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George Clinton 614 George Clinton: From Barbershop To Mother ship if you've got to syncopate or the By SAM SUTHERLAND Chuck Brown and The Soul but that other interpretation, al- person will go to sleep on From barbershop to mother - Searchers: "Yeah, Rick James and it's the only one that's being other we're all go- you. That's what disco music is ship, George Clinton has trans- that other group that did 'Bustin' lowed to exist, then . doing." formed classic rhythm & blues Loose.' That's the first record we ing to be in trouble .. sources into the deceptively silly did of anybody else's onstage in "[R&B] is the main one that On the projected record label the r&b seriousness known as funk, and, years. Anybody that we feel can [disco's] killing, because deal Clinton is readying: "Yeah, music. It in the process, this veteran song- help the funk right now is wel- chart is mainly dance Uncle Jam Records. It'll be here writer, singer and producer has come, 'cause it's going to take has a lot of love songs, which are in a minute, real soon. Uncle Jam and then successfully challenged a number that level of cooperation to help really getting wiped out, will involve all the people that of industry assumptions: with us. it's basically dance music. And the have been working in our offices, Funkadelic, he revived the for- "Our whole thing this year is r&b never gets onto the disco or""our cliques, in Detroit and Los tunes of the Parliaments by rescuing dance music from the side, so it's really redefining Angeles. I can't call them business bridging rock and r&b, not divid- blahs. That's going to be the point dance music. people, because they're like us, ing them; by spinning 'off Parlia- in 'Uncle Jam Wants You,' the "It's getting hard to tell the from the street. Most of them are It's ment itself several years later, he new Funkadelic album. Anybody commercials from the records. here in Los Angeles, the records set the pattern for a group -gen- that can help solicit for the Funk the same commercial elevator are cut in Detroit, and the man- a bit erated history of new artists that Army, and show that dance music music, Muzak with just little agement is in New York. sidestepped the usual internal has more than one rhythm, is of funk in it. You know, they're "So we've got all the 'P' places frictions and jealous schisms typi- welcome." skin testing people about records covered." vs. not now, taking galvanic skin re- fying too many successful bands; On funk disco: "We're On P -Funk's ongoing 'clone'- That's erratic, it's not through the development of his attacking disco music per se, but sponses. the development of new acts enough to get you off. And that's own production operation, Thang, the new interpretation that's be- from musicians in the existing what all the songs are screaming Inc., and a new management pact ing molded in and around disco. bands-and how it motivates to me: 'I got to get off,' or 'Bustin' with Leber -Krebs, he launched a The music itself is good; dance players while helping keep the been doing songs like multi -service "label without a music is what's happening. But loose.' I've mob together: "When they do for a long time. And I know roster" to support the growing we figure 'there's more rhythm that leave, they come right back. Eddie people can't get off: there's only family of artists placed on Casa- than that there; it's insulting, be- Hazel just came back and plugged beat. blanca, Warner Bros., Arista and cause people have both more one in three, four months ago. Parlia- making love: you got Atlantic. rhythm than that. "It's like ment-Funkadelic anybody who's to hit more than one stroke, Such projects already offer one "Both of them are dance music, been in it can come onstage any- indication that P -Funk's prime time and participate in the show, as out to lunch as mover isn't and I like that, because it gives he's apt to suggest. When RW everybody a certain unstructured- first interviewed Clinton for a ness that's cool. 11, 1978), he up- Dialogue (March "No stars are supposed to get funk dated the ongoing clone- along together, and once you've projects P-Funk's newest spinoff nurtured that idea, people don't pro- and stage ambitions-while get along. Groups pull the plug of the seasoned viding a glimpse out on each other, or have the his work. Not perspective behind sound people turn down the vol- return of Dr. surprisingly, the ume on each other. But this way, a canny Funkenstein again saw the group learns that it's cool and mixture of outrageousness under the highest intensity. This arriving at RW's Los perception: business has got the artists so a cowboy hat, Angeles office in divided that it's impossible for shorts, platform shades, track stars to be in the same room. But enough turquoise to shoes and look up in the heavens: heaven is launch a country rock band, he full of stars. So it's a brilliant con- update on provided the following cept, but it's nurtured through all the funk saga. of business and management, be- On the World Funk Festival in cause it's about a stroke. And you most recent con- L. A., and the want to believe that stroke, be- funk mob: "We've quests by the cause that's the business view of do that for three been trying to ego. or four years, but it's all peakin' "But if you do, you won't be now. Bootsy's a superstar, The able to put that shit to good use Brides [of Funkenstein] are smash- later. You'll just be up there, ing, Parlet's happening. So this blind and rich, and when they get will be the biggest show yet, the tired of you, or you make too whole vibe will be special. We're much noise about something, also going to be doing a lot of they'll just pull that plug right out things around it, giving other from under you. You'll never awards to people and to record know. You'll be broke and in jail companies. We'll give 'em Golden or the nuthouse before you real- Nose Awards, for different people ize that you ain't the star no tried to help get the funk who've more. across." "So it's really a dangerous con - itself, and such new On funk (Continued on page 8) emerging stars as Rick James and George Cinton RECORD WORLD JUNE 2, 1979 SECTION II 6 www.americanradiohistory.com.
