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Archipel Van De Woning Archipelago of Thei House
archipel 004 van de woning films reizen www.archipelvzw.be [email protected] [email protected] cahier archipelago of thei cahier is een uitgave van Archipel house archipel 1 • Voorwoord 2 Preface • Japanse woningen: waarom? wat? hoe? 4 Japanese Houses: Why? What? How? • Huizen van gisteren 9 Yesterday’s Houses 10 Raymond Antonin, Summer House In Karuizawa 11 Maekawa Kunio, Maekawa House 12 Seike Kiyoshi, Saito House 13 Shinohara Kazuo, House in Kugayama 14 Kikutake Kiyonori, Sky House 15 Yoshida Isoya, Yoshiya House 16 Yoshimura Junzo, Summer House Karuizawa 17 Azuma Takamitsu, Tower House 18 Shinohara Kazuo, House In White 19 Ishiyama Osamu, Pavilion of Illusion 20 Shinohara Kazuo, House in Uehara 21 Ando Tadao, Rowhouse In Sumiyoshi 22 Yamamoto Riken, Yamakawa Summer House 23 Ito Toyo, Silver Hut • Huizen van vandaag 24 Today’s Houses 26 Yasushi Horibe Architect and Associates, House in Izukôgen 29 Atelier Bow-Wow, Home and Workshop 31 Taira Nishizawa Architects, Aki-shima House 34 Kochi’s Architects Studio, KN House 36 Kamo Kiwako & Manuel Tardits, Kata House 38 Kengo Kuma and Associates, Iron House 41 Hideyuki Nakayama Architecture, House O 44 Shigeru Ban Architects, House at Hanegi park 47 Go Hasegawa & Associates, Komazawa House 50 Sugawara Daisuke, Cut through House 53 Contemporaries, House in Zaimokuza 56 Jun Igarashi Architects, Receptacle 59 Mikan, House in Kamakura 62 Ondesign & Partners Architect Office, A life with large openings 65 Atelier Tekuto, Boundary House 68 Tezuka Architects, Terrace House 71 UID, Crossing 74 mA-style architects, Rim Light 77 Suppose Design Office, House in Chiba 80 Yasutaka Yoshimura Architects, Window House • Colofon 82 cahier 2 日 本 、 家 の 列 島 Voorwoord Preface De Japanse woning boeit en intrigeert al The Japanese house has capti- vated and intrigued many peo- geruime tijd, maar roept ook vragen op ple for a long time, but at the rond bewoonbaarheid. -
Post-Apocalyptic Symbolism in Terunobu Fujimori's Architecture
The Journal of Architecture ISSN: 1360-2365 (Print) 1466-4410 (Online) Journal homepage: https://www.tandfonline.com/loi/rjar20 The uncanny side of the fairy tale: post-apocalyptic symbolism in Terunobu Fujimori's architecture Hyon-Sob Kim To cite this article: Hyon-Sob Kim (2016) The uncanny side of the fairy tale: post-apocalyptic symbolism in Terunobu Fujimori's architecture, The Journal of Architecture, 21:1, 90-117, DOI: 10.1080/13602365.2016.1142464 To link to this article: https://doi.org/10.1080/13602365.2016.1142464 Published online: 18 Feb 2016. Submit your article to this journal Article views: 598 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rjar20 90 The Journal of Architecture Volume 21 Number 1 The uncanny side of the fairy tale: post-apocalyptic symbolism in Terunobu Fujimori’s architecture Hyon-Sob Kim Department of Architecture, Korea University, Seoul, Republic of Korea (Author’s e-mail address: [email protected]) Having first established himself as an architectural historian, Terunobu Fujimori (b. 1946) is now more famous for his design work than for his academic publications. He has even been praised as ‘the most influential architect in Japan’ by the critic Kenjiro Okazaki (2006). Fujimori’s popularity is attributable in particular to the fairy tale-like image of his architecture, which tends to appear playful as well as natural and nostalgic. However, this research focuses on the other side of the ‘fairy tale’—specifically, the strangely unfamiliar, even unsettling, feeling that his architecture evokes. -
El Árbol En Las Películas De Hayao Miyazaki
PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ FACULTAD DE CIENCIAS Y ARTES DE LA COMUNICACIÓN El símbolo en la animación: el árbol en las películas de Hayao Miyazaki Tesis para optar el Título de Licenciada en Comunicación Audiovisual que presenta la Bachillera: MARIA-JOSE CARMEN CAMPOS RUNCIE NOMBRE DEL ASESOR: GABRIELA NÚÑEZ MURILLO LUGAR Y FECHA Lima, Abril 2017 2 Resumen Esta investigación busca encontrar el significado del símbolo del árbol en la filmografía de Hayao Miyazaki, renombrado director de animación japonés. Se plantea como hipótesis que el árbol simboliza la vida misma, fuerza y fuente de poder y familia a la vez para Miyazaki. Para esta tesis se ha decidido utilizar metodología cualitativa mixta: en primer lugar interpretar, bajo la luz de conceptos como el sintoísmo y mitología, el significado del árbol en tres películas de Miyazaki, y luego utilizar instrumentos cuantitativos para analizar el lenguaje audiovisual de sus películas. Se ha podido concluir que para Miyazaki el árbol es la razón de la existencia humana y que simboliza la esencia de la vida en todo sentido. Palabras clave Hayao Miyazaki, Studio Ghibli, árbol, cine, anime, sinto, lenguaje audiovisual, animación 3 Pues bien, en invierno los árboles se secan y desprenden sus hojas, pero en primavera mandan nuevos brotes y retoños. Y las personas son iguales, porque tienen bebés, los bebés crecen y luego tienen sus propios hijos. Por supuesto, los bebés se parecen a sus padres, así que incluso cuando la gente muere, en cierto sentido reaparecen. Tanto los seres humanos como los árboles, por lo tanto, me parecen lo mismo. -
