This Book Is Dedicated to the Artists Who Made It. Thank You for Your Generosity
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Preeti Shenoy is a bestselling author and artist. She has several academic qualifications, but believes life is the biggest teacher. She is an avid blogger, poet, nature lover and yoga buff. She loves playing basketball, travelling and spending time with her family and her dog. Preeti Shenoy is currently based in Bangalore, India. To know more about her, go to preetishenoy.com. westland ltd Venkat Towers, 165, P.H. Road, Maduravoyal, Chennai 600 095 No. 38/10 (New No.5), Raghava Nagar, New Timber Yard Layout, Bangalore 560 026 23/181, Anand Nagar, Nehru Road, Santacruz East, Mumbai 400 055 93, 1st Floor, Sham Lal Road, New Delhi 110 002 First published in India by westland ltd 2012 Copyright © Preeti Shenoy 2012 All rights reserved 10 9 8 7 6 5 4 3 2 1 ISBN: 978-93-82618-18-8 Typeset by Ram Das Lal Printed at Thomson Press (India) Ltd. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no re- production in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written per- mission of the publishers. For Satish, Atul and Purvi And for Mum and Dad Heart! We will forget him! You and I— tonight! You may forget the warmth he gave— I will forget the light! When you have done, pray tell me That I may straight begin! Haste! lest while you’re lagging I remember him! —Emily Dickinson Prologue THE CONVERSATION WITH TANU HAS REMINDED me with startling intensity, of the person I used to be—a person with hopes, ambitions and a desire to live life to the brim. -
Universidad Autónoma Del Estado De México Facultad De Arquitectura Y
Universidad Autónoma del Estado de México Facultad de Arquitectura y Diseño Análisis de la producción simbólica de Tool (banda norteamericana de metal alternativo) Tesis que para obtener el título de Licenciado en Diseño Gráfico presenta: Eduardo Sánchez Azamar Director: Dr. Miguel Ángel Rubio Toledo Toluca, Estado de México, Agosto de 2014 Índice Introducción -- 3 Capítulo I 6 1.1- Contexto temporal y cultural de los miembros de Tool -- 6 1.2- Información contextual adicional -- 8 1.3- Esquema general de la producción discográfica de Tool -- 12 1.4- Referentes visuales contemporáneos-- 13 Capítulo II 23 2.1. Conceptos básicos -- 24 2.2. Iconología aplicada -- 30 Capítulo III 35 3.1 Definición del contexto político, social y cultural -- 36 3.2 Análisis de la producción simbólica de Tool -- 38 3.3 Contextualización de motivos visuales en el Rock y el Metal -- 126 3.4 Contenidos Adicionales -- 130 Conclusiones - 134 Bibliografia - 137 Fuentes electrónicas - 137 Referencias a pie de página - 138 Fuentes de imágenes - 138 Índice Introducción. La formación profesional está llena de obstáculos, de dificultades, pero además de un sentimiento casi inevitable de incertidumbre, todo el conocimiento absorbido durante nues- tra estancia en la universidad ayuda a mitigar en cierta medida la incertidumbre o por lo menos la sensación de la misma, es acertado el decir que “el conocimiento es poder1” sin embargo, este poder, el poder del conocimiento debe tener una dirección definida. El conocimiento ya está ahí, ya ha sido asimilado, pero la confusión aún no se aleja del todo, ya sabemos qué actividades desarrollaremos cuando egresemos de nuestras res- pectivas instituciones para sumergirnos en la vida profesional, pero sin duda hay algunos cabos sueltos. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
The Comedic Agitator
E ¬¬¬ INSIDE WEDNESDAY SEPTEMBER 15,2010 ! The Mexican stuffed pepper is morethan atasty dish — it’s asymbol of the country’s independence. PAGE E4 /star LIFESTYLE | FASHION | POP CULTURE | TRENDS | HEALTH | SOCIETY | ADVICE | PUZZLES | HOROSCOPES Big, bright ALEGACY and retrostyles ! Designers has previouslyrevived manyfashions of the 20th Thecomedic roll out disco century —1950’sDior “newlook,”’80s power looks,Asian shoulders —and now shapes and fornextspring: the soft, simple, sensuous revivalof day-glowhues sexy disco style. agitator Silk and satin were cut into simple shapes, often By MICHAEL QUINTANILLA worn off-the-shoulder, FASHION WRITER sometimes colorfully Essential NEWYORK — Always printed and shown with eagerlyanticipated —and big-brimmed hats last copied —MarcJacobs seen on the French Riviera Collection again demonstrated the in St. Tropez, the jet-set staying powerofretro playground. underscores style as Fashion Week shifted into high gear. HERRERA’S BIG TRIP: stand-up Getreadytoreturn Carolina Herrera chose to the mid-1970s when Koreaasthe reference comedian Bianca Jagger,wearing forher spring collection. Yves St. Laurent, ruled Todaysuch artistic license Bill Hicks’ Studio 54, the disco requires avery light epicenter of style. Jacobs touch. Unfortunately, too manyofthese looks dutyto were heavy-handed, obviouslyderivative heckle the of traditional Korean costumes. Huge hats were status quo hugelydistracting. So were tricked-up, tucked, fold-over self- conscious design details. Some silhouettes were closelybased on the flat-chested tentlike aikido gowns of ancient Korea. Still, the showwas GRAHAM HABER beautiful. ASERIOUS COMEDIAN: Bill Hickswanted otherstoseethe world as he sawit, his friend Dwight Slade says. Fabrics were superb and luxurious, today, but Hicks’ career and the By ANDREW DANSBY waswell-documented. -
