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Masculinity and Transnational Hindu Identity
Nidān, Volume 3, No. 2, December 2018, pp. 18-39 ISSN 2414-8636 Muscular Mahabharatas: Masculinity and Transnational Hindu Identity Sucheta Kanjilal University of Tampa [email protected] "Hence it is called Bharata. And because of its grave import, as also of the Bharatas being its topic, it is called Mahabharata. He who is versed in interpretations of this great treatise, becomes cleansed of every sin. Such a man lives in righteousness, wealth, and pleasure, and attains to Emancipation.” - Mahābhārata (18.5) translation by K. M. Ganguli Abstract The climax of the Sanskrit Mahābhārata is undeniably muscular, since it involves a kṣatriya family fighting a brutal but righteous war. Many 21st century Mahabharata adaptations not only emphasize the muscularity of the epic, but also flex these muscles in an arena beyond the Kurukṣetra battlefield: the world. Through an analysis of texts such as Chindu Sreedharan’s Epic Retold (2015) and Prem Panicker’s Bhimsen (2009), I suggest that the increased visibility of epic warrior narratives across global platforms indicates a desire to re-fashion a hypermasculine identity for Hindus in the transnational religio-political sphere. I see this as an attempt to distance Hinduism from Gandhi’s ‘passive resistance’ and colonial conceptions of the ‘effeminate native’. Instead, it aligns with the nationalist and global aims of Prime Minister Narendra Modi, who emphasizes the importance of Hindu traditions and physical fitness for collective prosperity. While these new epic adaptations certainly broaden the reach of Hindu culture beyond national boundaries, I suggest exhuming only warrior narratives from the epic texts oversimplifies Hindu values and threatens a range of gender identities and religious affiliations. -
Film Tourism in India – a Beginning Towards Unlocking Its Potential
Film tourism in India – a beginning towards unlocking its potential FICCI Shoot at Site 2019 13 March 2019 Film tourism is a growing phenomenon worldwide, fueled by both the growth of the entertainment industry and the increase in international travel. Film tourism sector has seen tremendous growth in the past few years. It represents a gateway to new and more intense ways of experiencing destinations. At the same time, it creates the potential for new communities by way of an exchange of insights, knowledge and experience among the tourists themselves. Films play a significant role in the promotion of tourism in various countries and different states of India. A film tourist is attracted by the first-hand experience of the location captured on the silver screen. Not only is film tourism an excellent vehicle for destination marketing, it also presents new product development opportunities, such as location tours, film museums, exhibitions and the theme of existing tourist attractions with a film connection. This report focusses on the concept of film tourism and the various initiatives taken by both the state and central government of India for boosting film induced tourism through their respective film production policies. Dilip Chenoy Secretary General - Federation of Indian Chamber of Commerce and Industry Foreword The significance of cinema in today’s times has gone beyond its intended purpose of mass entertainment. Cinema is a portal for people to escape from reality and into their world of fantasy. Cinema is a source of inspiration for some, a source of entertainment for some and a source of education for some. -
Dita2july6.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C 2 DELHI IS TALKING ABOUT DELHI TIMES, THE TIMES OF INDIA SUNDAY 6 JULY 2003 Photos: SUNIL KATARIA Flirtatious SMS of the day In the realms of love... MALLIKA SHERAWAT: SHE S HOT Since sex is a killer, uddle up and Kuchi Koo... Revel in the boundless sea of love — this would ya like to die Cwas the message which went out at the launch of London-based singer Bas- happy? ant’s new album— Kuchi Koo — on Mon- day evening. As guests walked in for a chilled-out time, one of them asked Basant why did he To find that special someone to flirt name his album Kuchi Koo?. And the with, sms DAT to 8888 singer with the a smile well in place just Sonali Gupta and Sanjeev Panda said, ‘‘Because it’s differ- time spent in Nainital with ent.’’ And continuing in Basant, as alumnus of Sher- the same vein said, ‘‘This wood College. The crowd com- Sanjay Adhikari and Basant is the hook line used in the prised a varied lot — there video of the song.’’ was Sanjay Adhikari of Utsav, As guests walked into singers Shanker Shahney,Mo- the venue, the first thing hini Singh and Vandana Vad- they noticed was a giant hera, Gagan Myne of Spotli- screen which was playing ght, Ajay Kakar of Seagram’s the video of the song, that and Satya of UB Group. How- , FACT OF incidentally, features ani- ever, the one to steal the show mated characters along- was a new entrant in the so- THE MATTER with model Amanpreet of cial circuit — the wedding HOT Enjoy fame — all having a planner of Mira Nair’s Mon- A man’s beard grows great time in the hilly re- soon Wedding, Amrish Persh- fastest when he antici- gions of Nanital. -
