DOCSLIB.ORG

February 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 2020 Colorado Mesa University Tomlinson Library New Books and More February 2020 Subject Area Location and Call Number and Call Number Author Title Lang & Lit New BF435.2.C64 P74 2011 Practice test for the cognitive abilities test (CogAT*) form 7-level 8 practice test 2 MassComm New HD58.7 .C43 2005 Champoux Joseph E. Our feature presentation Physics New QB209 .J52 1999 Jespersen James. From sundials to atomic clocks Business New H85 .H44 2020 Hennink Monique M. Qualitative research methods Lang & Lit New BF435.2.C64 P74 2014 Practice test for the cognitive abilities test (CogAT*) form 7-level 8 practice… Lang & Lit New BF435.2.C64 P742 2011 Practice test for the cognitive abilities test (CogAT®*) form 7 - level 10… EnvSci New TK1362.U38 S55 2019 Silent Bill Of dust and echoes BestSellers BstSlr E169.12 .T63 2019 Tolentino Jia Trick mirror BestSellers BstSlr HC107.C2 H5335 2020 Wiener Anna Uncanny valley BestSellers BstSlr HD9569.K63 L46 2019 Leonard Christopher Kochland BestSellers BstSlr HN59.2 .K75 2020 Kristof Nicholas D. Tightrope BestSellers BstSlr HQ27.3 .O74 2020 Orenstein Peggy Boys & sex BestSellers BstSlr HV6250.4.W65 F385 2019 Farrow Ronan Catch and kill BestSellers BstSlr PN6737.M35 B69 2019 Mackesy Charlie The boy the mole the fox and the horse BestSellers BstSlr PQ8098.1.L54 L3613 2020 Allende Isabel A long petal of the sea BestSellers BstSlr PS3557.I2264 A64 2020 Gibson William Agency BestSellers BstSlr PS3603.U663 A64 2020 Cummins Jeanine American dirt BestSellers BstSlr PS3614.A66 D43 2020 Napolitano Ann Dear Edward BestSellers BstSlr PS3618.E5363 S83 2019 Reid Kiley Such a fun age Biology New Q223 .H37 2010 Harmon Joseph E. The craft of scientific communication Biology New QH332 .R533 2019 Richie Cristina Principles of green bioethics Biology New QH442 .K66 2016 Knoepfler Paul GMO sapiens Biology New QL751 .D748 2020 Dugatkin Lee Alan Principles of animal behavior Biology New QL751 .M255 2007 Martin Paul R. Measuring behaviour Biology New SH331 .P38 2019 Pauly D. Vanishing fish Biology New SH331.5.C65 O35 2016 Ogle Derek H. Introductory fisheries analyses with R Biology New SH331.9 .F88 2014 Future of fisheries Business New E185.61 .P254 2019 Parker Traci Department stores and the black freedom movement Business New GT3403 .V38 2005 Van der Wagen Lynn Event management Business New HD31.2 .F87 2018 Furr Nathan R. Leading transformation Business New HD9980.5 .G724 2019 Graz Jean-Christophe The power of standards Business New HF5821 .R84 2018 Rutherford Paul The adman's dilemma Business New HG2481 .R67 2019 Rose Mark H. Market rules Business New HV25 .K86 2019 Kumar Raj The business of changing the world Business New HV6773 .W655 2018 Wolff Josephine You'll see this message when it is too late Business New KF390.5.C6 K67 2019 Kosseff Jeff The twenty-six words that created the Internet Business Resve Popular Movie 1106 The devil wears Prada Business New Q335 .J45 2019 Jennings Charles Artificial intelligence Business New QA402.3 .M34 2020 Mahmoud Magdi S. Cloud control systems Business New QA76.73 .G63 2020 Indrasiri Kasun gRPC: up and running EnvSci New TS161 .E57 2006 Environmental management EnvSci New TS170.5 .E56 2006 Environmental