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  • IP Newsflash
    Having trouble reading this email? View it in your browser 06.27.14 DISTRICT COURT CASES George Clinton to Pay His Lawyers in Song In a 9th Circuit opinion, the panel upheld a district court opinion which assigned four of Clinton’s sound recording copyrights to a receiver to satisfy judgments rendered against him by his former lawyers. George Clinton, the renowned musician, bandleader, and producer, hired Hendricks & Lewis (H&L) to represent him in various infringement disputes from March 2005 – August 2008. The work performed on Clinton’s behalf constituted over $3 Million in fees; Clinton refused to pay over $1.72 Million. H&L pursued the enforcement of its past­due fees in arbitration and then later moved to compel the arbitration award in the District Court of Washington. The underlying appeal surrounds the court’s enforcement of the arbitration award and assignment of master recordings of Clinton’s performances with the group Funkadelic to receivership ("Masters"). The Masters songs at issue are “Hardcore Jollies,” “One Nation Under a Groove,” “Uncle Jam Wants You,” and “The Electric Spanking of War Babies”—all with registered copyrights. The copyrights were originally obtained by Warner Bros. and subsequently transferred to Clinton. Clinton alleges that the assignment of the Masters to receivership was improper and in violation of Copyright Act § 201 (e) which serves as protection to authors for involuntary transfer of their copyrights. The panel reasoned that Clinton was not an “author” of the Masters within the meaning of the act since all four Masters were created under agreements with Warner Bros.
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  • Funk Is Its Own Reward": an Analysis of Selected Lyrics In
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  • George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372
    COPY I Larry H. Clough (State Bar No. 86104) Attorney for Plaintiff, George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA GEORGE CLINTON, Plaintiff, VS. COMPLAINT FOR: NENE MONTES. an individual and d/b/a TERCER MUNDO, INC., a suspended Cal. I. DECLARATORY JUDGMENT (28 U.S.C. 62201) corp, CHARLY ACQUISITIONS, LTD, a 11. COPWGHTINFRINGEMENT Nevis private company, 17 U.S.C. 501 LICENSEMUSIC.COM, ApS, a Denmark f 11. uNAAofUzED USE OF PRE- 1972 SOUND RECORDINGS private company, ARMEN BOLADIAN, an @l Code [ 980h individual, WESTBOUND RECORDS, RESCI SIO (Cal Code 9 1689) INC., a Mich. corp, ACE RECORDS, LTD, V. FRAUD Common Law VI. INJURIb USFALSEH A OD a United Kingdom private company, Common Law UNION SQUARE MUSIC, LTD, a United b11. TRADE& Kingdom private company, SNAPPER COUNTERFEIT 15 U.S.C. 9 1 114) VIII. TRADEMdRK MUSIC, LTD, a United Kingdom private INFRINGEMENT (15 U.S.C. 61 114 company, ATOM MUSIC, LTD, an Ireland IX.UNFAIR COMPETITION" private company, ARTISTRY MUSIC, 15 U.S.C. 1125 a k FALSE !I ESI dl?ATIONOF LTD, a United Kingdom private company, ORIGIN (15 U.S.C. 1125(a SYNC2PICTURE, LLC, a Mich. limited XI. UNFAIR TRAD b PRA 24 ICES Cal Code 17200 liability company, X5 MUSIC GROUP, a LI. MIS&PRO& ATION OF Sweden private company, LIKENESS (Cal Code 93344) Defendants. XIII. MISAPPROPRIATION OF LIKENESS Common Law) XIV. ACCOLN TING XV. CONSTRUCTIVE TRUST Jury Trial Demanded Plaintiff, George Clinton, ("Plaintiff' or "Clinton") by and through undersigned counsel, alleges upon personal knowledge, information, and belief, as follows: Nature of Action 1.
