NYC Department of Cultural Affairs Fiscal Year 2020 Program Awardees
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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
Tracking Distributions from the 9/11 Relief Funds
CONTRIBUTING STAFF Rick Schoff Senior Vice President for Information Resources and Publishing Steven Lawrence Director of Research Mirek Drozdzowski Special Projects Associate Mark Carway Programmer Aamir Cheema Editorial Assistant Janie Wong Project Assistant Bruce Thongsack Editorial Associate Cheryl Loe Director of Communications Christine Innamorato Production Coordinator, Publications ACKNOWLEDGMENTS This report owes much to the 111 relief and recovery funds, listed on page 27, that responded to our survey of 9/11- related charities. Their involvement provided important insights into the process and challenges involved in the delivery of immediate disaster relief and long-term assistance. Special thanks are also due to the many 9/11 relief funds that submitted detailed information to the Foundation Center regarding their grants and beneficiaries as well as their plans for distributing unspent funds. PHILANTHROPY’S RESPONSE TO 9/11 PROJECT The Foundation Center is documenting private philanthropy’s response to the September 11 terrorist attacks. Using our experience in collecting and analyzing giving data, we are constructing a comprehensive picture of giving by foundations and corporations in the aftermath of 9/11, as well as tracking contributions by intermediaries and direct-service providers. We are also presenting news and in-depth interviews concerning the philanthropic response to 9/11 in the Foundation Center’s online journal, Philanthropy News Digest. Some of these have been reproduced in September 11: Perspectives from the Field of Philanthropy. To access all of the Foundation Center’s 9/11-related reports and other resources, visit www.fdncenter.org/research/911. We are grateful to the following for their support of this project: the California Endowment, Carnegie Corporation of New York, Annie E. -
PRISON PIPELINE the Ineffective, Discriminatory, and Costly Process of Criminalizing New York City Students ACKNOWLEDGMENTS
APRIL 2017 THE $746 MILLION A YEAR SCHOOL-TO- PRISON PIPELINE The Ineffective, Discriminatory, and Costly Process of Criminalizing New York City Students ACKNOWLEDGMENTS The Urban Youth Collaborative (Make the Road New York, Sistas and Brothas United, and Future of Tomorrow) and the Center for Popular Democracy thank the young people across New York City who have been fighting with creativity, passion, vision, and courage to create a more just education system for all New Yorkers. The report’s main authors are Katherine Terenzi, the Center for Popular Democracy’s Equal Justice Works Fellow sponsored by Proskauer Rose LLP, Kesi Foster, the Urban Youth Collaborative’s Coordinator, and the youth leaders of Urban Youth Collaborative. Additional research support was provided by Michele Kilpatrick, Research Analyst with the Center for Popular Democracy. We would also like to thank youth-led organizations across the country working to end the school-to-prison pipeline and fighting for racial justice and human rights for all young people. This report benefited from prior research and analysis conducted by a range of organizations, especially Advancement Project, Advocates for Children, the Center for Civil Rights Remedies, the Dignity in Schools Campaign, and the New York Civil Liberties Union. This report was made possible by Urban Youth Collaborative’s generous funders, the Advancement Project, Andrus Family Fund, the Brooklyn Community Foundation, the Communities for Just Schools Fund, the Daphne Foundation, the Ford Foundation, the National Youth Alliance for Boys and Men of Color, the New York Foundation, and the North Star Fund. ABOUT THE AUTHORS The Center for Popular Democracy is a nonprofit organization that promotes equity, opportunity, and a dynamic democracy in partnership with innovative base-building organizations, organizing networks and alliances, and progressive unions across the country. -
2020 Fellows Pictures for CLFP Program
MEET OUR CLFP 2020 – 2021 FELLOWS KIM ADDIE senior director of Place-Based Initiatives - United Way of Greater Atlanta - Hometown: Atlanta. GA Kim Addie is the Sr. Director of Place-Based Initiatives at United Way of Greater Atlanta. As an established program officer, Kim has over 15 years’ experience in the nonprofit sector. Her work has included informing equity-based strategy, portfolio management, curating relationships with community and grantee partners, and providing oversight to the grant- making process for achieving results against organizational objectives. In her professional tenure at United Way, Kim has successfully spearheaded community-based efforts in maternal and child health, supervised and managed both early education and place-based focused efforts and has successfully managed private foundation, federal, and state grants. Kim is currently a student at Georgia State University’s Andrew Young School of Public Policy and lives in Atlanta with her husband and 4 children. Hometown: Cleveland, OH - Cleveland Foundation - program director COURTENAY A. BARTON Courtenay A. Barton joined the foundation in September 2017 as a National Urban Fellow and was hired in September 2018 as Program Manager for Arts & Culture. She was promoted to Program Director in June 2020. Courtenay’s previous experience was in nonprofit management in media, arts, and education. Prior to joining the foundation, Courtenay was the Associate Director of Stewardship at the Brooklyn College Foundation. She also had roles at New York City’s public television station Thirteen/WNET and the New York Foundation for the Arts. Courtenay earned a Bachelor of Arts degree in English, Creative Writing, and African American Studies from Columbia University. -
2021 Hcn Media
