonstrations in support of the morning in 1931, nine young African teens spread like wildfire across American men, ages 13 to 19, the north. Following the first boarded a boxcar heading through verdict, over 300,000 black and the northeast corner of Alabama. white workers gathered to protest Like thousands of young men and the convictions in 110 American women, they were looking for work, cities. Crowds in New York, fueled a new life, something to do. Before by the passions of the emerging the day was over, the nine would Communist Party, reached 10,000 be accused of a crime they never in Union Square alone. committed. The ongoing trials brought changes The trials that followed would to the legal system as well. The divide the nation along racial, Supreme Court reversed the political and geographic lines and convictions for two of the trials. In become a turning point for the 1932, the verdict was overturned emerging Civil Rights Movement. because Alabama had failed to But beneath it all was the story provide adequate assistance of nine young men, reluctantly of counsel as required by the drawn into the national spotlight, 14th Amendment. In 1935, the desperate to prove to themselves conviction was reversed again that they mattered. Not until 1976, because African Americans had when Alabama Governor George ARCHIVE VIA GETTY NEWS IMAGES NY DAILY been excluded from sitting on the Attorney Samuel Leibowitz confers with Haywood Patterson in a Wallace pardoned the last living County Jail cell. His co-defendants stand behind him. juries in the trials. Scottsboro Boy, would they finally be exonerated. After 45 years, the case had come to a close. But the Scottsboro Boys changed lives in smaller, more personal ways. Take the story of Rosa In its wake, the story of the Scottsboro Boys changed McCauley, who, in 1931, marched to free the Scottsboro America. During the first flush of public outcry, Boys. At a rally sponsored by the NAACP, the young 19-year-old met Raymond Parks. A year later they married, and together, Raymond and Rosa Parks continued the fight against injustice.

It’s essential to bring the Scottsboro Boys back into the national conversation about race. Nine lives were destroyed. Nine lives that matter every bit as much now as then. ASSOCIATED PRESS ASSOCIATED (from left) Clarence Norris and Charles Weems seated in a jail cell, reading the newspaper.

4 PERFORMANCES MAGAZINE MUSICAL NUMBERS “Minstrel March”...... Orchestra “Hey, Hey, Hey, Hey!”...... Company “Commencing in Chattanooga”...... Haywood, Scottsboro Boys “Alabama Ladies”...... Victoria Price, Ruby Bates “Nothin’”...... Haywood “Electric Chair”...... Guards, Eugene, Electrified Charlie, Electrified Isaac “Go Back Home”...... Haywood, Eugene, Scottsboro Boys “Shout!”...... Scottsboro Boys “Make Friends With the Truth”...... Haywood, Scottsboro Boys “That’s Not the Way We Do Things”...... Samuel Leibowitz “Never Too Late”...... Ruby Bates, Scottsboro Boys “Financial Advice”...... Attorney General “Southern Days”...... Scottsboro Boys “Chain Gang”...... Scottsboro Boys “Alabama Ladies” (Reprise)...... Victoria Price “Zat So?”...... Governor of Alabama, Samuel Leibowitz, Haywood “You Can’t Do Me”...... Haywood, Scottsboro Boys “The Scottsboro Boys”...... Scottsboro Boys “Minstrel March” (Reprise)...... Orchestra

The Scottsboro Boys is performed without an intermission.

ORCHESTRA Music Director/Conductor/Piano/Harmonium...... Eric Ebbenga Violin...... Healy Henderson Flute/Piccolo/Clarinet/Bass Clarinet...... John Reilly Trumpet/Cornet/Flugelhorn...... Brad Steinwehe Trombone...... David Pollock Acoustic Bass...... Justin Grinnell Tuba...... Scott Sutherland Banjo/Guitars/Mandolin/Ukelele/Harmonica...... Kevin Kuhn 4/29 – 5/20/12 Dave Mac Nab 5/22 – 6/10/12 Drums/Percussion...... Tim McMahon Contractor...... Lorin Getline

Rehearsal Piano...... Justin Gray Rehearsal Drums...... Tim McMahon

All musicians are represented by the American Federation of Musicians of the United States and Canada.

PERFORMANCES MAGAZINE 5 Board of Directors

As San Diego’s largest not-for-profit performing arts organization, The Old Globe’s operating budget of $20 million sustains year-round productions on three stages, an audience of more than 250,000, education and community programs serving nearly 50,000 and artistic development programs designed to advance the future of American theatre.

As you know, charitable support through grants and contributions is vital to sustaining these activities, and one of the most vital funding sources for The Old Globe is the City of San Diego’s Commission for Arts and Culture, which, through an arduous vetting process, allocates contracts for services provided. Funding comes through the transient occupancy tax (TOT), which is paid by tourists who stay at hotels and not by local citizens. The goal of the Commission is to fund organizations that stimulate the economy, attract tourism, reflect the diversity of our region and improve the quality of life for San Diegans.

With each annual budget cycle, funding for the Commission is at risk. We encourage you, as Globe supporters, to tell City Councilmembers and the Mayor that you value programs supported by the Commission and that you advocate for keeping Commission funding as a high priority.

If you are interested in learning more about public funding and how it impacts Globe programs, please contact the Development Department. Thank you for all you do as advocates and friends. We greatly appreciate it.

Enjoy the performance.

Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Ramin Pourteymour Lynne Wheeler Dolly Poet (1921-2007) Mary Beth Adderley* Paula Powers* Debbie Wilson Deborah Szekely Elizabeth Altman Conrad Prebys* Karin Winner Hon. Pete Wilson Pamela Cesak David Reagan June Yoder Nicole A. Clay Sandra Redman Carolyn Yorston-Wellcome EMERITUS DIRECTORS Peter J. Cooper* Reneé Schatz Vicki Zeiger Garet B. Clark Valerie S. Cooper Jean Shekhter J. Dallas Clark (1913–2005) *Executive Committee Member Silvija Devine Ann Steck Bea Epsten Pamela A. Farr Steven J. Stuckey HONORARY DIRECTORS Sally Furay, R.S.C.J. Karen Fox Daniel L. Sullivan, Ph.D. Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Victor P. Gálvez Julie H. Sullivan, Ph.D. (1912–2005) Delza Martin (1915–2005) Kathryn Hattox* Dean Thorp Clair Burgener (1921-2006) Darlene Shiley Elizabeth Helming Evelyn Mack Truitt Mrs. John H. Fox (1908–2003) Patsy Shumway Viviana Ibañez Debra Turner Audrey Geisel Deni Jacobs Stacey LeVasseur Vasquez Paul Harter Daphne Jameson Crystal Watkins Gordon Luce (1925-2006) Jo Ann Kilty Jim Wening

6 PERFORMANCES MAGAZINE Production Sponsor of The Scottsboro Boys

Peter Cooper and Norman Blachford Peter and Norman are longtime supporters of The Old Globe and well known for their major philanthropic activities and community activism. Norman serves on the Mingei International Museum Board and is on the Founders Council of the Williams Institute at the UCLA School of Law. A native of Montreal, Norman founded a manufacturing firm that produced noise control materials for the transportation industry and many international corporations. In 1981 Norman and Louis Stankiewicz were awarded a Technical Achievement Award (Stage Operations) by the Academy of Motion Pictures Arts and Sciences. Peter, now a retired businessman, is a member of the Globe’s Board of Directors, chairs the Education Committee and also serves on the Executive Committee. He is a Founding Council member of the Williams Institute at the UCLA School of Law and is on the board of the Fishman Fund at the Sanford Burnham Institute.

Education Sponsor

“Charitable giving and volunteering is more than just an opportunity to share with others,” says Dean Thorp, Senior Vice President of the Wells Fargo Foundation. “It’s an opportunity to build a network that will have a role in San Diego’s future. It’s a chance to be a part of what’s happening in this wonderful city.” In the past year, the Wells Fargo Foundation donated $2.2 million to nearly 500 non-profits and schools in San Diego County. Not only does the Foundation make regular donations to the Globe’s Annual Fund and educational programming, but Thorp is now serving his third term on the Globe’s Board of Directors. Friends like the Wells Fargo Foundation help to ensure that the Globe will continue to serve the San Diego community for years to come.

The 2012 Globe Gala on Saturday, July 28 Elaine Lipinsky Save the date for an extraordinary evening 1943 – 2011 Globe Gala Co-Chairs and Board Members Pamela Cesak, Jo Ann Kilty This production is dedicated to and Vicki Zeiger invite you to join them for the 2012 Globe Gala featuring the memory of Elaine Lipinsky a one-hour concert by Lea Salonga, the Tony Award-winning star of who, through many years of Broadway’s Miss Saigon and Les Misérables. Proceeds from the Gala generous Season Sponsor benefit the Globe’s many artistic, education and community programs. support, helped bring serious and meaningful work to our stages. July 28, 2012 Reception in Alcazar Garden with Silent Auction We remain forever grateful. Special One-Night-Only Concert by Lea Salonga Dinner and Dancing Under the Stars For information: (619) 231-1941 x2303 or [email protected]. DOUG GATES DAREN SCOTT DAREN Lea Salonga Old Globe Artistic Director Emeritus Jack O’Brien with the 2012 Globe Gala Co-Chairs (from left) Pamela Cesak, Vicki Zeiger and Jo Ann Kilty.