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  • Music for Your Mother: Funkadelic 45S
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  • Download a PDF of the Inventory B
    PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise.
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  • Clinton Objections
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  • Speak Your Mind Flac Torrent Download U.E.P.M.F.M.F.M.F.E
    speak your mind flac torrent download U.E.P.M.F.M.F.M.F.E. Funkadelic! George Clinton's second great invention. This is a collection of Funkadelic's twelve original albums from 1970 to 1981, the album Connections & Disconnections which did not include Clinton, a live album, two reissues of old material and six compilations. If there are any errors or if I missed anything, let me know in the comments. Peace! File info: Format: mp3, CBR, 320 kbps. Size: 2.98 GB, 224 mp3-files, 49 jpg-files. Track lists: Original albums: 1970 - Funkadelic 01. Mommy, What's A Funkadelic 02. I Bet You 03. Music For My Mother 04. I Got A Thing, You Got A Thing, Everybody's Got A Thing 05. Good Old Music 06. Qualify & Satisfy 07. What Is Soul. 1970 - Free Your Mind And Your Ass Will Follow 01. Free Your Mind And Your Ass Will Follow 02. Friday Night, August 14th 03. Funky Dollar Bill 04. I Wanna Know If It's Good To You 05. Some More 06. Eulogy And Light. 1971 - Maggot Brain 01. Maggot Brain 02. Can You Get To That 03. Hit It And Quit It 05. You And Your Folks, Me And My Folks 06. Super Stupid 07. Back In Our Minds 08. Wars Of Armegeddon. 1972 - America Eats Its Young 01. You Hit The Nail On The Head 02. If You Don't Like The Effects, Don't Produce The Cause 03. Everybody Is Going To Make It This Time 04. A Joyful Process 05.
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  • NPU Brightens Fair Street Corridor
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  • Essays: Making It Funky: the Signifyin(G) Politics of George Clinton's
    Essays: Making It Funky: The Signifyin(g) Politics of George Cl... http://www.tedfriedman.com/essays/2005/03/making_it_funky.html « Milli Vanilli and the Myth of Authenticity | Main | Capitalism: The Final Frontier » March 01, 2005 Making It Funky: The Signifyin(g) Politics of George Clinton's Parliafunkadelicment Thang This essay is also hosted on EServer.org. Free Your… “Free your mind, and your ass will follow.” -Funkadelic, from the song and album of the same name George Clinton set forth this founding tenet in his ideology of funk in 1970, as a druggy mantra to a swirling psychedelic guitar jam. While the phrase may originally have been intended as a variation on the solipsistic hippie slogan “Turn on/tune in/drop out” (the line that followed promised, “The Kingdom of Heaven is within”), it took on a very different resonance by the mid-’70s, when Clinton and some of his 20-odd bandmates in Parliament and Funkadelic would rap the phrase, along with other exhortations such as “Think! It Ain’t Illegal Yet!” and “Shit/Goddamn/Get Off Your Ass and Jam,” over a dense groove of horns, synths, and Bootsy Collins’ bottomless bass, while concert audiences in the tens of thousands danced, sweated, and chanted along. In the years that followed, music critics have more often than not misappropriated the slogan as “free your ass and your mind will follow.” [1] The original phrase resurfaced in popular discourse last year, however, on En Vogue’s dance-rock crossover hit “Free Your Mind,” which bowdlerized the second half of the line to “…and the rest will follow.” And currently, MTV News’ regular public affairs segments are presented under the logo, “Free Your Mind” (as in “this week, in ‘Free Your Mind’ news…”).
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  • Back by Popular Demand*
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