HARLEM COMMUNITY NEWSPAPERS, INC. We deliver the “good news” to improve the quality of life for our readers, their families, and our communities The Harlem Community Newspapers, Inc. Connecting Harlem, Queens, Brooklyn and The Bronx The Harlem Community Newspapers, Inc. Connecting Harlem, Queens, Brooklyn and The Bronx The Harlem Community Newspapers, Inc. Connecting Harlem, Queens, Brooklyn and The Bronx COMMUNITY The Harlem Community Newspapers, Inc. Connecting Harlem, Queens, Brooklyn and The Bronx COMMUNITY COMMUNITY HARLEM NEWS COMMUNITY BROOKLYN NEWS QUEENS NEWS “Good News You Can Use” BRONX NEWS “Good News You Can Use” “Good News You Can Use” Vol. 23 No. 12 March 22 - March 28, 2018 FREE “Good News You Can Use” Vol. 23 No. 24 June 14 - June 20, 2018 FREE Vol. 23 No. 25 June 21 - June 27, 2018 FREE Vol. 23 No. 22 May 31 - June 6, 2018 FREE New York Urban League rd Celebrates 53 Annual Women in the Fidelis Care Black’s 20th Annual Sponsors Senior Harlem’s Heaven Who’s The Boss Unity Day in Hats at Fashion Conference 2018 see page 11 Riverbank State Week Frederick Douglass Awards see pages 12-13 CACCI Celebrate Caribbean Park see page 4 Uptown’s Business Women Come Will and Jada Smith see pages 14-15 Family Foundation in Harlem see page 10 American Heritage Month Together for Day of Empowerment see page 11 at Borough Hall see page 10 Innovative Disney Summertime Fun @ Dreamers Academy Sugar Hill Children’s impacts lives Museum forever The NCNW’s 31st see page 13 see page 25 Annual Black and Golden Life Ministry White Awards Keeping It Real! see page 11 see page 14 National Black Theatre th Ruben Santiago- Celebrates at 10 Annual TEER Hudson directs a magic cast Whitney Moore in Dominique Young, Jr. -
[email protected] | Ivanableisoldhand.Com
IFE SALEMA VANABLE 1 PhD Candidate in Architectural History and Theory e: [email protected] i/van/able is Old Hand e: [email protected] | ivanableisoldhand.com EDUCATION Ph.D. Architectural History and Theory; Columbia University Graduate School of Expected Candidate Architecture, Planning & Preservation (GSAPP); New York, NY Completion Tall Tales: State Looks, Black Desire(s), Housing Schemes 2023 • Tall Tales highlights entanglements and various incarnations of hybridity in the development of publicly funded and incentivized, though privately developed and managed, high-rise residential towers erected in New York under the 1955 Limited Profit Housing Companies Law, known as Mitchell-Lama in an effort to expand the scope and range of histories and theories of multi-family urban housing, and complicate narratives of public-private partnership for its development. The dissertation interrogates how modes of architectural production are operative parts of the same project that has historically, and continues to mutate, to produce varying ideas about racial difference. The dissertation works to discern how much of the state, stakeholders, and media’s desire to house hetero-normative familial structures in high-rise residential towers, is an outcome of ideology that regards the black familial order as dysfunctional, pathological improperly ordered, or poorly managed. Towards these ends, this work interrogates dwelling, taking into account the lives lived within these objects, attending to the politics, aesthetics, and materiality of the making of home. M.Phil Completion of General Examinations and Defense of Dissertation Prospectus; 2019-2021 Columbia University Graduate School of Arts & Sciences; New York, NY • Major Field: The American City, “Race” and “Urban” Housing from the Civil War to the Reagan Era, c. -
A History of African American Theatre Errol G
Cambridge University Press 978-0-521-62472-5 - A History of African American Theatre Errol G. Hill and James V. Hatch Frontmatter More information AHistory of African American Theatre This is the first definitive history of African American theatre. The text embraces awidegeographyinvestigating companies from coast to coast as well as the anglo- phoneCaribbean and African American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles – from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and ahalf centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals, and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are produc- tions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, are conveyed in this volume. errol g. hill was Professor Emeritus at Dartmouth College, Hanover, New Hampshire before his death in September 2003.Hetaughtat the University of the West Indies and Ibadan University, Nigeria, before taking up a post at Dartmouth in 1968.His publications include The Trinidad Carnival (1972), The Theatre of Black Americans (1980), Shakespeare in Sable (1984), The Jamaican Stage, 1655–1900 (1992), and The Cambridge Guide to African and Caribbean Theatre (with Martin Banham and George Woodyard, 1994); and he was contributing editor of several collections of Caribbean plays. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
Sharp Focus E X P a N S I V E V I S I
SHARP FOCUS EXPANSIVE VISION 2013 ANNUAL REPORT A Message from Ronna Brown and Leisle Lin This past year was the last covered in our 2011-2013 • We can and will deepen our program offerings Progress Was strategic plan. It was a year in which we assessed with a greater variety of formats, including “deeper our progress while simultaneously building the dives” into timely topics, which may include more the Precursor structure outlined in the plan. As the board engaged conferences and multi-day programming series. in a very detailed look at our progress and the plan • Our policy work should concentrate on developing itself, they determined, unanimously, that our existing for Our New opportunities to convene funders and public top line goals were well-crafted and our progress policy leaders to allow for mutual learning and against them demonstrably strong. The decision was for organic partnerships to blossom. Strategic Plan made, and confirmed by member comments, that PNY should forge ahead by keeping the existing goals • Our meeting space and technology investments for the 2014-2016 period but update the strategies are critical to the services we provide our and tactics. What, in short, have we achieved in the members and our future sustainability depends last three years? We have expanded the number, on growing our capacity as a central hub for complexity and visibility of our programming. We philanthropy. have strengthened the structure of our peer networks at all levels of professional responsibility. We have Our vision, articulated in the new strategic plan, is supported both collaborative activities and policy for Philanthropy New York to serve as a connector of related connections with our members. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc.