John Metcalf Mapping Wales • Plain Chants • Cello Symphony
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Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
Concerto for Violin and String Orchestra
BRITISH VIOLIN CONCERTOS Paul Patterson Kenneth Leighton Gordon Jacob Clare Howick, Violin BBC Scottish Symphony Orchestra Grant Llewellyn Paul Patterson (b. 1947): Violin Concerto No. 2 (‘Serenade’) (2013) 21:57 British Violin Concertos For Clare Howick Paul Patterson • Kenneth Leighton • Gordon Jacob 1 I. Toccata – 5:15 Contrary to opulent violin concertos conceived on a grand movement is virtually monothematic in its close allegiance 2 II. Barcarolle – 8:45 scale by Edward Elgar and William Walton, for example, to a haunting and wistful refrain, which is constantly the three British violin concertos featured here adopt a recast in fresh and varied guises. Once again, the harp 3 III. Valse-Scherzo 7:57 more concise approach to the genre using chamber comes to the fore as the music dies away. forces. Though not shunning the time-honoured elements Full orchestral forces are deployed in the sparkling Kenneth Leighton (1929–1988): of bravura display anticipated in concertante works, they Allegro finale. After a short introduction presenting Concerto for Violin and Small Orchestra, Op. 12 (1952) 24:10 cast the solo violinist as first among equals, engaging in tantalising wisps of thematic material, the solo violin has a To Frederick Grinke telling dialogues with a responsive ensemble, rather than brilliant cadenza. This forms a roguishly extended as an individual pitted against the mob. preamble to a lively Valse-Scherzo whose sly harmonic 4 I. Allegro con brio, molto ritmico 7:49 Born in Chesterfield on 15 June 1947, Paul Patterson shifts and intoxicating melodic sweep rounds the concerto 5 II. Intermezzo – Moderato con moto, sempre dolce 5:58 studied composition with Richard Stoker at the Royal off in exuberantly urbane style. -
ALSO on Signumclassics
103Booklet 21/8/07 21:45 Page 1 ALSO on signumclassics SIGCD051 SIGCD052 Hypothetically Murdered Hamlet & King Lear Dmitri Shostakovich Dmitri Shostakovich City of Birmingham Symphony Orchestra / City of Birmingham Symphony Orchestra / Mark Elder Mark Elder SIGCD053 SIGCD095 Red Leaves Wanderer Fantasy Works by 20th Century Composers English Chamber Orchestra / Orlando Jopling Brunel Ensemble / Christopher Austin Members of the Schubert Ensemble Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 103Booklet 21/8/07 21:45 Page 3 John Metcalf PARADISE HAUNTS: THREE MOBILES: In Time of Daffodils IN TIME OF DAFFODILS The three works on this disc span a period of The most recent work of the three is In Time of Paradise Haunts... twelve years of creative work. There are connections Daffodils. I drew on my experience of writing opera 1. Paradise Haunts... [25.13] in the way that they were conceived in that that in composing it. The challenge of writing for baritone they all started life either as a whole or in part as and a large orchestra yet keeping the texture and Three Mobiles works with piano; the versions on the disc evolved, words clear was an important one to respond to. I 2. Mobile I [2.58] therefore, over time. also attempted a quasi symphonic structure with 3. Mobile II [8.01] the parallel sets of three poems being musical 4. Mobile III [3.11] Paradise Haunts was composed at a creative paraphrases. At the same time the piece makes a turning point in my life. -
2018/19 Season Announcement
FOR IMMEDIATE RELEASE CONTACT Meredith Kimball Laing 919.789.5484 [email protected] North Carolina Symphony’s 2018/19 Season Delivers Powerful Musical Narratives and Proves that Orchestral Music Is Thriving in the State Highlights Include Season-Opener with Violinist Joshua Bell; Cultural Preservation Project with Eastern Band of Cherokee Indians; Multimedia Collaboration with North Carolina Museum of Natural Sciences; Live Recording with Grammy Winners; and Continued Commitment to New Music and Work of Women Composers RALEIGH, N.C. – The North Carolina Symphony is an indispensable part of North Carolina’s cultural narrative. Founded as America’s first statewide orchestra in 1932, and traveling 18,500 miles throughout the state to engage 250,000 people each year, NCS is committed to presenting artistically excellent performances that delight and inspire—and with ticket sales increasing 50% since 2010, it is clear that the Symphony