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Thepowerpopshow's
thepowerpopshow’s greatest hits vol. 21 1. army navy – the long goodbye (from the album the last place c. 2011) F 2. fountains of wayne – someone’s gonna break your heart the (from the album sky full of holes c. 2011) A 3. the whiskey saints – always in my heart C (from the album 24 hours c. 2011) 4. the smithereens – sorry E power (from the album 2011 c. 2011) B 5. the wellingtons – baby’s got a secret O (from the album in transit c. 2011) 6. bill schulz – future butterfly O pop (from the album bill schulz c. 2011) 7. pugwash – there you are K (from the album the olympus sound c. 2011) . 8. the hazey janes – girl in the night (from the album the winter that was c. 2011) C show 9. cut copy – where i’m going (from the album zonoscope c. 2011) O 10. ryan allen and his extra arms – oh yeah M (from the album ryan allen and his extra arms c. 2011) / 11. queen electric – gonna let you down (from the album queen electric c. 2011) P 12. urge overkill – rock n’ roll submarine O (from the album rock n’ roll submarine c. 2011) 13. the evil eye – vicious circle W fridays (digital single c. 2011) 14. boston spaceships – come on baby grace E 5-7pm (from the album our cubehouse still rocks c. 2010) R kscu 103.3fm 15. sloan – follow the leader santa clara, ca (from the album our the double cross c. 2011) P 16. beady eye – the beat goes on O (from the album different gear, still speeding c. -
ALDAKETAK OFIZIOKO TXANDAN REFORMAS EN EL TURNO DE OFICIO 204 Informazio Informativo
REFORMAS EN EL TURNO Informativo DE OFICIO ALDAKETAK OFIZIOKO TXANDAN Informazio BIZKAIA ILUSTRE JAURERRIKO COLEGIO DE ABOKATUEN ABOGADOS BAZKUN DEL SEÑORIO OHORETSUA DE VIZCAYA 2011ko NOVIEMBRE AZAROA 2011 Nº 204 ZK. Mementos + Bases de Datos Nace la SimbiosisPerfecta La integración de los Mementos de Francis Lefebvre con la Base de Datos de El Derecho ha creado una herramienta de trabajo única para los profesionales del derecho. Más eficaz y rápida que ninguna otra. Capaz de ofrecer la solución más rigurosa, actualizada y completa en cada momento. La integración perfecta entre precisión y exhaustividad en un solo producto. Conozca la simbiosis perfecta en: www.elderecho.com/mementos Lagasca, 45 - Edificio el Derecho | 28001 Madrid. www.elderecho.com | Para recibir más información: 902 44 33 55 / [email protected] PAGINA A4 Otrosi indd 1 21/09/11 10 46 fi zioko txanda. Kontzeptu horri buruz bilatzen den edozein urno de ofi cio. En cualquier defi nición que se busque de este defi niziotan funtsezko ideia bat agertzen da, hots, defent- concepto, se recoge la idea fundamental de que es un sistema Osa-eskubidea bermatzeko sistema da, hor ren bidez aboka- Tde garantía del derecho de defensa por el que se designa abo- tua eta prokuradorea izendatzen dira herritarrarentzat, kolektibo gado y procurador al ciudadano con especial atención a las perso- zaurgarrietako edo beharrizanik handiena duten kolektiboetako nas que pertenecen a co lectivos vulnerables o d esfavorecidos;, pertsonei, bitarteko ekonomikorik ez duten herritarrei, adinga- ciudadanos sin sufi cientes recursos económicos, menores, inmi- beei, immigranteei, indarkeria sexistaren biktimei, eta abar ri grantes, víctimas de violencia sexista. -
Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis
Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis DISSERTATION zur Erlangung des akademischen Grades Doktor der technischen Wissenschaften eingereicht von Alexander Schindler Matrikelnummer 9926045 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Ao.univ.Prof. Dr. Andreas Rauber Diese Dissertation haben begutachtet: arXiv:2002.00251v1 [cs.MM] 1 Feb 2020 (Univ. Prof. Mag. Dipl.-Ing. Dr. (Univ. Prof. Dr. Allan Hanbury) Markus Schedl) Wien, 01.10.2019 (Alexander Schindler) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis DISSERTATION submitted in partial fulfillment of the requirements for the degree of Doktor der technischen Wissenschaften by Alexander Schindler Registration Number 9926045 to the Faculty of Informatics at the Vienna University of Technology Advisor: Ao.univ.Prof. Dr. Andreas Rauber The dissertation has been reviewed by: (Univ. Prof. Mag. Dipl.-Ing. Dr. (Univ. Prof. Dr. Allan Hanbury) Markus Schedl) Wien, 01.10.2019 (Alexander Schindler) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklaerung zur Verfassung der Arbeit Alexander Schindler Beckmanngasse 4/12, 1140 Wien Hiermit erklaere ich, dass ich diese Arbeit selbstqendig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollstaendig angegeben habe und dass ich die Stellen der Arbeit - einschliesslich Tabellen, Karten und Abbildungen -, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. -
YTAA WUDR 06-01-2021 Memorial Show Wsg Tom Gilliam Set 1 1 Dr
YTAA WUDR 06-01-2021 Memorial Show wsg Tom Gilliam Set 1 1 Dr. J New WUDR legal ID 0:27 Art Jipson ---- 2 Keith Harrison YTAA Show ID 0:19 YTAA Show IDs Keith Harrison ---- 3 The Ballroom Blitz 4:04 The Best of Sweet The Sweet Steve Priest 4 Tutti Frutti 2:27 Little Richard's Greatest Hits Little Richard Little Richard 5 That Thing You Do 2:53 That Thing You Do Soundtrack Wonders Adam Schlesinger 6 Because the Night 3:25 Easter Patti Smith Group Ivan Kral – PSG Discuss Priest, Little Richard and Kral Set 2 7 I Remember Everything 2:43 I Remember Everything - Single John Prine John Prine 8 Your Love 3:43 Big Innings: Best Of The Outfield The Outfield Tony Lewis 9 Mexican Wine 3:22 Welcome Interstate Managers Fountains Of Wayne Adam Schlesinger 10 I Can See Clearly Now 2:43 Radio Hits of the '70s Johnny Nash Johnny Nash Discuss Prine, Lewis and Nash Set 3 11 Man-Sized Wreath 2:33 Accelerate R.E.M. Bill Rieflin (REM, King Crim) 12 Small Town Saturday Night 2:56 Hal Ketchum: The Hits Hal Ketchum Hal Ketchum 13 Stacy's Mom 3:18 Welcome Interstate Managers Fountains Of Wayne Adam Schlesinger 14 Lovely Day 4:17 Menagerie Bill Withers Bill Withers Discuss Rieflin, Kethcum, Schlesinger Set 4 15 Fade Into You 4:56 So Tonight That I Might See Mazzy Star David Roback 16 Standing In the Doorway 7:43 Time Out of Mind Bob Dylan Bucky Baxter (pedal steel, Dylan) 17 The Big Money (Neil Peart) 5:37 Power Windows Rush Neil Pert 18 Hackensack 3:00 Welcome Interstate Managers Fountains Of Wayne Adam Schlesinger Discuss Roback, Baxter, Pert, Schlesinger Set 5 19. -
VINYL POP 2011 08 20.Xls 20/08/2011 1/247 Artist Title Units Media Price € Origin Label Genre Release Eancode Abe Vigoda 7-Animal Ghosts 1 12In 14 € Usa Ppm
Artist Title Units Media Price € Origin Label Genre Release Eancode A Bit of Education 7-A Bit of Education -Ltd 1 12in 13 € Eu Dille Pop 23/07/2007 5060156910009 A Boy Named Thor 7-No Cult Girlfriend 1 12in 12 € Eu Mo Re Pop 23/04/2001 5021272050277 A Certain Ratio 7-Do the Do 1 12in 14 € Nld Soulj Pop 26/01/2010 9991606082471 A Certain Ratio Early 2 Lp 24 € Nld Soulj Pop 11/04/2002 5026328000602 A Certain Ratio Live In Groningen,.. -Hq- 1 Lp 18 € Eu Vlove Pop 6/12/2010 0889397901158 A Challenge of Honour Seven Samurai -Ltd- 1 Lp 22 € Nld Vriha Pop 15/09/2005 2090502548245 A Clean Kitchen is a Happ A Clean Kitchen is A.. 1 12in 22 € Eu Jf. Pop 21/03/2011 5052571007112 A Fir-Ju Well 7-What's Coming For You 1 12in 14 € Usa Rob's Pop 25/04/2006 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 16 € Nld Cleop Pop 12/07/2007 9991301106656 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 17 € Usa Cleop Pop 2/09/2008 0741157193817 A Flock of Seagulls Magic 1 Lp 16 € Eu Cresc Pop 1/01/1991 0052824120815 A Flock of Seagulls Space Age Love Songs 1 Lp 12 € Eu Lilit Pop 14/04/2011 8013252915116 A Frames 2 1 Lp 22 € Nld Bornb Pop 24/02/2011 5413356130713 A Girl Called Eddy A Girl Called Eddy 1 Lp 17 € Nld Anti Pop 21/06/2004 8714092671919 A Grave With No Name 7-Streams/Feathers 1 12in 17 € Usa No Pa Pop 17/05/2011 A Hawk and a Hacksaw Delivrance 1 Lp 23 € Nld Leaf Pop 14/05/2009 0843190006410 A Hawk and a Hacksaw Way the Wind Blows 1 Lp 22 € Nld Leaf Pop 9/10/2006 0843190001217 A Killz Insane Bangers Vol.9 1 12in 17 € Nld Insba Pop 23/12/2010 5050580535299 A Paon 7-A Paon Ep -2tr- 1 12in 14 € Usa Elve Pop 18/08/2009 9991509096742 A Radio With Guts Beat Heart Sweet Stereo 1 Lp 17 € Nld S.Dum Pop 11/07/2002 3481573364862 A Storm of Light A Storm of Light -Mlp- 1 Lp 20 € Nld Ltit Pop 2/06/2011 0718752152310 A Storm of Light As the Valley of Death. -
University of Alberta
University of Alberta Representations of African American Fife and Drum Music in North Mississippi By Kathleen R. Danser A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Department of Music © Kathleen R. Danser Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or oth- erwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. ABSTRACT This thesis is a comparative analysis of representations of the African American fife and drum musical tradition in North Mississippi, tracing the ways these represen- tations are shaped by the ideologies, aims, methods, and social positions of the per- son(s) in primary control of representation. It includes the exploration and interpreta- tion of audio recordings (including music, graphic presentation, and album copy), video, and film representations. African American fife and drum music is rooted in cross-cultural exchanges of folklore, melody, lyrical text, and instrumentation between African and Anglo Ameri- cans dating back to the American Revolutionary War in the United States. -
Real Rap, Does Authenticity Even Matter in Hip Hop?
