Amazon and Comixology
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Captain America
The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume. -
Graphic Novels for Children and Teens
J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr. -
Track Package
4/12/2016 Track Package All Hello, Brad 0 Departments Shopping History Brad's Amazon.com Today's Deals Your Account Prime Lists Cart Your Account › Your Orders › Order Details › Track Package Track Package Delivered Thursday Your package was left in the mailbox. 5 Delivered on Apr 7 Ordered Shipped 6260 DERBY DR, FREDERICK Apr 5 Apr 6 Your package was left in the mailbox. Get shipment updates with the free Amazon app Shipment details Latest update: Thursday, Apr 7 Send a download link to your email Please enter your email SSuebnmdit Your package was left in the mailbox. 3:07 PM Frederick, MD, US Prefer to get text messages instead? Carrier: USPS, Tracking #: 9374889678090017614247 Show more View order details Recommended for You Based on PNY Turbo 32GB USB 3.0 Flash Drive P Page 1 of 8 FD32GTBO... PNY Attaché 16GB USB SanDisk Ultra CZ48 32GB Gigabyte LGA 1150 Intel Kingston Digital 16GB 100 2.0 Flash Drive P USB 3.0 Flash Drive Z97N IWiFiBluetooth G3 USB 3.0 DataTraveler FD16GATT03GE Transfer Speeds Up To… HDMI SATA 6Gb/s USB 3.0 (DT100G3/16GB) 3,627 1,005 Mini ITX DDR3… 722 $4.99 $10.99 66 $5.49 $145.12 Your Recently Viewed Items and Featured Recommendations Inspired by your browsing history Page 1 of 9 https://www.amazon.com/gp/youraccount/shiptrack/ref=oh_aui_st_v2_btn?ie=UTF8&itemId=rillpqhqnnppp&orderId=11054802255103452&packageI… 1/2 4/12/2016 Track Package Importer520 Gold Plated Plugable UD3900 USB 3.0 AmazonBasics DVI to DVI Acer S0 S240HL Abd 24" HDMI Female to DVID Universal Docking Station Cable 9.8 Feet -
The Financial Aspects of Comic Book Self Publishing
The Financial Aspects of Comic Book Self Publishing FIN6416-798 Advanced Financial Analysis Prepared for: Dr. Susan Long University of South Florida Due: April 26 2005 Written By: Chris Harden FIN6416-798 Financial Aspects of Comic Book Self Publishing Prepared for: Dr. Susan Long Due: April 26 2005 Written By: Chris Harden Table of Contents Table of Contents......................................................................................................................... 2 Introduction.................................................................................................................................. 4 Purpose of this Discussion:...................................................................................................... 4 Product & Process – How a Comic Book is Created, Distributed, and Sold........................... 4 The Product.......................................................................................................................... 4 The Process .......................................................................................................................... 5 Economic Analysis - A Look at the Industry: ........................................................................ 6 Financials:............................................................................................................................ 6 Financial Analysis: Choosing a Business Model......................................................................... 7 The Source Data:..................................................................................................................... -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Digital Comics: Panel Structure in a Digital Environment
Digital Comics: Panel Structure in a Digital Environment A Thesis Submitted to the Faculty of Drexel University by Nathaniel Shaw in partial fulfillment of the requirements for the degree of Masters of Science in Digital Media May 2011 © Copyright 2011 Nathaniel Shaw. All Rights Reserved i Acknowledgements I would like to thank my thesis advisor, Troy Finamore, for all of the constructive criticism and support throughout the process of this thesis project. Without his suggestions and technical help the project would not have been possible. I would also like to thank the committee, Matt Kaufhold and Jervis Thompson, for their contributions, comments, and suggestions. If Matt hadn’t told me to make sure to have a beginning, middle, and end to my story I wouldn’t have thought to do the opposite. Special recognition goes to my sister, Nyssa Shaw, for her help when I was struggling with the story. Additionally, I would like to thank my fellow graduate students Dan Bodenstein, Bob Piscopo, Simon Littlejohn, and Greg Ruane for the support and sense of community. This thesis and Drexel Digital Media wouldn’t be the same without them. Thanks also goes to past Drexel students Evan Boucher, Dave Lally, Nick Avallone, Christian Hahn, Jessie Amadio, Justin Wilcott, and Tom Bergamini for their help throughout my education here at Drexel. I learned so much from each of them. Finally, I would like to thank the Drexel Digital Media faculty that helped me along the way. Dave Mauriello for his enthusiasm for teaching and dedication to the Digital Media program. Ted Artz for his interest in my thesis and creative input on other projects. -
Marvel Unlimited Free Trial