Starmaking Turn Oscar-Winning ‘Juno’ Makes Page a Household Name
Page 20 In Tune The Daily News WEDNESDAY, APRIL 16, 2008 IT Starmaking turn Oscar-winning ‘Juno’ makes Page a household name By DAVID GERMAIN AP Movie Writer “Juno” Teen pregnancy becomes less of a burden when the mother involved is the coolest, sharpest-tongued kid in school and sets out to find the perfect adoptive parents for the baby she’s hatching. Ellen Page earned a best-actress Academy Award nomination as the title character, an almost impossibly glib teenager whose support crew includes a best-friend beau (Michael Cera), a sym- pathetic dad (J.K. Simmons), bold stepmom (Allison Janney) and a seemingly ideal couple (Jennifer Garner and Jason Bateman) looking to adopt. The movie comes in single- DVD, two-disc DVD and Blu- ray high-definition releases that include 11 deleted scenes, plus commentary with direc- tor Jason Reitman and writer Diablo Cody, who won the Oscar for original screenplay. The two-disc set and Blu-ray disc also have digital copies of the film for portable media players and a handful of fea- turettes, among them seg- ments on Reitman and Cody. Single DVD, $29.98; two-disc DVD set, $34.98; Blu-ray, $39.98. (20th Century Fox) “Aliens Vs. Predator: Requiem” The clash of the space beasts resumes in this second movie in a series that revived two long-dead sci-fi franchises by making the creatures fight each other. This one sets the relent- less aliens loose in Colorado after a space ship crashes there, Ellen Page, second from left, earned an Oscar nomination for best actress for her portrayal of the titular “Juno” in one of the year’s sleeper hits. -
The Detroit Vol
JULY 27-AUGUST 2, 1997 THE DETROIT VOL. 2 NO. 37 75 CENTS S unday Io u r n a l CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©TDSJ A SUNDAY JOURNAL EXCLUSIVE stated to MxfS". CRANCER she JOSEPHINE (Mrs. HOFFA) how sorry she was akcnXZ Hr. HOFFA'a i disappearance. Mrs. CRANCER was stunned by this telephone call JOSEPHINE PROVENZANO stated that her father was out in the yard Hi S i3 THE O H t / H o r s gardening so Mrs. CRANCER asked JOSEPHINE to give TONY PRO a message, "We want our father ba c k " . JOSEPHINE indicated she UJILL. R lF C /y ir p&nAHD AsH/Ll/a}) je message to her father. THE HCFFA FILES Suppressed FBI documents reveal a flurry of leads and new layers of intrigue By Michael Betzold down every possible lead in their Journal Staff Writer effort to find out what happened © Copyright 1997 Detroit Sunday Journal to Hoffa. Just the number of pages Secret FBI files on Jimmy demonstrates how extensive the Hoffa’s disappearance, long supinvestigation was: The files seen pressed by the federal governby the Journal total 1,704 pages - ment, have turned up 22 yearsand they cover only the first five after the legendary Teamsters months of the investigation. Many leader was reported missing. Andthousands of other pages also they show why investigatorsexist. never have been able to crack theYet, despite the massive federal case. investigation documented by The files, discovered in a filingthese files and a months-long cabinet and viewed by The Detroitgrand jury hearing, no one has Sunday Journal, show that FBIever been prosecuted for Hoffa’s investigators were confounded abductionby and apparent murder. -
Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen, -
Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Baijayanti Roy Goethe University, Frankfurt Am Main, [email protected]
Journal of Religion & Film Volume 22 Issue 3 Special Issue: 2018 International Conference Article 9 on Religion and Film, Toronto 12-14-2018 Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Baijayanti Roy Goethe University, Frankfurt am Main, [email protected] Recommended Citation Roy, Baijayanti (2018) "Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat," Journal of Religion & Film: Vol. 22 : Iss. 3 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol22/iss3/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Abstract This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The er lationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary (Hindu) Rajput queen coveted by the Muslim emperor Alauddin Khilji (ruled from 1296-1316). -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Image to Infinity: Rethinking Description and Detail in the Cinema