PERFORMANCES MAGAZINE 7 SCOTTSBORO TIMELINE A NOTE FROM JOHN KANDER Nearly every musical I have ever written started as an idea 1931 March 25: A fight breaks out between white and black young men riding on a freight car. Nine black youths are around Fred Ebb’s kitchen table. The Scottsboro Boys is arrested. Rape charges are added following accusations from no different. One morning in 2002, Susan Stroman, David two white women. April 6 – 9: The boys are tried and found Thompson, Fred Ebb and I were gathered around Fred’s guilty. April – December: Progressive national organizations call table, eager to start a new project. One of us proposed an for the country to reject the “Alabama frame-up.” idea: what if we were to write a musical about a true story — one based on an important chapter in American 1932 November 7: In Patterson v. Alabama, the U.S. history. Supreme Court rules the defendants were denied the right to counsel, which violated their right to due process under the In order to find inspiration, we turned to the landmark 14th Amendment. court trials of the 20th century. Immediately, the case that jumped out at us was the story of the Scottsboro Boys. 1933 January: Samuel Leibowitz takes on the case on As a young boy growing up in Kansas City, I remember behalf of the International Labor Defense, the legal arm of the when the Scottsboro Boys were first in the headlines. I Communist Party. March 27: Haywood Patterson’s second trial remember the conversations with my parents about what begins before Judge James Horton. April 6: Ruby Bates appears the trials meant. I am sure there were similar conversations as a surprise witness and denies the rape occurred. at kitchen tables across the country. I also remember when April 9: Haywood Patterson is found guilty. June 22: Judge the headlines began to fade and the Scottsboro Boys Horton sets aside Patterson’s conviction and grants a new trial. gradually disappeared from the national spotlight. November – December: The trials of Haywood Patterson and Clarence Norris end in death sentences for both. As we began to write The Scottsboro Boys, it was immediately apparent why it was so important to tell their 1935 April 1: In Norris v. Alabama, the U.S. Supreme story. Behind the headlines, the spectacle, the ongoing Court finds the exclusion of blacks on jury rolls deprives black trials and the histrionics of politicians and lawyers was the defendants of their right to equal protection under the law. story of nine young African American boys determined to prove that they mattered. And as collaborators, our 1936 January 24: While being transported to Birmingham kitchen table conversations continued: how was it possible Jail, Ozie Powell attacks Deputy Edgar Blalock. Sheriff J. Street that a group of innocent boys could be destroyed by a Sandlin shoots Powell in the head, resulting in permanent brain single lie? Why was it easier to believe that lie than it was damage. December: Lieutenant Governor Thomas Knight meets Leibowitz in New York to negotiate a compromise. to accept the truth? The Scottsboro Boys is a story that still resonates today 1937 July 24: Rape charges against Olen Montgomery, as we struggle to give voice to those who are marginalized Willie Roberson, Eugene Williams and Roy Wright are dropped. or disenfranchised. I remember how much the story August 16: The four freed boys appear in vaudeville. touched me as a young boy growing up in Kansas City. And it touches me even more today. Writing The Scottsboro 1938 October 29: Governor Bib Graves meets with the Boys has been one of the most rewarding experiences of Scottsboro defendants in his office to consider parole. my career. I am eager for you to join us and become part of November 15: Governor Graves denies the pardon applications a conversation that I know you will take back to your own of all five Scottsboro defendants. kitchen table. 1946 June: Ozie Powell is released on parole. September: Clarence Norris is also paroled.

1950 June: Andy Wright is paroled. December: Haywood Patterson writes his autobiography, Scottsboro Boy.

1952 August: Haywood Patterson dies of cancer.

1959 August: Roy Wright dies.

1976 October 25: Alabama Governor George Wallace officially declares that Clarence Norris, the last of the nine Scottsboro defendants, is “not guilty.”

1989 January 23: Clarence Norris, the last of the BETTMANN/CORBIS Scottsboro Boys, dies. Protestors carry signs in front of the White House in 1933 demanding the freedom of the Scottsboro Boys. The protest was led by Mother Patterson, the mother of accused Haywood Patterson.

8 PERFORMANCES MAGAZINE Profiles of Innocence

HAYWOOD PATTERSON started riding CHARLES WEEMS was only four when the rails when he was 14. Patterson entered his mother died. Six of his seven siblings jail illiterate. “I held a pencil in my hand but died soon afterwards. When his father fell I couldn’t tap the power that was in it.” But ill, Weems was sent to live with his aunt Patterson was a quick learner. “By the end of Gussie McElroy. He was on his way home 1931, I got much confidence in my way with to Tennessee when he was pulled from the words, so I prepared a Christmas gift for my Southern Railroad and charged with rape. mother, a letter by my own hand.”

EUGENE WILLIAMS was 13 at the time of his CLARENCE NORRIS, the second of 11 arrest and was the youngest of the Scottsboro children, was put to work in the cotton fields at Boys. Williams was convicted in a speedy trial the age of seven. After his father died, Norris at Scottsboro with the other boys, but the took a job at the local Goodyear plant, working Supreme Court of Alabama struck down his up to 16 hours a day. But the job ended, and conviction based on his young age. Norris decided to hit the railroad tracks and look for work. ANDY WRIGHT left his native Chattanooga on a Southern Railroad freight train headed OZIE POWELL, according to his own for Alabama, accompanied by his younger testimony during the first trial, only had three brother, Roy. Andy was 19 at the time and had months of formal education. When he was 14, had enough schooling that he could read and Powell left home. He worked in lumber camps write a bit. and sawmills for weeks or months at a time before moving on. ROY WRIGHT left home for the first time at the age of 13 to look for work with his older OLEN MONTGOMERY was born in Monroe, brother, Andy. Roy was one of the few boys Georgia. Extremely myopic and with a who knew how to write. cataract in one eye, Montgomery could not see well at all. The pair of glasses he had was broken on the day of the arrest and he went for two years without a new pair.

WILLIE ROBERSON was raised by his grandmother. When she died in 1930, Roberson left his job as a hotel busboy in Georgia to go to Chattanooga in search of work. Finding none available, he boarded a freight for Memphis in search of free medical care to treat an advanced case of syphilis.

Haywood Patterson, Clarence Norris, Ozie Powell, Olen Montgomery, Willie Roberson, Charles Weems, Eugene Williams, Andy Wright and Roy Wright and photos courtesy of Alabama State Archives/Montgomery Archives; The Morgan County Archives.

PERFORMANCES MAGAZINE 9 Profiles

DAVID BAZEMORE NILE BULLOCK Comedy Central’s Onion SportsDome. Mr. (Olen Montgomery) most (Eugene Williams) reprises Duncan received his M.F.A. from New York recently appeared in The the role he played in University’s Graduate Acting Program. Scottsboro Boys at Philadelphia. He has Dedicated to the Scottsboro Nine, Emmett Philadelphia Theatre attended Broadway Dance Tills, Oscar Grants, Amadou Diallos, Sean Company. His favorite Center for three years Bells, Troy Davises, James Byrd Jrs, Trayvon credits include Leading studying jazz, hip hop and Martins, Shaima Alawadis and the countless Player in Pippin (Tri-County Performing Arts ballet. He was awarded the Gregory Hines other victims of racial injustice. We must Center), Seaweed in Hairspray Youth Scholarship at the American Tap never forget. (Shenandoah Summer Music Theatre), Dance Foundation. Mr. Bullock has Four-Eyed Moe in Five Guys Named Moe performed in many theatre productions at RON HOLGATE (Wilmington Drama League) and Belize in the Garage Theater. He has also appeared in (The Interlocutor) most Angels in America (Shenandoah University numerous commercials including ads for recently starred in Heroes Conservatory). He received a B.F.A. in Honda and Xbox. He is thrilled to be part of Off Broadway and in Lowell, Musical Theatre from Shenandoah this production and grateful for the Massachusetts. He has been University Conservatory in which he opportunity to share the story of The on Broadway in Kiss Me, graduated summa cum laude. Scottsboro Boys. Kate, Annie Get Your Gun, www.dbazemore.net. The Grand Tour (Tony Award nomination), CHRISTOPHER JAMES Lend Me a Tenor, Guys and Dolls, 42nd CORNELIUS BETHEA CULBERSON Street, A Funny Thing Happened on the (Willie Roberson) is no (Andy Wright, Electrified Way to the Forum, Milk and Honey, stranger to the work of Charlie), a Los Angeles Saturday, Sunday, Monday, Musical Chairs Kander and Ebb. He has native, is thrilled to be back and 1776 (Tony Award, and the film version). toured the U.S., Canada and in California and to be He has done National Tours of Urinetown, Asia with Chicago as Swing working with this amazing Can-Can, 42nd Street, Annie, Man of La and Mary Sunshine cast and creative team. In New York, Mr. Mancha and Funny Girl. Mr. Holgate has understudy. Aside from performing, he Culberson appeared in Scandalous People directed several shows around the country cherishes his chances to nurture future (Minetta Lane Theatre), Bathory: The including Reunion, a show of our Civil War talent working with such programs as Musical and as Tiger Woods, Serena that he co-created with Jack Kyrieleison. Students Live! in New York City, Rising Stars Williams and a host of other characters in in Boston, Broadway Connection on tour Chuckleball. Some of his other favorite ERIC JACKSON and as guest choreographer for Stratford theatre credits are Bernardo in West Side (Clarence Norris, Dance High School in Stratford, CT. An avid, reader, Story, Adrian in Smokey Joe’s Cafe, Captain, Fight Captain) was writer and knitter, Mr. Bethea is thrilled to Matthew Henson in Ragtime, a New Rhythm seen on Broadway in the share this experience with you. Boy and Mrs. O’Malley in My One and Only productions of Young and Stephen Sondheim’s 75th birthday Frankenstein and SHAVEY BROWN concert at the Hollywood Bowl. Thoroughly Modern Millie. (Swing, u/s Mr. Tambo, Roy Mr. Culberson’s television credits include He also performed in the National Tours of Wright, Ozie Powell, Willie “Jimmy Kimmel Live!,” “Bill Nye, the Science Dreamgirls, Ragtime and Chicago. His Off Roberson) is ecstatic about Guy” and portraying Billy Dee Williams on Broadway and regional credits include Show making his West Coast Biography Channel’s “Celebrity Ghost Boat (Carnegie Hall), Howard in Finian’s premiere with this amazing Stories.” He studied at the Hamilton Rainbow (Irish Repertory Theatre), Paul in show at this beautiful Academy of Music and UCLA. Kiss Me, Kate (Weston Playhouse), Mereb in theatre. His tours include Radio City www.castChristopher.com. Elton John and Tim Rice’s Aida (Westchester Christmas Spectacular and The Pajama Broadway Theatre), The Wiz and Xanadu Game. Regionally he has appeared in CLIFTON DUNCAN (Maine State Music Theatre), Rent, Les Smokey Joe’s Cafe (Arts Center of Coastal (Haywood Patterson) is Misérables, Sunset Boulevard, Miss Saigon Carolina), The Producers (Maine State both thrilled and honored to and Chicago (Pioneer Theatre Company) Music Theatre and Walnut Street Theatre, make his debut at the and Tales from the Tunnel (New York Barrymore Award nomination for historic Old Globe. He has International Fringe Festival). His film and Outstanding Ensemble in a Musical), Cats appeared Off Broadway in television credits include Romance & and Jesus Christ Superstar (Maine State Lost in the Stars (City Cigarettes and “As the World Turns.” Music Theatre), Big River (The Human Race Center Encores!), Twelfth Night (The Public Mr. Jackson received a B.F.A. from the Theatre Company) and High School Musical Theater) and as a featured artist at Ars University of Michigan. on Stage! (Beef & Boards). Mr. Brown Nova’s ANT Fest in his hip-hop solo piece www.Eric-Jackson.net. trained at Wright State University. Thank The uniVERSE Project. His numerous you Jeff, Susan, Bloc, mom, his friends DJB, regional credits include productions at Yale JARED JOSEPH family and God. Peace, love and happiness. Repertory Theatre, Arena Stage, Barrington (Mr. Bones), a native of Stage Company, Williamstown Theatre Houston, Texas, is humbled Festival, CENTERSTAGE, Signature Theatre by the opportunity to Company, The Shakespeare Theatre present The Scottsboro Company, The Eugene O’Neill Theater Boys to the West Coast. Center, The Shakespeare Theatre of New Since completing the most Jersey and others. He has also appeared on recent National Tour of Dreamgirls directed