management General New HQ27 .W33 2018 Wade Lisa American hookup General New Z675.U5 A5935 2016 Anderson Rick Libraries leadership and scholarly communication General New Z692.C65 G85 2016 Ross Sheri V. T. Guide to electronic resource management General New Z692.C65 V47 2017 Nuth Alana M. Fundamentals of electronic resources management Geology New QE711.3 .P38 2012 Patzkowsky Mark E. Stratigraphic paleobiology Geology New QE721.2.E85 S65 1994 Smith Andrew B. Systematics and the fossil record Geology New QE882.U3 E96 2007 The evolution of artiodactyls Health Sci. New KU1079 .B47 2019 Berglund Catherine Anne Integrating law ethics and regulation Health Sci. New MT820 .M44 2005 McKinney James C. The diagnosis & correction of vocal faults Health Sci. New QR181 .A28 2020 Abbas Abul K. Basic immunology Health Sci. New RA427 .L68 2019 Loversidge Jacqueline M. Evidence-informed health policy Health Sci. Ref RB113 .A87 2018 Anatomical chart company atlas of pathophysiology Health Sci. Ref RB127 .P675 2019 Porth's pathophysiology Health Sci. New RB127 .P675 2020 Norris Tommie L. Porth's essentials of pathophysiology Health Sci. New RC521 .E954 2019 Evidence-based practice in dementia for nurses and nursing students Health Sci. New RT42 .M44 2019 Evidence-based practice in nursing & healthcare Health Sci. New RT82 .B456 2001 Benner Patricia E. From novice to expert Health Sci. New RT84.5 .N8793 2020 Nursing theories and nursing practice Lang & Lit New PR468.S46 S56 2019 Singer Kate Romantic vacancy Music New M1495 .M87 2011 Music for beginning conductors Music New M222.B81 A4 2017 Brahms Johannes 30 piano pieces of Johannes Brahms Music New M251.B8 op.117 2013 Brahms Johannes Three intermezzi opus 117 for clarinet in A and piano Music New ML410.B11 D2 1999 The new Bach reader Music New ML457 .H38 2007 Haynes Bruce The end of early music Music New ML457 .P49 2012 A performer's guide to seventeenth-century music Music New ML457 .S522 2018 Shrock Dennis Performing Renaissance music Music New ML457 .S526 2011 Shrock Dennis. Performance practices in the Classical era Music New ML457 .S53 2013 Shrock Dennis Performance practices in the Baroque era Music New MT1 .D484 2005 The development and practical application of music learning theory Music New MT1.G648 H7 2015 Gordon Edwin How children learn when they learn music Music New MT85 .S473 2013 Seaman Christopher Inside conducting Phil and Rel New B689.Z7 C673 2018 Córdova Nélida Naveros Philo of Alexandria's ethical discourse Phil and Rel New BJ1275 .B87 2019 Bush Randall B. God morality and beauty Phil and Rel New BJ1725 .K45 2018 Kelly Terrence M. Professional ethics Physics New CE11 .R5 1998 Richards E. G. Mapping time Physics New HD9999.C58 C5 2003 Cipolla Carlo M. Clocks and culture 1300-1700 Physics New HM656 .B57 2012 Birth Kevin K. Objects of time Physics New Q172.5.C45 .S767 2019 Strogatz Steven H. Nonlinear dynamics and chaos Physics New QA805 .D367 2019 Deshmukh P. C. Foundations of classical mechanics Physics New QB209 .B245 1999 Barnett Jo Ellen. Time's pendulum Physics New QB223 .O43 1990 O'Malley Michael. Keeping watch Physics New QC173.59.S65 P53 1999 Pickover Clifford A. Time Physics New QC173.6 .A45 2019 Allday Jonathan Space-time Physics New QC20.7.G76 R354 2019 Ramadevi