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EXTENSIONS of REMARKS December 4, 1973 Port on S
39546 EXTENSIONS OF REMARKS December 4, 1973 port on S. 1443, the foreign aid author ADJOURNMENT TO 11 A.M. Joseph J. Jova, of Florida, a Foreign Serv ization bill. ice officer of the class of career minister, to Mr. ROBERT C. BYRD. Mr. Presi be Ambassador Extraordinary and Plenipo There is a time limitaiton thereon. dent, if there be no further business to tentiary of the United States of America to There will be at least one yea-and-nay come before the Senate, I move, in ac Mexico. vote, I am sure, on the adoption of the cordance with the previous order, that Ralph J. McGuire, of the District of Colum. bia, a Foreign Service officer of class 1, to be conference report, and there may be the Senate stand in adjournment until Ambassador Extraordinary and Plenipoten other votes. the hour of 11 o'clock a.m. tomorrow. t iary cf the United States of America to the On the disposition of the conference The motion was agreed to; and at 6: 45 Republic of Mali. report on the foreign aid authorization p.m., the Senate adjourned until tomor Anthony D. Marshall, of New York, to be row, Wednesday, December 5, 1973, at Ambassador Extraordinary and Plenipoten bill, S. 1443, the Senate will take up tiary of the United States of America to the Calendar Order No. 567, S. 1283, the so lla.m. Republic of Kenya. called energy research and development Francis E. Meloy, Jr., of the District of bill. I am sure there will be yea and Columbia, a Foreign Service officer of the NOMINATIONS class of career minister, to be Amb1ssador nay votes on amendments thereto to Extraordinary and Plenipotentiary of the morrow. -
Chart: Top50 AUDIO URBAN
Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr. -
Bullets High Five
DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 09 [email protected] · www.trendcharts.de 25.02.2021 Approved for publication on Tuesday, 02.03.2021 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 04 Fat Joe, DJ Khaled & Amorphous Sunshine (The Light) RNG/Empire 01 02 03 02 G-Eazy Ft. Chris Brown & Mark Morrison Provide RCA/Sony 02 03 02 02 Cardi B Up Atlantic/WMI/Warner 02 04 04 06 Saweetie Ft. Doja Cat Best Friend ICY/Warner/WMI 02 05 06 09 Jason Derluo x Nuka Love Not War Ridge Maukava/Robots & Humans/Sony 02 06 09 09 24kGoldn Ft. DaBaby Coco Columbia/Sony 04 07 05 03 50 Cent Ft. NLE Choppa & Rileyy Lanez Part Of The Game G-Unit 05 08 11 07 Apache 207 Angst Two Sides/Four/Sony 03 09 12 09 Pia Mia With Sean Paul & Flo Milli HOT (Remix) Electric Feel/Republic/UMI/Universal 09 10 16 05 RIN Dirty South Division/Gold League/Sony 06 11 15 02 Yxng Bane Ft. Nafe Smallz & M Huncho Dancing On Ice Disturbing London/Parlophone UK/WMI/Warner 11 12 NEW Headie One Ft. Burna Boy Siberia Relentless/Sony 12 13 NEW Young Stoner Life, Young Thug & Meek Mill Ft. T-Shyne That Go! YSL/300/Atlantic/WMI/Warner 13 14 26 03 > Cro ALLES DOPE truworks/Urban/VEC/Universal 14 15 10 04 Tyga & DJ Drama Ft. DJ Chose Let Me Find Out White 03 16 NEW Smokepurpp 200 Thou Alamo/Geffen/UMI/Universal 16 17 19 04 PA Sports & Capital Bra Hell Life Is Pain/Major Movez/Chapter One/Universal 17 18 20 08 CJ Whoopty CJ/Warner/WMI 14 19 NEW Jamule & Capital Bra No Comprendo Life Is Pain/Major Movez/Chapter One/Universal 19 20 22 03 Maluma Agua De Jamaica Sony Latin/Sony 19 21 NEW Lil Mosey Enough Mogul Vision/Interscope/UMI/Universal 21 22 18 03 Ghetts Ft. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Hip Hop Club Songs
Hip Hop Club Songs Did you Know? The credit of coining the term 'Hip-Hop' lies with Keith 'Cowboy' Wiggins, a member of Grandmaster Flash and the Furious Five. Around 1978, he used to tease his friend who was in the US Army by singing hip/hop/hip/hop. He was mimicking the cadence rhythm of the soldiers. Initially known as Disco Rap, hip-hop music is a stylized download mp3 rocket pro free 2010 rhythmic music form which contains rapping and beat boxing as its elements. This music developed as a part of the 'hip-hop culture' in New York, particularly among the African-Americans. Today, hip hop music has become extremely popular among the masses. With the commercialization of this genre of music, a new era of talent paved its path to give music a new feel and rhythm by using words in the interim as a form of expression. Artists like Snoop Dog, Eminem, Nicki Minaj, Black- Eyed Peas have popularized this particular genre even further. Certain artists, who were known for performing other genres also started experimenting with rap and hip-hop. Couple of such examples would be Beyonce and none other than the King of Pop, Michael Jackson. Another factor that has added to hip-hop's popularity is that this music is ideal for nightclubs and dance floors. So, are you arranging one such party for your friends and wondering which songs to play? Then here is a list of various hip-hop club songs that you can play. ? Baby Don't Do It - Lloyd ? Best Kept Secret - Raheem DeVaughn ? Bedroom Walkin' - Ne-Yo ? Tonight - Jason Derulo ? Almost There - Alicia Keys ? Stillettos And A Tee - Bobby Valentino ? Help Somebody - Maxwell Feat. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms. Kivett: UA‟s Welcoming Face UA Music Tastes By Chadsity Durr By Jordan LeGrair At University Academy, there are many key staff mem- oughly enjoy,” she said. bers who contribute to the school‟s environment. Fun fact: Ms. Kivett The music industry is keeping a steady pace, with not Ms. Cynthia Kivett, Central Office Manager, is one of has more than 50 first much going on and only a few new releases by artists. these staff members. She has been dedicated to UA for 11 cousins. Also, two of A lot of people who use Spotify, a music streaming years. her grandchildren attend service, are reminiscing on their most played tracks “I started as a volunteer, and it turned into a permanent UA. throughout 2019. The service officially released this in- job,” she said. “I have two grand- formation to all listeners who use the platform. The top Ms. Kivett‟s job is of high importance, as she is the UA sons here, Anthony and streamed artist of 2019 were Ed Sheeran, with 62.91 mil- doorkeeper. Her job is not only to be responsible for who Keaton Reese, fifth and lion streams per month. Post Malone and Camila Cabello comes in and out of the building, but also to give a positive first grade. I love being followed just behind that. first impression of University Academy to all visitors. As here with my grandchil- Da‟Marion Young, a senior at University Academy, she maintains a positive environment, she also helps keep dren,” she said. -
E-40 Album Download DOWNLOAD ALBUM: Too Short & E-40 -Ain’T Gone Do It Terms and Conditions ZIP
e-40 album download DOWNLOAD ALBUM: Too Short & E-40 -Ain’t Gone Do It Terms and Conditions ZIP. DOWNLOAD Too Short & E-40 Ain’t Gone Do It Terms and Conditions ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Too Short & E-40 – Ain’t Gone Do It Terms and Conditions Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Too Short & E-40 – Ain’t Gone Do It Terms and Conditions Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. E-40 album download. Artist: E-40 And B-Legit Album: Connected And Respected Released: 2018 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – Life Lessons 02 – Straight Like That 03 – Boy 04 – Guilty By Association 05 – Carpal Tunnel 06 – Stompdown (Skit 1) 07 – Meet The Dealers 08 – Get It On My Own 09 – Up Against It 10 – Fsho 11 – Whooped 12 – Tap In 13 – You Ah Lie 14 – Need To Know 15 – Stompdown (Skit 2) 16 – Bare 17 – Barbershop 18 – Blame It 19 – So High. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. E-40 Discography @ 320 (21 Albums+1)(RAP)(by dragan09) 1990 - E-40 - Mr. Flamboyant @192 1994 - E-40 - Federal 1994 - E-40 - The Mail Man (EP) 1995 - E-40 - In a Major Way 1996 - E-40 - Tha Hall of Game 1997 - E-40 & B-Legit - Southwest Riders (2 CD`s) 1998 - E-40 - The Element Of Surprise (2 CD`s) 1999 - E-40 - Charlie Hustle - The Blueprint of a Self-Made Millionaire 2000 - E-40 - Loyalty and Betrayal 2002 - E-40 - Grit & Grind 2003 - E-40 - Breakin' News 2004 - E-40 - My Ghetto Report Card 2008 - E-40 - The Ball Street Journal 2010 - E-40 - Revenue Retrievin' Day Shift 2010 - E-40 - Revenue Retrievin' Night Shift 2011 - E-40 - Revenue Retrievin'. -
Partynextdoor Unveils 'Partypack' on Ovo Sound
PARTYNEXTDOOR UNVEILS PARTYPACK ON OVO SOUND, A COLLECTION OF PREVIOUSLY UNRELEASED MUSIC FEATURING PND CLASSICS “PERSIAN RUGS,” “CANDY” FEAT. NIPSEY HUSSLE, “WEST DISTRICT” AND MORE LISTEN HERE DOWNLOAD COVER ART HERE October 16, 2020 (Toronto, Ont.) – The impact PARTYNEXTDOOR has made on R&B can be traced back to music that was never officially released and today, PND shares PARTYPACK on OVO Sound, a rare bundle of PND classics that define an era. The 7-track collection of songs, dating back to 2015 with guest features from Quavo, Lil Yachty, Murda Beatz and the late Nipsey Hussle, are now deemed some of the most sought-after tracks from the PARTYNEXTDOOR catalogue. Fans can now stream coveted slow jams like “PERSIAN RUGS,” “THINGS & SUCH” and “DON’T DO IT FOR YOU NO MORE.” PARTYPACK resumes the GRAMMY® Award-nominated artist's prolific musical output from the release of his critically-acclaimed album PARTYMOBILE, which dropped in March of this year and features the now RIAA platinum-certified “LOYAL” feat. Drake and blockbuster single “BELIEVE IT” with Rihanna. PARTYMOBILE has collected over 625 million streams, making it his second Top 10 album ever. "PARTYNEXTDOOR has now made his triumphant official return," said HYPEBEAST of PND's fourth album. GQ raved that PARTYMOBILE, whose title is inspired by listening to music while driving, is "his best album to date." Forbes said, “PartyNextDoor’s ability to pull inspiration from all his previous work to craft a wide array of after-hours R&B and alternative hip hop has led to the creation of one of the best LPs of its kind.” In 2020, PND has also been featured on tracks from Summer Walker, dvsn and Trippie Redd. -
AWARDS PLATINUM ALBUM March // 3/1/18 - 3/31/18
RIAA GOLD & PLATINUM LOGIC // EVERYBODY AWARDS PLATINUM ALBUM March // 3/1/18 - 3/31/18 SZA // CTRL PLATINUM ALBUM In March, RIAA certified 199 Song Awards and 75 Album Awards. All RIAA Awards DEMI LOVATO // TELL ME YOU LOVE ME dating back to 1958, are available at GOLD ALBUM riaa.com/gold-platinum! Don’t miss the NEW riaa.com/goldandplatinum60 site celebrating 60 years of Gold & Platinum NF // PERCEPTION GOLD ALBUM Awards, and many #RIAATopCertified milestones for your favorite artists! JUSTIN TIMBERLAKE // MAN OF THE WOODS SONGS GOLD ALBUM www.riaa.com // // // GOLD & PLATINUM AWARDS MARCH // 3/1/18 - 3/31/18 MULTI PLATINUM SINGLE // 47 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// R&B/ 3/15/2018 IT'S A VIBE 2 CHAINZ DEF JAM 3/14/2017 HIP HOP R&B/ 3/1/2018 CAROLINE AMINE REPUBLIC RECORDS 8/26/2016 HIP HOP SIDE TO SIDE 3/9/2018 ARIANA GRANDE POP REPUBLIC RECORDS 5/20/2016 (FEAT. NICKI MINAJ) 3/20/2018 HOW FAR I'LL GO AULI'I CRAVALHO SOUNDTRACK WALT DISNEY RECORDS 11/18/2016 MEANT TO BE (FEAT. 3/28/2018 BEBE REXHA POP WARNER BROS RECORDS 8/11/2017 FLORIDA GEORGIA LINE) BRUNO MARS & 3/28/2018 FINESSE POP ATLANTIC RECORDS 11/18/2016 CARDI B HEY MAMA (FEAT. PARLOPHONE/ 3/19/2018 NICKI MINAJ, BEBE DAVID GUETTA POP 11/21/2014 ATLANTIC RECORDS REXHA, & AFROJACK) 3/1/2018 SORRY NOT SORRY DEMI LOVATO POP ISLAND RECORDS 7/11/2017 R&B/ YOUNG MONEY/CASH MONEY/ 3/8/2018 FAKE LOVE DRAKE 10/24/2016 HIP HOP REPUBLIC RECORDS R&B/ YOUNG MONEY/CASH MONEY/ 3/8/2018 FAKE LOVE DRAKE 10/24/2016 HIP HOP REPUBLIC RECORDS R&B/ YOUNG MONEY/CASH -
Social Media to the Mainstream
1 SoundCloud Rap Narratives as Pop Star Narratives: From Social Media to the Mainstream Popular music meanings are dependent on the artist understood as a “total star text” (Dyer 1979). There has been much discussion in academia of how digital technology transforms formerly auteurist narratives of popular music creation into stories about collective authorship (Ahonen 2008, 107). Yet central fictions continue to involve the singular figure of the popular music star. Like new technologies before it, social media change how pop music stardom narratives are constructed. Narrative arcs (stories) and narrative forms (how those stories are told) have transformed alongside changes to the communication structures between artist and audience, and shifts in the authenticating mechanisms applied to pop stars. The transition of so-called SoundCloud rappers to the center of the American pop music landscape over the last five years epitomizes these changes. This study looks at how the narratives of SoundCloud rappers are constructed in the exchange between social media and traditional media publications; it assumes artist narratives to be constructed in this dialogic space. Social media events are articulated onto traditional structures of legitimation, and mainstream media canonize social media narratives. The results of this study indicate how artist narratives regularly unfold online, and how those patterns feed into the more familiar dramatic story arcs. Between January 2015 and June 2019, approximately 5–6% of unique artists that appeared on the Billboard Hot 100 could be categorized as “SoundCloud rappers.” This research focuses on a subset of these, artists who entered mainstream consciousness between 2016 and 2018, and can be broadly thought of as the second generation of SoundCloud rappers to make the transition to the mainstream.