10 PERFORMANCES MAGAZINE by Robert Longbottom, Mr. Joseph has had Britney Spears and Joan Osborne, among C. KELLY WRIGHT the honor to continue work on various many others. She is thrilled to be making her (The Lady) is honored to projects with other award-winning artistic theatre debut as the understudy for the role make her Globe debut. Off visionaries such as Bill T. Jones (Superfly), The Lady and thanks Susan Stroman, Broadway, Ms. Wright’s work Maurice Hines Jr. (Josephine Tonight), Kander and Ebb, David Thompson and the as Madam in Langston in Charles Randolph-Wright (Motown) and entire Scottsboro cast and crew. Harlem at Urban Stages now Susan Stroman. He holds a B.F.A. in earned her an AUDELCO Theatre from New York University and JC MONTGOMERY Award nomination for Best Supporting currently resides in New York City. Thank (Mr. Tambo, u/s The Actress, and her portrayal of Pearl Johnson you God, family and friends for their love Interlocutor) was part of the in Black Pearl Sings at InterAct Theatre and support. original Broadway Company earned her a Barrymore Award production of The nomination for Best Actress. For work on MAX KUMANGAI Scottsboro Boys. He also various Northern California stages, Ms. (Swing, u/s Mr. Bones, appeared on Broadway in Wright garnered numerous other Clarence Norris, Andy Bye Bye Birdie, The Little Mermaid, The nominations and awards including Best Wright, Charles Weems) Color Purple, Thou Shalt Not, Swing!, Actress in a Musical as Caroline in Caroline, is so honored to be a part of Parade, Smokey Joe’s Cafe and The Boys or Change, Best Supporting Actress in a such an amazing show. He from Syracuse. His regional credits include Play as Mame in Radio Golf and as Keckley was last seen as a hippie in The Color Purple (Alliance Theatre) and in A Civil War Christmas and Best Principal the Broadway National Tour of Hair. His Off Chess (Paper Mill Playhouse) as well as Performer in It Ain’t Nothin’ but the Blues, all Broadway credits include What’s That television credits with recurring roles on at TheatreWorks. Her other regional Smell: The Music of Jacob Sterling and “Law & Order” and “Another World.” He has favorites include Gem of the Ocean, The Lysistrata Jones. His other New York credits appeared in over 30 national and regional Piano Lesson and Crowns. She has appeared include Where’s Charley?, Bells Are Ringing commercials. Love to wife Kim and their in the World Premieres of Bricktop, A Little and Anyone Can Whistle (City Center boys Marcus and Trevor. Princess and Memphis. Ms. Wright returns Encores!). Some roles he has enjoyed to New York at the conclusion of The playing include Jetsam in The Little CLIFTON OLIVER Scottsboro Boys to continue development Mermaid and Paul in Kiss Me, Kate (The (Charles Weems), a native of two new musicals: Rosa Parks in Red Clay Muny). He also filmed an episode of of Jacksonville, FL, has and Betty Jo in On Kentucky Avenue. You “Boardwalk Empire.” Mr. Kumangai received appeared on Broadway as can catch Ms. Wright currently on BET in a B.F.A. in Musical Theatre from the Benny in In the Heights Everyday Black Man. Thank God for University of Michigan. He hails from opposite Jordin Sparks and opportunity. Spokane, Washington. Mr. Kumangai is a as Fiyero in Wicked. His Off member of Actors’ Equity Association. Broadway credits include Wig Out and JOHN KANDER and FRED EBB Miracle Brothers (Vineyard Theatre), and his (Music and Lyrics) have collaborated for the JAMES T. LANE tours include Benny in Rent (Australia) and theatre on Flora, the Red Menace, Cabaret (Ozie Powell, u/s Haywood Teen Angel in Grease (Second National (Tony Award, Best Composer and Lyricist), Patterson) has appeared on Tour). He originated the role of Simba in the The Happy Time, Zorba, 70, Girls, 70, Chi- Broadway in The Scottsboro Las Vegas and Los Angeles casts of The Lion cago, The Act, Woman of the Year (Tony Boys, Chicago and A King. He also appeared in the Los Angeles Award, Best Original Score), The Rink, Kiss Chorus Line as Richie company of Ragtime. His television credits of the Spider Woman (Tony Award, Best Walters. His tours include include “Law & Order: Criminal Intent,” Original Score), The World Goes Round, Cinderella with Eartha Kitt and Tyrone “Good Morning America” and “The Oprah Steel Pier, Curtains, All About Us, The Visit Jackson in Fame. His regional credits Winfrey Show.” and The Scottsboro Boys. Their film work include Josephine Tonight directed and includes Funny Lady, Lucky Lady, Cabaret, choreographed by Maurice Hines, CLINTON ROANE New York, New York, Steppin’ Out, Chicago, Scarecrow in The Wiz (Dallas Theater (Roy Wright, u/s Olen Kramer vs. Kramer, Places in the Heart, Center) and more. Mr. Lane has appeared Montgomery, Eugene Still of the Night, Blue Skies Again. Their twice at Carnegie Hall with The New York Williams) is thrilled to be television credits include “Liza with a Z,” Pops. He has made concert appearances returning to The Scottsboro “Steppin’ Out” (Emmy Award), “My Coloring with the Indianapolis, Naples, Baltimore and Boys having been a part of Book,” the Academy Awards, “Baryshnikov Ottawa Symphonies. He also played James the original Broadway on Broadway,” “Goldie and Liza Together,” Brown on “One Life to Live” and made three company. He also played the role of Roy “Breathing Lessons,” “The Boys Next Door” Tony Award appearances. He once was the Wright at the Philadelphia Theatre and “An Early Frost.” In 1985, “New York, dance double for Whoopi Goldberg. Company. His New York credits include New York” became the official anthem of Icarus in The Sporting Life of Icarus Jones, New York City. AUDREY MARTELLS and his regional credits include Noble T. (u/s The Lady) has built a Jones in Hello! My Baby and Joey in Frosty DAVID THOMPSON (Book) wrote the successful career as a the Snowman as well as readings and books for the Broadway productions of songwriter for such gifted workshops. He received a B.F.A. from The Scottsboro Boys (Tony and Drama legends like George Benson Howard University and trained at CAP21. Desk Award nominations, Hull-Warriner and Randy Crawford. Ms. Thank you God, family, Stro, Tommy, Kander, Award, Outer Critics Circle and Lucille Martells has sung Jeff, Eric, friends and this amazing cast and Lortel Awards for Best Musical), Steel Pier background with Whitney Houston, Jewel, crew. (Tony nomination), and Thou Shalt Not as

PERFORMANCES MAGAZINE 11 Profiles well as the script adaptation for the current Ballet. Her choreography received an Emmy Award), Caroline, or Change (Barrymore revival of Chicago, now in its 15th year on nomination for the HBO presentation Liza: nomination) and Sweeney Todd (Barrymore Broadway. His upcoming Broadway credits Live from Radio City Music Hall starring Liza nomination). He is also on the music theatre include The Prince of Broadway. His Off Minnelli. Her other television credits include faculty of University of the Arts. Next he will Broadway credits include And the World co-conceiver/choreographer for PBS’s music direct Next to Normal and A Little Goes ‘Round (Drama Desk and Outer Critics “Sondheim: A Celebration at Carnegie Hall” Night Music (Arden Theatre Company). Circle Awards) and the revival of Flora, the and “An Evening with the Boston Pops – Love to daughters Caite and Carley and to Red Menace (Drama Desk nomination). A Tribute to Leonard Bernstein.” She lovely HR. Mr. Thompson’s adaptation of A Christmas received the American Choreography Carol is now in its 20th season at McCarter Award for her work on the Columbia BEOWULF BORITT (Scenic Design) Theatre Center. This past spring, Pictures feature film Center Stage. Ms. designed Working at The Old Globe. He has Mr. Thompson produced and wrote James Stroman directed and choreographed The designed the Broadway productions of The Taylor’s critically-acclaimed Perspective Producers: The Movie Musical, nominated Scottsboro Boys (Tony Award nomination), Series for Carnegie Hall. His television for four Golden Globes. She is the Rock of Ages, Sondheim on Sondheim, work includes “Sondheim: A Celebration recipient of the George Abbott Award for The 25th Annual Putnam County Spelling at Carnegie Hall,” the PBS specials “Razzle Outstanding Achievement in the Theatre Bee, LoveMusik and Jay Johnson: The Two Dazzle,” “Bernstein on Broadway” and “The and the winner of a record five Astaire and Only. He has designed more than 50 Music of Richard Rodgers” and, for “Great Awards. Currently she is preparing for Off Broadway shows including The Last Performances,” “My Favorite Broadway: The the upcoming Broadway show Prince of Five Years, The Toxic Avenger, Miss Julie Leading Ladies.” Mr. Thompson is a graduate Broadway, opening fall 2012. and productions at The Public Theater, of Northwestern University’s Medill School Roundabout Theatre Company, Manhattan of Journalism. JEFF WHITING (Associate Director and Theatre Club, Second Stage Theatre, Choreographer) Broadway credits include Vineyard Theatre, MCC Theater, The SUSAN STROMAN (Direction and The Scottsboro Boys (Associate Director/ New Group, The Pearl Theatre Company, Choreography) won critical acclaim for Choreographer), Hair (Associate Director), The American Place Theatre and Keen her direction and choreography of the the Wicked fifth anniversary (Associate Company. His other designs include The Broadway production of The Scottsboro Director) and Young Frankenstein (Assistant Seven Deadly Sins (New York City Ballet), Boys. She directed and choreographed Choreographer). His National Tour credits Paradise Found (London), Reel to Real The Producers, winner of a record- include Young Frankenstein (Director), (Beijing) and two editions of the Ringling making 12 Tony Awards including Best Hairspray (Associate Director) and The Bros. and Barnum & Bailey Circus. He Direction and Best Choreography. She Producers (Associate Director). His other received a 2007 Obie Award for Sustained co-created, directed and choreographed New York credits include James Taylor: Excellence in Set Design. the groundbreaking musical Contact for Carnegie Hall (Director), Happinesss Lincoln Center Theater, winning the 2000 (Assistant Director/Choreographer, TONI-LESLIE JAMES (Costume Design) Tony Award for Best Choreography, as well Lincoln Center Theater), We Open in has designed the Broadway productions as Drama Desk, Outer Critics Circle and Paris (Director, Glimmerglass Opera) of The Scottsboro Boys, Finian’s Rainbow, Lucille Lortel Awards and a 2003 Emmy and Tarantella: Spider Dance (Director/ Chita Rivera: The Dancer’s Life, Ma Award for “Live at Lincoln Center.” Her Choreographer). His other credits include Rainey’s Black Bottom, King Hedley II, other Broadway credits include Oklahoma! Jersey Boys on the West End (Assistant One Mo’ Time, The Wild Party, Marie (Drama Desk, Outer Critics Circle, Olivier Choreographer) and Hairspray in Brazil Christine, Footloose, The Tempest, Twilight: Awards), Young Frankenstein, Thou Shalt (Director/Choreographer). Mr. Whiting Los Angeles, 1992, Angels in America: Not, The Music Man (Outer Critics Circle is the founder and artistic director of Millennium Approaches and Perestroika, Award), The Frogs, Steel Pier, Big, Show Open Jar Productions, dedicated to the Chronicle of a Death Foretold and Jelly’s Boat (Tony, Outer Critics Circle Awards), development and direction of new plays, Last Jam. Her Off Broadway credits Picnic and Crazy for You (Tony, Drama musicals and special events around the include Lincoln Center Theater, The Public Desk, Outer Critics Circle, Olivier Awards). world. Stage Write iPad App, designed Theater, Vineyard Theatre, Second Stage Her Off Broadway credits include The and developed by Mr. Whiting, is a digital Theatre, Playwrights Horizons, The Foundry Scottsboro Boys (Lucille Lortel Award), method for documenting staging and Theatre, Circle Repertory Company and And the World Goes ’Round (Outer Critics choreography and is already in use for many 15 productions for City Center Encores! Circle Award), Flora, the Red Menace and Broadway shows and tours. Her regional theatre and other credits Happiness. For 10 years she choreographed www.openjarproductions.com, include The Old Globe, Hartford Stage, Madison Square Garden’s annual www.stagewritesoftware.com. Cleveland Play House, The Shakespeare spectacular event A Christmas Carol (Outer Theatre Company, Arena Stage, Guthrie Critics Circle Award). For New York City ERIC EBBENGA (Music Director) is thrilled Theater, Ford’s Theatre, Denver Center Opera she choreographed A Little Night to be working on The Scottsboro Boys. He Theatre Company, The Kennedy Center, Music, 110 in the Shade and Don Giovanni. previously music directed the production Long Wharf Theatre, Berkley Repertory For New York City Ballet, Ms. Stroman at Philadelphia Theatre Company, where Theatre, Seattle Repertory Theatre, created Double Feature, a full-length ballet he has also music directed The Light in CENTERSTAGE, Alliance Theatre, featuring the music of Irving Berlin and the Piazza (Barrymore Award) and Grey Pittsburgh Public Theater, Mark Taper Walter Donaldson, and For the Love of Duke Gardens (Barrymore nomination). His other Forum, Round House Theatre, Goodman featuring the music of Duke Ellington. She recent shows include Ordinary Days, The Theatre, Huntington Theatre Company, The has created the ballets But Not For Me for Threepenny Opera, Sunday in the Park with McCarter Theatre, Williamstown Theatre the Martha Graham Company and Take George (Barrymore nomination), See What I Festival, Bay Street Theatre, Lyric Opera Five…More or Less for Pacific Northwest Wanna See, Candide, Assassins (Barrymore of Chicago, Houston Grand Opera, Alvin

12 PERFORMANCES MAGAZINE Ailey American Dance Theater, Alvin Ailey Warren Carlyle (La Jolla Playhouse), Parade JANET FOSTER, CSA (Casting) cast the Repertory Company and Ballet Hispanico. directed by Rob Ashford (Mark Taper Broadway productions of The Light in Ms. James has also designed internationally Forum), Rooms – A Rock Romance directed the Piazza (Artios Award nomination), at Royal Court Theatre, Chichester Festival by Scott Schwartz, A Little Night Music Lennon, Ma Rainey’s Black Bottom and Theatre and the Athens Greek Festival. (Los Angeles Drama Critics Circle Award), Taking Sides (co-cast). Her Off Broadway Her television credits include “Whoopi” Himself and Nora, The Thing About Men, credits include Lucky Guy, Lucy, Close for NBC, five specials for WNET/13’s tick, tick… BOOM!, Bright Lights, Big City Ties, Brundibar, True Love, Endpapers, The “Great Performances” series,” As the and Family Guy Sings! (Carnegie Hall). Dying Gaul, The Maiden’s Prayer, Dream World Turns” (1995-1998) and The Huey True and The Trojan Women: A Love Story. P. Newton Story. She is the recipient of ERIC SANTAGATA (Assistant At American Conservatory Theater she a Tony Award nomination, three Drama Choreographer) has worked on Broadway cast Scorched and Maple and Vine, and at Desk Award nominations, a Lucille Lortel and in New York on The Scottsboro Boys Playwrights Horizons she cast Floyd Collins, Award nomination, a Hewes Design Award (Assistant Director/Choreographer), The The Monogamist, A Cheever Evening, and three additional Hewes nominations, a Apple Tree, Happiness, Face the Music Later Life and many more. Her additional Connecticut Critics Circle Award, The Irene (cast recording), Stairway to Paradise, The regional credits include The Old Globe, Sharaff Young Master Award, the 2009 Obie Broadway Musicals of 1965 and How to Intiman Theatre, Seattle Repertory Theatre, Award for Sustained Excellence of Costume Save the World and Find True Love in 90 A Contemporary Theatre, California Design and the 2011 National Black Theatre Minutes. His tours include Bobby Van Husen Shakespeare Theater, Berkeley Repertory Festival Outstanding Costume Designer in The Boy Friend directed by Julie Andrews Theatre, Dallas Theater Center, Pittsburgh of the Year Award. Ms. James is director and Guido in Casper starring Chita Rivera. Public Theater, Yale Repertory Theatre, of costumes at Virginia Commonwealth His regional credits include Seymour in Goodman Theatre, Steppenwolf Theatre University. Little Shop of Horrors, Bobby Child in Crazy Company, CENTERSTAGE, Westport for You, Cosmo in Singin’ in the Rain and Country Playhouse, Two River Theater KEN BILLINGTON (Lighting Designer) has Riff in West Side Story. He has appeared on Company and American Repertory Theater. designed 97 Broadway shows including television in the Mel Brooks tribune on “The Ms. Foster’s television, film and radio credits this season’s Don’t Dress for Dinner, Kennedy Center Honors.” Mr. Santagata include “Cosby” (CBS), Tracy Takes on William Shatner in Shatner’s World: We is a graduate of the Cincinnati College— New York (HBO), The Deal by Lewis Black, Just Live in It and Hugh Jackman, Back on Conservatory of Music. Advice from a Caterpillar, “The Day That Broadway. Past seasons have included Lehman Died,” which won Peabody, SONY Chicago, The Scottsboro Boys, Sondheim RICK SORDELET (Fight Director) has and Wincott Awards (BBC World Services on Sondheim, White Christmas, [title of worked on 53 Broadway shows including and Blackhawk Productions) and WNYC show], The Drowsy Chaperone, Lily Tomlin The Lion King, Beauty and the Beast, The Tom Stoppard radio plays for 2010/2011. in The Search for Signs of Intelligent Life Scottsboro Boys, Urinetown and A Streetcar in the Universe, Footloose, Sweeney Todd, Named Desire and also the National JOSHUA HALPERIN (Stage Manager) the Broadway revivals of Bye Bye Birdie, Tours of Beauty and the Beast and Les was the Production Stage Manager for Finian’s Rainbow, Sunday in the Park with Misérables. His international credits include the Broadway run of The Scottsboro Boys. George, Annie, Hello, Dolly!, Fiddler on the 52 productions worldwide such as Tarzan, His other credits include the Broadway Roof, My Fair Lady and hundreds of touring Aida, The Lion King, Beauty and the Beast productions of West Side Story, LoveMusik, productions from High School Musical on and Ben Hur Live in Rome and on European The Drowsy Chaperone, Movin’ Out, Anna Stage! to Fiddler on the Roof. His other Tour. His opera credits include Cyrano in the Tropics, The Graduate, Seussical The credits include Shamu: One Ocean and starring Placido Domingo (Metropolitan Musical, Parade, Miss Saigon, The Phantom Shamu Rocks for the three SeaWorld parks Opera, Royal Opera House and La Scala), of the Opera, Bring in ‘da Noise, Bring in ‘da and Jubilee! at Bally’s Las Vegas: He has Don Carlo directed by Nicholas Hytner Funk and Candide. received Tony, Drama Desk, Outer Critics, (Metropolitan Opera) and the new opera Lumen and CableACE Awards. Heart of the Soldier (San Francisco Opera). EVANGELINE ROSE WHITLOCK (Assistant His regional credits include Sucker Punch Stage Manager) has worked regionally on JON WESTON (Sound Design) most (Signature Theatre Company) and King A Room with a View, Odyssey and Engaging recently designed the Globe’s production Lear starring Stacy Keach and directed Shaw (The Old Globe), Limelight: The Story of A Room with a View. He has designed by Robert Falls (Goodman Theatre). Mr. of Charlie Chaplin, HOOVER COMES the Broadway productions of How to Sordelet has worked on the films The Game ALIVE! and A Dram of Drummhicit Succeed in Business Without Really Trying, Plan starring Dwayne “The Rock” Johnson (La Jolla Playhouse), What is the Cause of 13, Les Misérables, The Color Purple, The and Dan in Real Life starring Steve Carell Thunder? (Williamstown Theatre Festival) Glass Menagerie, Caroline, or Change and Juliette Binoche. For television he was and miXtape (Lamb’s Players Theatre). (AUDELCO Award), Nine, Imaginary stunt coordinator for “Guiding Light” for 12 Her dance credits include Michigan Ballet Friends, Thoroughly Modern Millie, The years and worked on “One Life to Live.” He Academy, Las Mariposas with Eveoke Green Bird, It Ain’t Nothin’ but the Blues, is an instructor at Yale School of Drama and Dance Theatre (San Diego premiere and On the Town, Company in concert Lincoln The New School for Drama and is a Board Dominican Republic tour), Malashock Center Theater and Man of La Mancha member for The Shakespeare Theatre of Dance and Grand Rapids Ballet Company. starring Raul Julia and Sheena Easton. His New Jersey. He has received an Edith Oliver Ms. Whitlock teaches with Christian Youth Off Broadway and regional credits include Award for Sustained Excellence from the Theatre San Diego. She is an avid runner and The First Wives Club directed by Francesca Lucille Lortel Foundation and a Jeff Award figure skater and a UC San Diego M.F.A. Zambello (The Old Globe), Dangerous for Best Fight Direction for Romeo and www.evangelinewhitlock.com. Beauty (Pasadena Playhouse), Limelight: Juliet at Chicago Shakespeare Theater. The Story of Charlie Chaplin directed by

