Geraldine Hughes

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Geraldine Hughes AFTRA, AEA, SAG FILM Nine Days Supporting Mandalay Pictures Edson Oda The Book of Henry Supporting Independent Feature Colin Trevorrow Time Out of Mind Supporting Cold Iron Pictures Oren Moverman Killing Lincoln Lead National Geographic Adrian Moat Dead Souls Supporting Chiller Films Colin Theys Pumpgirl Lead PG Productions Carol Moore Gran Torino Supporting Matten Productions Clint Eastwood Rocky Balboa Lead MGM Sylvester Stallone Frank? Supporting Short Film Frank H. Woodward Duplex Supporting Miramax Films Danny DeVito Filet of 4 Lead Heroica Films Kamala Lopez St. Patrick's Day Lead Vision Films Hope Perello Imposter Lead Short Salomon Ligthelm TELEVISION Your Honor Recurring Showtime Various Kevin Can Wait Guest Star CBS Andy Fickman Law & Order: SVU Guest Star NBC Martha Mitchell The Blacklist Recurring NBC Michael Watkins Person of Interest Guest Star CBS Stephen Williams Blue Bloods Guest Star CBS Ralph Hemecker Gotham (Pilot) Guest Star ABC Francis Lawrence Law and Order: Criminal Intent Guest Star USA Darnell Martin Mercy Guest Star NBC David Straiton The Good Wife Guest Star CBS Rod Holcomb Law and Order Guest Star NBC Michael Watkins Law and Order: SVU Guest Star NBC Kate Wood BROADWAY Harry Potter and the Cursed Child Cast Lyric Theatre John Tiffany Cyrano de Bergerac Duenna/Marthe Roundabout Theatre Co. Jamie Lloyd Jerusalem Dawn Music Box Theatre (NY) Apollo Ian Rickson Theatre (London) Translations* Bridget Biltmore Theatre Garry Hynes *2007 Tony Nomination for Best Revival of A Play OFF-BROADWAY A Particle of Dread Jocasta/Jocelyn Signature Theatre Nancy Meckler Molly Sweeney Molly Sweeney Irish Repertory Theatre Charlotte Moore Pump Girl Sinead Manhattan Theatre Club Carolyn Cantor REGIONAL THEATRE Jonah and Otto Director Lion Theatre Orson's Shadow** Joan Plowright Black Dahlia Theatre **LA Weekly Nominee for Best Performance Ourselves Alone Frieda Producers' Club NYC Kevin's Bed Betty Laguna Playhouse The Weir Valerie Ensemble Theatre SB The Cripple of Inishmaan Slippy Helen Ensemble Theatre SB The Architect Barbra Gascon Theatre When I Was a Girl Vari Odyssey Theatre Page 1 of 2 SOLO SHOWS Belfast Blues*** Lead/Creator Rubicon Theatre (Ventura) Carol Kane The Culture Project (NY) Soho Theatre (London) Grand Opera House (Belfast) Mercury Theatre (Chicago) Black Dahlia Theatre (LA) Barrow Street Theatre (NY) ***Garland Award for Best Ensemble AWARDS 2003 Los Angeles Ovation Award for Best Solo Performance Los Angeles Garland Award for Best Performance Los Angeles Drama Critics Circle Award for Writing 2005 American Drama League Nominee for Outstanding Performance Page 2 of 2 .

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A Dollop of Clint Eastwood: Subjective Scores for 10 Random Movies
A Dollop of Clint Eastwood: Subjective Scores for 10 Random Movies By Gary Heartsill May 1, 2021 1 The Mule (2018) Clint Eastwood acted, directed, and produced. (1:56:23) With Bradley Cooper, Laurence Fishburne, Michael Pena, Dianne Wiest, Andy Garcia. https://www.youtube.com/watch?v=yc5AWImplfE Score 9.2 Don't let the old man in, I wanna leave this alone1 Can't leave it up to him, he's knocking on my door And I knew all of my life, that someday it would end Get up and go outside, don't let the old man in Saw in the credits the name Jan Hartsell, who was the ‘Beauty School Admin’ and Iris was played by Alison Eastwood – for what that is worth. The Dykes on Bikes comment was great. This movie is done well, meaning it is enjoyable to watch especially with the apprehension of what is going to happen next. Course, the whole theme is in Toby’s song and I have heard Clint remark to someone when he was asked what the movie was about he said “Don’t let the old man in.” He finally figured out he would have to pay the price for doing all his driving. Am kinda glad we didn’t see too much of the bad guys doing what they do to folks who don’t deliver. And deliver he did. Everyone will have gone down the road with him singing his songs and celebrating when he opened the glove to get his keys and manilla envelope. For some it will be easy to see what this ole Mule really was doing.
