<<

10/01/21 Global - P4088S - Michael Lawrence | Sussex University

Global Bollywood - P4088S - Michael View Online Lawrence

Advani, Nikhil. ‘.’ 2004 : n. pag. Print.

Ahluwalia, Ashim et al. ‘Miss Lovely.’ 2012 : n. pag. Print.

Akhtar, Farhan et al. ‘.’ : n. pag. Print.

Akhtar, Zoya. ‘.’ 2009 : n. pag. Print.

Ali, Imtiaz. ‘Love Aaj Kal.’ 2011 : n. pag. Print.

Anand, Siddharth Raj et al. ‘Bang Bang!’ 2014 : n. pag. Print.

Asif, K. ‘Mughal-E-Azam.’ 1960 : n. pag. Print.

Barjatya, Sooraj R. ‘Hum Aapke Hain Koun--!’ 2011 : n. pag. Print.

Bhansali, Sanjay Leela et al. ‘Guzaarish.’ 2011 : n. pag. Print.

Bhansali, Sanjay Leela, and F. M. Dostoevskii. ‘.’ 2008 : n. pag. Print.

Bhansali, Sanjay Leela, and . ‘Goliyon Ki Raasleela Ram-Leela.’ 2014 : n. pag. Print.

Boria Majumdar. ‘Politics of Leisure in Colonial : “”: Invocation of a Lost History?’ Economic and Political Weekly 36.35 (2001): 3399–3404. Web. .

Burgoyne, Robert. The Epic in World Culture. AFI film readers. : Routledge, 2010. Web. .

Cat ̣ t ̣ opa ̄ dhya ̄ ya,

1/7 10/01/21 Global Bollywood - P4088S - Michael Lawrence | Sussex University

S ́ aratcandra et al. ‘.’ 2002 : n. pag. Print.

---. . : Penguin, 2005. Print.

Chakraborty, Chandrima. ‘Bollywood Motifs: Cricket Fiction and Fictional Cricket.’ The International Journal of the History of Sport 21.3-4 (2004): 549–572. Web.

Chandrima Chakraborty. ‘Subaltern Studies, Bollywood and “Lagaan”.’ Economic and Political Weekly 38.19 (2003): 1879–1884. Web. .

Chopra, Aditya et al. ‘.’ 2001 : n. pag. Print.

Chopra, Vidhu Vinod et al. ‘Mission Kashmir.’ 2002 : n. pag. Print.

Chopra, Yash. ‘.’ 1997 : n. pag. Print.

---. ‘Dilwale Dulhania Le Jayenge.’ 2008 : n. pag. Print.

Dennison, Stephanie, Song Hwee Lim, and World Cinemas: Identity, Politics, Culture. Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower Press, 2006. Print.

Dev D Bollywood Movie 2009 Comedy Romantic Directed By Starring Abhay Deol with English Subtitles / Movie/ Bollywood Movie. N.p. Web. .

‘Film & History: An Interdisciplinary Journal of Film and Television Studies, Volume 34 - Table of Contents.’ N.p., n.d. Web. .

Florian Stadtler. ‘Cultural Connections: “Lagaan” and Its Audience Responses’. Third World Quarterly 26.3 (2005): 517–524. Web. .

Gabriel, Karen, and P.K. Vijayan. ‘Orientalism, Terrorism and Cinema.’ Journal of Postcolonial Writing 48.3 (2012): 299–310. Web.

Ganti, Tejaswini. ‘No Longer a Frivolous Singing and Dancing Nation of Movie-Makers: The Hindi and Its Quest for Global Distinction.’ Visual Anthropology 25.4 (2012): 340–365. Web.

Ghai, Subhash et al. ‘Black and White.’ 2008 : n. pag. Print.

---. ‘Karz.’ 2008 : n. pag. Print.

---. ‘Kisna the Warrior Poet.’ 200AD : n. pag. Print.

2/7 10/01/21 Global Bollywood - P4088S - Michael Lawrence | Sussex University

Ginsburg, Faye D., Lila Abu-Lughod, and Brian Larkin. Media Worlds: Anthropology on New Terrain. Berkeley, Calif: University of Press, 2002. Print.

Gita Rajan. ‘Constructing‐Contesting Masculinities: Trends in .’ Signs 31.4 (2006): 1099–1124. Web. .

Gokulsing, K. Moti, and Wimal Dissanayake. Popular Culture in a Globalised India. London: Routledge, 2009. Web. .

Gokulsing, K. Moti, Wimal Dissanayake, and Rohit K. Dasgupta, eds. Routledge Handbook of Indian Cinemas. Routledge handbooks. London: Routledge, 2013. Web. .

Gooptu, Sharmistha. ‘Cricket or Cricket Spectacle? Looking beyond Cricket to Understand.’ The International Journal of the History of Sport 21.3-4 (2004): 531–548. Web.

Gopinath, G. ‘Bollywood Spectacles: QUEER DIASPORIC CRITIQUE IN THE AFTERMATH OF 9/11.’ Social Text 23.3-4 84-85 (2005): 157–169. Web.

