Autumn Newsletter 2014
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Bulletin.Pdf
MOBILE SECTION / HIGH CONTRAST SECTION / PRINTABLE SECTION The leading website for organ recitals in Britain. 50,695 concerts by 4,231 organists have been listed at 1,956 venues. Q-links: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z < > [ ] ( ) 1 2 3 4 5 6 7 8 9 0 @ & ▼ ▼ ▼ CLICK HERE TO ADVERTISE RECITALS ONE WEBSITE • THOUSANDS OF CONCERTS CLICK HERE FOR WEEKLY BULLETINS organrecitals.com Jump to: SATURDAY 4 MAY SUNDAY 5 MONDAY 6 TUESDAY 7 WEDNESDAY 8 THURSDAY 9 FRIDAY 10 7 Days: All / London Mornings Lunchtimes Afternoons Evenings Bank Holidays Weekends: All / London AAREASREAS VVENUESENUES Search... OORGANISTSRGANISTS DDATESATES Summary: Next 100 Inaugural, Anniversary, etc. Two or More Organ Plus Silent Movies Cinema Organs Days Universities Mayfair Westminster London Zones London Notables Programmes New Listings Cancelled WEEKLY BULLETIN Click on a county, day/date, month, venue, or organist for more recitals. Click on a postcode for a map or on a picture for street view. Suffolk IP9 2RX 10:15 1 Send details by e-mail • Copy and paste details Saturday 4 May 2019 East of England Organ Day [info] Royal Hospital School Chapel, Holbrook Christian Wilson [organ] [venue] [tickets] [location & enquiries] (H.M. Chapel Royal, Tower of London) admission £8 100 years of music from both sides of the Atlantic To report changes to this entry: e-mail [email protected], quoting ref. 58704 Greater Manchester BL1 1PS 11:00 to 12:00 2 Send details by e-mail • Copy and paste details Saturday 4 May 2019 Bolton Parish Church Michael Pain [organ] [info] [venue] [location & enquiries] (Bolton Parish Church) admission £6 / concessions £4 / under-16s free To report changes to this entry: e-mail [email protected], quoting ref. -
The Cornopean
The Cornopean EXETER & DISTRICT ORGANISTS’ ASSOCIATION Newsletter June 2021 IN THIS ISSUE Gary Cole of Regent records p9 Editorial p2 David Flood looks back p15 President’s Letter p3 Ian Carson’s Organ Tour Pt 4 p17 “Desert Island Discs ” p4 Nerdy Corner p19 Obituary p6 Exe Cruise Booking Form p21 Nerdy Corner & Answers p15 p6 Forthcoming Events p20 James Lancelot remembers (Pt 4) p6 Future Event p18 1 Editorial Please make a note in your diary of the Presidents’ Congratulations also to James Anderson-Besant, Evening – a river cruise on the Exe Estuary on the currently Assistant Organist at St John’s College, evening of Thursday 8th July, departing from Cambridge, on being appointed to succeed Exmouth Quay at 6:45pm. This should be a Timothy Parsons as Assistant Director of Music at splendid way for us to get together again after the Exeter Cathedral. He will also take up his position privations of the last year. There will be a buffet in September. Since Tim has already departed for supper (under cover in case of inclement St Edmundsbury Cathedral, his place during the weather) and a cash bar. There is a booking form summer term is being taken by James McVinnie – at the back of this edition of The Cornopean. Book Acting Assistant Director of Music. early as places will be limited. Further details and a booking form are on page 21. I am sorry to report the death of Richard Lloyd, former Organist of both Hereford and Durham Cathedrals. Alan Thurlow who worked with Richard at Durham Cathedral (later Organist & Master of the Choristers at Chichester Cathedral) has written an obituary, published on page 5. -
Discourses of Tradition in Cathedral Music
Durham E-Theses Let My Voice Be Heard: Barriers to Gender Diversity and Inclusion in Anglican Cathedral Music DOYLE, ENYA,HELEN,LAUREN How to cite: DOYLE, ENYA,HELEN,LAUREN (2020) Let My Voice Be Heard: Barriers to Gender Diversity and Inclusion in Anglican Cathedral Music, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13806/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Let My Voice Be Heard Barriers to Gender Diversity and Inclusion in Anglican Cathedral Music A thesis presented for the degree of Doctor of Philosophy by Enya HL Doyle DipLCM AFHEA FRSA Department of Music Durham University 2020 Abstract Since girl choristers were first included as permanent members of Salisbury Cathedral Choir in 1991, all-male choirs in Church of England cathedrals have undergone substantial transformation. Thirty-nine of the forty-two such cathedrals now offer musical provision in some form to girls, as well as continuing their commitment to boys. -
Claire Stewart THESIS FINAL 131120
The impact of the introduction of girl choristers at Salisbury and its influence on other British Anglican cathedral choirs Claire Elizabeth Stewart University of London PhD November 2020 'I, Claire Elizabeth Stewart confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis.' Claire E Stewart, November 2020 1 To the Choristers, Adult Singers and Organist at Sandringham who show great commitment every week in rehearsals and services. You enrich my life and bring me joy in all our musical offerings together. 2 Claire E Stewart, November 2020 Abstract Abstract The aim of this thesis has been to examine the effects that the introduction of girl choristers has had on the all-male tradition that hitherto characterised the Anglican cathedral choir. Arguably, the future of any tradition relies on the success of the present generation for its survival and continuity. That should not imply that the tradition remains identical as in past generations, but rather that a tradition should be able to respond and, if necessary, embrace new ideas. The thesis provides an historical context for the widely reported and seemingly ground-breaking initiative at Salisbury Cathedral in the early 1990s. Through the analysis of contemporary texts, related literature, interviews, a small-scale survey and three illustrative in-depth case studies (Salisbury, Lincoln and Lichfield), the thesis reviews the background to this choral development and explores the immediate and subsequent impact across the sector. The initiative at Salisbury was not (and in some instances is still not) without controversy and so opportunity is taken in the text to rehearse examples of these conflicting views by drawing on contemporary commentary, in part by using the lens of Cultural Historical Activity Theory (CHAT). -
Mackey a Phd 2015.Pdf
Bangor University DOCTOR OF PHILOSOPHY New Voice : the patterns and provisions for girl choristers in the English cathedral choirs Mackey, Amanda Award date: 2015 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 1 NEW VOICE The Patterns and Provisions for Girl Choristers in the English Cathedral Choirs Amanda Mackey Dissertation submitted in whole fulfilment of the requirement for the degree of Doctor of Philosophy Bangor University 29 May 2015 2 3 Abstract This study identifies and examines the patterns and provisions for girl choristers in eleven English cathedrals. Though some studies exist that discuss the physiological differences between boy and girl choristers and perceptions of their sounds, no study examines the structure of the choirs themselves. Significant changes had to be made to the music departments, personnel, and cultural ideas of cathedral music to make way for a separate line of choristers parallel to the traditional line of boy trebles and lay clerks.