Twain's Travels
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Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut
MARK TWAIN CARRIAGE HOUSE HABS No. CT-359-A (Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut WRITTEN HISTORICAL AND DESCRIPTIVE DATA REDUCED COPIES OF THE MEASURED DRAWINGS PHOTOGRAPHS Historic American Buildings Survey National Park Service U.S. Department of the Interior Washington, D.C. 20013-7127 m HISTORIC AMERICAN BUILDINGS SURVEY MARK TWAIN CARRIAGE HOUSE HABS NO. CT-359-A Location: Rear of 351 Farmington Avenue, Hartford, Hartford County, Connecticut. USGS Hartford North Quadrangle, Universal Transverse Mercator Coordinates; 18.691050.4626060. Present Owner. Occupant. Use: Mark Twain Memorial, the former residence of Samuel Langhorne Clemens (better known as Mark Twain), now a house museum. The carriage house is a mixed-use structure and contains museum offices, conference space, a staff kitchen, a staff library, and storage space. Significance: Completed in 1874, the Mark Twain Carriage House is a multi-purpose barn with a coachman's apartment designed by architects Edward Tuckerman Potter and Alfred H, Thorp as a companion structure to the residence for noted American author and humorist Samuel Clemens and his family. Its massive size and its generous accommodations for the coachman mark this structure as an unusual carriage house among those intended for a single family's use. The building has the wide overhanging eaves and half-timbering typical of the Chalet style popular in the late 19th century for cottages, carriage houses, and gatehouses. The carriage house apartment was -
Commonlit | Excerpts from Roughing It
Name: Class: Excerpts from Roughing It By Mark Twain 1872 Samuel Clemens (1835-1910), recognized by his pen name Mark Twain, was an American author and humorist. Roughing It, his second published book, is a semi-autobiographical, humorous collection of stories loosely based on Twain’s actual travels through the “Wild West” from 1861-1866. Twain had traveled west to find work and escape fighting during the Civil War. The protagonist, presented as a young Twain, recounts his adventures as a naïve and inexperienced easterner, during the beginning of his time out West. As you read, take notes on how Twain narrates his own experiences to create a comic effect. Prefatory [1] This book is merely a personal narrative, and not a pretentious history or a philosophical dissertation.1 It is a record of several years of variegated vagabondizing,2 and its object is rather to help the resting reader while away an idle hour than afflict him with metaphysics, or goad him with science. Still, there is information in the volume; information concerning an interesting episode in the history of the Far West3, about which no books have been written by persons "Mark Twain worked here as a reporter in 1863: Territorial who were on the ground in person, and saw the Enterprise Office, Virginia City, Nevada." by Kent Kanouse is happenings of the time with their own eyes. I licensed under CC BY-NC 2.0. allude4 to the rise, growth and culmination of the silver-mining fever in Nevada — a curious episode, in some respects; the only one, of its peculiar kind, that has occurred in the land; and the only one, indeed, that is likely to occur in it. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
The Innocents Abroad, Part 1 of 6
The Innocents Abroad, Part 1 of 6 Mark Twain (Samuel Clemens) The Project Gutenberg EBook of The Innocents Abroad, Part 1 of 6 by Mark Twain (Samuel Clemens) This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Innocents Abroad, Part 1 of 6 Author: Mark Twain (Samuel Clemens) Release Date: June 15, 2004 [EBook #5688] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE INNOCENTS ABROAD, PART 1 OF 6 *** Produced by David Widger INNOCENTS ABROAD by Mark Twain [From an 1869--1st Edition] Part 1. CONTENTS CHAPTER I. Popular Talk of the Excursion--Programme of the Trip--Duly Ticketed for the Excursion--Defection of the Celebrities CHAPTER II. Grand Preparations--An Imposing Dignitary--The European Exodus --Mr. Blucher's Opinion--Stateroom No. 10--The Assembling of the Clans Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. --At Sea at Last CHAPTER III. "Averaging" the Passengers--Far, far at Sea.--Tribulation among the Patriarchs--Seeking Amusement under Difficulties--Five Captains in the Ship CHAPTER IV. The Pilgrims Becoming Domesticated--Pilgrim Life at Sea --"Horse-Billiards"--The "Synagogue"--The Writing School--Jack's "Journal" --The "Q. C. Club"--The Magic Lantern--State Ball on Deck--Mock Trials --Charades--Pilgrim Solemnity--Slow Music--The Executive Officer Delivers an Opinion CHAPTER V. Summer in Mid-Atlantic--An Eccentric Moon--Mr. -
