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Audition Pack Saturday October 24

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Audition Pack Saturday October 24 FRIDAY 30TH APRIL & SATURDAY 1ST MAY, 2021 AUDITION PACK SATURDAY OCTOBER 24 RODGER & HAMMERSTEIN’S cindAUDITIONerel PACK la PLEASE ENSURE YOU HAVE READ THE INFORMATION IN THIS PACK About the Musical Cinderella, the beautiful and kind-hearted daughter, sees her world turn upside down when her beloved mother dies, and her pained father remarries another woman, the wicked Lady Tremaine, who has two equally cruel daughters, the jealous Grace and Joy. But, once more, things will go from bad to worse, When Cinderella’s father, too, dies, leaving her all alone in the Lady’s clutches to serve as her maid-of-all-work. Under those circumstances, a shabby and neglected Cinderella doesn’t stand much of a chance of attending the King’s royal ball - let alone, captivate the handsome Prince - unless she turns to her loving Fairy Godmother who has quite a few tricks up her sleeve. Nevertheless, will the wronged damsel ever find peace - and with it - her own Prince Charming? About Phoenix Ensemble Unassumingly nestled within Beenleigh showgrounds, Phoenix Ensemble has been producing award-winning theatre for nearly 30 years. From intimate small-cast shows to more elaborate Broad- way-style show stoppers ‘The Tin Shed’ has been a heart of the community for a quarter of a century and has no plans to stop any time soon! Phoenix Ensemble presents a unique theatre experience in the Pavilion Theatre or what has affection- ately become known as “The Tin Shed”. This intimate theatre accommodates 99 people in comfortable raked seating giving every patron an up close and personal experience. Our shows both rehearse and perform at this theatre, which is located within the Beenleigh Showgrounds, James Street, Beenleigh, approximately 25 minutes south of Brisbane CBD and 25 minutes north of the Gold Coast. Phoenix Ensemble’s aim is to produce an eclectic mix of shows from family favourites to shows that push the envelope of musical theatre. They have won countless awards and are regularly nominated in the Gold Coast Arts Palm Awards. Upon accepting a role with Phoenix Ensemble you will be required to become a financial member on the first rehearsal ($24, payable only by Credit/Debit Card). At this same time a $25 Cash Deposit is re- quired for rehearsal materials which will be provided (this is returned during Bump Out). Membership ensures all participants are covered by our Voluntary Workers Personal Accident Insurance. You will receive more information upon acceptance. You will be asked to provide very little else during your time with us as we prefer to let you enjoy your experience! BOOK YOUR OWN AUDITION SLOT WWW.PHOENIXENSEMBLE.COM.AU PLEASE ENSURE YOU HAVE READ THE INFORMATION IN THIS PACK. Meet the Creative Team JULIANNE SALLY ANGE MELANIE CLINCH FAINT SCHOEMAKER SOUTHALL Director Musical Director Co-Choreographer Co-Choreographer Julianne began dancing more than Sally is in love with everything about Ange has been on the stage perform- Mel is excited to be sharing the role of 30 years ago and has performed in musical theatre and has a range of ing since the tender age of 4, and it’s choreographer with Ang Schoemaker. over 50 productions in a wide range experience both on and off the stage. been one big love affair with musical A creative partnership we hope will of styles from children’s theatre to Some of her on stage credits include theatre since then! She has many bring the fairytale of a Cinderella Burlesque and almost everything in performing in Phoenix Ensembles stage credits to her name including: alive on stage at Phoenix. Mel has between. She completed a Bachelor of Charlie and the Chocolate Factory Phyllis in 42nd Street; Mrs Hopkins a long history of dance experience Music Theatre at Central Queensland as Grandma Josephine and Kinky in My Fair Lady; ‘Old Woman’ in Les including teaching, choreographing Conservatorium of Music in 2003. Since Books as a member of the ensem- Miserables (haha very appropriate and performing. She has performed then Julianne has performed in many ble; Ipswich Orpheus Choral’s Jesus these days); Anne in Anne of Green onstage in a range of shows including shows both in Australia and overseas. Christ Superstar as an Apostle; and Gables; Grace in Annie; and Ronette 42nd Street, Anything Goes, Thor- She has been teaching music, dance, Townsville Choral Society’s Sound in Little Shop of Horrors. But two of oughly Modern Millie, Savoyards 50th and drama to children and adults for of Music as Sister Sophia. She has her most recent roles are her two Anniversary Show, Nice Work and the past 12 years and currently works as also played flute and/or reeds in the favourites to date: Trish in Phoenix recently Kinky Boots. Mel enjoyed a primary school arts specialist teacher. orchestra