Punk Rock and the Socio-Politics of Place Dissertation Presented
Building a Better Tomorrow: Punk Rock and the Socio-Politics of Place Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Jeffrey Samuel Debies-Carl Graduate Program in Sociology The Ohio State University 2009 Dissertation Committee: Townsand Price-Spratlen, Advisor J. Craig Jenkins Amy Shuman Jared Gardner Copyright by Jeffrey S. Debies-Carl 2009 Abstract Every social group must establish a unique place or set of places with which to facilitate and perpetuate its way of life and social organization. However, not all groups have an equal ability to do so. Rather, much of the physical environment is designed to facilitate the needs of the economy—the needs of exchange and capital accumulation— and is not as well suited to meet the needs of people who must live in it, nor for those whose needs are otherwise at odds with this dominant spatial order. Using punk subculture as a case study, this dissertation investigates how an unconventional and marginalized group strives to manage ‘place’ in order to maintain its survival and to facilitate its way of life despite being positioned in a relatively incompatible social and physical environment. To understand the importance of ‘place’—a physical location that is also attributed with meaning—the dissertation first explores the characteristics and concerns of punk subculture. Contrary to much previous research that focuses on music, style, and self-indulgence, what emerged from the data was that punk is most adequately described in terms of a general set of concerns and collective interests: individualism, community, egalitarianism, antiauthoritarianism, and a do-it-yourself ethic. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
Tis' the Season to Be Giving
E H T Inside... oncordia Opinion A Tapas Halloween pg. 2 Sports Playoff Update pg. 4 Everything Eagles Top 3 Cribs pg. 7 ourierInform. Inspire. Ignite. Involve. Volume 5, Issue 6 Concordia University Irvine Tuesday, November 9, 2010 Midterm election results BY KEVIN BLACK party has not made such a seismic shift since 1938. I believe that will only cause more destruction,” STAFF WRITER Republicans and Democrats disagree on the said Allison Ossowski, senior. CA Governor meaning of the intense swing toward more conser- From the primary to the midterm election, vative politicians. young adult votes are down in this election by 18%. On Nov. 2 Californians turned out to vote on Republicans like John Boehner, House Repub- “I get pretty upset about people who don’t vote. the midterm elections for Governor, Senator and lican Leader, claim that the swing is a reaction to I have seen that many people in the college level various propositions including whether or not rec- President Obama’s extreme policies. “It’s pretty do not take the chance to vote, and it frustrates reational marijuana use should be legal. clear that the Obama-Pelosi agenda is being reject- me because they are not exercising their duties as The race for governor was between Republican ed by the American people. I think it’s a mandate a citizen. If you want a change in what is going on Meg Whitman and Democrat Jerry Brown. Brown for Washington to reduce the size of government,” in the government, then take the responsibility to won with 53 percent of the vote. -
To Colleen Mcgarr & Duncan Strauss What I Feel Most Moved to Write, That
AMERICAN SCREAM . Copyright © 2002 by Cynthia True. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information please write: Special Markets Department, HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. FIRST EDITION Designed by C. Linda Dingler Printed on acid-free paper Library of Congress Cataloging-in-Publication Data True, Cynthia, 1969- American Scream : the Bill Hicks story / Cynthia True. -- 1st ed. p. cm. ISBN 0-380-80377-1 1. Hicks, Bill, 1961-1993. 2. Comedians -- United States -- Biography. I. Title PN2287.H495 T78 2002 792.7'028'092 -- dc21 [B] 2001039320 02 03 04 05 06 RRD 10 9 8 7 6 5 4 3 To Colleen McGarr & Duncan Strauss What I feel most moved to write, that is banned -- it will not pay. Yet, altogether, write the other way I cannot. -- HERMAN MELVILLE Foreword When asked to write the foreword of this book I was initially reticent about doing so. There are hundreds of other people more qualified for this task, not only because of their superior writing skills, but also because of their deeper connection to the man honored in this book. Be that as it may, Cynthia True asked me to try because she knew how much I respected and was informed by his talent. -
Wiz Khalifa Song List All
Wiz khalifa song list all Continue This is a set of categories. It should only contain pages that Wiz Khalifa songs or lists of Songs by Wiz Khalifa, as well as subcategories containing these things. Topics about Wiz Khalifa songs in general should be placed in appropriate thematic categories. This category contains Wiz Khalifa songs. See also: Category:Songs written by Wiz Khalifa. See also: Category:Wiz Khalifa Albums. The next 73 pages are in this category, out of 73 total. This list may not reflect recent changes (more). 5 O'Clock (song T-Pain) 23 (song) Ain't Nothing All Night (Juicy J and Wiz Khalifa song) Bake Sale (song) Beat It (Song by Sean Kingston) Bigroom Blitz Black and Yellow Bomb (Chris Brown song) BTS (song) Burn Slow (Wiz Haley Call Waiting (Wiz Khalifa Song) Celebrate (Wiz Khalifa Song) Celebration (Game Song) City View (Wiz Khalifa Song) Die Young Don't Make Em Like You Elevated (Wiz Khalifa Song) Feelin' Me (song will.i.am) Sorry Fuck Gang Up Getting Paid Go Hard or Go Home (song) Gone (song kelly Rowland) Hate Bein' Sober Hopeless Romantic (song Wiz Khalifa) I'm On Influence (song Tove Lo) ISay (song) Jet Life (song Curren$y) King of Everything KK (song) Kush Ups Let Up Up It Go (Wiz Khalifa Song) Lit (Song Wiz Khalifa) Make Play Mind Stoner Molly (Song Tyga) Most of us (Wiz Khalifa Song) NBA (Song) No Resolution (Wiz Khalifa Song) No Sleep (Wiz Khalifa Song) No Social Media Oh My (DJ Drama Song) On my level or not (Ty Dolla Sign Song) Party Girls Payphone (song) Pledge of Allegiance (song) Promises (Wiz Khalifa song) -
Stand-Up Comedy and Progressive Social Change David M
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2015 Was It Something They Said? Stand-up Comedy and Progressive Social Change David M. Jenkins University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Communication Commons, Philosophy Commons, and the Sociology Commons Scholar Commons Citation Jenkins, David M., "Was It Something They aidS ? Stand-up Comedy and Progressive Social Change" (2015). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/5710 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Was It Something They Said? Stand-up Comedy and Progressive Social Change by David M. Jenkins A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Performance Studies Department of Communication College of Arts and Sciences University of South Florida Co-Major Professor: Elizabeth Bell, Ph.D. Co-Major Professor: A. David Payne, Ph.D. Mahuya Pal, Ph.D. John Barnshaw, Ph.D. Date of Approval: June 26, 2015 Keywords: Culture, Humor, Performance, Rhetoric Copyright © 2015, David M. Jenkins DEDICATION This project is dedicated to many, all of whom are partially responsible for getting me here. First, the educators: Dr. Lee Beger, Dr. Patrick Finelli, David Frankel, Dr. Ralf Remshardt, Dr. Mikell Pinkney, Dr. David Shelton, Dr. Stacy Holman Jones, Dr. -
Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker. -
Department of English and American Studies English Language and Literature Maynard James Keenan: Lyrics of Evolution; Evolution
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Antonín Zita Maynard James Keenan: Lyrics of Evolution; Evolution of Lyrics Bachelor ’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2008 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Antonín Zita Acknowledgement I would like to thank my supervisor, Jeffrey Alan Vanderziel, B.A., for his insightful advice, support and guidance. Table of Contents Introduction……………………………...………………………..…………………….1 1. Maynard James Keenan’s Life and Works…………………………………...……3 1.1 Background………………………………………………………………..3 1.2 Note……………………………………………………………………….11 2. Evolution Lyrics…………….………………………………………………………13 2.1 Evolution through Control…………………...…………………………15 2.2 Evolution of Society………….…………………………………………..24 2.3 Furthering the Evolution………………………………………………..32 3. Religious Songs………………………………………………...……………………42 Conclusion………………………...……………………………………………………52 Bibliography………………………………………………………………………….. 54 Appendix……….………………………………………………………………………65 Introduction Maynard James Keenan is the singer known from the bands Tool and A Perfect Circle as well as from his recent side project Puscifer. Beginning in 1990, Tool have become highly influential for several music movements, produced multi-platinum selling records topping the charts in several countries, and won three Grammy Awards, yet due to their intense and multi- layered music, they have remained an alternative act; A Perfect Circle met with similar response. Unlike most of music bands, Tool are a democratic group in the sense that no “spokesman” for the band exists and A Perfect Circle was started by its guitarist Billy Howerdell; however, Keenan’s lyrics are important, for they provide a context for the music. He approaches many issues in his songs, such as personal feelings, manipulation, social criticism, hypocrisy, religion or censorship.