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Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
FROM PROPAGANDA to a BLOCKBUSTER: the Role of Nationality in the Reinterpretation of Captain America for Modern, International Audiences
Running head: FROM PROPAGANDA TO A BLOCKBUSTER: The role of nationality in the reinterpretation of Captain America for modern, international audiences From propaganda to a blockbuster: The role of nationality in the reinterpretation of Captain America for modern, international audiences Master’s Thesis Eeva-Kaisa Lintala University of Jyväskylä Department of Language and Communications Studies 17.04.2017 FROM PROPAGANDA TO A BLOCKBUSTER: The role of nationality in the reinterpretation of Captain America for modern, international audiences 2 UNIVERSITY OF JYVÄSKYLÄ Faculty Department HUMANITIES Department of Language and Communications Studies Author Eeva-Kaisa Lintala Title From propaganda to a blockbuster: The role of nationality in the reinterpretation of Captain America for modern, international audiences Subject Nature of the Study Intercultural Communication Master’s thesis Date Number of pages in total 17.04.2017 63 Abstract Captain America comics were originally created in the 1940s as war propaganda. In the 2010s the story was remade as a successful movie franchise. Nowadays Hollywood is quite dependent on overseas sales, which is something they need to consider when producing their high-budget films. This thesis concentrates on how the story and the character of Captain America were reshaped to better appeal to modern and international audiences. This is done by comparing the ways America/Americans and other countries/ nationalities are addressed both in the comics and the films. The study shows that the movies include more references to other countries and nationalities, and there are considerable positive references to Germany, the main villain of the comics. America and American nationalism play a central role in both versions, but the movies take a more discreet and often comical approach to the overflowing patriotism surrounding the story. -
Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
Punishment and Political Order Keally D
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center 2019 USF Faculty and Staff Books USF Faculty and Staff Authored Books 2007 Punishment and Political Order Keally D. McBride Follow this and additional works at: https://repository.usfca.edu/faculty_books_2019 Part of the Legal Studies Commons, and the Political Science Commons Punishment and Political Order Law, Meaning, and Violence The scope of Law, Meaning, and Violence is defined by the wide-ranging scholarly de bates signaled by each of the words in the title. Those debates have taken place among and between lawyers, anthropologists, political theorists, sociologists, and historians, as well as literary and cultural critics. This series is intended to recognize the importance of such ongoing conversations about law, meaning, and violence as well as to encourage and further them. Series Editors: Martha Minow, Harvard Law School Austin Sarat, Amherst College RECENT TITLES IN THE SERIES Strangers to the Law: Gay People on Trial, by Lisa Keen and Suzanne B. Goldberg The Polittcs of Community Policing: Rearrangmg the Power to Punish, by William Lyons Laws of the Postcolonial, edited by Eve Darian-Smith and Peter Fitzpatrick Whispered Consolations: Law and Narrative in African Amerzcan Life, by Jon-Christian Suggs Bad Boys: Public Schools in the Making of Black Masculinity, by Ann Arnett Ferguson Pain, Death, and the Law, edited by Austin Sarat The Limits to Union: Same-Sex Marriage and the Politics of Civil Rights, by Jonathan Goldberg-Hiller -
When Words Take Lives
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository 1 When Words Take Lives: The Role of Language in the Dehumanization and Devastation of Jews in the Holocaust A Thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts in English in the University of Canterbury by Sarah Anne Fisk University of Canterbury 2009 2 Table of Contents Abstract 3 Introduction 5 Chapter One: The Hierarchy of Race: Historical Definitions of the Human 10 Chapter Two: Theory’s Explosive Culmination: Mein Kampf and Nazism 38 Chapter Three: When Representation becomes Reality: Dehumanizing Principles put into Action 59 Chapter Four: Life on the Lowest Level: The Stories of the Subhuman and Non-human Animals 82 Conclusion 109 Works Cited 117 3 Abstract This thesis will examine the ways in which anti-Semitic and more generalized racial theories were powerfully and effectively mobilized under Hitler and his Nazi regime. In the establishment of Nazi ideology and the practice of its principles, Hitler drew upon an old, extensive and specific genre of animalizing language. Hitler’s regime skillfully employed contemporary and diverse modes of discourse to dehumanize and devastate the Jewish people. By juxtaposing traditional anti-Semitic beliefs with ideals of Aryan superiority, the Nazis were able to expand and strengthen pre-existing anti- Semitism whilst reaffirming Germany as the ultimate example of evolutionary progression. Integral to Hitler’s success was the use of animal imagery and its respective connotations, associations and evocations. Throughout Hitler’s regime, the term “animal” remained without an exact or precise definition; the ambiguous definition of “animal” allowed for multiple applications – both destructive and constructive. -