is delivering on that promise. The 2018/19 season proves that orchestral music is thriving in North Carolina: NCS will collaborate with artists and organizations to present classical music experiences distinctive to North Carolina life; commission new works by North Carolina natives; perform masterworks in new contexts; and offer broad variety in its programming—in and outside of the concert hall— to develop new audiences. “Each work we present has a story to share, and our ever-present hope is that our audiences connect to these powerful musical narratives—whether it is the triumph in Beethoven’s Symphony No. 5, the humor in Strauss’ depiction of Don Quixote, or the history of North Carolina’s native people reflected in a new work,” says NCS Music Director Grant Llewellyn. -
English Is a Welsh Language
ENGLISH IS A WELSH LANGUAGE Television’s crisis in Wales Edited by Geraint Talfan Davies Published in Wales by the Institute of Welsh Affairs. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means without the prior permission of the publishers. © Institute of Welsh Affairs, 2009 ISBN: 978 1 904773 42 9 English is a Welsh language Television’s crisis in Wales Edited by Geraint Talfan Davies The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well-being of Wales. IWA is an independent organisation owing no allegiance to any political or economic interest group. Our only interest is in seeing Wales flourish as a country in which to work and live. We are funded by a range of organisations and individuals. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA - Institute of Welsh Affairs 4 Cathedral Road Cardiff CF11 9LJ tel 029 2066 0820 fax 029 2023 3741 email [email protected] web www.iwa.org.uk Contents 1 Preface 4 1/ English is a Welsh language, Geraint Talfan Davies 22 2/ Inventing Wales, Patrick Hannan 30 3/ The long goodbye, Kevin Williams 36 4/ Normal service, Dai Smith 44 5/ Small screen, big screen, Peter Edwards 50 6/ The drama of belonging, Catrin Clarke 54 7/ Convergent realities, John Geraint 62 8/ Standing up among the cogwheels, Colin Thomas 68 9/ Once upon a time, Trevor -
Pacific Symphony Proudly Recognizes Its Official Partners
0873 PS L1P2C3PSYO1 10/14/09 9:50 PM Page 8 ORANGE COUNTY PERFORMING ARTS CENTER RENÉE AND HENRY SEGERSTROM CONCERT HALL Thursday, Friday & Saturday, November 12–14, 2009, at 8:00 p.m. Preview talk with Alan Chapman at 7:00 p.m. PRESENTS 2009–2010 HAL AND JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICS SERIES GRANT LLEWELLYN, CONDUCTOR JAN VOGLER, CELLO CHRISTOPH BULL, ORGAN WALTON Orb and Sceptre C.P.E. BACH Concerto for Cello in A Major (1902–1983) (1714–1788) Allegro Largo ELGAR Serenade in E Minor for String Allegro assai (1857–1934) Orchestra, Op. 20 JAN VOGLER Allegro piacevole Larghetto ELGAR Variations on an Original Theme, Allegretto (1857–1934) Op.36 (“Enigma”Variations) Enigma: Andante TCHAIKOVSKY Variations on a Rococo Theme, Variation I:“C.A.E.” L’’istesso tempo (1840–1893) Op. 33 Variation II:“H.D.S.- P.” Allegro Arr. Fitzenhagen Moderato assai quasi Andante - Variation III:“R.B.T.”Allegretto Thema: Moderato semplice Variation IV:“W.M.B.”Allegro di molto Variation I:Tempo della Thema Variation V:“R.P.A.” Moderato Variation II:Tempo della Thema Variation VI:“Ysobel” Andantino Variation III: Andante sostenuto Variation VII:“Troyte” Presto Variation IV: Andante grazioso Variation VIII:“W.N.”Allegretto Variation V: Allegro moderato Variation IX:“Nimrod” Moderato Variation VI: Andante Variation X:“Dorabella - Intermezzo” Variation VII e Coda:Allegro vivo Allegretto JAN VOGLER Variation XI:“G.R.S.”Allegro di molto Variation XII:“B.G.N.”Andante —INTERMISSION— Variation XIII:“*** - Romanza” Moderato Variation XIV:“E.D.U.” - Finale Pacific Symphony proudly recognizes its Official Partners: Official Airline Official Hotel Official Television Station The Saturday, November 14, performance is broadcast live on , the official classical radio station of Pacific Symphony. -
Music for the Harp Alaw Music Publishing
