Yeah, Whatever Makes Them Happy Bowie's Back in a Matter Of
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Some Bros. & a Blonde
page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now. -
Tim Carter, and Dave Hagerman on “Keep on Smilin’” by Wet Willie
1 Rockin’ Songs of the South: Freebird Night By Deroy Murdock Bohemian Club January 28, 2009 January 29, 2009 (Ladies’ Night) Draft I (Separate Thursday, Head Table and Friday scripts to follow) [The Jinks Theater’s curtain rises as we hear…] [Song: “South’s Gonna Do It Again”] Sire: Thank you very much, Michael Lee Firkins and Carlos Reyes with the Charlie Daniels Band’s hit, “The South’s Gonna Do it Again.” [Applause.] I’m Haley Barbour, and I’m your Sire tonight. This is my first time to be a Sire, but with my accent, Rich Garlinghouse, the Imperial Potentate around here, thought I’d be perfect . 2 . and, Rich, thanks for letting me do it without an interpreter. Rich says I’m the only member of the Club who pronounces his first name with three syllables. [For Thursday continue with head-table remarks, then end; Resume remarks after first musical number in Jinks Theater Thursday night. Downstairs script begins with thank yous after “South’s Gonna Do It Again.] [For Friday Night, continue straight through.] -- 3 We are here tonight to honor and appreciate Southern Rock. One of this genre’s pioneers, Greg Allman, believes the term “Southern Rock” is redundant. “Sort of like ‘rock rock.’” After all, rock & roll began as southern music. There’d be no rock without the blues, created in the Mississippi Delta by the original bluesmen, like Charlie Patton of Dockery Farms, and Hazlehurst’s Robert Johnson, who, legend has it, sold his soul to the devil to learn to play the blues guitar, down where Highway 49 intersects with US 61. -
Columbuscityscene11 18
NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O. -
Requiem for Thomas Wood B.3/10/65 D.6/27/19 “Sometimes I Feel
Requiem for Thomas Wood b.3/10/65 d.6/27/19 “Sometimes I feel, sometimes I feel Like I been tied to the whipping post Tied to the whipping post, tied to the whipping post Good Lord, I feel like I’m dyin’” Allman Brothers Band. Whipping Post The last time I saw Tom Wood alive the scene played out this way. I was heading down Bishop Street when I spotted Tom on the side of the road across from the MWRTA’s headquarters. I’m thinking maybe he was lookin’ for a lift to cover the last 700 yards from the Turning Point to the mother ship. First I groaned, then hesitated, yes hesitated before pulling over to the side of the road and rolling the passenger side window. “Tom, hey Tom, do you want a ride, are you OK?” Tom’s eyes are cloudy and unfocused, they appear to be spinning in his head. “You may need to go to the hospital. Come on, let’s go see your caseworker.” No way, Tom dismisses me. His eyes focus for a moment. “I’m OK. I’ll walk.” As I pull away, the twin throbbing guitars of Duane Allman and Dickey Betts accompanied by the futile existential wail of sorrow by Gregg Allman starts playing between my ears. The Live at the Fillmore version. It’ll be a while before it recedes. I learn, when Tom is lying in a hospital bed with the electrical activity in his brain reduced to a mere flicker, that Tom was a heavy metal aficionado. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft. -
First Dance & Standards Song Artist All My Love the Beatles at Last Etta
First Dance & Standards Song Artist All my love The Beatles At Last Etta James Better Together Jack Johnson Best Thing Ray Lamontagne Can you feel the love Tonight Elton John Come Fly with Me Frank Sinatra Crazy Patsy Cline Crazy Love Van Morrison Dream a little dream of me Michael Buble Eternal Flame The Bangles Fly me to the Moon Frank Sinatra Grow Old With You Adam Sandler Have I told you Latley Rod Stewart Home Edward Sharpe and the Magnetic Zeros Home Michael Buble I can't Help Falling in love with you Elvis Presley I got you Babe Sonny & Cher I hope You Dance Lee Ann Womack I just called to say I love You Stevie Wonder If I aint got You Alicia Keyes I'm Yours Jason Maraz In My Life Beatles Into the Mystic Van Morrison Is this Love Bob Marley Isn't She Lovely Stevie Wonder It Had to be you Harry Conick Jr Just the Way You Are Billy Joel Lucky Colbie Caillie & Jason Maraz Make you feel my love Adelle No Woman/No Cry Bob Marley Save the last Dance for Me The Drifters Sparks Cold Play Summer Wind Frank Sinatra Thank You Led Zepplin The Way You Look Tonight Frank Sinatra They Cant take that away from me Frank Sinatra True Colors Cyndi Lauper Unforgettable Nat King Cole What a Wonderful World Louis Armstrong When I'm 64 The Beatles Wonderful Tonight Eric Clapton You and Me Dave Mattews Your Song Elton John Me and You Kenny Chesney Moondance Van Morrison More Today Than Yesterday Spiral Staircase Ohh Baby Baby Linda Ronstadt Someone Like You Van Morrison Somewhere over the rainbow Israel Kamakawiwo'ole Son of A Preacher Man Dusty Springfield -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