A Film Directed by Ken Burns
Librarian’s Resource Guide Photo courtesy of the Mark Twain House, Hartford Photo courtesy of the Mark Twain CA Berkeley, Project, Bancroft Library, Signature courtesy of The Mark Twain A Film Directed by Ken Burns January 14 and 15, 2002, on PBS from 8 to 10 p.m. ET. Dear Librarian, General Motors is proud to sponsor an outreach program to libraries across America in support of literacy and America’s favorite humorist, Mark Twain. This program has been developed to celebrate the presentation of Mark Twain, a two-part film directed by Ken Burns, scheduled to air on PBS stations on January 14 and 15, 2002. When Samuel Langhorne Clemens was born in the backwoods of Missouri in 1835 under the glow of Halley’s Comet, his mother thought he was so thin and sickly that she could “see no promise in him.” But by 1910, at the end of his long and eventful life, and as the comet once again blazed in the sky, Photo courtesy of the Mark Twain House, Hartford Photo courtesy of the Mark Twain he had become Mark Twain, America’s best-known A Film Directed by Ken Burns and best-loved author, its most popular humorist January 14 and 15, 2002, on PBS and one of its most profound social commentators. The GM is delighted to present this library programfor you to share with your patrons. We consider it our mission to share the American experience through first-rate educational materials. This outreach program includes activities that you may implement in your library this fall, including Twain read-alouds, art contests, trivia bees, etc. -
Thomposn Twain Lecture
“An American Cannibal at Home”: Comic Diplomacy in Mark Twain’s Hawai’i Todd Nathan Thompson May 23, 2018 “An American Cannibal at Home” “The new book is to be an account of travel at home, describing in a humorous and satirical way our cities and towns, and the people of different sections. No doubt the volume will be very droll, and largely infused with the shrewd common sense and eccentric mode of thought for which the author has become famous.”—Chicago Republican, August 28, 1870 Twain’s Hawai’i Writings Sacramento Union (1866) New York Tribune (1873) Lectures, sometimes titled “Our Fellow Savages of the Sandwich Islands” (1866-1873) Roughing It (1872) Following the Equator (1897) Unfinished novel (1884) Tonight ’s un-earnest analysis I will talk about how Twain: 1) Parodied travel writing, travel writers, and tourists in general 2) Set himself up as a classic comic fool and rogue (including as a cannibal) 3) Created comic comparisons of Hawaiian and American cultural and political norms that tend towards cultural relativism 4) Used caustic irony in self-undoing, “fake” proclamations of imperialism Some previous scholarship on Twain’s Hawai’i James Caron, Mark Twain, Unsanctified Newspaper Reporter (2008) Jeffrey Alan Melton, Mark Twain, Travel Books, and Tourism: The Tide of a Great Popular Movement (2002) Amy Kaplan, “Imperial Triangles: Mark Twain’s Foreign Affairs” (1997) Don Florence, Persona and Humor in Mark Twain’s Early Writings (1995) Franklin Rogers, “Burlesque Travel Literature and Mark Twain’s Roughing It” (1993) Walter Francis Frear, Mark Twain and Hawaii (1947) Savage Laughter: Nineteenth-Century American Humor and the Pacific "Jonathan's Talk With The King of the Sandwich Islands: Or Young American Diplomacy.” Yankee-Notions, February 1, 1854. -
Following the Equator by Mark Twain</H1>
Following the Equator by Mark Twain Following the Equator by Mark Twain This etext was produced by David Widger FOLLOWING THE EQUATOR A JOURNEY AROUND THE WORLD BY MARK TWAIN SAMUEL L. CLEMENS HARTFORD, CONNECTICUT THE AMERICAN PUBLISHING COMPANY MDCCCXCVIII COPYRIGHT 1897 BY OLIVIA L. CLEMENS ALL RIGHTS RESERVED FORTIETH THOUSAND THIS BOOK page 1 / 720 Is affectionately inscribed to MY YOUNG FRIEND HARRY ROGERS WITH RECOGNITION OF WHAT HE IS, AND APPREHENSION OF WHAT HE MAY BECOME UNLESS HE FORM HIMSELF A LITTLE MORE CLOSELY UPON THE MODEL OF THE AUTHOR. THE PUDD'NHEAD MAXIMS. THESE WISDOMS ARE FOR THE LURING OF YOUTH TOWARD HIGH MORAL ALTITUDES. THE AUTHOR DID NOT GATHER THEM FROM PRACTICE, BUT FROM OBSERVATION. TO BE GOOD IS NOBLE; BUT TO SHOW OTHERS HOW TO BE GOOD IS NOBLER AND NO TROUBLE. CONTENTS CHAPTER I. The Party--Across