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Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve.
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Durham E-Theses
CORE Metadata, citation and similar papers at core.ac.uk Provided by Durham e-Theses Durham E-Theses Translating Racial Slurs: A Comparative Analysis of Gran Torino Assessing Transfer of Oensive Language between English and Italian. FILMER, DENISE,ANNE How to cite: FILMER, DENISE,ANNE (2011) Translating Racial Slurs: A Comparative Analysis of Gran Torino Assessing Transfer of Oensive Language between English and Italian., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3337/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 MA by Research Dissertation School of Modern Languages and Cultures Durham University 2011 Translating Racial Slurs A Comparative Analysis of Gran Torino Assessing Transfer of Offensive Language between English and Italian Candidate: Denise Filmer Supervisor: Dr Federico M. Federici Contents Abbreviations ................................................................................................................. 5 List of Tables .................................................................................................................. 7 List of Examples ............................................................................................................
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Copy of HHS Waivers
Movie School Course Date Approved Platoon HHS Film Study 10/14/1996 Against All Odds HHS Film Study 11/6/2000 Analyze This HHS Film Study 11/6/2000 Angela's Ashes HHS Film Study 11/6/2000 Antonement HHS Film Study, Literature to Film 5/25/2008 Apt Pupil HHS Film Study 11/6/2000 Argo HHS Film Study, Literature to Film 10/29/2013 Beach, The HHS Film Study 11/6/2000 Birdcage, The HHS Film Study 11/6/2000 Boyz N The Hood HHS Film Study 9/28/1998 Braveheart HHS Film Study 11/6/2000 Brazil HHS Film Study 11/6/2000 Capote HHS Film Study, Literature to Film 5.03.06 Children of Men HHS Film Study, Literature to Film 5.22.07 DaVinci Code, The HHS Film Study, Fine Arts 03.30.05 Dead Man Walking HHS Film Study 10/14/1996 Departed, The HHS Film Study, Literature to Film 5.22.07 District 9 HHS Film Study, Literature to Film 8/28/2010 End of Days HHS Film Study 11/6/2000 Movie School Course Date Approved Platoon HHS Film Study 10/14/1996 Eternal Sunshine of the Spotless Mind HHS Film Study, Fine Arts 3.30.05 Fargo HHS Film Study, Fine Arts 3.30.05 Felicia's Journey HHS Film Study 11/6/2000 Fight Club HHS Film Study, AP History/Psych, 10/6/2000 Fisher King HHS Film Study 9/28/1998 Friday Night Lights HHS Film Study, Fine Arts 3.30.05 Get Shorty HHS Film Study 10/14/1996 Girl, Interupted HHS Film Study 11/6/2000 Go HHS Film Study 11/6/2000 Gods and Monsters HHS Film Study 11/6/2000 Good Will Hunting HHS Film Study 11/6/2000 Gran Torino HHS Film Study 9/8/2009 Green Mile, The HHS Film Study 11/6/2000 H2O HHS Film Study 11/6/2000 Heat HHS Film Study 11/6/2000 Hurt Locker The, HHS Film Study, Literature to Film 8/28/2010 I Know What You Did HHS Film Study 9/28/1998 Jackal, The HHS Film Study 9/28/1998 Movie School Course Date Approved Platoon HHS Film Study 10/14/1996 JFK HHS Film Study 11/6/2000 Kinsey HHS Film Study, Literature to Film 6.07.05 L.S.
