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Activision Signs Multi-Year Agreement with Legendary Game Designer Peter Molyneux
Activision Signs Multi-Year Agreement with Legendary Game Designer Peter Molyneux Santa Monica, CA - March 4, 2003 - Activision, Inc. (Nasdaq: ATVI) announced today that the company has signed an agreement with legendary U.K.- based game designer Peter Molyneux. Under the terms of the agreement, the company has secured the exclusive worldwide rights to Molyneux's new project tentatively titled The Movies for the PC and all video game console platforms. The agreement also grants Activision the option to publish sequels and add-on products to the title. The Movies currently is being developed by Molyneux's Lionhead Studios, whose last title, Black and White, sold almost 2 million units worldwide. Black and White topped PC sell-through charts around the globe and was a #1 best-selling game in the United Kingdom and Germany. Slated for release in 2004, The Movies gives gamers the opportunity to run their own Hollywood movie studio from the silent days of the 1920s, through the advent of new technologies into the present and beyond. The game puts players in charge of a Hollywood dream factory where they decide which movies to make and the stars to make them. The player selects the scripts, directors, sets and movie stars before shooting the action and watching their finished movie on opening night. Players can manage the money, egos, tears & tantrums on their way to living the Hollywood dream. "Peter is undoubtedly one of the most talented video game designers in the world, and Lionhead is one of the very few development studios with the knowledge and resources to develop a game that will allow players to fulfill the fantasy of building a movie empire," states Larry Goldberg, executive vice president of Activision Worldwide Studios. -
ACADEMY of INTERACTIVE ARTS and SCIENCES (AIAS) to PRESENT PETER MOLYNEUX with COVETED HALL of FAME AWARD at 7Th ANNUAL INTERACTIVE ACHIEVEMENT AWARDS
For Immediate Release ACADEMY OF INTERACTIVE ARTS AND SCIENCES (AIAS) TO PRESENT PETER MOLYNEUX WITH COVETED HALL OF FAME AWARD AT 7th ANNUAL INTERACTIVE ACHIEVEMENT AWARDS LOS ANGELES, CA – (March 2, 2004) – The Academy of Interactive Arts & Sciences (AIAS), the professional organization of the interactive entertainment industry, today announced that it will present Peter Molyneux, Managing Director, Lionhead Studios with its illustrious Hall of Fame award. The Hall of Fame award will be presented to Mr. Molyneux during the Annual Interactive Achievement Awards, which will be held at Rain in the Palms Casino Resort in Las Vegas on March 4. Peter Molyneux is one of the best-known names in the international world of computer games. He co-founded Bullfrog Productions in 1987 and created a new genre of computer games, “the god game” with the release of Populous. Since then Peter has been responsible for a string of massive selling games including Powermonger, Theme Park, Magic Carpet and Dungeon Keeper. Cumulative sales of his games are now approaching the ten million mark worldwide. In 1997 Peter left Bullfrog Productions to form a new games development company Lionhead Studios. The company’s first game Black & White was released to wide spread critical acclaim in April 2001 and sales currently top the two million mark. Peter is recognized as one of the computer games industry’s most articulate and eloquent speakers on the subject of the development of computer games. He has spoken at the American Museum of the Moving Image, the British Film Institute, ICA (London), the Tate Gallery and the Dortmund Museum of History and Culture. -
Inaugural DICE Europe
THE ACADEMY OF INTERACTIVE ARTS AND SCIENCES CROSSES THE POND TO LONDON TO DEBUT D.I.C.E. EUROPE Partners with Video Game Intelligence to Launch Premier European Interactive Entertainment Gathering LOS ANGELES and LONDON – June 7, 2013 – The Academy of Interactive Arts & Sciences (AIAS), in partnership with Video Games Intelligence (VGI), today announced the inaugural D.I.C.E. (Design, Innovate, Communicate, Entertain) Europe conference that will premiere Sept. 24-25, 2013 at the Royal Garden Hotel. Like the annual D.I.C.E. Summit in Las Vegas, which draws some of the brightest and most influential interactive entertainment industry leaders, decision makers and visionaries, D.I.C.E. Europe will offer an unparalleled experience highlighted by premium networking opportunities and a stellar speaker lineup. This two-day event will open Tuesday, Sept. 24, with a full day of networking events for attendees to flex their competitive muscles; organizers will reprise many of the popular events from D.I.C.E. Vegas with a go-karting tournament and a casino poker night. On Wednesday, Sept. 25, there will be a full day of speaker sessions to address the dynamic changes and growth of the industry. The D.I.C.E. Summit speaker program is renowned for jump starting the key industry conversations that resonate throughout the year, and impact the trends directly affecting the industry. The first speakers exemplify the types of industry luminaries who will enlighten, inspire and challenge the attendees. • Rich Hilleman, Chief Creative Director of Electronic Arts, who started developing product with Chuck Yeager's Flight Simulator and continued on with some of the most beloved EA titles. -