On the Status of Vermin
1 BETWEEN THE SPECIES www.cla.calpoly.edu/bts/ Issue VI August 2006 On the Status of Vermin Stephen M. Young Colorado State University December 1, 2005 Introduction In animal rights there has been a proliferation of material discussing the ethical treatment of agricultural animals and animals used in research. The topic of this paper and will contain an assessment of a different qualification of animals that has been paid little attention in most academic traditions; this is vermin. Vermin is a colloquial word employed to discern an animal that is unwanted. Vermin is an interesting topic as oppose to ‘invasive species’ or ‘maligned species’, which have been paid considerable attention, because those titles do not necessarily connote the same as ‘vermin’. There are two main objectives to this paper: the first is an epistemic concern – how do we know what is a vermin. This, of course, has a metaphysical component: do vermin have an ontological status aside from how humans categorize them? The second objective is mainly ethical – given the criteria of vermin and how we treat them, how ought we treat them? The first objective of this paper is to define what qualifies as vermin. The entails drawing distinctions between invasive species other terms and vermin, as well as Between the Species VI August 2006 www.cla.calpoly.edu/bts/ 2 mapping out the characteristics that make an animal qualify as vermin. Eventually it will be shown that the category of vermin is conventional in society, which, in itself, has implications that will be discussed in the second objective. -
Amazing Spider-Man Epic Collection: Kravens Last Hunt 1St Edition Pdf, Epub, Ebook
AMAZING SPIDER-MAN EPIC COLLECTION: KRAVENS LAST HUNT 1ST EDITION PDF, EPUB, EBOOK Peter David | 9781302907051 | | | | | Amazing Spider-Man Epic Collection: Kravens Last Hunt 1st edition PDF Book His existence is rooted in an overriding sense of inferiority. Its structure is almost post-modern in the recursive way Spider-Man, Kraven's, and even Vermin's trauma keep wending through--Spidey's most raw and immediate, with hope of healing; Kraven's old and set, headed for an inevitable end; and Vermin's, base, crawling, terrifying. And the comic has some extremely iconic scenes. Illustrations ,. Suess , Hardcover 4. The year was and Marvel was set to debut its latest and greatest new super heroine. It makes for an interesting object lesson in the development of comic books, but as a collection it feels schizophrenic. Trivia About Amazing Spider-Ma I loved the limited narration and dialogue and the bleak atmosphere. To see what your friends thought of this book, please sign up. Benjamin Grimm, A. Add to cart VG 4. Dan rated it really liked it Oct 12, John Romita Jr. But that means Doctor Doom is alive too! You really feel like you're on a journey with someone who's been shot, buried, and had to claw his way out of a grave after two weeks! Even though it is still an older comic it was much more modern than the previous spiderman I had read. Very well written, featuring another fan-favourite super-hero or anti-hero, if you will and with an outcome that for I highly recommend this volume to any fan of super-heroes. -
Marvel-Phile
by Steven E. Schend and Dale A. Donovan Lesser Lights II: Long-lost heroes This past summer has seen the reemer- 3-D MAN gence of some Marvel characters who Gestalt being havent been seen in action since the early 1980s. Of course, Im speaking of Adam POWERS: Warlock and Thanos, the major players in Alter ego: Hal Chandler owns a pair of the cosmic epic Infinity Gauntlet mini- special glasses that have identical red and series. Its great to see these old characters green images of a human figure on each back in their four-color glory, and Im sure lens. When Hal dons the glasses and focus- there are some great plans with these es on merging the two figures, he triggers characters forthcoming. a dimensional transfer that places him in a Nostalgia, the lowly terror of nigh- trancelike state. His mind and the two forgotten days, is alive still in The images from his glasses of his elder broth- MARVEL®-Phile in this, the second half of er, Chuck, merge into a gestalt being our quest to bring you characters from known as 3-D Man. the dusty pages of Marvel Comics past. As 3-D Man can remain active for only the aforementioned miniseries is showing three hours at a time, after which he must readers new and old, just because a char- split into his composite images and return acter hasnt been seen in a while certainly Hals mind to his body. While active, 3-D doesnt mean he lacks potential. This is the Mans brain is a composite of the minds of case with our two intrepid heroes for this both Hal and Chuck Chandler, with Chuck month, 3-D Man and the Blue Shield. -
Avengers Academy in “The Worst Is Still Unwritten”
