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Wine to Water Corporate Filter Build Program
Wine To Water Corporate Filter Build Program Wine To Water is an international non-profit organization committed to serving in community to provide clean water to those in need. Doc Hendley is our founder and he went to Sudan in 2004, established Wine To Water as an organization in 2007, and became a CNN Hero in 2009. WTW has reached 500,000+ people across 25 countries with access to clean drinking water. Wine To Water offers a business or corporate event the opportunity to work together, strengthen corporate social responsibility, and engage in the world water crisis. Participants work together to assemble water filters that help people get clean water in hard to reach areas, like refugee camps and natural disasters. Check out our Filter Build Video Here Wine To Water Filter Build Video The WTW Corporate Filter Build The filters are easy to assemble in ten steps, and the Corporate Filter Build provides a meaningful, interactive and enriching experience. By participating in this filter build, your members share the goal of providing safe water to individuals in need. This hands-on activity will promote teamwork and motivate participants to be a part of the global community. The Filter Build includes: ● Introduction to Wine To Water and the Global Water Crisis ● Filter Overview, Impact & Where it is used ● Live Filter Demonstration ● Filter Assembly and Packaging The Details Filters are $50 each. To host a WTW Corporate Filter Build with staff facilitation, a minimum of 100 filters must be ordered. WTW Staff, CEO, and/or our Founder will join your event, depending on availability and the number of filters you order. -
Fabricating Girls: Clothes and Coming-Of-Age Fiction by Women of Color
Fabricating Girls: Clothes and Coming-of-Age Fiction by Women of Color Margaret D. Stetz Department of Women and Gender Studies, University of Delaware 34 West Delaware Avenue Newark, DE 19716, USA E-mail: [email protected]; [email protected] Abstract: Given the long history of prejudice against clothing as a serious subject of scholarly analysis, dress has remained insufficiently explored in literary criticism as a feature of the bildungsroman, or the coming-of-age fictional narrative. Choice of dress has been, however, a crucial element in the establishment of identity and in the process of maturation, particularly in narratives about girls and most especially in late-twentieth and early-twenty-first-century works about girls of color. This essay examines the role of dress in three representative texts by women of color—one Australian, one Afro-British, and one Chicana. Keywords: dress; fashion; coming-of-age narratives; bildungsroman; girls of color; identity formation What happens when we focus on the intersection of two subjects that traditionally have been considered of lower status in many academic settings—i.e., girlhood and clothes? These two topics may long have attracted interest among popular audiences, but when it comes to literary criticism, in particular, they are only now beginning to accrue prestige, or what is often called “cultural capital.” They have been long neglected, in particular, in the very place where they might have been expected: studies of the bildungsroman, which tracks the progress over time of an individual fictional protagonist. Conventional discussions of maturation in coming-of-age narratives, and conventional formulations of that genre, have mainly reflected masculine notions of development, pivoting on what Maureen Corrigan describes as episodes of “male extreme adventure”—i.e., “a one-shot testosterone expenditure of physical courage that pits man against nature/man/himself, with man (the narrator usually) left standing, bloody but unbowed” (Corrigan 2005, 5). -
Globalism, Humanitarianism, and the Body in Postcolonial Literature
Globalism, Humanitarianism, and the Body in Postcolonial Literature By Derek M. Ettensohn M.A., Brown University, 2012 B.A., Haverford College, 2006 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in English at Brown University PROVIDENCE, RHODE ISLAND MAY 2014 © Copyright 2014 by Derek M. Ettensohn This dissertation by Derek M. Ettensohn is accepted in its present form by the Department of English as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ___________________ _________________________ Olakunle George, Advisor Recommended to the Graduate Council Date ___________________ _________________________ Timothy Bewes, Reader Date ___________________ _________________________ Ravit Reichman, Reader Approved by the Graduate Council Date ___________________ __________________________________ Peter Weber, Dean of the Graduate School iii Abstract of “Globalism, Humanitarianism, and the Body in Postcolonial Literature” by Derek M. Ettensohn, Ph.D., Brown University, May 2014. This