Gowariker, Ashotosh. ‘Lagaan.’ 2002 : n. pag. Print.

Gowariker, Ashutosh. ‘Jodhaa .’ 2008 : n. pag. Print.

Gupta, Sanjay. ‘Zinda.’ 2006 : n. pag. Print.

Hrithik RoshanKarisma KapoorKhalid Mohamed. Fiza (2000) ( / Hindi Film / Bollywood Movie / Indian Cinema DVD). N.p. Web. .

Johar, Karan. ‘Kabhi Khushi Kabhie Gham.’ 2003 : n. pag. Print.

---. ‘.’ 2002 : n. pag. Print.

---. ‘My Name Is .’ 2010 : n. pag. Print.

Johnny WalkerPranBimal Roy. Devdas - 1955 [ / ] (Classic Hindi Film / Bollywood Movie / Indian Cinema DVD). N.p. Web. .

Joshi, Priya, and Rajinder Kumar Dudrah, eds. The 1970s and Its Legacies in India’s Cinemas. London: Routledge, 2014. Web. .

Kamalaha ̄ can ̲ . ‘.’ 2003 : n. pag. Print.

3/7 10/01/21 Global Bollywood - P4088S - Michael Lawrence | Sussex University

Kamat, Nishikant, and . ‘ Meri Jaan.’ 2008 : n. pag. Print.

Khan, Farah. ‘.’ 2011 : n. pag. Print.

---. ‘.’ 2010 : n. pag. Print.

Khan, Kabir et al. ‘New York.’ 2009 : n. pag. Print.

Khan, Shahnaz. ‘Reading : Confrontational Views, Comforting Identifications and Undeniable Pleasures.’ South Asian Popular Culture 7.2 (2009): 127–139. Web.

---. ‘Recovering the Past in : Masculinities, Femininities and Cultural Politics in Bombay Cinema.’ Feminist Review 99.1 (2011): 131–146. Web.

Kohli, Kunal. ‘Fanaa.’ 2006 : n. pag. Print.

---. ‘Hum Tum.’ 2004 : n. pag. Print.

Kumar, Sanjeev. ‘Constructing the Nation’s Enemy: , Popular Culture and the Muslim “other” in Bollywood Cinema’. Third World Quarterly 34.3 (2013): 458–469. Web.

Lakhia, Apoorva et al. ‘Ek Ajnabee.’ 2006 : n. pag. Print.

Mannathukkaren, Nissim. ‘Reading Cricket Fiction in the Times of Hindu Nationalism and Farmer Suicides: Fallacies of Textual Interpretation.’ International Journal of the History of Sport 24.9 (2007): 1200–1225. Web.

Mansukhani, Tarun et al. ‘Dostana.’ 2008 : n. pag. Print.

Mazumdar, Ranjani. Bombay Cinema: An Archive of the City. Minneapolis, Minn: University of Minnesota Press, 2007. Print.

Mehra, Rakeysh Omprakash. ‘.’ 2008 : n. pag. Print.

Mehta, Ketan et al. ‘-- the Rising.’ 2005 : n. pag. Print.

Misri, Deepti. ‘Queer Resolutions: 9/11 and Muslim Masculinities in.’ South Asian Popular Culture 11.2 (2013): 157–167. Web.

Mistry, Raksha et al. ‘The Killer.’ 2006 : n. pag. Print.

Morakhia, Shripal, and Allumination FilmWorks (Firm). ‘Naina.’ 2006 : n. pag. Print.

Mubarki, Meraj Ahmed. ‘Exploring the “Other”: Inter-Faith Marriages in and beyond’. Contemporary South Asia 22.3 (2014): 255–267. Web.

Murugadoss, A. R. ‘Ghajini.’ 2009 : n. pag. Print.

Nandy, Ashis. ‘Modernity and the Sense of Loss, or Why Bhansali’s Defied Experts to Become a Box Office Hit.’ Inter-Asia Cultural Studies 12.3 (2011):

4/7 10/01/21 Global Bollywood - P4088S - Michael Lawrence | Sussex University

445–453. Web.

Nayar, Sheila J. ‘The Values of Fantasy: Indian Popular Cinema through Western Scripts.’ The Journal of Popular Culture 31.1 (1997): 73–90. Web.

Nissim Mannathukkaren. ‘Subalterns, Cricket and the “Nation”: The Silences of “Lagaan”.’ Economic and Political Weekly 36.49 (2001): 4580–4588. Web. .

Osuri, Goldie. ‘Secular Interventions / Hinduized Sovereignty: (Anti) Conversion and Religious Pluralism in Jodhaa Akbar’. Cultural Critique 81.1 (2012): 70–99. Web.

Pandey, Neeraj et al. ‘A Wednesday!’ 2008 : n. pag. Print.

Parciack, Ronie. ‘Terror as Cinematic Desire: Discourses of Citizenry and the Challenge of the “Non-Statist”.’ South Asian Popular Culture 11.2 (2013): 145–155. Web.

Pauwels, Heidi Rika Maria. Indian Literature and Popular Cinema: Recasting Classics. Routledge contemporary South Asia series. London: Routledge, 2007. Web. .