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Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
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Learning Character Models from Film Grace I
Proceedings of the Seventh AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment All the World’s a Stage: Learning Character Models from Film Grace I. Lin and Marilyn A. Walker Natural Language and Dialogue Systems Lab, Computer Science Dept. University of California, Santa Cruz 1156 High Street Santa Cruz, California 95064 glin—[email protected] http://nlds.soe.ucsc.edu Abstract language generation engine that provides a large number of CHARACTER-RELEVANT PARAMETERS that manipulate Many forms of interactive digital entertainment involve syntactic and pragmatic aspects of utterances, and can flexi- interacting with virtual dramatic characters. Our long term goal is to procedurally generate character dialogue bly decide whether to include non-essential content evoking behavior that automatically mimics, or blends, the style the player’s history, choices and affinities with NPCs; (2) of existing characters. In this paper, we show how lin- CHARACTER MODELS that specify how to combine the pa- guistic elements in character dialogue can define the rameters in order to achieve particular effects on the user’s style of characters in our RPG SpyFeet. We utilize a cor- perceptions of dramatic character; (3) AUTHORING TOOLS pus of 862 film scripts from the IMSDb website, repre- that expose these functionalities to authors in a way that senting 7,400 characters, 664,000 lines of dialogue and makes sense to them. The question we examine in this 9,599,000 word tokens. We utilize counts of linguistic paper is: How can we determine what we need in terms reflexes that have been used previously for personality of character-relevant parameters and how can we construct or author recognition to discriminate different charac- character models to control them? ter types.
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Gran Torino: the Old Cowboy, the Pretty Girl and the Cool Car1 João De
Gran Torino: The old cowboy, the pretty girl and the cool car1 João de Mancelos (Universidade da Beira Interior) Keywords: Grand Torino, American dream, Hmong, ethnic interaction, hybridity Palavras-chave: Grand Torino, sonho americano, Hmong, interação étnica, hibridismo “Torn from my homelands, I was left to flee. Like dust in the wind, I dispersed silently”. — Shanyia Vang, “My name means free” 1. The silent diaspora Few ethnic groups suffered a diaspora as hard as the Hmong did, forced to abandon China, in the 18th century, and to migrate to Vietnam, Laos, and Thailand, for political and territorial reasons. Between 1919 and 1921, they fought the French colonial authorities in Indochina; after the defeat of the South in the Vietnam War, they endured the revenge of the northern invaders; in 1975, in the year zero of the revolution, they were massacred by Pol Pot. As a result of all these conflicts, numerous Hmong travelled to the US and France, silently dispersing through several other countries (Vang 17-35). The saga of the Hmong has rarely been object of the interest of the North-American cinematography. One notorious exception is the movie The Killing Fields (1984), directed by Roland Joffé, and winner of three Academy Awards. It denounces tyrant Pol Pot and his campaign of terror and ethnic cleansing, during the civil war. The Cambodian leader and his Khmer Rouge were responsible for mass murdering nearly two million individuals, including intellectuals, proprietors, businessmen, and Hmong anticommunists (Olson and Beal 294). In the field of documentary, few movies approach, with scientific rigor, the challenges faced by the Hmong in the US.
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Choosing Detroit As a Backdrop for the Movie Gran Torino Was Obvious
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Drama Movies
Libraries DRAMA MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 42 DVD-5254 12 DVD-1200 70's DVD-0418 12 Angry Men DVD-0850 8 1/2 DVD-3832 12 Years a Slave DVD-7691 8 1/2 c.2 DVD-3832 c.2 127 Hours DVD-8008 8 Mile DVD-1639 1776 DVD-0397 9th Company DVD-1383 1900 DVD-4443 About Schmidt DVD-9630 2 Autumns, 3 Summers DVD-7930 Abraham (Bible Collection) DVD-0602 2 or 3 Things I Know About Her DVD-6091 Absence of Malice DVD-8243 24 Hour Party People DVD-8359 Accused DVD-6182 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Ace in the Hole DVD-9473 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Across the Universe DVD-5997 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Adam Bede DVD-7149 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Adjustment Bureau DVD-9591 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Admiral DVD-7558 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 Adventures of Don Juan DVD-2916 25th Hour DVD-2291 Adventures of Priscilla Queen of the Desert DVD-4365 25th Hour c.2 DVD-2291 c.2 Advise and Consent DVD-1514 25th Hour c.3 DVD-2291 c.3 Affair to Remember DVD-1201 3 Women DVD-4850 After Hours DVD-3053 35 Shots of Rum c.2 DVD-4729 c.2 Against All Odds DVD-8241 400 Blows DVD-0336 Age of Consent (Michael Powell) DVD-4779 DVD-8362 Age of Innocence DVD-6179 8/30/2019 Age of Innocence c.2 DVD-6179 c.2 All the King's Men DVD-3291 Agony and the Ecstasy DVD-3308 DVD-9634 Aguirre: The Wrath of God DVD-4816 All the Mornings of the World DVD-1274 Aladin (Bollywood) DVD-6178 All the President's Men DVD-8371 Alexander Nevsky DVD-4983 Amadeus DVD-0099 Alfie DVD-9492 Amar Akbar Anthony DVD-5078 Ali: Fear Eats the Soul DVD-4725 Amarcord DVD-4426 Ali: Fear Eats the Soul c.2 DVD-4725 c.2 Amazing Dr.
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Regents Vote to Slash Freshman Enrollment
DON’T FORGET TO VOTE ON THE A.S. FEE REFERENDUM %%%$"$! ! Thursday, January 15, 2009 #$# STUDENTS "5$'%4#2)3)3 AWARDED Regents Vote to Slash MILLIONS IN Freshman Enrollment DPNNVOJUZ DPMMFHFT BOE UIF -UHPWDBMMTQMBOB $BMJGPSOJB4UBUF6OJWFSTJUZUPDSF UC LAWSUIT iTIPSUUFSNGJY uXBSOT BUF TBWJOHT JO BOZ XBZ QPTTJCMF GPS PGGVUVSFQSPCMFNTGPS UIFOFYUGJTDBMZFBS %FDSZJOHTZTUFNXJEFGFF )PXFWFS :VEPGBOEPUIFSTBENJU TUBUFJGIJHIFSFEVDBUJPO UIFTF TBWJOHT DPNF BU B QSJDF 6$ JODSFBTFT TUVEFOUUBLFT SFNBJOTVOEFSGVOEFE 3FHFOUBOE-U(PW+PIO(BSBNFOEJ VOJWFSTJUZUPDPVSUPWFS TBJE UIBU DVUUJOH FOSPMMNFOU JT BO By Henry Becker VOGPSUVOBUF SFTVMU PG UIF TUBUFT CSFBDIPGBGGPSEBCJMJUZ 4ĭĚğğ8īĢĭĞī GJOBODJBMDSJTJT i5IJT TIPSUUFSN GJY XJMM IBWF QSPNJTF 'BDJOHBSFDPSEOVNCFSPGGSFTI MPOHUFSNGBMMPVUCFDBVTFJUJTESBJO By Justin Gutierrez NBO BQQMJDBOUT BOE B TFWFSF TIPSU JOHUIFGVFMPG$BMJGPSOJBTFDPOPNJD 4ĞħĢĨī4ĭĚğğ8īĢĭĞī GBMM JO TUBUF GVOEJOH UIF 6$ #PBSE HSPXUICZTUBSWJOHFEVDBUJPO uIF PG 3FHFOUT WPUFE ZFTUFSEBZ UP DVU TBJEi5IFLFZUPBUISJWJOHFDPOPNZ 5IF 6OJWFSTJUZ PG $BMJGPSOJB EJT FOSPMMNFOUGPSUIFBDBEFN JT B XFMMFEVDBUFE BOE EFWFMPQJOH USJCVUFESPVHIMZNJMMJPOUPOFBSMZ JDZFBSBOEGSFF[FXBHFTGPSUPQ6$ XPSLGPSDFu TUVEFOUTMBTUNPOUIXIPUPPL PGGJDJBMT /POFUIFMFTT PGGJDJBMT NBJOUBJO QBSU JO B DMBTTBDUJPO MBXTVJU GJMFE 5IF VOJWFSTJUZ XJMM BENJU UIBUUIFEFDSFBTFTJOFOSPMMNFOUBSF BHBJOTU UIF 6$ TZTUFN PO DMBJNT PG GFXFSGSFTINFOUIBOMBTUZFBS XIJMF OFDFTTBSZ CFDBVTFHSPXJOHFOSPMM VOKVTUGFFJODSFBTFT USBOTGFSTUVEFOU FOSPMMNFOU XJMM NFOUDSFBUFTBSJQQMFFGGFDUPGDPTUT ,BTINJSJ W 5IF 3FHFOUT PG UIF JODSFBTF