Backgrounder: AIIDE 07 Invited Speakers
Association for the Advancement of Artificial Intelligence 445 Burgess Drive Menlo Park, CA 94025 (650) 328-3123 www.aaai.org For press inquiries only, contact: Sara Hedberg (206) 232-1657 (office) [email protected] Backgrounder: AIIDE 07 Invited Speakers 1 of 6 AiLive's LiveMove and LiveCombat Wolff Daniel Dobson and John Funge (AiLive Inc.) This talk describes the successfully productization of the state-of-the-art statistical machine learning technology to create LiveMove and LiveCombat. LiveMove is a groundbreaking artificial intelligence product that enables the Wii Remote to learn. Instead of complicated programming, developers need only take a few minutes to train Wii controllers through examples. Nintendo now sublicenses and promotes LiveMove to Wii developers around the world. Our other product, LiveCombat, gives developers and players the power to build AI characters that learn how to behave by observing the actions of human players. AI characters learn in seconds to be trusted companions or deadly foes. The talk will include many anecdotes and observations from lessons learned (often the hard way) along the way. Wolff Daniel Dobson received his PhD in computer science from Northwestern University, specializing in artificial intelligence and intelligent user interfaces. At Visual Concepts Entertainment, he constructed emotional behavior on NBA2K for Dreamcast, and then became colead for artificial intelligence on NBA2K1 (garnering a Metacritic.com score of 93). For the past 5 years he has worked for AiLive Inc., a startup devoted to next-generation artificial intelligence in games. Working as a designer, producer, engineer, and artist Wolff has been instrumental in developing two commercial products, LiveMove and LiveCombat, that bring groundbreaking real-time machine learning technology to the computer entertainment industry. -
John Fu March 1, 2000 History 274B Prof
Marmalade, Jute, and Video Games: The story of how Dundee, Scotland became the home of a thriving video game development community John Fu March 1, 2000 History 274B Prof. Thomas Hughes 2 Video Games…In Scotland? Japan and the United States are sometimes thought to be the sole creators of the world’s video games. This belief may stem from the fact that the most famous video game console and arcade game manufacturers (such as Atari, Midway, Namco, Nintendo, Sega, Sony, and Capcom) are located in Japan and the US. And with few exceptions, the best-known, most heavily merchandized video game characters (for example, Mario of Super Mario Bros. and Sonic the Hedgehog of the game of the same name) are of American or Japanese origin. Over the past decade, however, many best-selling video games have come from Great Britain. English and Scottish developers have been responsible for such hits as Populous, Syndicate, Lemmings, Goldeneye, and Tomb Raider. Lara Croft, the main character in the Tomb Raider series of adventure games, has become a worldwide star, and Tomb Raider is currently set to be made into a motion picture. Nonetheless, with few characters as recognizable as Mario or Sonic and the absence of a major game console manufacturer, it is remarkable that game development has flourished in specific communities within Great Britain, namely Guildford (near London), northwest England (Liverpool/Birkenhead) and Scotland. Guildford is the home of Bullfrog, a development studio that has created numerous hit games such as Syndicate and Dungeon Keeper, and of a number of companies founded by ex-Bullfrog employees. -
STS145 Paper
STS145 Paper - From Populous to Dungeon Keeper A Tale of God Games Po-Wen Joseph Huang 3/15/2001 Introduction Computer game design houses can usually be categorized into two types: the ones who follow the existing ideas and the ones consistently creating games that set new benchmarks or even creating new genres along the way. The company Bullfrog belongs to the second category. In the late 1980s, Bullfrog released a game called Populous that signified the beginning of a new genre that had tremendous impact on the computer industry still in its infancy. The genre was later referred to as God games. The basic concept of God games is simple - the gamers can decide the fate of the followers by changing terrains and cast magic that may cause catastrophe. The ultimate goal is usually to make followers thrive and to defeat followers of the other gods (the competitors). Bullfrog subsequently released many God games with different variations such as Powermonger, Magic Carpet, and Dungeon Keeper. Peter Molyneux, the founder of Bullfrog, was the person responsible for the creation of Populous. He created many award winning games during his years at Bullfrog and Dungeon Keeper was his last game designed before he left Bullfrog. Dungeon Keeper was a game that challenged the traditional idea that players are heroes in games. Electronic Arts, after acquiring Bullfrog, published the game in 1997. It was a good example of God game as well as a perfect example of the conflicting goals between game designers wanting to produce a 'perfect' game and business people who need to look after their shareholders' interests. -
2006 DICE Program
Welcome to the Academy of Interactive Arts and Sciences’® fifth annual D.I.C.E. Summit™. The Academy is excited to provide the forum for the interactive enter- tainment industry’s best and brightest to discuss the trends, opportunities and chal- lenges that drive this dynamic business. For 2006, we have assembled an outstanding line-up of speakers who, over the next few days, will be addressing some of the most provocative topics that will impact the creation of tomorrow’s video games. The D.I.C.E. Summit is the event where many of the industry’s leaders are able to discuss, debate and exchange ideas that will impact the video game business in the coming years. It is also a time to reflect on the industry’s most recent accomplish- ments, and we encourage every Summit attendee to join us on Thursday evening Joseph Olin, President for the ninth annual Interactive Achievement Awards®, held at The Joint at the Academy of Interactive Hard Rock Hotel. The creators of the top video games of the year will be honored Arts & Sciences for setting new standards in interactive entertainment. Thank you for attending this year’s D.I.C.E. Summit. We hope that this year’s confer- ence will provide you with ideas that spark your creative efforts throughout the year. The Academy’s Board of Directors Since its inception in 1996, the Academy of Interactive Arts and Sciences has relied on the leadership and direction of its board of directors. These men and women, all leaders of the interactive software industry, have volunteered their time and resources to help the Academy advance its mission of promoting awareness of the art and science of interactive games and entertainment. -
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リアルタイムストラテジー Peli Lista GrimGrimoire https://fi.listvote.com/lists/games/grimgrimoire-307273 Genewars https://fi.listvote.com/lists/games/genewars-762644 Stonkers https://fi.listvote.com/lists/games/stonkers-478718 KKnD https://fi.listvote.com/lists/games/kknd-1748744 America https://fi.listvote.com/lists/games/america-4033900 Emergency 4 https://fi.listvote.com/lists/games/emergency-4-3108019 Machines https://fi.listvote.com/lists/games/machines-3274489 Trash https://fi.listvote.com/lists/games/trash-7835711 Wicked https://fi.listvote.com/lists/games/wicked-7998268 Ninjatown https://fi.listvote.com/lists/games/ninjatown-7038980 Siege https://fi.listvote.com/lists/games/siege-7509774 SunAge https://fi.listvote.com/lists/games/sunage-4050360 Realms https://fi.listvote.com/lists/games/realms-7301345 Golgotha https://fi.listvote.com/lists/games/golgotha-5580678 Mudcraft https://fi.listvote.com/lists/games/mudcraft-6931583 Nemexia https://fi.listvote.com/lists/games/nemexia-18756602 Sacraboar https://fi.listvote.com/lists/games/sacraboar-7396907 Inkawar https://fi.listvote.com/lists/games/inkawar-16259691 https://fi.listvote.com/lists/games/populous-ii%3A-trials-of-the-olympian-gods- Populous II: Trials of the Olympian Gods 2269596 Sacrifice https://fi.listvote.com/lists/games/sacrifice-2110246 Praetorians https://fi.listvote.com/lists/games/praetorians-2052448 WarGames: Defcon 1 https://fi.listvote.com/lists/games/wargames%3A-defcon-1-2070837 UFO: Extraterrestrials https://fi.listvote.com/lists/games/ufo%3A-extraterrestrials-2061853 -
GOG-API Documentation Release 0.1
GOG-API Documentation Release 0.1 Gabriel Huber Jun 05, 2018 Contents 1 Contents 3 1.1 Authentication..............................................3 1.2 Account Management..........................................5 1.3 Listing.................................................. 21 1.4 Store................................................... 25 1.5 Reviews.................................................. 27 1.6 GOG Connect.............................................. 29 1.7 Galaxy APIs............................................... 30 1.8 Game ID List............................................... 45 2 Links 83 3 Contributors 85 HTTP Routing Table 87 i ii GOG-API Documentation, Release 0.1 Welcome to the unoffical documentation of the APIs used by the GOG website and Galaxy client. It’s a very young project, so don’t be surprised if something is missing. But now get ready for a wild ride into a world where GET and POST don’t mean anything and consistency is a lucky mistake. Contents 1 GOG-API Documentation, Release 0.1 2 Contents CHAPTER 1 Contents 1.1 Authentication 1.1.1 Introduction All GOG APIs support token authorization, similar to OAuth2. The web domains www.gog.com, embed.gog.com and some of the Galaxy domains support session cookies too. They both have to be obtained using the GOG login page, because a CAPTCHA may be required to complete the login process. 1.1.2 Auth-Flow 1. Use an embedded browser like WebKit, Gecko or CEF to send the user to https://auth.gog.com/auth. An add-on in your desktop browser should work as well. The exact details about the parameters of this request are described below. 2. Once the login process is completed, the user should be redirected to https://www.gog.com/on_login_success with a login “code” appended at the end. -