Music for the Harp Alaw Music Publishing, 4 Tyfica Road, 2015 - 2016 Pontypridd, Wales, CF37 2DA UK By phone or fax: Alaw, Pontypridd +44 (0)1443 402178 Internet: [email protected] www.alawmusic.com See us on Facebook! 3 Alaw Music Publishing – Music for Harp Music for Beginners (page 16) 2015-2016 Music for beginners has to tread a very fine line: it has to be simple, achievable and encouraging, providing a firm grounding in playing the harp; at the same time, beginners’ pieces must be naturally musically satisfying. Easy to read and follow, with suggested fingering and preparatory exercises, Alaw’s Who We Are range for beginners offers a selection of familiar and less-familiar traditional tunes that are an excellent start for beginners of all ages. Ensembles (page 19) Alaw (pronounced like "allow", with the accent on the first syllable) means "tune" in the Welsh language. Established in 1990 we are a family-run company managed by experienced Ensemble work is a true test of musicianship for any player, so it is vital to have good professional musicians, Meinir Heulyn and Brian Raby (see ‘Our Contributors’, page 33). We musical arrangements. From show-stopping classical favourites to traditional pieces, we have specialize in producing a variety of music for harp and, as a publisher, we have one of the largest imaginative arrangements for two, three, four and eight harps. databases in the world dedicated to high quality harp music. However, the beginner is not forgotten, and our ensemble catalogue includes pieces We offer original compositions and arrangements from many of the world's leading written specifically for harpists in the early stages, with easy-to-learn yet satisfying works. -
Biography - Catrin Finch
BIOGRAPHY - CATRIN FINCH Internationally renowned harpist Catrin Finch is one of the most accomplished harpists of her generation. Described as “The Queen of Harps”, she has been delighting audiences with her performances across the UK and worldwide, since the age of five. Having started her studies in Wales with Elinor Bennett, she achieved the highest mark in the UK for her Grade 8 ABRSM exam at the tender age of nine, going on to study at The Purcell School and the Royal Academy of Music with Skaila Kanga, graduating with the Queens Commendation for Excellence in 2002. In 2000 she had the honour of reviving the ancient tradition of Royal Harpist to H.R.H, the Prince of Wales, a position she held until 2004, which was last held during Queen Victoria’s reign in 1873. Her first major competition success came in 1999 winning the Lily Laskine International Harp Competition in France, one of the premier harp competitions in the world. On winning the Young Concert Artists International Auditions in New York, Catrin went on to play in over thirty states in the USA, including recitals and concerto debuts in New York (including the Lincoln Centre and Weill Recital Hall), Boston and Washington D.C. In May 2004, and again in 2012, she was nominated for a Classical Brit Award and is also the winner of an “Echo Klassik” in Germany. Since then, she has performed extensively throughout the USA, South America, the Middle East, Asia, Australia and Europe. She has appeared with many of the world’s top orchestras including the New York Philharmonic, the Boston Pops, the Philharmonia, the Academy of St Martin in the Fields, the Royal Philharmonic Orchestra, the BBC National Orchestra of Wales, the London Mozart Players, the English Chamber Orchestra, the Charlotte Symphony, the Lake Charles Symphony, the North Carolina Symphony and the Manchester Camerata. -
American Spectrum Branford Marsalis · Branford Marsalis Quartet North Carolina Symphony · Grant Llewellyn
Grant Llewellyn AMERICAN SPECTRUM BRANFORD MARSALIS · BRANFORD MARSALIS QUARTET NORTH CAROLINA SYMPHONY · GRANT LLEWELLYN BIS-SACD-1644 BIS-SACD-1644_f-b.indd 1 08-12-12 10.52.40 BIS-SACD-1644 Marsalis:booklet 12/12/08 08:35 Page 2 AMERICAN SPECTRUM DAUGHERTY, Michael (b. 1954) Sunset Strip (Boosey & Hawkes) 18'14 1 I. 7 PM 4'40 2 II. Nocturne 3'39 3 III. 7 AM 9'43 Paul Randall trumpet I · Timothy Stewart trumpet II WILLIAMS, John (b. 1932) Escapades (Cherry Lane Music and Hal Leonard) 14'14 for alto saxophone and orchestra 4 I. Closing In 2'51 5 II. Reflections 5'52 6 III. Joy Ride 5'23 Branford Marsalis alto saxophone Eric Revis bass · Richard Motylinski vibraphone 2 BIS-SACD-1644 Marsalis:booklet 12/12/08 08:35 Page 3 ROREM, Ned (b. 1923) 7 Lions (A Dream) (Boosey & Hawkes) 14'24 for jazz quartet and orchestra Branford Marsalis Quartet Branford Marsalis saxophone · Joey Calderazzo piano Eric Revis bass · Jeff Watts drums ROUSE, Christopher (b. 1949) Friandises (Hendon Music, Inc) 27'39 8 I. Intrada 5'48 9 II. Sicilienne 7'02 10 III. Passepied 5'04 11 IV. Sarabande 5'26 12 V. Galop 4'22 North Carolina Symphony TT: 75'28 Grant Llewellyn conductor 3 BIS-SACD-1644 Marsalis:booklet 12/12/08 08:35 Page 4 odern music just isn’t what it used to be. American composers for the two decades after World War II were much occupied by experi - M ments with tape and electronics, unusual acoustic sounds, chance and the most modernist techniques from Europe. -
