Career Exploration Guide Software Development Career Pathway Information Technology Career Cluster For more information about NYC Career and Technical Education, visit: www.cte.nyc Summer 2018 Getting Started What is software? What Types of Software Can You Develop? Computers and other smart devices are made up of Software includes operating systems—like Windows, Web applications are websites that allow users to contact management system, and PeopleSoft, a hardware and software. Hardware includes all of the Apple, and Google Android—and the applications check email, share documents, and shop online, human resources information system. physical parts of a device, like the power supply, that run on them— like word processors and games. among other things. Users access them with a Mobile applications are programs that can be data storage, and microprocessors. Software contains Software applications can be run directly from a connection to the Internet through a web browser accessed directly through mobile devices like smart instructions that are stored and run by the hardware. device or through a connection to the Internet. like Firefox, Chrome, or Safari. Web browsers are phones and tablets. Many mobile applications have Other names for software are programs or applications. the platforms people use to find, retrieve, and web-based counterparts. display information online. Web browsers are applications too. Desktop applications are programs that are stored on and accessed from a computer or laptop, like Enterprise software are off-the-shelf applications What is Software Development? word processors and spreadsheets. that are customized to the needs of businesses. Popular examples include Salesforce, a customer Software development is the design and creation of Quality Testers test the application to make sure software and is usually done by a team of people.
No. 52 March-A pril'1990 $3.95 T H E M TEe H CAL J 0 URN A L COPIA Object Oriented Programming First it was BASIC, then it was structures, now it's objects. C++ afi<;ionados feel, of course, that objects are so powerful, so encompassing that anything could be so defined. I hope they're not placing bets, because if they are, money's no object. C++ 2.0 page 8 An objective view of the newest C++. Training A Neural Network Now that you have a neural network what do you do with it? Part two of a fascinating series. Debugging C page 21 Pointers Using MEM Keep C fro111 (C)rashing your system. An AT Keyboard Interface Use an AT keyboard with your latest project. And More ... Understanding Logic Families EPROM Programming Speeding Up Your AT Keyboard ((CHAOS MADE TO ORDER~ Explore the Magnificent and Infinite World of Fractals with FRAC LS™ AN ELECTRONIC KALEIDOSCOPE OF NATURES GEOMETRYTM With FracTools, you can modify and play with any of the included images, or easily create new ones by marking a region in an existing image or entering the coordinates directly. Filter out areas of the display, change colors in any area, and animate the fractal to create gorgeous and mesmerizing images. Special effects include Strobe, Kaleidoscope, Stained Glass, Horizontal, Vertical and Diagonal Panning, and Mouse Movies. The most spectacular application is the creation of self-running Slide Shows. Include any PCX file from any of the popular "paint" programs. FracTools also includes a Slide Show Programming Language, to bring a higher degree of control to your shows.
{ Final version for JMA - Nov 2, 2017 } Möbius Bridges Carlo H. Séquin CS Division, University of California, Berkeley E-mail: [email protected] Abstract Key concepts and geometrical constraints are discussed that allow the construction of a usable bridge that is topological equivalent to a Möbius band. A multi-year search in publications and on the internet for real-world bridges that meet these requirements has not identified a single clean construction that warrants the designation “Möbius bridge,” but a few promising designs can be found. Several simple but practical designs are presented here. 1. Introduction July 2017 marks the twentieth installment of the annual Bridges conference [1], which elucidates the connections between mathematics and art, music, architecture, and many other cultural venues. This year the conference has been held in Waterloo, Canada. In its twenty-year history it has visited many places around the globe, including Seoul in South Korea, Coimbra in Portugal, Pécz in Hungary, and Leeuwarden in the Netherlands, the hometown of M.C. Escher. This conference series got started by Reza Sarhangi [2] at Southwestern College in Winfield, Kansas. After a few occurrences at this initial location, Reza Sarhangi and other core members of this conference started discussing the possibility of establishing some kind of a commemorative entity of the conference on the Winfield campus. Since Escher, Möbius, and Klein are among the heroes of this Math-Art community, suggestions included an Escher Garden, a Möbius Bridge, or a Klein Bottle House. This prompted me to study the feasibility of such entities; and over the following year, I developed some practical designs for bridges and buildings that follow the geometry of a Möbius band [3].
Accepted manuscript for The Mathematical Intelligencer, ISSN: 0343-6993 (print version) ISSN: 1866-7414 (electronic version) The final publication is available at Springer via http://link.springer.com/article/10.1007/s00283-016-9630-9 DOI 10.1007/s00283-016-9630-9 Bridges: A World Community for Mathematical Art Kristóf Fenyvesi Mathematical Art Reborn: Academic Gathering or Festival of the Arts? This is not the first time the Mathematical Communities column has featured the Bridges Organization: the 2005 conference1, in the breathtaking Canadian Rocky Mountains at Banff, was described in these pages by Doris Schattschneider [Schattschneider, 2006], a regular Bridges participant and Escher-specialist. The 2005 conference saw the debut of Delicious Rivers, Ellen Maddow’s play on the life of Robert Ammann, a postal worker who discovered a number of aperiodic tilings.2 Marjorie Senechal, The Mathematical Intelligencer’s current editor-in-chief, served as Maddow's consultant.3 A theatre premiér at a conference on mathematics? A production performed by mathematicians, moonlighting as actors? But this is Bridges. A quick look at the 2005 conference relays the “essence” of this scientific and artistic “happening” resembling a first-rate festival of the arts. True to its title, Renaissance Banff, the 2005 Bridges gave all members of its community, whether based in the sciences or the arts, the feeling that they had helped bring about a genuine rebirth. I use “community” in its most complete sense—including adults, children, artists, university professors, art lovers and local people—for the wealth of conference activities could only be accomplished through the participation of each and every individual present.
The Implications of Fractal Fluency for Biophilic Architecture
JBU Manuscript TEMPLATE The Implications of Fractal Fluency for Biophilic Architecture a b b a c b R.P. Taylor, A.W. Juliani, A. J. Bies, C. Boydston, B. Spehar and M.E. Sereno aDepartment of Physics, University of Oregon, Eugene, OR 97403, USA bDepartment of Psychology, University of Oregon, Eugene, OR 97403, USA cSchool of Psychology, UNSW Australia, Sydney, NSW, 2052, Australia Abstract Fractals are prevalent throughout natural scenery. Examples include trees, clouds and coastlines. Their repetition of patterns at different size scales generates a rich visual complexity. Fractals with mid-range complexity are particularly prevalent. Consequently, the ‘fractal fluency’ model of the human visual system states that it has adapted to these mid-range fractals through exposure and can process their visual characteristics with relative ease. We first review examples of fractal art and architecture. Then we review fractal fluency and its optimization of observers’ capabilities, focusing on our recent experiments which have important practical consequences for architectural design. We describe how people can navigate easily through environments featuring mid-range fractals. Viewing these patterns also generates an aesthetic experience accompanied by a reduction in the observer’s physiological stress-levels. These two favorable responses to fractals can be exploited by incorporating these natural patterns into buildings, representing a highly practical example of biophilic design Keywords: Fractals, biophilia, architecture, stress-reduction,
2015 State of the Software Supply Chain Report: HIDDEN SPEED BUMPS on the ROAD to “CONTINUOUS”
2015 State of the Software Supply Chain Report: HIDDEN SPEED BUMPS ON THE ROAD TO “CONTINUOUS” Foreword by Gene Kim, Gareth Rushgrove, John Willis, Jez Humble, and Nigel Simpson RESEARCH REPORT TABLE OF CONTENTS Foreword . 3 Introduction . 5 Why All Modern Software Development Relies on a Software Supply Chain . 6 SUPPLIERS: Open Source Projects . 7 Public Repositories (The Warehouses) . 8 Choosing the Best Suppliers (Sourcing) . .. 9 PARTS: Open Source Components . 12 Repository Management (Local Warehouses) . 15 MANUFACTURERS: Assembled Software Development . 19 Technical Debt: Assembly Line Inefficiencies . .. 21 FINISHED GOODS: Software Applications . 22 The Volume of Elective Re-work and Risk . 22 Software Bill of Materials . 23 Quality Controls: OWASP, PCI, FS-ISAC, U .S . Congress . 23 Lessons Learned from Traditional Manufacturing Supply Chains . 25 Automation: How To Improve Software Supply Chains . 26 Appendix . 28 Figure 1: The Volume and Size of the Global Software Supply Chain Figure 2: Target Benchmarks for Software Supply Chain Practices - Quality Control Figure 3: Target Benchmarks for Software Supply Chain Practices - Efficient Distribution Figure 4: Analysis of Components Used within Applications Figure 5: Multiple Versions of Parts Often Downloaded by the Largest Development Teams Figure 6: Volume of Defective Parts Used Figure 7: Comparison of Impact of Supply Chain Complexity on Prius versus Volt Figure 8: Efficient Sourcing Practices By Manufacturers 2015 State of the Software Supply Chain Report: Hidden Speed Bumps on the Road to “Continuous” Page 2 FOREWORD Gene Kim, Co-author of “The Phoenix Project: A Novel About IT, DevOps, and Helping Your Business Win” and upcoming “DevOps Cookbook” “Anyone who believes, as I do, that we can learn valuable lessons from manufacturing and supply chains on how to better manage technology work will love this report .