PERFORMANCES MAGAZINE 13 Profiles

AMERICAN CONSERVATORY THEATER Full Monty (Tony nomination), More to Doctorate in Fine Arts, San Diego State (Co-Producer) nurtures the art of live Love, Getting Away with Murder, Pride’s University and the annual Awards for theatre through dynamic productions, Crossing, The Little Foxes, Hapgood Excellence in Theatre named in his honor intensive actor training in its conservatory (Lucille Lortel Award, Best Director), by the San Diego Theatre Critics Circle. In and an ongoing engagement with its Damn Yankees, Two Shakespearean 2007, he received the National Medal of community. Under the leadership of Actors (Tony nomination), Porgy and Arts — the nation’s highest honor for artistic Artistic Director Carey Perloff and Bess (Tony Award). Metropolitan Opera: excellence — in a ceremony at the White Executive Director Ellen Richard, A.C.T. II Trittico. London: Love Never Dies, House. Craig Noel died on April 3, 2010 at embraces its responsibility to conserve, Hairspray (Olivier nomination), National the age of 94. renew and reinvent the rich theatrical Theatre: His Girl Friday. Six movies for traditions that are our collective legacy PBS’s “American Playhouse.” Awards: while exploring new artistic forms and new 2008 Theatre Hall of Fame Inductee, communities. A commitment to the highest 2005 John Houseman Award, ArtServe standards informs every aspect of A.C.T.’s Michigan 2008 International Achievement creative work. www.act-sf.org. Award, Honorary Doctorate, University AMERICAN CONSERVATORY THEATER of Michigan. Honorary Doctor of Humane MICHAEL G. MURPHY (Managing Letters, University of San Diego. Film Carey Perloff, Artistic Director Director) served as General Manager (actor): Sex and the City 2. Ellen Richard, Executive Director of The Old Globe from 2003 to 2012, Melissa Smith, Conservatory Director overseeing the Production, Education, CRAIG NOEL (Founding Director) Human Resources, Information Technology was first appointed director in 1939, Mark Rucker, Associate Artistic Director and Facilities Departments, as well as directing 15 productions prior to World Don-Scott Cooper, General Manager Front of House operations. He also War II. Since then he directed more than Tim Whalen, Senior Director of Development managed the construction of the Globe’s 200 plays of all styles and periods and Matthew F. Henry, Director of Development new theatre and education facilities. produced an additional 270 productions. Jeff Rowlings, Production Manager Prior to the Globe, he was the Managing His vision for The Old Globe resulted in Director of Austin Lyric Opera in Austin, the establishment of the Shakespeare Elizabeth Brodersen, Director of Education Texas, Director of Administration of San Festival and the San Diego Junior Theatre Diego Opera and General Manager of in the late ‘40s, the expansion to two San Diego Repertory Theatre. Before theatres in the ‘50s, Globe Educational relocating to San Diego from New York, Tours in the ‘70s and Teatro Meta and the he held similar positions at Theatre for Old Globe/University of San Diego MFA a New Audience and the Joyce Theater program in the ‘80s. During the 1940s, Foundation’s American Theater Exchange. Mr. Noel served as dialogue director for He also served as negotiating assistant the 20th Century Fox Studios and was for the League of Resident Theatres and the former director of the Ernie Pyle sales representative for Columbia Artists Theatre in Tokyo. Described by Variety Theatricals Corporation. Mr. Murphy as the eminence grise of San Diego has served on the Board of Directors of theatre, Mr. Noel is one of the few San the San Diego Performing Arts League Diegans to have had an entire year (1987) and serves as a Management Trustee proclaimed in his honor, and to be named for San Diego County Theatrical Trusts, one of San Diego’s “Living Treasures.” He This theatre operates under an agreement the pension and welfare trust for IATSE was a founder of the California Theatre between the League of Resident Theatres stagehands in the San Diego region. He Council and a former vice president of and Actors’ Equity Association, the union of professional actors and stage managers in the was also an adjunct faculty member of the California Confederation of the Arts. United States. the Music Department at the University His numerous honors include The San of San Diego. Mr. Murphy earned his Diego Union-Tribune list of 25 persons who B.F.A. degree in Stage Management shaped the city’s history; the Governor’s The Directors are members of the Society from Webster University in St. Louis, Award for the Arts; University of Arizona of Stage Directors and Choreographers, an Missouri and his M.F.A. in Performing Arts Alumni Association’s Outstanding Citizen, independent national labor union. Management from Brooklyn College of the for his contribution to their Fine Arts

City University of New York. department; San Diego State University’s This Theatre operates under an Agreement with Outstanding Alumnus; Conservator of the International Alliance of Theatrical Stage JACK O’BRIEN (Artistic Director American Arts Award from American Employees Local No. 122. Emeritus) served as the Artistic Director Conservatory Theater; the San Diego of The Old Globe from 1982 through Press Club Headliner Award; San Diego 2007. Broadway: Catch Me If You Can, Gentleman of Distinction Award; and a The Scenic, Costume, Lighting and Sound Impressionism, The Coast of Utopia (Tony combined tribute from the Public Arts Designers in LORT Theatres are represented by United Scenic Artists Local USA-826, IATSE. Award), Dr. Seuss’ How the Grinch Stole Advisory Council and the San Diego Christmas!, Dirty Rotten Scoundrels (Tony County Board of Supervisors. Mr. Noel nomination), Henry IV (Tony Award), was particularly proud of the following The musicians are represented by the American Hairspray (Tony Award), Imaginary three honors representing education and Federation of Musicians, Local 325 San Diego. Friends, The Invention of Love (Tony theatre: Honorary Doctorate of Humane nomination, Drama Desk Award), The Letters, University of San Diego, Honorary

14 PERFORMANCES MAGAZINE An American Art Form

Minstrelsy is a uniquely American art form, built on Over the years, the form evolved, adapting to racial stereotypes and blind bigotry. In the 1930s, local traditions, geography and prevailing tastes. when the Scottsboro trials took place, the minstrel Traditionally, the minstrel parade announced show was considered mainstream entertainment, the arrival of the troupe in town. The troupe especially in the South. then led the audience into the theatre. The players arranged their chairs in a semicircle and The Scottsboro Boys uses the free-for-all the interlocutor began the action by grandly atmosphere of the minstrel show to provide a announcing, “Gentlemen, be seated!” fitting backdrop for the racially charged media and legal circuses that surrounded the real Scottsboro The interlocutor served as the Master of Boys trials. The American Historical Review wrote Ceremonies and called on the performers to that the rhetoric of the Scottsboro case was tell their stories and sing their songs. The show “deeply entrenched in the racial stereotypes also incorporated the antics of the two end men derived from the legacy of minstrelsy in American known as Mr. Tambo and Mr. Bones. The evening culture.” culminated in a grand production number – often the cakewalk. For nearly 100 years, the minstrel show was one of America’s most popular forms of entertainment. By the mid-20th century, minstrel shows became It emerged in the 1840s, reaching the peak of a relic of the past, a reminder of the anguish and popularity around the Civil War, but continuing racism that inspired the American Civil Rights well into the mid-20th century. It was one of the Movement. primary sources for popular music, introducing such songs as “Oh! Susanna,” “Camptown Races” and “My Old Kentucky Home.”

NOTES ON THE SCORE “FINANCIAL ADVICE” This song is directly inspired by an event that occurred during Haywood Patterson’s second trial in 1932. In the “ELECTRIC CHAIR” summation for the prosecution, assistant attorney Wade Some of the boys were housed in Death Row, where the Wright asked the jury “whether justice in this case is going sounds of nightly executions haunted their dreams. The to be bought and sold with Jew money from New York.” song “Electric Chair” is the nightmare of Eugene Williams, Defense attorney Samuel Leibowitz called for a mistrial, the youngest of the Scottsboro Boys. which the judge refused to declare.

PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Sponsors, each of whom has made a 2011/2012 annual donation of $50,000 or greater. Lead Season Sponsors

Mary Ann Blair Karen and Donald Cohn David C. Copley Conrad Prebys and Debra Turner Darlene Marcos Shiley Sheryl and Harvey White

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper The County of San Diego Audrey S. Geisel Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation June E. Yoder

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

16 PERFORMANCES MAGAZINE Education

25% increase in standardized test scores. The group whose teachers had some arts training gained a respectable 42% Full STEAM Ahead: increase. But the children whose teachers had training plus the support of an arts professional increased their scores by ARTS EDUCATION an astonishing 87%. Practitioners in the arts education field were not surprised by the results. They have seen how the arts work in the classroom. They have seen children suddenly Heats Up Science grasp a concept when presented with an arts-infused lesson on math or science. They have seen children focused and ready to learn after participating in an exhilarating theatre Learning game or activity. They have seen bored and sullen students suddenly becoming engaged and enthusiastic learners when a lesson is taught through theatre. What do almost all Nobel Prize-winning scientists have in common? The arts. According to an article by Michele and Program co-director Merryl Goldberg noted that the study is Robert Root-Bernstein in Psychology Today, “almost all remarkable for its scope, having been done in 10 schools. A Nobel Laureates in the sciences actively engage in arts as study this thorough is rare, and the results have people taking adults. They are twenty-five times as likely as the average notice. Researcher and program evaluator (and former Old scientist to sing, dance, or act; seventeen times as likely to be Globe Education Director) Patti Saraniero, who compiled the a visual artist; twelve times more likely to write poetry and data for the DREAM project, pointed out that the greatest literature.… Many connect their art to their scientific ability gains were for the lowest performing students. Why is that with some riff on Nobel Prize-winning physicist Max Planck’s important? Low-performing schools are often the first to words: ‘The creative scientist needs an artistic imagination.’” lose their arts programs with administrators focusing on core curriculum and increasing standardized test scores. This The recent emphasis on Science, Technology, Engineering study may help to guide administrators of low-performing and Math (STEM) in schools has become a clarion call schools in rethinking their approach when confronted with a by many in government. This STEM focus is intended to mandate to increase test scores. The arts help children learn. stimulate our economy and keep us ahead of the rest of And for some learners, the arts are crucial to the way they the world when it comes to innovation and new technology. think. But when the focus is centered on STEM, other modes of learning are pushed to the side. Specifically, the arts are The Old Globe’s Education Department works with schools often cut from school curricula in order to make way for countywide to bring quality arts programming to the STEM courses. classroom. Our on-site programs provide in-depth arts training to students who wish to study theatre. Only time Educators, parents, arts practitioners and businesspersons will tell if these students will go on to be professional actors nationwide have rallied for a new cause: Replace STEM or Nobel Laureates, but one thing is sure: it’s full STEAM with STEAM. Adding the “A” (for Arts) to the mix powers us ahead for all students when the arts are included in the forward to reach the goals that STEM advocates seek. By curriculum. providing rich arts training, students will develop the critical skills and creative thinking that allow for true innovation.