Materiality, Technology and Modern Movement in the Southeast Asia
Appreciating Asian modern : mASEANa Project 2015-2020 mASEANa Project 2018 Materiality, Technology and modern movement in the Southeast Asia The Report of mASEANa Project 2018 6th & 7th International Conference 2015 - 2020 The Report of mASEANa project 2018 : 6th & 7th International Conference Materiality, Technology and modern movement in the Southeast Asia Introduction Forward Shin Muramatsu 09 CONTENTS Part1: Materiality, Technology and Part2: Inventory of modern Buildings modern movement in the Southeast Asia Characters of Concrete -Antonin Raymond and Reinforced Concrete - Inventory of modern Buildings in Phnom Penh - Ken Tadashi Oshima 12 History of modern architecture in Phnom Penh Modernization of Wooden Architecture in Japan in 1900-1960s Masaki Iwamoto 49 Struggling between Design and Optimization Mikio Koshihara 17 Inventory of modern Buildings in Phnom Penh 51 - 1. modern architecture and New Materials and Technologies - - Inventory of modern Buildings in Bangkok - Material Selection of Vann Molyvann, Cambodia, 1950-60s History of modern architecture in Bangkok Masaaki Iwamoto 20 Pornpas Siricururatana 59 The “Colors” of Wood Inventory of modern Buildings in Bangkok 61 - Genealogy of Dark Modern Architecture in Japan - Kentaro Okamura 22 - 2. New Conservation in modern architecture - Acknowledgment 72 Reviewing the Renovation of Modern Shophouses, built in the 1960s and 1970s, in Bangkok Chomchon Fusinpaiboon 26 The making of Thailand’s the Vocational Education Project, 1965-70: Collaboration between Thailand and Japan Waeovichian -
Construction & Building Technologies Japan Market Study
Construction & Building Technologies Japan Market Study JULY 2018 © Copyright EU Gateway | Business Avenues The information and views set out in this study are those of the author(s) and do not necessarily reflect the official opinion of the European Union. Neither the European Union institutions and bodies nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein. The contents of this publication are the sole responsibility of EU Gateway | Business Avenues and can in no way be taken to reflect the views of the European Union. The purpose of this report is to give European companies selected for participation in the EU Gateway | Business Avenues Programme an introductory understanding of the target markets countries and support them in defining their strategy towards those markets. For more information, visit www.eu-gateway.eu. Photo by Benson Kua, distributed under CC licence BY-SA 2.0. EU Gateway to Japan Central Management Unit Japan Market Study July 2018 Submitted to the European Commission on 25 July 2018 Construction & Building Technologies – Japan Market Study - Page 3 of 108 Table of Contents TABLE OF FIGURES .................................................................................................................................................. 5 LIST OF ABBREVIATIONS ........................................................................................................................................ 7 1. EXECUTIVE SUMMARY ...................................................................................................................................... -
Speculations on History's Futures
WHAT IF? WHAT NEXT? SPECULATIONS ON HISTORY’S FUTURES SESSION 4A THE COUNTERFACTUAL What If? What Next? So What? Exploring the Historical Consequences of Choices TO CITE THIS PAPER | Nancy Ji and John Ertl. “Between archaeology and architecture: The Jomon in the works of Fujimori Terunobu.” In Proceedings of the Society of Architectural Historians Australia and New Zealand: 37, What If? What Next? Speculations on History’s Futures, edited by Kate Hislop and Hannah Lewi, 571-583. Perth: SAHANZ, 2021. Accepted for publication December 11, 2020. PROCEEDINGS OF THE SOCIETY OF ARCHITECTURAL HISTORIANS AUSTRALIA AND NEW ZEALAND (SAHANZ) VOLUME 37 Convened by The University of Western Australia School of Design, Perth, 18-25 November, 2020 Edited by Kate Hislop and Hannah Lewi Published in Perth, Western Australia, by SAHANZ, 2021 ISBN: 978-0-646-83725-3 Copyright of this volume belongs to SAHANZ; authors retain the copyright of the content of their individual papers. All efforts have been undertaken to ensure the authors have secured appropriate permissions to reproduce the images illustrating individual contributions. Interested parties may contact the editors. BETWEEN ARCHAEOLOGY AND ARCHITECTURE: THE JOMON IN THE WORKS OF FUJIMORI TERUNOBU Nancy Ji | Keio University, Japan John Ertl | Keio University, Japan This paper examines the works of Japanese Architect Fujimori Terunobu (1946–) at the intersection of archaeology and architecture. Having worked as an architecture historian before the realisation of his first building in 1991 at the age of 44, Fujimori has gone on to complete a body of work that has been described as avant-garde and unconventional yet also familiar and nostalgic.