America to Vancouver--On Board the Warrimo--Steamer Chairs-The Captain-Going Home under a Cloud--A Gritty Purser--The Brightest Passenger--Remedy for Bad Habits--The Doctor and the Lumbago --A Moral Pauper--Limited Smoking--Remittance-men. page 2 / 720 CHAPTER II. Change of Costume--Fish, Snake, and Boomerang Stories--Tests of Memory --A Brahmin Expert--General Grant's Memory--A Delicately Improper Tale CHAPTER III. Honolulu--Reminiscences of the Sandwich Islands--King Liholiho and His Royal Equipment--The Tabu--The Population of the Island--A Kanaka Diver --Cholera at Honolulu--Honolulu; Past and Present--The Leper Colony CHAPTER IV. Leaving Honolulu--Flying-fish--Approaching the Equator--Why the Ship Went Slow--The Front Yard of the Ship--Crossing the Equator--Horse Billiards or Shovel Board--The Waterbury Watch--Washing Decks--Ship Painters--The Great Meridian--The Loss of a Day--A Babe without a Birthday CHAPTER V. -
Mark Twain Circular
12 Mark Twain Circular Newsletter of the Mark Twain Circle of America Volume 29 November 2015 Number 2 that I get paid to think about and talk about President’s Column Mark Twain, something I would do for John Bird nothing (but don’t tell my university). Winthrop University As another year begins to wind to a close, I think about how much of my year has centered around this person who died over a hundred years ago. I spent much of my summer reading all the Twain books and articles from 2014 for the “Mark Twain” chapter in American Literary Scholarship, Inside This Issue then scrambling to Twain Talk: distill all that into 20 Peter Messent pages of summary Fall Feature: and evaluation. Nee Brothers’ New Mark Twain is Indie Film, Band of indeed alive and Robbers well in the academy, Mark Twain Circle: and now it is time to I am teaching a graduate seminar on Mark Annual Minutes turn my attention to Twain this semester, a class I have taught two Member Renewal the scholarly work or three times before. It is always a great Calls for Papers: from 2015. My good experience and a great privilege. Most of my ALA 2016 friend from ten students had read Huckleberry Finn, but MLA 2017 most had not read anything else by Twain graduate school, before the class started. So it is very exciting Gary, stopped by the to share with them and watch them read other day on his way to Florida, and I was works including “A Jumping Frog,” Innocents telling him how envious I was of him back Abroad, Roughing It, Tom Sawyer, Huckleberry then in the early 1980s that he had published Finn, A Connecticut Yankee, Pudd’nhead on Mark Twain and had been included in one Wilson, and No. -
Guilty Pleasure Editing: Mark Twain's Marginalia of 'Bad' Poetry
Wednesday, May 13 “Guilty Pleasure Editing: Mark Twain’s Marginalia of ‘Bad’ Poetry” Lisa McGunigal, Hope College “The exquisitely bad is as satisfying to the soul as the exquisitely good—only the mediocre is unendurable” Mark Twain, Notebook 39, 1896 Considered a satirist, travel writer, and lecturer, Twain was rarely presented as a poet or appreciator of poetry to the public during his life—and still today many people assume an antagonistic relationship between Twain and verse. In fact, Twain penned 120 poems (the bulk being of a humorous nature) and was an avid reader and performer of Robert Browning’s works. Additionally, Twain was clearly familiar with the popular poets of his era as he frequently parodied them within his novels. This lecture will discuss how Twain enjoyed not only reading bad poetry but also writing marginalia within his personal poetry collection—often consisting of snarky remarks criticizing the sentimental tone or rhyming structure— illustrating his active investment in altering and questioning the text as an enjoyable activity. In fact, Twain solicited editions of bad poetry from his friends and admirers with the expressed purpose to criticize them, and several of these copies are held today by the Elmira College Mark Twain Archive. Lisa McGunigal is a Visiting Assistant Professor in the Department of English at Hope College. Sketch drawn by Mark Twain in Her research examines the intersection of performance studies and nineteenth-century American 1890 that accompanied one of literary realism, focusing on how authors adopted and adapted strategies from performance sites the author’s poems in their novels to interrogate societal attitudes about race, class, and gender. -
The Innocents Abroad, Part 4 of 6
