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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Jen, Works of Art 67
The INSIDE: Weather Info Independent Movies (in Exile) Nov. 13-19, 2020 • Vol. 22, No. 46 50¢ Mobile unit means interaction between emergency responders By Felecia Pohl personnel,” he said. “It makes the event go smoother because we have a guided Torrance County got a mobile com- direction, you know, not one decision mand unit that will allow it to interact coming from one vehicle, and not one with other agencies in the event of an decision coming from another vehicle, all emergency—and they got it for a steal. the information is unified and sent out as Emergency Manager and acting Fire one message. I think that’s going to be Chief Matt Propp said the most impor- really big for our agencies as far as coop- tant aspect of buying the mobile com- eration.” mand unit is the ability to have “interop- Propp said the vehicle has radios with erability” with other agencies. multiple channels, allowing him to com- “To be able to unify a command into municate with Santa Fe and Bernalillo one area that we can all work together, counties, State Police, and other agencies that we can make decisions together, it makes the incident safer for all of our See MOBILE UNIT, page 11 Bassett and Rael not held in contempt Default judgment remains in effect, judge says By Leota Harriman Rothstein Donatelli Law Firm. Lowry had entered a motion seeking A flurry of actions and a hearing in to have Sanchez-Gagne disqualified “so a which lawyers had high-powered neutral and impartial judge can review lawyers were part of the latest in the the matter.” legal battle over the governance of Sanchez-Gagne said he hadn't shown Edgewood. -
Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural
Information Services & Systems Digital Course Packs Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural Expression. In: T.Rose, Black noise : rap music and black culture in contemporary America. Hanover, University Press of New England, 1994, pp. 99-145. 7AAYCC23 - Youth Subcultures Copyright notice This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Staff and students of King's College London are Licence are for use in connection with this Course of reminded that copyright subsists in this extract and the Study. You may retain such copies after the end of the work from which it was taken. This Digital Copy has course, but strictly for your own personal use. All copies been made under the terms of a CLA licence which (including electronic copies) shall include this Copyright allows you to: Notice and shall be destroyed and/or deleted if and when required by King's College London. access and download a copy print out a copy Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is Please note that this material is for use permitted without the consent of the copyright holder. ONLY by students registered on the course of study as stated in the section above. All The author (which term includes artists and other visual other staff and students are only entitled to creators) has moral rights in the work and neither staff browse the material and should not nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any download and/or print out a copy. -
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
SPRING 2011.Pdf
THE INTERNET NOISELETTER OF LOOSER THAN LOOSE SPRING VOLUME Nº 5 2011 Vintage Entertainment ISSUE Nº 11 THIS WEB-DOC IS ABSOLUTELY FREE OF CHARGE looser than loose publishing loose cannon fire www.looserthanloose.com A Rambling Editorial Screed by Dave Stevenson All Original Material © 2011 Today’s Editorial is Brought to you by the Letter Troll DITED UBLISHED Y Once upon a time, American popular culture spawned a maniacal, nar- E DITED & PUBLISHED BY cissistic freak-show of a man who was thought by many to be a genius, but Dave and Ali Stevenson known to everyone as a perilously unstable lunatic. He chain-smoked 188 Seames Drive, Marlboro cigarettes, swilled bourbon like water and had a reputation for Manchester, NH 03103 U.S.A. abusing recreational drugs. He was known to associate with the worst kind [email protected] of reprobates, misfits and malcontents - often leading to violent or con- frontational situations. His manner of speaking seemed to be the product LAYOUT & DESIGN of a racing mind and was characterized by a twisted kind of logic that even he would describe as being dangerously insane. No, his name is not Charlie Dave Stevenson Sheen. It was Hunter S. Thompson - a formerly inimitable figure whose DISTRIBUTIONISTRIBUTION once-unique troubles have now seemingly found their way into Sheen’s consciousness. At least, for commercial purposes. Ali Stevenson In recent days, Charlie Sheen has spent his spare time amusing us with DEADLINE FOR VOL. 5, ISSUE Nº 12: a new kind of Punch and Judy show. The cast is comprised of his ego May 1, 2011 (Punch) and his less-than-appreciable acting skills (Judy). -
Spectacle Theater