Avengers Academy in “The Worst is Still Unwritten” An UNOFFICIAL Game Adventure for use with the Classic Marvel Role-Playing Game, Advanced Set by DANNY WALL What would YOU do with super-powers? Would you become a hero . or a villain? It’s the modern-day characters of the Avengers Academy comic featured in the classic Marvel Super-Heroes Role-Playing Game (TSR, Inc.,1984). As this game is long since out of print, you certainly be inspired by the structure and ideas used for this adventure, adapting them for use with any role-playing system of your choice. For more information on the classic Marvel game system, see http://www.classicmarvelforever.com. ROLLTITLE CALL In 2010, writer Christos Gage and artist Mike you may have to create an alternate opening retention is merely rote memory and she will McKone created Avengers Academy, featuring and/or skip directly to Chapter Two. not have an innate nor intuitive knowledge the stories of young super-powered individu- about the subject or technology. als mentored by Earth’s Mightiest Heroes. For completely original characters, it is pos- But there was a twist. These cadets were not sible to create your own brand-new heroes Batons: Finesse’s signature weapon are twin singled out for training because of their ap- as young Academy cadets. Perhaps in your batons of Incredible material Strength/Ex- titude or their heroic past. Rather, they were game’s universe, the Avengers Academy has cellent blunt damage. chosen because the Avengers had marked an expanded cast with dozens of students to choose from! TALENTS each of them as having the greatest risk of Blunt Weapons: Batons (Melee and Thrown) abusing their powers, of lashing out against the world, of growing violent . -
‚X Marks the Spot╎: Urban Dystopia, Slum Voyeurism and Failures of Identity in District X
JUCS 2 (1+2) pp. 35–55 Intellect Limited 2015 Journal of Urban Cultural Studies Volume 2 Numbers 1 & 2 © 2015 Intellect Ltd Article. English language. doi: 10.1386/jucs.2.1-2.35_1 Martin Lund Linnaeus University and the CUNY Graduate Center ‘X marks the spot’: urban dystopia, slum voyeurism and failures of identity in District X abstract Keywords This article studies the ‘imaginative mapping’ of a real-world neighbourhood in one Marvel Comics comic book series: lower Manhattan’s Alphabet City in writer David Hine and artists mutantcy David Yardin and Lan Medina’s District X (July 2004–January 2006). In contrast blackness to a long-standing claim to ‘realism’ in Marvel’s use of New York City, this article homelessness argues that the real Alphabet City – at the time a contested and rapidly gentrify- identity formation ing neighbourhood – is nowhere to be found in District X, replaced by a voyeuris- slums tic fabrication, a sensationalistic node of concentration for middle-class fears about Alphabet City urban decline and blight amid prosperity and contemporary discourses about drugs, urban representation crime and homelessness that reproduces long-standing cultural representations of the neighbourhood as different and inferior. In doing so, the series polices a bound- ary of identity, empathy and imagination and tells readers that force in favour of clearing out radical difference in the neighbourhood and making it into a space fit for ‘normal’ people is natural, rational and logical and in the best interest even of those who might be displaced by gentrification, disproportionately incarcerated in the name of ‘law and order’, or put at risk of their lives in dangerous shelters. -
¡Tigre Blanco, Héroe Del Barrio!: Living and Dying Latina/O in a Superhero World
Merrimack College Merrimack ScholarWorks World Languages and Cultural Studies Faculty Publications World Languages and Cultural Studies 2016 ¡Tigre Blanco, héroe del Barrio!: Living and Dying Latina/o in a Superhero World Luis Saenz de Viguera Erkiaga Merrimack College, [email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/wlcs_facpub Part of the Critical and Cultural Studies Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Repository Citation Saenz de Viguera Erkiaga, L. (2016). ¡Tigre Blanco, héroe del Barrio!: Living and Dying Latina/o in a Superhero World. Entertainment - Journal of Media and Movie Studies, 1(1), 135-174. Available at: https://scholarworks.merrimack.edu/wlcs_facpub/1 This Article - Open Access is brought to you for free and open access by the World Languages and Cultural Studies at Merrimack ScholarWorks. It has been accepted for inclusion in World Languages and Cultural Studies Faculty Publications by an authorized administrator of Merrimack ScholarWorks. For more information, please contact [email protected]. 6. ¡Tigre Blanco, héroe del Barrio!: Living and Dying Latina/o in a Superhero World Luis SAENZ DE VIGUERA ERKIAGA (Not-so-)Secret Origin of a Latina/o Genealogy! In a world where the superheroic characters from Marvel Comics and DC Comics, the two major comic book publishers in the United States, are taking over mainstream media via film, TV shows, and video-games, it seems more relevant than ever to look at the way in which these comic book fantasies deal with diversity and the representation of minorities. Currently, one of the versions of Spider-man (the one initially operating in the “Ultimate” Marvel Universe, as opposed to the regular “611” Marvel Universe) is of mixed African-American/Latino origin, joining a growing cast of characters 1 that represent aspects of the diverse social identities that fall under the Latina/o category.