CSUSB Scholarworks
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 10-1-2001 October 1st 2001 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "October 1st 2001" (2001). Coyote Chronicle (1984-). 486. https://scholarworks.lib.csusb.edu/coyote-chronicle/486 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Multi-Cultural Multi-Cultural Multi-Ciatural lC6yo# Spohs Coyote Sports Coyote Sport^ A&E A&E A&E A&E A&E A&E A&E A&E O-fe's (Bac^! Tlgam... on page 19 Volume 35 October 1, 2001 Servins the Students of CSUSB for 35 Years 9-11: A National Emergency Mathew Taylor /Vews Editor Not since Pearl Harbor has First Ever Arabic there been such a violent act com mitted against the United States. Language Class in The events perpetrated on Sep tember II, 2001 will forever be Gal State History known as 911, a national emer gency. On that date there was an Karen Sogar aerial assault on the World Trade Staff Writer centers in New York and also the Pentagon in Washington. There . What weTiave here is an was another hijackmg, which was opportunity to communicate. Cal thwarted by crew and passengers State University San Bernardino tfiat fought against the terrorists. now offers classes in Arabic These attacks caused America to through the Foreign Language close all borders, the FAA stopped Department. -
"Most Likely to Succeed
Country's Tim McGraw "Most Likely To Succeed Fan Fair '94 Edition 0 82791 19359 . ) VOL, LVII, NO. 39 JUNE 11,1994 STAFF GEORGE ALBERT President and Publisher KEITH ALBERT Executive Vice President/ General Manager EDDIE KRITZER Executive Vice President/ Marketing (LA MARK WAGNER Director, Nashville Operations RICH NIECIECKI Managing Editor MARKETING/ADVERTISING DONALD SMITH (LA) MATTHEW SAVALAS (LA) MAXIA L. BANE (LA) INSIDE THE BOX STAN LEWIS (NY) RAFAEL A. CHARRES (Latin, NY) COVER STORY EDITORIAL Los Angeles TROY J AUGUSTO MICHAEL MARTINEZ Country’s “Most Likely To Succeed” JOHN GOFF Nashville RICHARD McVEY Liberty’s John Berry, Curb’s Bros.' Faith Hill, Rick Tim McGraw, Warner Columbia’s Trevino. RCA’s GARY KEPUNGER New York Lari White and Capricorn’s Kenny Chesney are among this year’s class of rising new artists that are RAFAEL A CHARRES. Latin Editor TED WILLIAMS “most likely to succeed.’’ Cash Box's Richard McVey profiles each of these talented newcomers. CHART RESEARCH Los Angeles —see pages 6 & 7 DANI FRIEDMAN NICOLA RAE RONCO GIL BANDEL Nashville Readies For Fan Fair TRENICE KEYES Nashville GARY KEPUNGER Country music fans who want the opportunity to get upclose and personal with their favorite stars at this Chicago year’s Fan Fair can do so with a special one-day ticket or attend the entire week’s schedule, June 6-12, CAMILLE COMPASIO Director. Coin Machine Operations PRODUCTION at the Tennessee State Fairgrounds. SHARON CHAMBUSS-TRAYLOR see page 15 — CIRCULATION NINA TREGUB, Manager Industry Buzz PASHA SANTOSO PUBLICATION OFFICES NEW YORK East Coast: Francis Dunnery lias evolved from recording and touring as a guitarist for Robert Plant to 345 W 5Sh Street Suite 15W New York, NY 10019 his own Atlantic debut Fearless. -
“Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
“Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album. -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
BIO Concert Promoter 2016-2017
CONCERT PROMOTER BIO 2016/2017 MASCOT LABEL GROUP/PROVOGUE Beth Hart is on fire. Right now, the Grammy-nominated singer/songwriter is riding a creative tidal wave, firing out acclaimed albums, hooking up with the biggest names in music and rocking the house each night with that celebrated burnt-honey voice. In 2016, the headline news is Beth’s latest album, Fire On The Floor (out 14 October 2016 (Europe / Australia / New Zealand) and 3 February 2017 (US / CanaDa) on Provogue/Mascot Label Group): a release that even this fiercely self-critical artist describes as “pretty frickin’ good”. But let’s not forget the backstory that brought her here… The Blues Magazine once dubbed Beth Hart “the ultimate female rock star”, and there’s no doubt that her two-decade career is the ultimate thrill-ride. Born in Los Angeles, she released a fistful of hit albums through the ’90s, then reignited in the post-millennium as both a solo artist and the head-turning vocalist for guitar heroes like Joe Bonamassa, Jeff Beck, BuDDy Guy and Slash. “Extraordinary,” wrote The Times of her once-a-generation voicebox, while The Guardian praised her “daring, brooding and angry” performances. It’s no wonder she’s been nominated for three Blues Music Awards. But it’s in recent times that Beth has truly blossomed. In April 2015, she released Better Than Home: a critical and commercial smash that toppeD the iTunes Blues Chart and was crowneD #4 Best Blues Album Of The Year by Mojo magazine. The release led her to fill AmsterDam’s Heineken Music Hall with 5,500 fans (her largest club show to Date).