How can we know that the arts actually have an effect on student learning? Recently, Cal State San Marcos and the San Diego County Office of Education partnered on the DREAM project, a thorough study on improving reading scores. One group of teachers was given no additional training in how to use the arts in the classroom. The second group of teachers received only training and the third group received training plus each teacher was paired with a trained arts professional to incorporate the arts into their lessons.

The CSUSM study showed that the J. KATARZYNA WORONOWICZ KATARZYNA J. first group of children (no arts training The finalists of the 2011 Globe Honors, the Globe’s annual competition recognizing excellence in high school for the teachers) had a fairly typical theatre, warm up with accompanist Leigh Sutherlin.

PERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

City of San Diego Audrey S. Geisel/ Microsoft Commission for Arts & Culture The San Diego Foundation Darlene Marcos Shiley, David C. Copley Dr. Seuss Fund in memory of Donald Shiley The County of San Diego Globe Guilders The Shubert Foundation The James Irvine Foundation Sheryl & Harvey White Foundation

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Conrad Prebys & Debra Turner Elizabeth & Ryan Williams Advised Fund at the San Diego Qualcomm, Inc. The Legler Benbough Foundation Human Dignity Foundation United John A. Berol Valerie & Harry Cooper Wells Fargo Mary Ann Blair Edgerton Foundation June E. Yoder, in memory of David Yoder California Bank & Trust Kathy & John Hattox The Family of Mary & Dallas Clark HM Electronics, Inc. Karen & Donald Cohn Joan & Irwin Jacobs Fund of the Cohn Restaurant Group/ Jewish Community Foundation

Prado Restaurant Elaine Lipinsky Family Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Elaine & Leonard Hirsch Mickey Stern Bank of America Jo Ann Kilty Ms. Jeanette Stevens Alan Benaroya Barbara G. Kjos Gillian & Tony Thornley Richard & Kathy Binford National Corporate Theatre Fund Union Bank Pamela & Jerry Cesak Neiman Marcus U.S. Bank Elaine & Dave Darwin Paula & Brian Powers Mandell Weiss Charitable Trust Mr. & Mrs. Brian K. Devine Random House Children’s Books Pamela A. Farr SDG&E Higgs Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Jean-Marie Hamel, PhD Price Family Charitable Fund Arthur & Sophie Brody Fund of the Deni & Jeff Jacobs Reneé Schatz Jewish Community Foundation Daphne H. & James D. Jameson Jean & Gary Shekhter

Nikki & Ben Clay Dr. Ronald & Mrs. Ruth Leonardi Patsy & Forrest Shumway The Helen K. and Jeffrey & Sheila Lipinsky Anne Taubman & David Boyle James S. Copley Foundation Family Foundation Evelyn Mack Truitt Nina & Robert Doede Sue & John Major Dr. Steve & Lynne Wheeler Karen Fox & Harvey Ruben National Endowment for the Arts Karin Winner Hal & Pam Fuson Rafael & Marina Pastor Brent V. Woods & Laurie C. Mitchell Diana Glimm Tom & Lisa Pierce Carolyn Yorston-Wellcome Lee & Frank Goldberg Allison & Robert Price

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Susanna & Michael Flaster Nancy Robertson Bill & Nancy Homeyer ($5,000 to $9,999) Jean & Sid Fox Mary & Eugene Rumsey, MD Kenneth & Marilyn Jones Lawrence G. Alldredge & Dawn Moore Chuck Freebern Carole Sachs Louis & Mary Beth Kelly Joan & Jeremy Berg Charles & Millicent Froehlich Warren & Beverly Sanborn Gayle & Jerry Klusky Barbara Bloom Joy & Dr. Fred Frye Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry The Louis Yager Cantwell Elaine & Murray Galinson Fund at the Rancho Santa Fe Courtney & Raymond Liddy Private Foundation Victor & Jill Gálvez Foundation Don & Mary Jane Lincoln Clifford & Carolyn Colwell Barbara & Albert Garlinghouse Drs. Joseph & Gloria Shurman Edward & Nancy Lyon R. Patrick & Sharon Connell Bill & Judy Garrett Dee E. Silver, MD Jasna Markovac & Gary Miller Ann Davies Drs. Thomas & Jane Gawronski Paul Scott Silvera & Todd Schultz F. Dale & Lois Marriott Bernard J. Eggertsen & Teresa George Elene & Herb Solomon Peggy Matthews

Florence Nemkov Nancy Reed Gibson Nancy & Alan Spector and Family Marcia Mattson Wendy Gillespie Nancy Steinhart & Marion Eggertsen Dr. & Mrs. M. Joseph McGreevy Barbara & Dick Enberg Robert Gleason & Marc Matys Rebecca Goodpasture Jack Meek Dr. & Mrs. Robert Epsten Walter Goeddel Eugene & Hannah Step Virginia Oliver Carol Spielman-Ewan & Joel Ewan Tom & Sheila Gorey Pat & Jack Thomas Dr. Julie Prazich & Dr. Sara Rosenthal Martha & George Gafford Dr. & Mrs. William Gott Cherie Halladay Tirschwell Robert & Doris Reed Mary Ann & Arnold Ginnow Walter & Lola Green Carol Vassiliadis Jeffrey & Vivien Ressler Norm Hapke & Valerie Jacobs Hapke Tim Haidinger Doris & Lou Vettese Wade & Candi Rich Alexa Kirkwood Hirsch Ms. Cheryl Haimsohn Mary R. Warkentin The Ralph B. Rogers Foundation Dr. & Mrs. Harry F. Hixson, Jr. Pat & Rick Harmetz Zelda J. Waxenberg San Diego Concierge Association William Karatz Gordon & Phyllis Harris Jan Harden Webster & Raul Ortega Alan & Esther Siman Carol & George Lattimer Drs. Patrick Harrison & Eleanor Lynch The Patricia and Christopher Weil Dave & Phyllis Snyder Peter Manes & Yoko Sakaguchi Rhonda Heth & Thomas Mabie Family Foundation Jack & Louise Strecker Paul & Maggie Meyer Richard & Janet Hunter Kathy & Jim Whistler Greta & Steve Treadgold Money/Arenz Foundation, Inc. Hutcheson Family Fund at Celeste & Gene Trepte Rebecca Moores The San Diego Foundation ($1,500 to $2,499) Stan & Anita Ulrich Matthew & Judith Pollack Drs. Sonia & Andrew Israel Anita Busquets & William Ladd Jo & Howard Weiner John & Marcia Price Family Foundation Jerri-Ann & Gary Jacobs Lisa & David Casey David & Irene Weinrieb Rivkin Family Fund I at Pat JaCoby Devora & Ron Eisenberg of Mary Kay West The San Diego Foundation Mary & Russell Johnson Great News! Christy & Howard Zatkin Bob & Julie Sullivan Jackie Johnston Gary & Carrie Huckell Deborah Szekely Katleman Family Fund of the William & Edythe Kenton GOLD Dixie & Ken Unruh Jewish Community Foundation Sherry & Larry Kline ($500 to $999) Jordine Skoff Von Wantoch Dr. Gerald & Barbara Kent Robin J. Lipman Anonymous (3) Pamela J. Wagner Bob* & Gladys King Nancy & James Mullen George Amerault Ken & Sheryl King In Memory of Dolly & Jim Poet Drs. Michael & Gabriela Antos CRAIG NOEL CIRCLE Webster & Helen Kinnaird Marie & Don Prisby Alicia Atun & Elaine Rendon* ($2,500 to $4,999) Jane & Ray Klofkorn Marisa SorBello & Peter Czipott The Backman Family Dr. & Mrs. Wayne Akeson Curt & Nancy Koch James & Ellen Weil Andris Baltins Gail Andrade and Brooke & Dan Koehler Shirli Fabbri Weiss Richard & Linda Basinger John & Jennifer Andrade Betty & Leonard Kornreich Bruce & Patricia Becker Anonymous (2) Rosalie Kostanzer & Michael Keefe DIAMOND Amnon & Lee Ben-Yehuda Judith Bachner & Eric Lasley Regina Kurtz & Al Isenberg ($1,500 to $2,499) Drs. John & Karen Berger Jan & Rich Baldwin Bob & Laura Kyle Anonymous Bob & Joyce Blumberg Bobbie Ball Jean & David Laing Jeff & Donna Applestein Barbara Bolt Diana J. Barliant & Nowell Wisch Peter Landin & Michelle Cardinal Mrs. Lazare F. Bernhard Dr. & Mrs. J. Brand Brickman Jan Bart Tadd S. Lazarus, MD Steve G. Bjorg Dr. & Mrs. Simon C. Brumbaugh, Jr. Melissa Garfield Bartell & Terry & Mary Lehr Mary-Kay Butler Greg & Loretta Cass Michael Bartell Ms. Sherrill Leist Dr. & Mrs. Robert M. Callicott Luc Cayet & Anne Marie Pleska Deron & Toni Bear James & Pamela Lester Jane Cowgill Lynne Champagne & Wilfred Kearse Linda Birch Sandy & Arthur Levinson Enid Gleich Jack & Carol Clark Charlotte & Charles Bird Barbara & Mathew Loonin Leo S. Guthman Fund Ronald D. Culbertson Paul Black Merriel F. Mandell, PhD Jerry Lester, MD/Rosarito, Mexico Walter & Cheryl Deegan Dr. Herman & Irene Boschken Charlie & Jackie Mann Paul Levin Dr. Donald & Eilene Dose Dr. & Mrs. Edgar D. Canada Elizabeth & Edward McIntyre Dr. Robert & Marcia Malkus Jacqueline & Stanley Drosch Edward & Pamela Carnot Harold O. McNeil, Esq. Joy & Ronald Mankoff Elisabeth K. Ecke George & Ellen Casey Elizabeth Meyer Akiko Morimoto & Bill Eiffert & Leslie Hodge Rudy & Carol Ceseña Grace & Scott Miller Hubert Frank Hamilton, Jr. Esther & Robert Feier Carol & Jeff Chang Mark Niblack Richard & Beverly Fink Family Barbara & Mike Morton Garet & Wendy Clark Jim & Ruth Mulvaney Foundation at Shearn & Linda Platt Foundation

