The Second Book of Modern Verse
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The Bookman Anthology of Verse
The Bookman Anthology Of Verse Edited by John Farrar The Bookman Anthology Of Verse Table of Contents The Bookman Anthology Of Verse..........................................................................................................................1 Edited by John Farrar.....................................................................................................................................1 Hilda Conkling...............................................................................................................................................2 Edwin Markham.............................................................................................................................................3 Milton Raison.................................................................................................................................................4 Sara Teasdale.................................................................................................................................................5 Amy Lowell...................................................................................................................................................7 George O'Neil..............................................................................................................................................10 Jeanette Marks..............................................................................................................................................11 John Dos Passos...........................................................................................................................................12 -
Howard Willard Cook, Our Poets of Today
MODERN AMERICAN WRITERS OUR POETS OF TODAY Our Poets of Today BY HOWARD WILLARD COOK NEW YORK MOFFAT, YARD & COMPANY 1919 COPYRIGHT, 1918, BY MOFFAT, YARP & COMPANY C77I I count myself in nothing else so happy as in a soul remembering my good friends: JULIA ELLSWORTH FORD WITTER BYNNER KAHLIL GIBRAN PERCY MACKAYE 4405 ACKNOWLEDGMENTS To our American poets, to the publishers and editors of the various periodicals and books from whose pages the quotations in this work are taken, I wish to give my sincere thanks for their interest and co-operation in making this book possible. To the following publishers I am obliged for the privilege of using selections which appear, under their copyright, and from which I have quoted in full or in part: The Macmillan Company: The Chinese Nightingale, The Congo and Other Poems and General Booth Enters Heaven by Vachel Lindsay, Love Songs by Sara Teasdale, The Road to Cas- taly by Alice Brown, The New Poetry and Anthology by Harriet Monroe and Alice Corbin Henderson, Songs and Satires, Spoon River Anthology and Toward the Gulf by Edgar Lee Masters, The Man Against the Sky and Merlin by Edwin Arlington Rob- inson, Poems by Percy MacKaye and Tendencies in Modern American Poetry by Am> Lowell. Messrs. Henry Holt and Company: Chicago Poems by Carl Sandburg, These Times by Louis Untermeyer, A Boy's Will, North of Boston and Mountain Interval by Robert Frost, The Old Road to Paradise by Margaret Widdener, My Ireland by Francis Carlin, and Outcasts in Beulah Land by Roy Helton. Messrs. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
1 Themes of Nature: Body, Spirit, Place and a Collection of Poems
1 Themes of Nature: Body, Spirit, Place and a collection of poems Finding The Room William Henry Searle Royal Holloway University of London English Department PhD Creative Writing 2 Declaration of Authorship I …William Searle…………………. (please insert name) hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: __William Searle____________________ Date: ___29/08/12_____________________ 3 Abstract The thesis explores three themes, - Body, Spirit, Place, – that are fundamental to my own poetry collection, Finding The Room. Taken together, my poetry and the thesis form a comprehensive understanding of the human subject’s relation to the natural world, and aim towards a redifintion of human subjectivity. In chapter one, through a phenomenological inquiry into the poetry of Ted Hughes, the primordial unity between the body and the natural world is explored. Born out of the intercorporeal rapport between body and world is the Natural Self which perceives itself to be interwoven into its sensuous surroundings, sharing its flesh with the flesh of the world. Out of the primordial coherence between the human body and the body of the earth, occurs the genesis of sacredness, leading on to chapter two which explores the nature-mysticism of R.S. Thomas whose spirituality is presented as being enrooted in an incorporeal bond between body and world. In chapter two it is argued that spirituality is grounded in the actuality of the intercorporeal fusion between body and world, and that the numinous reveals itself through the earth to those that, like R.S. -