Marvel unlimited free trial Experience the greatest collection of Marvel comics ever assembled digitally with full free issues! MARVEL COMICS PRESENTS – The M&M’s (introducing CARAMEL) in: IF M BE MY DESTINY #0. MARVEL AVENGERS ALLIANCE #4. Preview tons of digital comics for free, search back issues, and enjoy with Offer is open to new and former (now-cancelled) Marvel Unlimited members. It's occurred to me recently that between all the many free trials of "all you The recent addition of Marvel Comics to both Comixology Unlimited. Poor Marvel, overall I've paid $ for three months of comic bingeing. Of course, I spend like $40 a month on singles, but NEVER THE LESS! Marvel 30% off Promo code: 30%Off Marvel Unlimited. Free 1-Month Marvel Unlimited Digital Comic Subscription . Get Free Marvel Unlimited 1 month trial. Marvel Unlimited 1 Month Free Trial Digital Comics. Avatar Damians Marvel Unlimited Digital Comic Subscription First Month Free. Avatar ThineChaos. Marvel Unlimited is subscription program where you can read as many comics as you desire. You won't find comics that just hit the retail. Get your 1st month of Marvel Unlimited for FREE in celebration of Star Wars Legends coming to Marvel! #readyareyou #starwarsjoinsmarvel. Click to view Unlimited Free Month & Online Coupons. Today's best offer is: 80% off. Get Instant Access to over 20, digital comics with Marvel Unlimited, Marvel's digital comics subscription service. Members of Marvel Unlimited can now. To help celebrate the premiere of Spider-Man: Homecoming hitting theaters next Friday (7/7/), fans can get a month free trial of Marvel. -
The New Normal: Enfreakment in Saga
THE COMICS GRID Journal of comics scholarship Research How to Cite: Lipenga, KJ. 2019. The New Normal: Enfreakment in Saga. The Comics Grid: Journal of Comics Scholarship, 9(1): 2, pp. 1–17. DOI: https://doi.org/10.16995/cg.161 Published: 14 February 2019 Peer Review: This article has been peer reviewed through the double-blind process of The Comics Grid: Journal of Comics Scholarship, which is a journal published by the Open Library of Humanities. Copyright: © 2019 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: The Comics Grid: Journal of Comics Scholarship is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Ken Junior Lipenga. ‘The New Normal: Enfreakment in THE COMICS GRID Saga’ (2019) 9(1): 2 The Comics Grid: Journal of Comics Journal of comics scholarship Scholarship. DOI: https://doi.org/10.16995/cg.161 RESEARCH The New Normal: Enfreakment in Saga Ken Junior Lipenga Department of English, University of Malawi, Zomba, MW [email protected] This article draws on the award-winning fantasy comic Saga (Vaughan and Staples 2012–present), in order to explore how it portrays bodily difference as the norm, presenting to us a fantasy reality that nevertheless uncannily parallels ours in many ways. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Media Website Contact List
MEDIA WEBSITE CONTACT LIST version: 8/2016 Outlet Name First Name Last Name Title Email Address Website Address Bleeding Cool Richard Johnston Editor-in-Chief [email protected] http://www.bleedingcool.com/ Comics Alliance Andrew Wheeler Editor in Chief [email protected] http://comicsalliance.com/ Comics Alliance Kevin Gaussoin Editor in Chief [email protected] http://comicsalliance.com/ Comic Book Resources Albert Ching Managing Editor [email protected] http://www.comicbookresources.com/ Comic Vine Tony Guerrero Editor-in-Chief [email protected] http://www.comicbookresources.com/ ComicBook.com James Viscardi Editor in Chief [email protected] http://comicbook.com/ Forces of Geek Erin Maxwell Reporter [email protected] http://www.forcesofgeek.com/ IGN Entertainment Joshua Yehl Comics Editor [email protected] http://www.ign.com/ ICV2 Milton Griepp Editor in Chief [email protected] http://icv2.com/ Newsarama Chris Arrant Editor-in-Chief [email protected] http://www.newsarama.com/ The Beat Heidi MacDonald Editor in Chief [email protected] http://www.comicsbeat.com/ Comicosity Matt Santori-Griffith Senior Editor [email protected] http://www.comicosity.com/ The Mary Sue Maddy Myers Editor [email protected] http://www.themarysue.com/ The Mary Sue Dan Van Winkle Editor [email protected] http://www.themarysue.com/ Multiversity Comics Brian Salvatore Editor-in-Chief [email protected] http://multiversitycomics.com/ Comic Crusaders [email protected] www.comiccrusaders.com/ Graphic Policy Brett Schenker Founder / Blogger in Chief [email protected] https://graphicpolicy.com/ THIS LIST OF CONTACTS IS DESIGNED TO BE A RESOURCE FOR PUBLISHERS TO HELP PROMOTE THEIR PROJECTS TO THE PUBLIC. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
2012 Maverick Graphic Novel List
2012 Maverick Graphic Novel List Title Author/Artist ISBN Age GroupPublisher Astronaut Academy Zero Gravity Dave Roman 9781596436206 6-8 First Second Bake Sale Sara Varon 9781596434196 6-8 First Second Hereville: How Mirka Got her Sword Barry Deutsch 9780810984226 6-8 Amulet (Abrams) Last Unicorn Peter Beagle 9781600108518 6-8 IDW Lost and Found Shaun Tan 9780545229241 6-8 Scholastic Pirate Penguin Vs Ninja Chicken Ray Friesen 9781603090711 6-8 Top Shelf Possessions: Book One: Unclean Ray Fawkes 9781934964361 6-8 Oni Press Getaway Sidekicks Dan Santat 9780439298193 6-8 Scholastic Zita the SpaceGirl Ben Hatke 9781596434462 6-8 First Second 21: The Story of Roberto Clemente Wilfred Santiago 9781560978923 6-12 Fantagraphics Americus M. K. Reed and Jonathan 9781596437685 6-12 First Second David Hill Anya's Ghost Vera Brogol 9781596435520 6-12 First Second Avengers, Vol 1 Brian Michael Bendis 9780785145004 6-12 Marvel Bad Island Doug TenNapel 9780545314794 6-12 Graphix (Scholastic) Drawing From Memory Allen Say 9780545176866 6-12 Scholastic Evolution: the story of life on earth Jay Hosler, Kevin Cannon and 9780809043118 6-12 FSG (MacMillan) Zander Cannon Freshman: Tales of 9th Grade Corinne Mucha 9780981973364 6-12 Zest Books Obsessions, Revelations, and Other Nonsense I am Here! Ema T'yama 9780345522436 6-12 Random House Laddertop v. 1 Orson Scott Card, Emily Janice 9780765324603 6-12 Tor/Seven Seas Card with Zina Card ; illustrated by Honoel A. Ibardolaza 2012 Maverick Graphic Novel List Title Author/Artist ISBN Age GroupPublisher Last Dragon