IMAGE TO INFINITY: RETHINKING DESCRIPTION AND DETAIL IN THE CINEMA by Alison L. Patterson BS, University of Pittsburgh, 1997 MA, Cinema Studies New York University, 2001 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Critical and Cultural Studies University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Alison L. Patterson It was defended on February 23, 2011 and approved by Troy Boone, PhD, Associate Professor, English Adam Lowenstein, PhD, Associate Professor, English Colin MacCabe, PhD, Distinguished University Professor, English Randall Halle, PhD, Klaus W. Jonas Professor of German and Film Studies Dissertation Director: Marcia Landy, PhD, Distinguished Professor, English ii Copyright © Alison L. Patterson 2011 All Rights Reserved iii IMAGE TO INFINITY: RETHINKING DESCRIPTION AND DETAIL IN THE CINEMA Alison L. Patterson, PhD University of Pittsburgh, 2011 In the late 1980s, historian Hayden White suggested the possibility of forms of historical thought unique to filmed history. White proposed the study of “historiophoty,” an imagistic alternative to written history. Subsequently, much scholarly attention has been paid to the category of History Film. Yet popular concerns for historical re‐presentation and heritage have not fully addressed aesthetic effects of prior history films and emergent imagistic‐historiographic practices. This dissertation identifies and elaborates one such alternative historiographic practice on film, via inter‐medial study attending to British and American history films, an instance of multi‐platform digital historiography, and an animated film – a category of film often overlooked in history film studies. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
British Raj Film Series Media Advisory
March 2018 Media Contacts: Leslie Denk | [email protected] | (626) 844-6941 Emma Jacobson-Sive | [email protected]| (323) 842-2064 The Norton Simon Museum Presents the Film Series ‘The British Raj between Page and Screen’ Four films examine the legacy of colonial rule in India Pasadena, CA— The Norton Simon Museum presents a series of films that portray life in India during the period of colonial rule known as the British Raj (1858–1947). Based on novels and short stories in English, Hindi-Urdu and Bengali that were published before 1947, these films examine the legacy of the Raj from the vantage point of an independent India. Kim (1950), NR Directed by Victor Saville Friday, May 4, 5:30–7:25 p.m. During the British Raj, the orphan (Dean Stockwell) of a British soldier poses as a Hindu and is torn between his loyalty to a Buddhist mystic (Errol Flynn) and aiding the English secret service. The film is based on the novel Kim by Rudyard Kipling, first published in book form in 1901. Shatranj Ke Khilari (The Chess Players) (1977), NR Directed by Satyajit Ray Friday, May 11, 5:30–7:40 p.m. In this movie set in 1856, shortly before the first Indian struggle for independence, Wajid Ali Shah is portrayed as an indifferent ruler who composes poems and listens to music, while British general James Outram (Sir Richard Attenborough) arrives on a secret mission to clear the way for the British. Meanwhile, two noblemen obsessively play endless games of chess, ignoring the situation that unfolds around them. -
Present Day Bollywood Cinema and The
P: ISSN NO.: 2321-290X RNI : UPBIL/2013/55327 VOL-6* ISSUE-1* (Part-1) September- 2018 E: ISSN NO.: 2349-980X Shrinkhla Ek Shodhparak Vaicharik Patrika Present Day Bollywood Cinema and the Audience’s Preferences Abstract The primary objective of this research paper is to highlight and inspect the present day Bollywood cinema (Hindi cinema), and to study the audience it caters to, in order to find out the preferences of the audience that indirectly lead to the culmination of the standard that the Bollywood industry follows. Keywords: Bollywood Industry, Audience‘s Preferences. Introduction The study of the present day Hindi cinema in India is a qualitative study based on the review of previously published literature related to the subject. The main aim of this study is to establish a general opinion on the current state of the Bollywood film industry of India. Recognizing the preferences of the audience that Hindi films cater to is also an aim the study is desired to fulfil. Aim of the Study The aim of this study is to analyse the present state of Bollywood: the trends and type of films which constitute majority of the industry, and to find how the society comprising of the primary audience, affects the films that are made for their entertainment consumption. The methodology followed is the review of literature from previous researches and deriving opinions based on the study of literature. The Current Scenario Kundan Singh Present day Bollywood cinema is marked with light entertainment Research Scholar, movies, serious drama on social issues and patriotic fervour.