project evaluates the twinned discourses of globalism and humanitarianism through an analysis of the body in the postcolonial novel. In offering celebratory accounts of the promises of globalization, recent movements in critical theory have privileged the cosmopolitan, transnational, and global over the postcolonial. Recognizing the potential pitfalls of globalism, these theorists have often turned to transnational fiction as supplying a corrective dose of humanitarian sentiment that guards a global affective community against the potential exploitations and excesses of neoliberalism. While authors such as Amitav Ghosh, Nuruddin Farah, and Rohinton Mistry have been read in a transnational, cosmopolitan framework––which they have often courted and constructed––I argue that their theorizations of the body contain a critical, postcolonial rejoinder to the liberal humanist tradition that they seek to critique from within. -
JSU Family Mourns Loss
Volume 61, Issue 3 September 13, 2012 The Student Newspaper of Jacksonville State University since 1934 JSU family mourns loss JSUNews some of the students elected to walk around the small pond at The Jacksonville State Univer- Horns Creek, some decided to sity family today is mourning the swim across, and a few, including loss of Maucler Charles, a 21-year- Charles, chose to cross by boat. As old international student and bi- they proceeded across the pond, ology major from Ouanaminthe, which Dr. Ketterer described Haiti. Charles drowned in a tragic as being no more than 200 feet accident on Saturday, Sept. 8, dur- across, the boat tipped. Charles ing an annual International House did not know how to swim. retreat to Horns Creek Resort on When Charles did not surface, the Ocoee River near Cleveland, the students immediately formed Tenn. a line and began to search for Charles was beginning his sec- him. According to Dr. Ketterer, ond year in the International 911 was called within 5-6 minutes House and had distinguished and emergency personnel arrived himself with a 3.5 GPA. He was within 10. The incident occurred also an excellent soccer player and at 3:15 EDT. house member, according to Dr. The deputy medical examiner of John Ketterer, director of the In- Polk County ruled the drowning to ternational House Program, and be an accident. was very well loved among his fel- The remainder of the group low students. The university has returned to Jacksonville on Sat- begun grief counseling to help urday evening, arriving on cam- the many students in the program pus at around 9:30 CDT. -
99 Essential African Books: the Geoff Wisner Interview
99 ESSENTIAL AFRICAN BOOKS: THE GEOFF WISNER INTERVIEW Interview by Scott Esposito Tags: African literature, interviews Discussed in this interview: • A Basket of Leaves: 99 Books that Capture the Spirit of Africa, Geoff Wisner. Jacana Media. $25.95. 292 pp. Although it is certain to one day be outmoded by Africa’s ever-changing national boundaries, for now Geoff Wisner’s book A Basket of Leaves offers a guide to literature from every country in the African continent. Wisner reviews 99 books total, covering the biggest homegrown authors (Achebe, Coetzee, Ngugi), some notable foreigners (Kapuscinski, Chatwin, Bowles), and a host of lesser-knowns. The books were selected from hundreds of works of African literature that Wisner has read: how to whittle hundreds down to just 99 books to represent an entire continent? Wisner says reading widely was key, as was developing a “bullshit detector” for the “false” and “fraudulent” in African lit by living there and working with the legal defense of political prisoners in South Africa and Nambia. Full of sharp opinions and oft-overlooked gems, A Basket of Leaves offers a compelling overview of a continent and its literature—an overview one that Wisner is eager to supplement and discuss in person. —Scott Esposito Scott Esposito: To start, how did you conceive and develop A Basket of Leaves? Geoff Wisner: The idea developed rather slowly. For several years I was raising money for political prisoners in South Africa and Namibia. I edited a newsletter on Southern Africa and started to read authors like Nadine Gordimer and J.M. -
The Goldsmiths Prize and Its Conceptualization of Experimental Literature