Ka-Boom Licence to Thrill on a Mission LIFTING the LID on VIDEO GAMES
ALL FORMATS LIFTING THE LID ON VIDEO GAMES Licence Ka-boom When games look to thrill like comic books Tiny studios making big licensed games On a mission The secrets of great campaign design Issue 33 £3 wfmag.cc Yacht Club’s armoured hero goes rogue 01_WF#33_Cover V3_RL_DH_VI_HK.indd 2 19/02/2020 16:45 JOIN THE PRO SQUAD! Free GB2560HSU¹ | GB2760HSU¹ | GB2760QSU² 24.5’’ 27’’ Sync Panel TN LED / 1920x1080¹, TN LED / 2560x1440² Response time 1 ms, 144Hz, FreeSync™ Features OverDrive, Black Tuner, Blue Light Reducer, Predefined and Custom Gaming Modes Inputs DVI-D², HDMI, DisplayPort, USB Audio speakers and headphone connector Height adjustment 13 cm Design edge-to-edge, height adjustable stand with PIVOT gmaster.iiyama.com Team Fortress 2: death by a thousand cuts? t may be 13 years old, but Team Fortress 2 is to stop it. Using the in-game reporting tool does still an exceptional game. A distinctive visual nothing. Reporting their Steam profiles does nothing. style with unique characters who are still Kicking them does nothing because another four will I quoted and memed about to this day, an join in their place. Even Valve’s own anti-cheat service open-ended system that lets players differentiate is useless, as it works on a delay to prevent the rapid themselves from others of the same class, well- JOE PARLOCK development of hacks that can circumvent it… at the designed maps, and a skill ceiling that feels sky-high… cost of the matches they ruin in the meantime. Joe Parlock is a even modern heavyweights like Overwatch and So for Valve to drop Team Fortress 2 when it is in freelance games Paladins struggle to stand up to Valve’s classic. -
Even Poodles Can Fly
Even Poodles Can Fly A Collection of Essays, Including a Reflective Essay A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts in Creative Writing. Wesley Thompson 0217023E 1 Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Master of Arts at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. _______________ Wesley Thompson 20 June 2019 2 Contents Coochie Coochie Coo | 4 I, the Monster | 9 Let’s Be Penguins Together | 19 Delinquency’s Soundtrack | 25 Windbag | 43 Strange Light | 53 Enchantless | 73 Little Professor | 77 The Dead Rat Under the Cap | 87 Ambitious, Will Travel | 102 The Misery of Cyan | 122 Introvert’s Response | 148 Domestic Love Boat | 151 The Furball Trinity | 164 Chain Reaction | 171 The Haze | 177 Reflective Essay: Even Poodles Can Fly | 200 Works Cited | 226 3 Coochie Coochie Coo In search of some of my early memories I: Go swimming There are swimming pools everywhere. We don’t have one at home but there are always pools at the parties my parents take me and my brother to at my mom’s friends in Johannesburg. My dad is drinking with the men but I bug him to come and swim and when he gets into the pool he turns into a sea pony. I jump on his back and put my arms around his neck. ‘Ready?’ he asks. -
The Demonic in Digital Games: Experience of Control In
(This is the author’s version of the book chapter published in: Tanya Krzywinska, Esther MacCallum-Stewart & Justin Parsler (eds.), Ringbearers: The Lord of the Rings Online as Intertextual Narrative. Manchester University Press, 2011.) From the Demonic Tradition to Art-Evil in Digital Games: Monstrous Pleasures in Lord of the Rings Online Frans Mäyrä This chapter focuses on a demonic tradition that features in Lord of the Rings Online (LOTRO; Turbine, Midway & Codemasters, 2007–), and certain computer games preceding it. The specific aim in analysis is to discuss how certain demonically marked elements figure in this ludic tradition. The particular imagery and forms of play investigated here are traced back into the cultural history of occult imagery and demonic forces. My aim is to unravel how the demonic elements are embedded into the symbolic and gameplay dimensions of these games, and discuss the various meanings and interpretations they receive, both within the frame of play as well as scholarship. The general thrust of argument is dialectical: it is important to recognise the “aesthetic of evil” within the game culture, and to engage in discourse with it in multiple levels, in order to gain a deeper understanding about the actual functions this aesthetics and related game features serve. My aim is not to judge or celebrate games that figure demons, but rather try to understand why such games appear rather popular and why they can provide powerful experiences that appear to be open for multiple personal, social and cultural uses and significations. I will conclude with discussion of particular game mode, “Monster Play” in LOTRO, and point towards some further research questions opened up by the approach I have adopted here: a particular combination of symbolic and textual game analysis with the practices of analytical play – a style of ludic cultural psychology.