W&M ScholarWorks English Articles & Book Chapters English Summer 1991 Framing the Authentic: The Modern Tourist and The Innocents Abroad Richard S. Lowry College of William and Mary,
[email protected] Follow this and additional works at: https://scholarworks.wm.edu/englishpub Part of the English Language and Literature Commons Recommended Citation Lowry, Richard S., Framing the Authentic: The Modern Tourist and The Innocents Abroad (1991). New Orleans Review, 18(2), 18-28. http://www.neworleansreview.org/wp-content/uploads/2014/04/18_2.pdf?056111 This Article is brought to you for free and open access by the English at W&M ScholarWorks. It has been accepted for inclusion in English Articles & Book Chapters by an authorized administrator of W&M ScholarWorks. For more information, please contact
[email protected]. Richard S. Lowry FRAMING THE AUTHENTIC: THE MODERN TOURIST AND THE INNOCENTS ABROAD n one of the best known moments in Mark Beecher, the flutter became a crescendo on his ITwain's The l1111oce11fs Abroad, he visits what he visit to the painting coJJection at the Palace de calls " the most celebrated painting in the Luxembourg in Paris. If not ty pical in its world- 'The Las t Supper' by Leonardo Da intensity, his account nonetheless exemplifies Vinci."' Coming as it does in the midst of what the disorie nting shock m a n y felt w hen is already, barely a quarter of the way into the encountering authentic art. He felt himself narra ti ve, an almos t frantic gallop through undergo an "instant con version, if the hotels, cathedrals, and museums, the episode expression be not irreverent": "to find myself represents just one m ore s top on a hectic absolutely intoxicated - to find my system so itinerary.