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Library Extension Publication [Serial]
University of North Carolina Library Studies Number 2 ORTH CAROLINA FICTION 1734-1957 An Annotated Bibliography 1958 University of North Carolina Library Studies Number 2 NORTH CAROLINA FICTION 17344957 An Annotated Bibliography Prepared by the Joint Committee On North Carolina Literature and Bibliography of The North Carolina English Teachers Association and The North Carolina Library Association UNIVERSITY OF NORTH CAROLINA LIBRARY STUDIES No. 1 North Carolina County Histories, A Bibliography, by William S. Powell, 1958 No. 2 North Carolina Fiction, 1734-1957: An Annotated Bibliography, by a Joint Committee of the North Carolina English Teachers Association and the North Carolina Library Association, 1958 NORTH CAROLINA LITERATURE SERIES in Library Extension Publications 1949 John Charles McNeill, North Carolina Poet, 1874-1907, a Bio- graphical Sketch, by Agatha Boyd Adams 1949 North Carolina Writers [a study outline], by Walter Spearman 1950 Thomas Wolfe: Carolina Student, a Brief Biography, by Agatha Boyd Adams 1951 Paul Green of Chapel Hill, by Agatha Boyd Adams, edited by Richard Walser 1952 Inglis Fletcher of Bandon Plantation, by Richard Walser 1952 North Carolina Authors: a Selective Handbook 1954 Frederick H. Koch: a Short Biography, by Samuel Selden and Mary T. Sphangos 1955 Bernice Kelly Harris, by Richard Walser 1956 North Carolina Musicians 1957 O. Henry in North Carolina, by Cathleen Pike Imaginary landing of a ballonist near Salem in 1789. See No. 528. NORTH CAROLINA FICTION 1734-1957 An Annotated Bibliography William S. Powell Editor CHAPEL HILL THE UNIVERSITY OF NORTH CAROLINA LIBRARY 1958 Copyright 1958 by The University of North Carolina Library JOINT COMMITTEE fFlorence Blakely, Duke University Library Grace S. -
A Magazine of Verse Edited by Harriet Monroe September 1922
Vol. XX No. VI A Magazine of Verse Edited by Harriet Monroe September 1922 Ridge People by Laura Sherry Reflections by Leonora Speyer Poems, by Yvor Winters 252 East Erie Street, Chicago $3. 00 per Year Single Numbers 25c POETRY is great—just that! Edgar Boutwell, of the Louisville Courier-Journal. Vol. XX No. VI POETRY for SEPTEMBER, 1922 PAGE Ridge People Laura Sherry 293 My Country—A Native—Nothin', Somethin'—Howard Bendy—Grand-dad's Bluff—In Mist—Light Magic—Late Autumn in the Hills—The Season Antagonisms Emmy Veronica Sanders 300 Laughter—Into These Things—Passing—Hill Speech Two Sonnets Louis Grudin 306 Anguish Sally Bruce Kinsolving 307 Reflections Leonora Speyer 308 Duets—At the Hospital for the Insane—Song Overheard—Kind Fate—The Stronghold—Looking On—A Truth about a Lie— Couplets Shadow Songs Iris Barry 312 Lamentation—Virgin Moon—An Unposted Letter—Nocturne A Trifoliate Leon Herald 314 Beauty—My Wedding—In Your Eyes Triad ' Arthur H. Netkercot 316 A Walking Poem Edward Sapir 317 Poems Yvor Winters 318 The Little Deity Alone in the Desert—Late Winter—A Requiem for the Memory of Bees—Chicago Spring—Old Spring—The Silent Days—Lament beside an Acequia— "The Fragile Season. " Mea Culpa H. M. 323 On Translating Chinese Poetry II... Eunice Tietjens 328 Reviews: His Home Town H. M. 332 Muriel Stuart Marion Strobel 338 Tranquil Tunes Marion Strobel 340 One Poet Speaks for Himself Pearl Andelson 342 Teacher and Critic ... Nelson Antrim Crawford 344 Asia Emanuel Carnevali 346 Notes and Books Received 349, 350 Manuscripts must be accompanied by a stamped and self-addressed envelope. -
BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Exploring the Complex Political Ideology Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M University RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2006 Major Subject: English RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, William Bedford Clark Committee Members, Clinton J. Machann Marco A. Portales David Vaught Head of Department, Paul A. Parrish August 2006 Major Subject: English iii ABSTRACT Recovering Carl Sandburg: Politics, Prose, and Poetry After 1920. (August 2006) Evert Villarreal, B.A., The University of Texas-Pan American; M.A., The University of Texas-Pan American Chair of Advisory Committee: Dr. William Bedford Clark Chapter I of this study is an attempt to articulate and understand the factors that have contributed to Carl Sandburg’s declining trajectory, which has led to a reputation that has diminished significantly in the twentieth century. I note that from the outset of his long career of publication – running from 1904 to 1963 – Sandburg was a literary outsider despite (and sometimes because of) his great public popularity though he enjoyed a national reputation from the early 1920s onward. Chapter II clarifies how Carl Sandburg, in various ways, was attempting to re- invent or re-construct American literature. -
Prisoner Express Poetry Anthol
Greetings! David Cross J. Cameron My name is Naomi! You‟ve Joe O‟Neal Tim Hampton all already heard from me this summer Don Collins William Chaplar but I just wanted to let you know how Jesus Fonseca Robert V. Fryer much of a pleasure it has been to William Chaplar John Lee Bodessa spend my summer reading your Chris Lockridge Chad Lawson poetry! I am currently a Cornell Robert Hambrick William Chaplair student, and back in May I was Paul Washburn Lysander White clueless on what I would spend my A Story That Should Be Told.4-8 Tim Hampton summer doing. However, I am so glad Tim Hampton Billy Lively I literally stumbled upon the Prisoner Jackey R. Sollars Ansen Stowers Express program. This program Robert Hambrick Santos Peña introduced me to a community of Eric Bederson Lucio Urenda people whose voices are silenced, William Miles Frank Johnson III whose humanity is often forgotten, James E. Meier Robert Deninno and who are in essence forgotten: Jackey R. Sollars Huero Williams prisoners. This program allowed me Eric Benderson Entrapment……………17-19 to hear your voices, to see your Eric Remerowski Vincent Garcia humanity. In particular, working with Ryan Collier Ray Charles Gary the poetry program renewed my love Ted Eason Tom Stone and respect for the art of poetry. It is Leslie Amison Dwayne Waterman extremely powerful to see men and Rickey Pearson Santos Pena women sharing their innermost C.F. Christian Shaun Morales thoughts and emotions, candidly and Frank Johnson III Eric Martinez without care for formality or Ben Winter Buster Swafford correctness. -
AK Svajuuatios Or AKTH0L08IES OP AMERICAS LITERATURE USED IK SECONDARY SCHOOLS
An evaluation of anthologies of American literature used in secondary schools Item Type text; Thesis-Reproduction (electronic) Authors Westbrook, Jennie Madeline Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 15:43:53 Link to Item http://hdl.handle.net/10150/553153 AK SVAjuUATIOS Or AKTH0L08IES OP AMERICAS LITERATURE USED IK SECONDARY SCHOOLS by Jennie Madeline Westbrook • • • Submitted in Partial Fulfillment of the Requirements, for the Decree of iaster of Arts In the College of Education of the University of Arizona 1932 £ 979/ /931* i 2- ACKUO’UXEDGJfiEUTo The writer wishes to express ner sincere appreciation to Dr. Oliver K. Garretson for his kind help and guidance in the preparation of this thesis; to Dr. Fran cis Cummins Lockwood for his helpful suj,cations concerning the aims of teaching American Literature $ to the teachers of Knglish in Tucsoh and in other cities of Arizona ana Texas to whom, the questions ires vveie sent; and tc the following publishers for their cooperation sending the desired anthologies: The Century Company, Dew York; Harecurt, Brace and Company, Hew York; Charles Seri ner1a Sons, Lew York; Ginn and Company, Boston; L. V. Singer Company, Syracuse; Scott, Foreemen anti Company, Chicago; Allyn and Bacon, Lew York; Hand, *-cKally and Company, Chicago. 85795 11 TABLE OF COUTSETS .. " P&8® LIST OF TABLES.................... -
Violent Emotions: Modern Japanese and Korean Women's
VIOLENT EMOTIONS: MODERN JAPANESE AND KOREAN WOMEN'S WRITING, 1920-1980. by MISELI JEON B.A., Yonsei University, Korea, 1976 M.A., Hanguk Oegugo Univeristy, Korea, 1986 M.L.S., The University of British Columbia, 1991 M.A., The University of British Columbia, 1996 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES PROGRAMME IN COMPARATIVE LITERATURE We accept this thesis as conforming to the required standard. THE UNIVERSITY OF BRITISH COLUMBIA June 2004 © Miseli Jeon, 2004 Abstract This thesis aims to draw scholarly and general attention to two long-neglected areas in the fields of modern Korean and Japanese literature. The first is the way that individualism (an imported concept) was adopted and adapted by modern Korean and Japanese women writers from the 1920s to 1970s. The second is the role that the traditional sensibilities of urami (in Japan) and han (in Korea) play in modern women's writing. An additional purpose of the thesis is to introduce these traditional sensibilities to Western readers. The work of six writers will be highlighted, namely Hirabayashi Taiko, Kono Taeko, and Oba Minako in Japanese literature, and Kang Kyong-ae, 0 Chong-hui, and Pak Wan-so in Korean writing. The discussion is divided into the periods before and after the Second World War. Within each period, Korean and Japanese women writers are paired according to thematic similarities in their works. My discussion is based on the hypothesis that the Western ideal of individualism provided an outlet for Korean and Japanese women previously silenced and marginalized by the rigid precepts of the traditional neo-Confucian patriarchy in both Korea and Japan.