اﻟﻤﺆﺗﻤﺮ اﻟﻌﺎﻟﻤﻲ اﻟﻌﺸﺮون ﻟﺪﻋﻢ اﻻﺑﺘﻜﺎر ﻓﻲ ﻣﺠﺎل اﻟﻔﻨﻮن واﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ The 20th International Symposium on Electronic Art Ras al-Khaimah 25.7833° North 55.9500° East Umm al-Quwain 25.9864° North 55.9400° East Ajman 25.4167° North 55.5000° East Sharjah 25.4333 ° North 55.3833 ° East Fujairah 25.2667° North 56.3333° East Dubai 24.9500° North 55.3333° East Abu Dhabi 24.4667° North 54.3667° East SE ISEA2014 Catalog INTERNATIONAL Under the Patronage of H.E. Sheikha Lubna Bint Khalid Al Qasimi Minister of International Cooperation and Development, President of Zayed University 30 October — 8 November, 2014 SE INTERNATIONAL ISEA2014, where Art, Science, and Technology Come Together vi Richard Wheeler - Dubai On land and in the sea, our forefathers lived and survived in this environment. They were able to do so only because they recognized the need to conserve it, to take from it only what they needed to live, and to preserve it for succeeding generations. Late Sheikh Zayed bin Sultan Al Nahyan viii ZAYED UNIVERSITY Ed unt optur, tet pla dessi dis molore optatiist vendae pro eaqui que doluptae. Num am dis magnimus deliti od estem quam qui si di re aut qui offic tem facca- tiur alicatia veliqui conet labo. Andae expeliam ima doluptatem. Estis sandaepti dolor a quodite mporempe doluptatus. Ustiis et ium haritatur ad quaectaes autemoluptas reiundae endae explaboriae at. Simenis elliquide repe nestotae sincipitat etur sum niminctur molupta tisimpor mossusa piendem ulparch illupicat fugiaep edipsam, conecum eos dio corese- qui sitat et, autatum enimolu ptatur aut autenecus eaqui aut volupiet quas quid qui sandaeptatem sum il in cum sitam re dolupti onsent raeceperion re dolorum inis si consequ assequi quiatur sa nos natat etusam fuga.
SCIENCE • ART • TECHNOLOGY 24 JULY THROUGH 10 AUGUST 2008 < Rinus Roelofs, PROGRAMME OF EVENTS new design for artwork consisting of a single 24 JULY – 10 AUGUST, 2008 continuous surface! (Location: Boer) BRIDGES, an annual conference founded in 1998 and serving since then 4 metres long, 2.5 metres high, as an international platform for artists, scientists and scholars working on corten steel the interface of science, art and technology will be held this year in Leeuwarden, The Netherlands from 24 - 29 July 2008. The approximately 200 visitors to the conference from 25 different countries will be coming to Leeuwarden to participate in a broad program of mathematical connections in art, music, architecture and science. Associated with the conference is a highly varied programme Gerard Caris > Polyhedral Net of cultural activities open to the general public that will run through Structure # 1, 10 August 2008. During the Open Day held on 29 July 2008, you can 160 x 95 x 95 cm become acquainted with a number of scientists and artists whilst young and old can participate in various workshops on Grote Kerkstraat in Exhibitions in churches Leeuwarden. The winners of the Gateways to Fryslân Competition will be announced during the conference. The artists exhibiting their work have come from abstract mathematical backgrounds to create many different visual products. Some artists, such as Gerard Caris (1925), limit their oeuvre to a single theme. In his case, this is the pentagon. In the village of Zweins, this artist will be showing a selection of his work including his ‘Polyhedral Net Structure # 1’.
College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation.
BEAUTY VISIBLE AND DIVINE Robert Augros Contemporary artists have, in great measure, abandoned the quest for beauty. Critic Anthony O'Hear points out that the arts today "are aiming at other things ... which, by and large, are incompatible with beauty." 1 Some artists contend it is the duty of art to proclaim the alienation, nihilism, despair, and meaninglessness of modern life. They see cultivation of beauty as hypocritical, preferring to shock and disgust the pub lic with scatological, pornographic, or blasphemous works. Others have politicized their art to such an extent that they no longer concern themselves with beauty or excellence but only with propagandizing the cause. Others consider most important in a work not what is perceptible by the audience but the abstract theory it represents. This yields, among other things, the unrelieved dissonance of atonal music, never pop ular with concert-goers, and the ugliness of much of modern architecture. Virgil Aldrich asserts that the "beautiful has, for good reasons, been discarded by careful critics."2 Reflecting on the motives for eliminating beauty in recent art, Arthur Robert M. Augros has a Ph.D. in philosophy from Universite Laval. He is currently a tenured full professor in his thirty-fourth year at Saint Ansehn College, Manchester, N.H. Dr. Augros has written numerous articles for professional journals and has co-authored two books: The New Story of Sdence and The New Biology (Principle Source Publisher, 2004). 1 Anthony O'Hear, "Prospects for Beauty" in The Journal of the Royal Institute of Philosophy 2001; 48 (Supp.), 176. 2 Virgil C.
Belief in Psyontology Cumstances (Ross & Schroeder, 2014; Schwitzgebel, 2015)
Philosophers’ volume 20, no. 11 ow are full and partial belief related in psychology’s ontology? Imprint april 2020 H Credence-first philosophers think partial belief is more funda- mental. For example, Lockeans say that to believe P is just to have high credence in P. Whereas categorical-first philosophers make full beliefs fundamental instead. Having credence x in P might just amount to having a categorical belief that P’s probability is x, for example. Work in cognitive psychology supports a different view, however. In humans, beliefs come in both coarse and fine kinds, with neither BELIEF IN more fundamental than the other. Epistemologists who focus on one kind to the exclusion of the other, or who treat one as central and the other as an afterthought, risk toiling at a fiction. This conclusion is necessarily tentative. For one thing, the empir- PSYONTOLOGY ical work is nascent and ongoing, its results subject to revision. But more than that, it’s sometimes unclear what the present results tell us about the ontological and epistemological questions of interest to philosophers. Still, a prima facie case can be made. And making it is an essential step in bringing our best science to bear on what is, at least in part, an empirical question. 1. Background Jonathan Weisberg 1.1 Why Monism? Why think one kind of belief is more fundamental than the other? It’s not just that Anglophone philosophers use ‘belief’ for both kinds, so University of Toronto they must really be the same thing deep down.1 It’s rather what causes us to use ‘belief’ for both attitudes.
3. Overview of Core Technical Areas of AI Research Roadmap Research
A 20-YEAR COMMUNITY ROADMAP FOR ARTIFICIAL INTELLIGENCE RESEARCH IN THE US of actions.22 Future approaches to cybersecurity and defense will benefit from the powerful capabilities provided by AI systems. This report envisions how future AI systems can aid in responses to other types of threats as well, including natural disasters. 3. Overview of Core Technical Areas of AI Research Roadmap As discussed in section 1.2 the CCC, with the support of AAAI, held three community workshops in order to catalyze discussion and generate this research Roadmap. The three workshops were: ◗ Integrated Intelligence ◗ Meaningful Interactions ◗ Self-Aware Learning The research priorities from the three areas are summarized in Figure 3 below and expanded upon in the following three sections of the report. Research Priorities Integrated Intelligence Meaningful Interaction Self-Aware Learning • Science of integrated intelligence • Collaboration • Robust and trustworthy learning • Contextualized AI • Trust and responsibility • Deeper learning for challenging tasks • Open knowledge repositories • Diversity of interaction channels • Integrating symbolic and numeric representations • Understanding human intelligence • Improving online interaction • Learning in integrated AI/robotic systems Figure 3. Research Priorities. 3.1 A Research Roadmap for Integrated Intelligence 3.1.1 INTRODUCTION AND OVERVIEW The development of integrated intelligent systems will require major research efforts, which we group into three major areas: 1. Integration: Science of Integrated Intelligence will explore how to create intelligent systems that have much broader capabilities than today’s systems. Approaches include finding small sets of primitives out of which a broad range of capabilities can be constructed (like many of today’s cognitive architectures) and composing independently developed AI capabilities (like 22 ibid 16 many of today’s deployed intelligent systems).