The Goldsmiths Prize and Its Conceptualization 35 of Experimental Literature The Goldsmiths Prize and Its Conceptualization of Experimental Literature Wojciech Drąg University of Wrocław Abstract: In the aftermath of a critical debate regarding the Man Booker Prize’s adoption of ‘readability’ as the main criterion of literary value, Goldsmiths College established a new literary prize. The Goldsmiths Prize was launched in 2013 as a celebration of ‘fiction that breaks the mould or extends the possibil- ities of the novel form.’ Throughout its six editions, the prize has been awarded to such writers as Ali Smith, Nicola Barker and Eimear McBride, and has at- tracted a lot of media attention. Annually, its jury have written press features praising the shortlisted books, while invited novelists have given lectures on the condition of the novel. Thanks to its quickly won popularity, the Goldsmiths Prize has become the main institution promoting – and conceptualizing – ‘ex- perimental’ fiction in Britain. This article aims to examine all the promotional material accompanying each edition – including jury statements, press releases and commissioned articles in the New Statesman – in order to analyze how the prize defines experimentalism. Keywords: Goldsmiths Prize, literary prizes, experimental literature, avant-gar- de, contemporary British fiction Literary experimentalism is a notion both notoriously difficult to define and generally disliked by those to whose work it is often applied. B.S. Johnson famously stated that ‘to most reviewers [it] is almost always a synonym for “unsuccessful”’ (1973, 19). Among other acclaimed avant-garde authors who defied the label were Raymond Federmann and Ronald Sukenick (Bray, Gib- bon, and McHale 2012, 2-3). -
Third-Generation Women Writers and the New Nigerian Novel
“Half and Half Children”: Third-Generation Women Writers and the New Nigerian Novel Jane Bryce Research in African Literatures, Volume 39, Number 2, Summer 2008, pp. 49-67 (Article) Published by Indiana University Press For additional information about this article http://muse.jhu.edu/journals/ral/summary/v039/39.2.bryce.html Access Provided by University of Warwick at 02/01/12 4:41PM GMT “Half and Half Children”: Third-Generation Women Writers and the New Nigerian Novel JANE BRYCE University of the West Indies, Cave Hill ABSTRACT The paper looks at seven novels by women published since 2000, and asks in what ways they reconfigure realism and the social text of the recent Nigerian past. Their authors are engaged in a lively dialogue with their literary precursors, male and female, using their interpretation of the past. Though realism is their preferred mode, it is a realism that bears the trace of pre-existing non-realist modes of expression and belief. By reclaiming the traditionally negative icon of the abiku child, they effect a retrieval of the feminine repressed, casting the feminine double as shadow or negative to the paradigmatic male protagonist of Nigerian fiction and reinserting it into the postcolonial national narrative. Like one of the protagonists, these novels ask the urgent question: “What was the country I loved? The country I would fight for? Should it have borders?” n this article, I consider the novels by mostly young women with at least one Nigerian parent, whether domiciled in Nigeria or elsewhere, which have been published since the year 2000: House of Symbols (2001) by Akachi Ezeigbo; Purple IHibiscus (2004) and Half of a Yellow Sun (2006) by Chimamanda Ngozi Adichie; Everything Good Will Come (2005) by Sefi Atta; Sky-High Flames (2005) by Unoma Azuah; The Icarus Girl (2005) by Helen Oyeyemi; and 26a (2006) by Diana Evans. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Melancholia and the Search for the Lost Object in Farah's Maps
A. E. Eruvbetine and Solo- Melancholia and the search for the mon Omatsola Azumurana A. E. Eruvbetine is a Professor of lost object in Farah’s Maps English at the University of Lagos, Nigeria. Email: [email protected] Solomon Omatsola Azumurana teaches in the Department of English, University of Lagos, Nigeria. Email: [email protected]; [email protected] Melancholia and the search for the lost object in Farah’s Maps Maps, given its intriguing narrative thrusts and multi-axial thematic concerns, is arguably the most studied or analysed of Nur- rudin Farah’s nine prose fictions. The novel’s title as well as its synopsis has naturally dictated the focus of critics on the Western Somalia Liberation Front’s war efforts geared towards liberating the Ogaden from Ethiopian suzerainty and restoring it to Somalia. The nationalist fervour, the war it precipitates and its fallouts of a strife-ridden milieu have such a pervading presence in the novel that the personal experiences of the novel’s two major characters, Askar and Misra, are quite often discussed as basic allegories of ethnic and nationalistic rivalries. This paper focuses on the personal experiences of Farah’s two major characters. It contends that the private story of Askar and Misra is so compelling and central to the many issues broached in the novel that it deserves significant critical attention. Drawing upon Sigmund Freud’s and Melanie Klein’s concepts of melancholia, the paper explores how central the characters’ haunting sense of melancholia is to the happenings in Farah’s Maps. Keywords: Freud, Klein, melancholia, lost object, Maps (Nurrudin Farah). -
Textual Transformations in Contemporary Black Writing in Britain