1 Real Rap, Does Authenticity Even Matter in Hip Hop? Amin Allam Arcadia University In partial fulfillment of the Degree Requirement for the Bachelor’s of International Studies 2021 REAL RAP, DOES AUTHENTICTY EVEN MATTER IN HIP HOP? 2 Abstract Rap and Hip hop has evolved tremendously since its inception. The collective genre has been catapulted to global influence, where in the United States it represents the largest genre based on market share. After reviewing the history of rap music there is a perceived relationship between hip hop and authenticity. To which the question arose of whether hip hop could maintain authenticity in a commercial sphere. To explore this relationship, after reviewing the literature on authenticity, a model of analysis created by Newman and Smith was used to explore 5years worth of data dealing with the Billboard top 100 list. The finds suggest that hip hop has varying degrees of authenticity, but typically authenticity on the higher end coincides with commercial reception as artists who are more authentic boost sales prospects for later works. This relationship is important to explore as it paints a picture for how authentic voices are able to be heard. Keywords: Hip hop, Rap, Authenticity REAL RAP, DOES AUTHENTICTY EVEN MATTER IN HIP HOP? 3 Growing up in Philadelphia Rap and Hip-Hop has been a central tenet of the local culture. In my lifetime I have been able to witness numerous artists such as Meek Mill, Lil Uzi Vert, and PNB Rock rise to the national stage of musical recognition. In my circles Hip Hop held supreme importance as we would listen to various artists and analyze their rhetoric, hear their stories, and take notes on messages which spoke to us. -
Downbeat's July
JULY 2016 VOLUME 83 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
Did the Recording Industry╎s Shift From
UC Irvine Law Review Volume 2 Issue 3 Business Law as Public Interest Law / Article 12 Searching for Equality: A Conference on Law, Race, and Socio-Economic Class 12-2012 The Long-Playing Blues: Did the Recording Industry’s Shift from Singles to Albums Violate Antitrust Law? Jeffrey Philip Wachs UC Irvine School of Law Follow this and additional works at: https://scholarship.law.uci.edu/ucilr Part of the Antitrust and Trade Regulation Commons Recommended Citation Jeffrey P. Wachs, The Long-Playing Blues: Did the Recording Industry’s Shift ofr m Singles to Albums Violate Antitrust Law?, 2 U.C. Irvine L. Rev. 1047 (2012). Available at: https://scholarship.law.uci.edu/ucilr/vol2/iss3/12 This Note is brought to you for free and open access by UCI Law Scholarly Commons. It has been accepted for inclusion in UC Irvine Law Review by an authorized editor of UCI Law Scholarly Commons. UCILR V2I3 Assembled v8 (Do Not Delete) 12/14/2012 5:35 PM The Long-Playing Blues: Did the Recording Industry’s Shift from Singles to Albums Violate Antitrust Law? Jeffrey Philip Wachs* Introduction ................................................................................................................... 1048 I. Legal Background: Antitrust, Tying, and Block Booking of Copyrights ......... 1049 A. The Block-Booking Cases ......................................................................... 1051 B. The Blanket License: Broadcast Music, Inc. v. Columbia Broadcasting System .................................................................................... -
Too Cool for School Mp3 Download Free Too Cool for School Mp3 Download Free
too cool for school mp3 download free Too cool for school mp3 download free. To download as a ringtone put the URL below into your cell phone's browser: (Not all cell phones support this feature.) To use as ringtone on your iPhone open the m4r audio file with iTunes and it will automatically be put in the "Ringtones" folder. Then sync your phone. You may need to check the "Sync ringtones" box under the "Ringtones" tab in iTunes for your iPhone. (Unfortunately if the sound clip is over 40 seconds it will not work because iTunes puts a limit on it.) Fountains Of Wayne. Fountains of Wayne is an American power pop band, formed in 1995. The band name was taken from the name of a lawn-ornament store in Wayne, New Jersey, not far from Montclair, New Jersey, the hometown of the band's bassist and cofounder Adam Schlesinger (it has since gone out of business). According to Songfacts, there were prominent fountains there. The band was formed by Schlesinger and Chris Collingwood. The band name was taken from the name of a lawn-ornament store in Wayne, New Jersey, not far from Montclair, New Jersey, the hometown of the band's bassist and cofounder Adam Schlesinger (it has since gone out of business). According to Songfacts, there were prominent fountains there. The band was formed by Schlesinger and Chris Collingwood. The two first met as freshmen at Williams College and began playing music together in various bands. The two eventually went their separate ways with Collingwood forming the Mercy Buckets in Boston and Schlesinger forming Ivy in New York City.