Ms. Heidi Conlan/The Sahan Daywi The San Diego Foundation Margery & John Swanson Pauline Forman & Jack Burke Foundation Elspeth & Jim Myer Susan & Steven Garfin Richard & Stephanie Coutts Joyce & Martin Nash PLATINUM Peter & Christine Gault Susan Barlow Cowell National Alliance for Musical Theatre ($1,000 to $1,499) Theresa A. Georgi Gigi & Ed Cramer Lyn Nelson Edward Anderson Arthur Getis Timothy & Marie Cunning Arthur & Marilyn Neumann Sondra & Robert Berk Fund of the Norman & Patricia Gillespie Carlo & Nadine Daleo Lawrence Newmark Jewish Community Foundation Louise & Doug Goodman Gary & Barbara Blake Family Fund of Darlene G. Davies, in memory Ben & Joan Pollard Edry & Robert Goot of Lowell Davies Mo & Bill Popp the Jewish Community Foundation Chris Graham & Michael Albo Pat & Dan Derbes Daniel Porte Jr., MD Steve & Elizabeth Bluhm Carol & Don Green Michael & Katy Dessent Joanne Powers Nancy Brock Richard & Candace Haden Mrs. Philip H. Dickinson The Arthur & Jeanette Pratt Sandra & Harry Carter Helen M. Hammond Jim & Sally Ditto Memorial Fund Ms. Dorothy R. Dring Jamie Henson & Robert Houskeeper Dan & Phyllis Epstein Joseph & Jane Rascoff Paul & Clare Friedman Mike Hogan Enterprises Noddy & Ira Epstein Sarah B. Marsh-Rebelo & Mr. & Mrs. Arthur A. Greenberg Stephen Hopkins & Dr. Carey Pratt Carol Fink John G. Rebelo George C. Guerra Dr. & Mrs. Clyde W. Jones Mary & David Fitz Roger & Christine Roberts Kaaren Henderson Kathy & Rob Jones

PERFORMANCES MAGAZINE 19 Annual Fund Donors Leadership Gifts

(continued)

Patricia & Alexander Kelley Susan Steele & Mike Conley The Old Globe recognizes and thanks the following Robert Kilian & Kathleen Slayton Ronald & Susan Styn Bill & Linda Kolb Clifford & Kay Sweet generous individuals who have made extraordinary Dr. Marvin Kripps Dr. & Mrs. Charles B. Tesar gifts of $1 million or more. These major contributions LABS, Inc./Silvia Dreyfuss Gertrude Trebon Sherry & Rick Levin Jeffrey & Sheila Truesdell have been designated for artistic, endowment and Marshall & Judy Lewis Fund of the Ms. C. Anne Turhollow &

Jewish Community Foundation Mr. Michael J. Perkins facilities projects, and help The Old Globe remain one Carl Maguire & Margaret Sheehan Natalie C. Venezia & Paul A. Sager of our country’s great theatre institutions. Sally & Luis Maizel Harold Walba Drs. Betty Joan Maly & John Meyers Douglas Wallingford Ron & Mercy Mandelbaum Kathy & Jim Waring $20,000,000 or greater Martin & Joanne Marugg Dave & Kim Washkowiak Rev. Stephen J. Mather Ms. Sandy Wichelecki McAuliffe Family Dennis & Carol Wilson Donald* and Darlene Shiley Ronald McCaskill & Robyn Rogers Cass Witkowski Family Charles & Billie McKnight Ms. Abbe Wolfsheimer Charles & Susan Muha Brendan M. & Kaye I. Wynne $10,000,000 or greater Shirley Mulcahy Marsha J. Netzer *In Memoriam Rod & Barbara Orth Conrad Prebys Barbara B. Oswalt In Memory of Margaret Peninger This list current as of March 23, 2012. $5,000,000 or greater Dr. Ken Pischel & Dr. Katherine Ozanich For additional information on how you Drs. Paul & Katherine Ponganis may support The Old Globe’s artistic, Sheryl and Harvey White Simon & Ruth Sayre education and community programs, Mr. & Mrs. Russell Schnapp please visit our website at www. Linda J. Seifert TheOldGlobe.org or contact Rachel Kathryn Hattox Stella Shvil Professional Fiduciary Plummer, Major Gifts Officer, at Beverly & Howard Silldorf (619) 231-1941 x2317 or rplummer@ Karen and Donald Cohn Mr. & Mrs. Randall Silvia TheOldGlobe.org. Mr. William D. Smith & Dr. Carol Harter $2,000,000 or greater Public Support Viterbi Family Foundation $1,000,000 or greater

California Cultural and Historical Endowment

Estate of Dorothy S. Prough

The Rivkin Family

Estate of Beatrice Lynds

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego. Audrey S. Geisel/ San Diego Foundation Dr. Seuss Fund

Stay Connected with Mr. and Mrs. Victor H.* Ottenstein The Old Globe Mrs. Helen Edison* The Stephen & Mary Birch Foundation

The Kresge Foundation

*In Memoriam Visit us online at www.TheOldGlobe.org

20 PERFORMANCES MAGAZINE Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

DIRECTOR CIRCLE National Corporate Theatre Fund is a not-for-profit ($15,000 to $24,999) corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($10,000 or more) The McGraw-Hill Companies Acquis Consulting Group MetLife American Express Morgan Stanley Bank of America Pfizer, Inc. Bloomberg RBC Wealth Management BNY Mellon Wealth Management RVM/Vincent Brunetti Steven Bunson Salesforce.com Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center George S. Smith, Jr. ResMed Foundation Cisco Systems, Inc. James S. Turley FOUNDER CIRCLE ($5,000 - $9,999) Citi UBS Bertrand at Mister A's Nokia Inc. Datacert, Inc. USA Today Break-Away Tours The Westgate Hotel Dorsey & Whitney Foundation Vernalis Systems Hyatt Regency La Jolla Ernst & Young Wells Fargo Goldman, Sachs & Co. Willkie Farr & Gallagher LLP CRAIG NOEL CIRCLE ($2,500 - $4,999) Marsh & McLennan Companies HoyleCohen, LLC Cubic Corporation Corporate Partners enjoy benefits and recognition, including the opportunity to The Cox Kids Foundation at Goldman, Sachs & Co. entertain clients and employees with exclusive receptions at the Theatre, behind- The San Diego Foundation Northgate González Market the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 A Planned Gift Ensures a Strong Tomorrow for The Old Globe

What is the Craig Noel League? decision, The Old Globe Board of Directors has established Founded in 2000 and named for specific giving areas that you may choose from, including the Globe’s Founding Director, the classical theatre and Shakespeare, education programs and League is a planned giving society for new works. the Globe comprised of individuals who have included The Old Globe How do I make a Planned Gift? in their estate plans. Through their Simply call the Globe and schedule an appointment for a generosity, these supporters of the confidential meeting, or visit with your estate planner or Theatre are helping to ensure a long attorney. and bright future for San Diego’s Join us and become a part of our active community with a

CRAIG NOEL,CRAIG 1957 leading cultural landmark. variety of exciting events including an Annual Member Event, What is a Planned Gift? “Food for Thought” monthly lunches where you may dine Planned giving is simply a way to support The Old Globe with a Globe artist or attend one of the many Opening Night through your estate plans by establishing an irrevocable receptions held throughout the year. bequest of property, stock or cash; a charitable trust; a living To become a member of the Craig Noel League or to tell us estate; or some other deferred giving instrument. In your of a gift you have already made, please contact Bridget Cantu estate plans, you have the ability to designate the specific Wear, Associate Director of Development, Planned Giving, use of the funds given to the Globe, and to help guide your at (619) 231-1941 x2312 or [email protected].

Craig Noel League Members

Anonymous (17) Dr. & Mrs. Robert Epsten Marilyn Kneeland PACEM (Pacific Academy Jeanette Stevens Diana Barliant Frank A. Frye, III Jean & David Laing of Ecclesiastical Music) Eric Leighton Swenson Nancine Belfiore Mr. Alan Gary & Jerry Lester Foundation Sarah B. Marsh-Rebelo & Anne C. Taubman Alan Benaroya Ms. Joanee Udelf Heather Manion John Rebelo Randy Tidmore Barbara Bolt Nancy Reed Gibson Chris & Jill Metcalf Darlene Shiley Cherie Halladay Tirschwell Nancy Brock Robert Gleason & Paul I. & Margaret W. Meyer Patsy & Forrest Shumway Evelyn Mack Truitt Ronald Brown Marc Matys Steve Miller B. Sy & Ruth Ann Silver Ginny Unanue Dr. & Mrs. Edgar D. Canada Marcy Goldstone Dr. Robert W. Miner Dee Silver, M.D. Jordine Von Wantoch Garet & Wendy Clark Carol & Don Green Shirley Mulcahy Stephen M. Silverman Merle Wahl R. Patrick & Sharon Connell Kathryn Hattox Laurie Dale Munday Roberta Simpson Holly J. B. Ward Patricia W. Crigler. Ph. D., David & Debbie Hawkins Stanley Nadel & Dolores & Rod Smith Sarah Woodruff Watkins CAPT/USN/Ret. Jill Denison Holmes Cecilia Carrick Marisa SorBello & Sheryl & Harvey P. White Carlos & Patricia Cuellar Craig & Mary Hunter Alice B. Nesnow Peter Czipott Mrs. Jack Galen Whitney Ronald D. Culbertson Bob Jacobs Arthur & Marilyn Neumann John & Cindy Sorensen Julie Meier Wright Mrs. Philip H. Dickinson Grace Johnston Ronald J. Newell Nancy A. Spector & Carolyn Yorston-Wellcome Doug Druley & Becky Young Gladys H. King Greg & Polly Noel Alan R. Spector Judy L. Zimmerman