The Innocents Abroad, Part 4 of 6 Mark Twain (Samuel Clemens) The Project Gutenberg EBook of The Innocents Abroad, Part 4 of 6 by Mark Twain (Samuel Clemens) This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Innocents Abroad, Part 4 of 6 Author: Mark Twain (Samuel Clemens) Release Date: June 15, 2004 [EBook #5691] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE INNOCENTS ABROAD, PART 4 OF 6 *** Produced by David Widger INNOCENTS ABROAD by Mark Twain [From an 1869--1st Edition] Part 4. CHAPTER XXXI. THE BURIED CITY OF POMPEII They pronounce it Pom-pay-e. I always had an idea that you went down into Pompeii with torches, by the way of damp, dark stairways, just as you do in silver mines, and traversed gloomy tunnels with lava overhead and something on either hand like dilapidated prisons gouged out of the solid earth, that faintly resembled houses. But you do nothing the kind. Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Fully one-half of the buried city, perhaps, is completely exhumed and thrown open freely to the light of day; and there stand the long rows of solidly-built brick houses (roofless) just as they stood eighteen hundred years ago, hot with the flaming sun; and there lie their floors, clean-swept, and not a bright fragment tarnished or -
The Innocents Abroad, Illustrated, V1
The Innocents Abroad, Illustrated, V1 Mark Twain (Samuel Clemens) The Innocents Abroad, Illustrated, V1 Table of Contents The Innocents Abroad, Illustrated, V1...................................................................................................................1 Mark Twain (Samuel Clemens).....................................................................................................................2 THE INNOCENTS ABROAD.................................................................................................................................7 by Mark Twain...............................................................................................................................................8 [From an 1869—1st Edition]...................................................................................................................9 PREFACE...................................................................................................................................................12 CHAPTER I.................................................................................................................................................13 EXCURSION TO THE HOLY LAND, EGYPT,................................................................................14 THE CRIMEA, GREECE, AND INTERMEDIATE POINTS OF INTEREST...................................15 BROOKLYN, February 1st, 1867........................................................................................................16 CHAPTER II................................................................................................................................................20 -
Mark Twain and the Bible
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge American Literature American Studies 1969 Mark Twain and the Bible Allison Ensor University of Tennessee - Knoxville Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Ensor, Allison, "Mark Twain and the Bible" (1969). American Literature. 4. https://uknowledge.uky.edu/upk_american_literature/4 Mark Twain & The Bible This page intentionally left blank MARK TWAIN & THE JBIJBLE Allison Ensor UNIVERSITY OF KENTUCKY PRESS Copyright (c) I 969 UNIVERSITY OF KENTUCKY PRESS, LEXINGTON Library of Congress Catalog Card Number 76-80092 Standard Book NU11lber 8131-1181-1 TO Anne & Beth This page intentionally left blank Acknowledgments THis BOOK could not have been what it is without the assistance of several persons whose help I gratefully acknowledge: Professor Edwin H. Cady, Indiana Uni versity, guided me through the preliminaries of this study; Professor Nathalia Wright, University of Ten nessee, whose study of Melville and the Bible is still a standard work, read my manuscript and made valuable suggestions; Professor Henry Nash Smith, University of California at Berkeley, former editor of the Mark Twain Papers, read an earlier version of the book and encouraged and directed me by his comments on it; the Graduate School of the University of Tennessee awarded me a summer grant, releasing me from teach ing responsibilities for a term so that I might revise the manuscript; and my wife, Anne Lovell Ensor, was will ing to accept Mark Twain as a member of the family for some five years.