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 2; April 2014 Copyright © Australian International Academic Centre, Australia Textual Transformations in Contemporary Black Writing in Britain Jawhar Ahmed Dhouib Department of English, University of Gabes PO Box 6000, Ali Jmel, Gabes, Tunisia E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.2p.120 Received: 21/02/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.2p.120 Accepted: 08/04/2014 Abstract While the first wave of Caribbean immigrant writers brilliantly explored race-related issues, black Britons like Andrea Levy, Zadie Smith and Caryl Phillips, among others, have sought to depart from earlier fiction, motivated in their project by the changing white face of Britain. In this article, I would like to argue that cultural change in Britain has deeply influenced literary production and has, consequently, laid the ground for a series of textual transformations. To capture instances of creative excess in contemporary black writing in Britain, I will bring under examination Caryl Phillips’s (2009) novel In the Falling Snow. My intention is to show to what extent Phillips’s work surpasses the ‘noose of race’ and already-familiar representations of multicultural Britain to celebrate a ‘post-racial’ society. Keywords: Caryl Phillips, Caribbean diaspora, contemporary black writing, multiculturalism, polyculturalism 1. Introduction Novels by pioneer West Indian writers in Britain, chief among whom are V.S. Naipaul, Samuel Selvon, George Lamming and Wilson Harris, to name but a few, have offered a lively palette of stories, bittersweet anecdotes, vivid experiences and profound meditations on the journey from the Caribbean to the metropolis. -
The Novel Girl, Woman, Other by Bernardine Evaristo
119 ACTA NEOPHILOLOGICA UDK: 821.111.09-31Evaristo B. DOI: 10.4312/an.53.1-2.119-131 Stigma as an Attribute of Oppression or an Agent of Change: The Novel Girl, Woman, Other by Bernardine Evaristo Darja Zorc-Maver Abstract The purpose of this paper is to describe the processes of stigmatization and oppression of women as presented by Bernardine Evaristo in her book Girl, Women, Other. The book features twelve female characters who are very different from each other, but what they have in common is that they each, in their own way, face stigma, misunderstanding and social exclusion. The social construction of stigma causes various kinds of social inequali- ties of the stigmatized. Through the fictional narratives of the stigmatized and the reflec- tion of their position in the novel, stigmatized women become the bearers of change and not merely the victims of oppression. Key words: stigma, racism, oppression, gender, Bernardine Evaristo Acta_Neophilologica_2020_FINAL.indd 119 23. 11. 2020 07:19:52 120 DARJA ZORC-MAVER In 2019 the prestigious Booker Prize for Fiction went to two women writers for their new novels, the Canadian literary icon Margaret Atwood (The Testa- ments) and the first black British woman author of fiction to win it, Bernardine Evaristo (Girl, Woman, Other). The prize, a proven literarysuccès d’estime, is a big achievement for black British women that now have an internationally acclaimed contemporary literary voice. This is a contemporary panoramic, polyphonic novel, written partly in prose and partly as a poem or simply a poem in prose, without using initial capital letters in sentences and full-stops apart from the endings of individual (sub)chapters, which describes the fictional lives of mostly black wom- en in Britain. -
Literature in the UK.Pages
Page 1 of 7 St Augustine's Centre, Halifax English for Life in the UK Episode 31 - Literature in the UK - part 1 September 2020 (Mark) Hello and welcome to the podcast English for Life in the UK. This podcast is for intermediate-level learners of English and is produced by a group of volunteer teachers, from the St Augustine's Centre in Halifax, Yorkshire, where we provide a range of support and advice to those in need and, particularly, to asylum seekers, refugees and migrants. The aim of this podcast is to help anyone wanting to improve their English and, at the same time, learn more about life in this country. Before we start today's episode, just a reminder that, at the moment, we are asking for your help to find out more about what you want from our podcast, what you .. how you think it could be improved, what you like about it, what subjects you'd like us to cover in the future. So, we have devised a survey which you can find on our website: www.staugustinescentrehalifax.org.uk That's spelt s-t-a-u-g-u-s-t-i-n-e-s-c-e-n-t-r-e-h-a-l-i-f-a-x You'll find the survey towards the bottom of the home page where it says "survey here". Alternatively, you can email us. We have an email address: [email protected] And if you contact us, then we will send you a link to the survey or you can just tell us in the email, what you think.