Globe Ambassadors

Globe Ambassadors are generous supporters Be rnard J. Eggertsen & Florence Nemkov◆ Donald* & Darlene Shiley◆ of The Old Globe who contribute a minimum Ca rol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens◆ of $3,500 to the Annual Fund, attend special Danah H. Fayman◆ Evelyn Mack Truitt Globe meetings and activities and serve as Mary Ann & Arnold Ginnow Dixie & Ken Unruh advocates in the community for the Globe’s Alexa Kirkwood Hirsch◆ Doris & Lou Vettese◆ mission and goals. As a group, Ambassadors Leonard & Elaine Hirsch◆ Pamela J. Wagner◆ sponsor one Globe production each season. Pat Jacoby Jordine Von Wantoch◆ Mary & Russell Johnson◆ La wrence G. Alldredge & Dawn Moore *In Memoriam Bob* & Gladys King◆ Paul Black◆ Tadd S. Lazarus, M.D. ◆Denotes increased giving in 2010 and 2011 Steven J. Cologne James & Pamela Lester ◆ R. Patrick & Sharon Connell◆ For additional information on how you may Merriel F. Mandell, Ph.D.◆ Gigi & Ed Cramer◆ become a Globe Ambassador, please contact Peter Manes & Yoko Sakaguchi Elaine & Dave Darwin◆ Marilyn McAvoy Bergman, Major Gifts Director, Paul I. & Margaret W. Meyer Darlene G. Davies◆ at (619) 231-1941 x2309 or Joanne C. Powers◆ Nina & Robert Doede [email protected]. Jeannie & Arthur Rivkin Marion Eggertsen◆

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in all three theatres: the Sheryl and Harvey White The Old Globe accepts Visa, Discover, MasterCard, or Theatre, the Old Globe Theatre and the Lowell Davies American Express. Phone orders for non-subscribers Festival Theatre. A limited number of the lightweight are subject to a $3.50 per ticket service charge. Ticket headsets, as well as induction neck loops, may be obtained exchanges are subject to a service charge for non- from the house manager prior to performances. subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 PUBLIC TOURS during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the to the Ticket Services Office, or email us at history, three stages, shop and craft areas. Open tours: most [email protected]. Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 238-0043 UNABLE TO ATTEND? x2145 for information/reservations. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Services LOST AND FOUND Office and receive a tax receipt for your donation. Tickets If you have misplaced a personal item while at the theatre, must be received by show time. please contact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, RESTROOMS we’ll happily take down your contact information and a Restrooms are located in the lower lobby of the Old Globe description of the item and contact you if it is found. The Theatre, the lobby of the Sheryl and Harvey White Theatre Old Globe does not assume liability for items left behind on and adjacent to the Lowell Davies Festival Theatre. the premises.

SEATING OF LATECOMERS Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — Although we understand parking is often at a premium, the are available upon request. Please ask an usher. seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Michael G. Murphy...... Managing Director David Medina...... Properties Buyer Donor Services Richard Seer...... Interim Artistic Advisor and Trevor Hay...... Property Master, Globe Lee Conavay, Monica Jorgensen, Barbara Lekes, ...... Director of Professional Training Dan Klebingat...... Stage & Property Master, White Pamela Malone, Richard Navarro, Stephanie Reed, Edward Nelson...... Interim General Manager David Buess...... Property Master, Festival Judy Zimmerman...... Suite Concierges Dave Henson...... Director of Marketing and Communications Todd Schultz...... Director of Development Lighting MARKETING Mark Somers...... Director of Finance Shawna Cadence...... Lighting Director Jeffrey Weiser...... Public Relations Director Robert Drake...... Director of Production Lace King...... Lighting Assistant Jessie Brunner...... Audience Development Manager Roberta Wells-Famula...... Director of Education Tonnie Ficken...... Master Electrician, Globe Mike Hausberg...... Public Relations Associate Jim Dodd...... Master Electrician, White Kelly Boyle...... Digital and Print Publications Coordinator ARTISTIC Kevin Liddell...... Master Electrician, Festival Richard Steadham...... Graphics Coordinator Adrian Noble...... Shakespeare Festival Artistic Director Mark Dewey...... Follow Spot Operatoriiiip Marissa Haywood...... Marketing Assistant Eric Louie, Justin Waldman...... Associate Producers Richie Bonnin, Mark Dewey, Sam Ibrahim, Monica Jorgensen, Danielle Mages Amato...... Literary Manager/Dramaturg Leticia Lowe...... Electricians Susie Virgilio...... Marketing/Events Assistants Bernadette Hanson...... Artistic Associate Matthew Lopez...... Playwright-in-Residence Sound Subscription Sales Paul Peterson...... Sound Director Scott Cooke...... Subscription Sales Manager PRODUCTION Erik Carstensen...... Master Sound Technician, Globe Anna Bowen-Davies, Arthur Faro, Andy Fink, Janet Kavin, Pamela Malone, Yolanda Moore, Debra Pratt Ballard...... Associate Director of Production Jeremy Siebert...... Master Sound Technician, White Jessica Morrow, Keith Perkins, Ken Seper, Ron Cooling...... Company Manager Jeremy Nelson...... Master Sound Technician, Festival Cassandra Shepard, Jerome Tullmann, Carol Donahue...... Production Coordinator Dana Pickop...... Deck Audio, Festival Grant Walpole...... Subscription Sales Representatives

Stage Management ADMINISTRATION Ticket Services Leila Knox...... Production Stage Manager Brian Franko...... Assistant General Manager Bob Coddington...... Ticket Services Manager Shana Wride...... Administrative Assistant Marsi Fisher...... Ticket Operations Manager Technical Dani Meister...... Group Sales Manager Benjamin Thoron...... Technical Director Information Technology Tony Dixon, Wendy Berzansky...... Associate Technical Director Dean Yager...... Information Technology Manager Rob Novak...... Lead Ticket Services Representatives Tramaine Berryhill...... Assistant Technical Director Thad Steffen...... Information Technology Assistant Manager Kari Archer, Sarah Ditges, Kathy Fineman, Sean Fanning...... Resident Design Assistant John Ralston...... Information Technology Assistant Merri Fitzpatrick, Steve Greenhalgh, Alejandro Gutierrez, Eliza Korshin...... Technical Assistant/Buyer Tyler Jones, Angela Juby, Cassie Lopez, Caryn Morgan, Christian Thorsen...... Stage Carpenter/Flyman, Globe Human Resources Christopher Smith...... Ticket Services Representatives Carole Payette...... Charge Scenic Artist Sandra Parde...... Human Resources Director W. Adam Bernard, Victoria Erbe...... Scenic Artists PATRON SERVICES Gillian Kelleher...... Master Carpenter Maintenance Mike Callaway...... Theatre Manager Andrew Young...... Charge Carpenter, White Jim Ford...... Facilities Manager Brian Davis, Jessica Talmadge...... House Managers Laura McEntyre...... Automation Coordinator Violanda Corona, Ismael Delgado, Miguel Gaspar, Kristen Cairns...... Front of House Assistant Fernando Avitia, Chris Chauvet, Jason Chohon, Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Elaine Gingery...... Food and Beverage Manager Jack Hernandez, Victor Hernandez, Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Timothy Acosta, Missy Bradstreet, Nellie R. del Rosario, Josh Letton...... Carpenters Nicolas Torres, Leonardo Rodriguez ...... Building Staff Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, June Higginbotham, Seamus O’Bryan...... Deck Crew Michelle Thorsen, Michelle R. Witmer...... Pub Staff PROFESSIONAL TRAINING Jasmine Morgan, Stephanie Rakowski, Costumes Llance Bower...... Program Coordinator Lisa Reid...... Gift Shop Supervisors Stacy Sutton...... Director Maria Carrera, Cynthia Caywood, Ray Chambers, Charlotte Devaux Shields...... Resident Design Associate Gerhard Gessner, Jan Gist, Fred Robinson, Security/Parking Services Maureen Mac Niallais...... Assistant to the Director Liz Shipman, Abraham Stoll, George Yé...... M.F.A. Faculty Rachel “Beahr” Garcia...... Security Supervisor Shelly Williams...... Design Assistant/Shopper Dallas Chang, Sherisa Eselin, Janet Larson, Jeffrey Neitzel...... Security Officers Michelle Souza...... Design Assistant EDUCATION Alberto Holloway, Jeff Howell...... Parking Lot Attendants Erin Cass, Wendy Miller...... Drapers Kim Montelibano Heil...... Education Associate Norman Ramos...... VIP Valet Attendant Babs Behling, Annie Glidden Grace...... Assistant Cutters Carol Green...... Speakers Bureau Coordinator Mary Miller...... Costume Assistant Rebekah Bonney, David Carson, Amanda Cooley Davis, James Cota, Jo Anne Glover, Lisel Gorell-Getz, Joanna Stypulkowska...... Stitcher Brian Hammond, Sarah Price-Keating, Jennifer Barclay Erin Carignan...... Craft Supervisor Newsham, Radhika Rao, Cynthia Stokes, Jack O’Brien...... Artistic Director Emeritus Stephanie Parker...... Craft Artisan Mark Wischkaemper...... Teaching Artists Molly O’Connor...... Wig and Makeup Supervisor Craig Noel...... Founding Director Kim Parker...... Assistant to Wig and Makeup Supervisor FINANCE Kristin Bongiovanni...... Wig Assistant Carly Bennett-Valle...... Senior Accountant Beverly Boyd...... Wardrobe Supervisor Trish Guidi...... Accounts Payable/Accounting Assistant Beth Merriman...... Crew Chief, Globe Adam Latham...... Payroll Coordinator/Accounting Assistant Debbie E. Allen, Anna Noll, Ksusha Vanyan, Tim Cole...... Receptionist Julie Vesselle...... Wardrobe Crew, Globe Anna MacDonald...... Crew Chief, White DEVELOPMENT Genevieve Nyien, Noelle Van Wyk...... White Dresser Marilyn McAvoy Bergman...... Major Gifts Director Marie Jezbera...... Rental Agent Annamarie Maricle...... Associate Director, Institutional Grants Bridget Cantu Wear...... Associate Director, Planned Giving Properties Eileen Prisby...... Events Manager Neil A. Holmes...... Properties Director Rachel Plummer...... Major Gifts Officer Kristin Steva Campbell...... Assistant to the Director Angelique von Thun...... Major Gifts Associate Kristine Hummel...... Prop Assistant Diane Addis...... Membership Administrator M.H. Schrenkeisen...... Shop Foreman Kacie Bluhm...... Development Assistant Rory Murphy...... Lead Craftsman Rico Zamora...... VIP Donor Ticketing Josh Camp, Trish Rutter...... Craftspersons

24 PERFORMANCES MAGAZINE