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Cultural and Religious Reversals in Clint Eastwood's Gran Torino
RELIGION and the ARTS Religion and the Arts 15 (2011) 648–679 brill.nl/rart Cultural and Religious Reversals in Clint Eastwood’s Gran Torino Mark W. Roche and Vittorio Hösle University of Notre Dame Abstract Clint Eastwood’s Gran Torino is one of the most fascinating religious films of recent decades. Its portrayal of confession is highly ambiguous and multi-layered, as it both mocks con- fession and recognizes the enduring importance of its moral core. Equally complex is the film’s imitation and reversal of the Christ story. The religious dimension is interwoven with a complex portrayal and evaluation of multicultural America that does not shy away from unveiling elements of moral ugliness in American history and the American spirit, even as it provides a redemptive image of American potential. The film reflects on the shallowness of a modern culture devoid of tradition and higher meaning without succumbing to an idealization of pre-modern culture. The film is also Eastwood’s deepest and most effective criticism of the relentless logic of violence and so reverses a common conception of East- wood’s world-view. Keywords Gran Torino, Clint Eastwood, film and religion, confession, violence, self-sacrifice, Christ, American identity, multiculturalism, redemption lint Eastwood’s standing as an actor and a director has received Cincreasing attention in recent years, not only in popular books, but also in scholarly works. A sign of Eastwood’s reputation is that both Unforgiven (1992), a revisionist Western, and Million Dollar Baby (2004), a film about a struggling female boxer and her moving relationship with her trainer, received Oscars for Best Director and Best Film as well as nominations for Best Actor.
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Molly Bloom Irish Repertory Theatre Charlotte Moore, Artistic Director | Ciarán O’Reilly, Producing Director
IRISH REPERTORY THEATRE REFLECTIONS OF MOLLY BLOOM IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN FILMED AT LYRIC THEATRE, BELFAST BELFAST BLUES WRITTEN AND PERFORMED BY GERALDINE HUGHES STAGE PRODUCTION DIRECTED BY CAROL KANE video editor sound editor press representative general manager JUDE M. FLORIAN MATT ROSS LISA LYNCH STAAB PUBLIC RELATIONS FANE TIME & PLACE 1970s - 80s in Belfast, Northern Ireland. Running Time: 75 minutes, no intermission Irish Repertory Theatre would like to thank the Howard Gilman Foundation for their support in throughout this season. Produced under the 2020 SAG-AFTRA New Media Agreement. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AXE-HOUGHTON FOUNDATION, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST GERALDINE HUGHES CAROL KANE (Director, Stage (Writer, Performer) Production) Carol Kane’s theater credits received the Los include The Prime of Miss Jean Brodie, Angeles Ovation, The Tempest, Midsummer Night’s Garland and Drama Dream,Wicked, Love, Loss and What I Critics Circle Awards Wore, Harvey, The Children’s Hour, Beth and a Drama League Henley’s The Debutante’s Ball and The Award Nomination for Lucky Spot, John Cassavetes’ A Woman Outstanding Performance for her solo of Mystery, and more. Her television play Belfast Blues, which she also and film work is extensive. She was wrote. Geraldine’s stage credits nominated for Best Actress at the include: Harry Potter And The Cursed Academy Awards for “Hester Street”.
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