Boston Symphony Orchestra Concert Programs, Summer, 1991
. , . An Enduring Tradition ofExcellence In science as in the lively arts , fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology loader, GE Plastics remains committed to better the best in engineering polymers, silicones, superabrasives and circuit board substrates. ';»»:: It's a quality commitment our people share Everyone. Every day. Everywhere Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
2019/20 Season Announcement
FOR IMMEDIATE RELEASE CONTACT Meredith Kimball Laing 919.789.5484 [email protected] North Carolina Symphony’s 2019/20 Season Celebrates the Extraordinary Tenure of Music Director Grant Llewellyn Star-Studded Season Includes Returns by Renée Fleming, Stephen Hough, and James Ehnes; Appearances by Audience-Favorite Guest Conductors Karina Canellakis and Rune Bergmann; Continued Commitment to Women Composers, Including a New Work by Caroline Shaw; and Ambitious Programs Confirming Artistic Excellence RALEIGH, N.C. – The North Carolina Symphony’s 2019/20 season will be a star-studded celebration of the extraordinary tenure of Grant Llewellyn, whose 16th season will be his final as NCS Music Director; Llewellyn becomes Music Director Laureate in 2020/21. The 2019/20 season culminates Llewellyn’s defining accomplishments during his many years with the Symphony. Since 2004, he has developed NCS into the outstanding orchestra it is today, while embracing the Symphony’s dual legacies of statewide service and music education. Llewellyn has been instrumental in building partnerships with fellow community organizations to create unique live music experiences—both in and outside of the concert hall—and has consistently crafted forward-thinking programs that give voice to new art and bring vibrancy to repertoire staples. “In my final season as Music Director of this great orchestra, it will be my privilege to hear the insights that our incredibly talented musicians will bring to our repertoire—which, in many cases, is repertoire that has been particularly meaningful to me through the years,” says Llewellyn. “In crafting this season’s programs and inviting our spectacular guest artists, it is my hope and belief that my favorites will be favorites for our audiences, as well.” “The many exceptional soloists taking the stage with NCS and the monumental works programmed speak to the artistic caliber to which Grant has elevated NCS during his tenure,” says NCS President & CEO Sandi Macdonald. -
Opera Cocktail Productions & Theatre Mwldan Present
C O N T E N T S P a g e Press Quotes 3 Press reviews 4 Awards 10 fRoots Press Interview with Andy Morgan 11 Tour Dates 18 Links to press site & social media 19 Brochure Copy 20 Album Information 24 Book Information 25 Press Release 26 Biographies: Catrin Finch 32 Biographies: Seckou Keita 36 Contact Details 41 Supplied by Theatr Mwldan Marketing Department 2 Tel: 01239 623925 E: [email protected] P R E S S Q U O T E S "an intriguing collaboration that really works... Catrin Finch is a celebrated harpist...this is (Seckou Keita's) most satisfying work to date.... the interaction is remarkable...an elegant, gently exquisite set". Robin Denselow, The Guardian **** “a sublime duo of two artists who are masters of their instruments...musicality and architecture at work" Simon Broughton, London Evening Standard ***** “Blissful” Financial Times ***** “Using every trick in the rock manual to dynamic effect...magical” David Hutcheon, MOJO **** 'gorgeous, eloquent, elegant music' Thomas Brooman CBE "something quite different.. a really intriguing collaboration... it works so beautifully together – a beautiful album." Mark Radcliffe, BBC Radio 2 "intricate, ethereal and entrancing, an elaborate pas-de-deux... remarkable" Neil Spencer, Uncut Magazine "heavenly music.. that soars, intricately realised, pretty wonderful" Nigel Williamson, Songlines **** “Some people spend a lot of money on illegal substances in order to attain the kind of mood this music evokes.” fRoots “Old Welsh harp songs, Manding kora staples, Latin dashes, Celtic arias and more