for shows such as Phoenix Ensemble’s Kinky Boots and June the role of Assistant choreographer Julianne was lucky enough to meet Ensemble’s Little Miss Sunshine and in Savoyards’ Production of Chica- for Savoyards Chicago and also a tap her husband while performing in Sven Witches of Eastwick, 24 Hour Musical go. Ange moved from the stage to choreo for QMT’s production of Cats. Swenson’s The Truth About Kooka- Projects Witches of Eastwick and dip her toe in the ‘creatives’ side of She looks forward to the journey with burras (Pentimento Productions/La Kiss Me Kate and Ipswich Orpheus musical theatre when she was assistant an amazing Production team who aim Boite) in 2012. Julianne has been dance Choral’s Beauty and the Beast. Her choreographer for Savoyards’ Boy to bring an enchanting theatrical ex- captain on a number of productions creative team experience includes From Oz. It is with much excitement perience to the stage, in the fairytale including The Little Mermaid and The being assistant musical director for that she continues on the produc- of, Cinderella. Witches of Eastwick for Phoenix Ensem- Savoyards’ production of I Love You, tion side and joins her close friend ble. Her choreographic credits include You’re Perfect, Now Change; 24 Hour Melanie Southall, partnering together Scissors, Paper, Rock : The Musical Musical’s production of Sound of Mu- to choreograph Cinderella. And with (Underground Productions), as well as sic; and choreographer for Townsville Julianne, Darcy and Sally too, Ange numerous cabaret shows and children’s Choral Society’s production of Sound is more than ready to bring some theatre productions. of Music. fairytale magic to life. Though Julianne has directed many Sally is very excited to bring the DARCY student productions, she is excited beautiful music of Rodgers and “Why, it’s like a dream. A wonderful for Cinderella to be her first full scale Hammerstein to life in this production dream come true! – Cinderella” musical in this role. A long-time fairytale of Cinderella as musical director and MORRIS fanatic, Julianne can’t wait to explore is looking forward to woking this this Assistant Director the enchantment and wonder of this wonderful creative team. classic tale. BOOK YOUR OWN AUDITION SLOT WWW.PHOENIXENSEMBLE.COM.AU PLEASE ENSURE YOU HAVE READ THE INFORMATION IN THIS PACK. We are an amateur company. No roles are paid. All performers must be 16+ years old by time of performances. The Roles This is not a youth production. Cinderella Grace & Joy Range: Soprano Range: Alto / Mezzo A kind young woman. She is mild mannered at first glance, but burns with a fiery passion for more in her life. Although, Cinderella’s two stepsisters. We seldom see true, genuine Cinderella comes from sad beginnings, she continues to make the best of every situation. Her caring, good-natured smiles across their faces, preferring to take more pleasure in personality and strong opinions are what catches the the continual putting-down of Cinderella. Feel entitled to Prince’s attention. marry the Prince and certainly do not deserve it. Fairy Godmother Range: Mezzo-Soprano Queen Constantina Range: Alto / Mezzo An unexpected ally for Cinderella, the Fairy Godmother is a mysterious, wise and caring mentor who delivers her advice with wit and sass. She helps Cinderella realise her true potential. She wears the pants in her marriage and (silently) runs the The panel is accepting auditions from any gender for this role. kingdom. She is a vibrant, caring mother to her only child, Prince Christopher. She thinks her husband is daft, but loves Stepmother him completely anyway. A very genuine person. Range: Alto / Mezzo Cinderella’s stepmother. A stern, narcissistic upper class lady. She is proud of her children and resents being burdened King Maximillian with Cinderella. There is always vile intent behind her words. Range: Baritone Prince Christopher A boisterous, head-slightly-filled-with-saw-dust, naive Range: Tenor and comical king. Blissfully unaware of his wife and son’s emotions, he means well and his heart is in the right place. A bright young man. He is searching for his independence within his royal role. He is expected to marry for the good of the kingdom but wants it to be for true love. He hopes to understand the needs of his people. Ensemble Lionel Various Ensemble Roles, many with solos. Range: Bari-tenor Roles include: Merchants, Villagers, Ball, Wedding Guests, The prince’s Royal Steward; and his one true ally and friend. Mice, Cats and Doves. BOOK YOUR OWN AUDITION SLOT WWW.PHOENIXENSEMBLE.COM.AU PLEASE ENSURE YOU HAVE READ THE INFORMATION IN THIS PACK. Principal Auditions Friday April 30th from 7.30pm & Saturday May 1st, from 10.30am By appointment only; individual 15 minute private sessions. Prepare two contrasting legitimate musical theatre songs in the style of the show.
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