Pavitra Sundar. ‘Meri Awaaz Suno: Women, Vocality, and Nation in Hindi Cinema.’ Meridians 8.1 (2008): 144–179. Web. .

Pearson, Roberta E., and Anthony Nelson-Smith, eds. Storytelling in the Media Convergence Age: Exploring Screen Narratives. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014. Web. .

Peirse, Alison, and Daniel Martin, eds. Korean Horror Cinema. Edinburgh: Edinburgh University Press, 2013. Web. .

Priyadarshan, and Pritam. ‘.’ 2009 : n. pag. Print.

Rachel Dwyer. ‘Real and Imagined Audiences: “Lagaan” and the Hindi Film after the 1990s’. Etnofoor 15.1 (2002): 177–193. Web. .

RAJADHYAKSHA, Ashish. ‘The “Bollywoodization” of the Indian Cinema: Cultural Nationalism in a Global Arena’. Inter-Asia Cultural Studies 4.1 (2003): 25–39. Web.

Rajeev KhandelwalRaj Kumar Gupta. Aamir (Bollywood Hindi Movies). N.p. Web. . Raj Kanwar. ‘Har Dil Jo Pyar Karega.’ 2012 : n. pag. Print.

Ratnakar, Tripathy. ‘Om Shanti Om Enchantment, Parody, Self-Reflexivity.’ N.p., n.d. Web. .

5/7 10/01/21 Global Bollywood - P4088S - Michael Lawrence | Sussex University

Ravi Vasudevan. ‘Another History Rises to the Surface: “Hey Ram”: Melodrama in the Age of Digital Simulation’. Economic and Political Weekly 37.28 (2002): 2917–2925. Web. .

Richards, Rashna Wadia. ‘(Not) Kramer vs. Kumar: The Contemporary Bollywood Remake as Glocal Masala Film.’ Quarterly Review of Film and Video 28.4 (2011): 342–352. Web.

Richter, Claudia. ‘The Ethics of Coexistence: Bollywood’s Different Take on Terrorism.’ CrossCurrents 59.4 (2009): 484–499. Web.

Roy, Anjali Gera. The Magic of Bollywood: At Home and Abroad. Los Angeles, [Calif.]: SAGE, 2012. Web. .

Roy, Bimal, Bimal Roy Productions, and Shemaroo Video (Firm). ‘.’ 2004 : n. pag. Print.

Sangita Shresthova. ‘Swaying to an Indian Beat... Dola Goes My Diasporic Heart: Exploring Hindi Film Dance.’ Dance Research Journal 36.2 (2004): 91–101. Web. .

Sarkar, B. ‘The Melodramas of Globalization.’ Cultural Dynamics 20.1 (2008): 31–51. Web.

Screwvala, Ronnie et al. ‘.’ 2012 : n. pag. Print.

Sen, Meheli, and Anustup Basu, eds. Figurations in Indian Film. Basingstoke: Palgrave Macmillan, 2013. Web. .

Sharma, Anil. ‘Veer.’ 2010 : n. pag. Print.

Sharma, Anil, , and Zee Telefilms. ‘Gadar--Ek Prem Katha.’ 2001 : n. pag. Print.

Shastri Sudha. ‘“The Play”s the Thing, Wherein ’ll Catch the Conscience of the King”: Intertextuality in Om Shanti Om’. Journal of Film and Video 63.1 (2011): 32–43. Web. .

Shetty, Rohit. ‘Zameen.’ : n. pag. Print.

Silva, Rensil D’ et al. ‘Kurbaan.’ 2009 : n. pag. Print.

Sinha, Anupam. ‘Shukriya.’ 2007 : n. pag. Print.

Sivan, Santosh et al. ‘Asoka.’ 2003 : n. pag. Print.

Srivastava, Neelam. ‘Bollywood as National(ist) Cinema: Violence, Patriotism and the National‐Popular in.’ Third Text 23.6 (2009): 703–716. Web.

6/7 10/01/21 Global Bollywood - P4088S - Michael Lawrence | Sussex University

Sudhanva Deshpande. ‘What’s so Great about Lagaan?’ India International Centre Quarterly 29.3 (2003): 236–245. Web. .

‘Taj Mahal - An Eternal Love Story: Akbar Khan, Kim Sharma, , Zulfikar, Arbaaz Ali, Vaquar Sheikh, , , , Melind Gunaji, Pooja Batra.’ N.p., n.d. Web. .

Thussu, Daya Kishan. Media on the Move: Global Flow and Contra-Flow. Communication and society. London: Routledge, 2006. Web. .

Urumi (Fighting For Survival) (DVD Video). N.p. Web. .

Wilkinson-Weber, C. M. ‘A Need for Redress: Costume in Some Recent Hindi Film Remakes.’ BioScope: South Asian Screen Studies 1.2 (2010): 125–145. Web.

---. ‘A Need for Redress: Costume in Some Recent Hindi Film Remakes.’ BioScope: South Asian Screen Studies 1.2 (2010): 125–145. Web.

7/7