SUN MON TUES Wed thurs fri SAT 1 2 3 4 5 SPECTACLE 7:30 7:30 7:30 7:30 5:00 PROTECTORS OF THE Queen of burlesque THE PINK EGG EAT MY DUST LADY OF BURLESQUE UNIVERSE Director Q&A! 7:30 10:00 10:00 10:00 FLASH FUTURE KUNG FU SPACE THUNDER KIDS HARD BASTARD 10:00 LITTLE MAD GUY 10:00 LADY OF BURLESQUE DArnA VS. THE PLANET WOMEN Midnight HERCULES UNCHAINED Midnight THE HORROR OF SPIDER ISLAND 6 7 8 9 10 11 12 3:00 7:30 7:30 7:30 7:30 7:30 5:00 blood brunch the pink egg Solar adventure dog day pizza, birra, Faso flash future kung fu lady of burlesque 5:00 7:30 keep cool 10:00 10:00 10:00 10:00 10:00 darna vs. the planet lost & forgotten cinema little mad guy space transformer eat my dust protectors of the space thunder kids women 7:30 universe Contemporary underground • special events Queen of burlesque 10:00 Midnight hard bastard the horror of spider island Midnight I.K.U. 13 14 15 16 17 18 19 3:00 7:30 7:30 7:30 7:30 7:30 & 10:00 5:00 fist church hard bastard pizza, birra, Faso Queen of burlesque dog day silent lovers yeast ONE NIGHT ONLY! 5:00 7:30 the pink egg 10:00 10:00 10:00 10:00 8Ball tv space transformer keep cool darna vs. the planet solar adventure Midnight ONE NIGHT ONLY! 7:30 women the horror of spider eat my dust island 10:00 little mad guy Midnight hercules unchained 20 21 22 23 24 25 26 3:00 7:30 7:30 7:30 7:30 7:30 5:00 blood brunch solar adventure MATCH CUTS PRESENTS Queen of burlesque eat my dust keep cool space transformer ONE NIGHT ONLY! 5:00 7:30 flash future kung fu 10:00 10:00 10:00 10:00 10:00 space thunder kids dog day I.K.U hard bastard YEAST the pink egg 7:30 10:00 space thunder kids I.K.U. -
Jean Harlow ~ 20 Films
Jean Harlow ~ 20 Films Harlean Harlow Carpenter - later Jean Harlow - was born in Kansas City, Missouri on 3 March 1911. After being signed by director Howard Hughes, Harlow's first major appearance was in Hell's Angels (1930), followed by a series of critically unsuccessful films, before signing with Metro-Goldwyn- Mayer in 1932. Harlow became a leading lady for MGM, starring in a string of hit films including Red Dust (1932), Dinner At Eight (1933), Reckless (1935) and Suzy (1936). Among her frequent co-stars were William Powell, Spencer Tracy and, in six films, Clark Gable. Harlow's popularity rivalled and soon surpassed that of her MGM colleagues Joan Crawford and Norma Shearer. By the late 1930s she had become one of the biggest movie stars in the world, often nicknamed "The Blonde Bombshell" and "The Platinum Blonde" and popular for her "Laughing Vamp" movie persona. She died of uraemic poisoning on 7 June 1937, at the age of 26, during the filming of Saratoga. The film was completed using doubles and released a little over a month after Harlow's death. In her brief life she married and lost three husbands (two divorces, one suicide) and chalked up 22 feature film credits (plus another 21 short / bit-part non-credits, including Chaplin's City Lights). The American Film Institute (damning with faint praise?) ranked her the 22nd greatest female star in Hollywood history. LIBERTY, BACON GRABBERS and NEW YORK NIGHTS (all 1929) (1) Liberty (2) Bacon Grabbers (3) New York Nights (Harlow left-screen) A lucky few aspiring actresses seem to take the giant step from obscurity to the big time in a single bound - Lauren Bacall may be the best example of that - but for many more the road to recognition and riches is long and grinding. -
June 2021 Newsletter
YOUR MONTHLY GUIDE TO PORT’S LIBRARY BOOKINGS June 2021 Virtual Exhibit – A Note from the Director… The Reflected Eye: Part 2 As we enter June, Pride Month, we celebrate our community’s wonderful diversity and will continue to foster an environment where all are welcome at our Library. June also represents the midway point of 2021, and we are excited to expand upon our in-person services. Through the first half of the year, we safely increased visiting hours, made outdoor seating available on our beautiful grounds, and facilitated outdoor events, such as our Earth Day Celebration. We were also able to complete a critical infrastructure project with the renovations to the restrooms in the Lobby and on the Lower Level. Beginning this month, we will enter ‘Phase 4+’ of our re-opening safety plan. Capacity and time limits will be extended, in-person seating will be introduced, and beginning June 14 in-person visiting hours will fully ‘normalize’ to what they were pre-pandemic. We will also boost our slate of outdoor programming and events, as the weather continues to warm up. Curbside pickup and Jingna Zhang. From the series, Motherland home delivery, to those most vulnerable, will continue. Virtual events, digital collections of books, Chronicles. Courtesy of and ©Jingna Zhan music, and movies, will be available wherever this summer takes you. While we continue to safely expand services, I want to thank you for your continued patience, he Port Washington Public passion and support. Please know you can always connect with me by phone at 516-883-4400 TLibrary brings together some ext. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.