Pichai Group theory for physicists Physics New QC355.2 .G84 2018 Guenther B. D. Modern optics Physics New QC760.52 .P54 2018 Pierrus J. Solved problems in classical electromagnetism Physics New TK7816 .S343 2018 Saha Chinmoy Basic electronics PoliSci New JK2261 .L49 2019 Lewis Verlan Ideas of power PoliSci New JK511 .K66 2019 Knott Stephen F. The lost soul of the American presidency Psychology New HQ29 .S656 2020 Solomon Alexandra H. Taking sexy back Psychology PopMov Popular Movie 1067 Joker Spanish DVD DVD 1091 Herod's law SpecCollect culsb F776 .C48 2007 Church Minette C. Colorado history SpecCollect Sp.Coll. M1629.7.H4 P43 2016 E walea SpecCollect Sp.Coll. M1629.7.H4 P43 2018 No 'ane'i SpecCollect Sp.Coll. M2060.H65 K74 2013 Kreek's notebook Thea&Dance New PJ5129.R2 A23 1983 Sholem Aleichem Favorite tales of Sholom Aleichem Thea&Dance New PN2053 .H6 2010 Hodge Francis. Play directing WCCC New BJ1459.5 .B88 2020 Butler Judith The force of nonviolence WCCC DVD DVD 1051 The anonymous people WCCC DVD DVD 1052 American movie WCCC DVD DVD 1053 The brink WCCC DVD DVD 1054 Apollo 11 WCCC DVD DVD 1055 Amazing grace WCCC DVD DVD 1056 8 days WCCC DVD DVD 1057 The biggest little farm WCCC DVD DVD 1058 Bowling for Columbine WCCC DVD DVD 1059 Addiction WCCC DVD DVD 1060 Thin WCCC DVD DVD 1061 Burden of dreams WCCC DVD DVD 1062 Blackfish WCCC DVD DVD 1063 The thief of Bagdad WCCC DVD DVD 1064 The last emperor WCCC DVD DVD 1065 Crumb WCCC DVD DVD 1066 Cold case Hammarskjöld WCCC DVD DVD 1067 Harlan County U.S.A. WCCC DVD DVD 1068 Capturing the Friedmans WCCC DVD DVD 1069 How to survive a plague WCCC DVD DVD 1070 Bill Cunningham New York WCCC DVD DVD 1071 Super size me 2 WCCC DVD DVD 1072 The Alzheimer's project WCCC DVD DVD 1073 The love we make WCCC DVD DVD 1074 The up series. WCCC DVD DVD 1075 Grizzly Man WCCC DVD DVD 1076 Orson Welles's F for fake WCCC DVD DVD 1077 Exit through the gift shop WCCC DVD DVD 1078 Elementary genocide WCCC DVD DVD 1079 Crips and Bloods WCCC DVD DVD 1080 Stories we tell WCCC DVD DVD 1081 Twinsters WCCC DVD DVD 1082 Hearts of darkness WCCC DVD DVD 1083 Hoop dreams WCCC DVD DVD 1084 The overnighters WCCC DVD DVD 1085 Have you seen Andy? WCCC DVD DVD 1086 The qatsi trilogy WCCC DVD DVD 1087 Newtown WCCC DVD DVD 1088 The Loving story WCCC DVD DVD 1089 Kurt Cobain WCCC DVD DVD 1090 The Rolling Stones gimme shelter WCCC DVD DVD 1092 Grey Gardens ; WCCC DVD DVD 1093 Dear Zachary WCCC DVD DVD 1094 Sea of shadows WCCC DVD DVD 1095 Sound and fury WCCC DVD DVD 1096 The Queen of Versailles WCCC DVD DVD 1097 Jiro dreams of sushi WCCC DVD DVD 1098 Blue planet WCCC DVD DVD 1100 Ethel WCCC DVD DVD 1101 Mommy dead and dearest WCCC DVD DVD 1102 A poem is a naked person WCCC DVD DVD 1103 Metallica WCCC DVD DVD 1104 Super size me WCCC DVD DVD 1105 Les misérables WCCC DVD DVD 1106 There's something wrong with Aunt Diane WCCC DVD DVD 1107 The war room WCCC DVD DVD 1108 Unchained memories WCCC DVD DVD 1109 West of Memphis WCCC DVD DVD 1110 Twenty feet from stardom WCCC DVD DVD 1111 Sherman's march WCCC DVD DVD 1112 The September issue WCCC DVD DVD 1113 The thin blue line WCCC DVD DVD 1114 Salesman WCCC DVD DVD 1115 Jane WCCC DVD DVD 1116 The weight of the nation WCCC DVD DVD 1118 Honeyland WCCC DVD DVD 1119 For Sama WCCC DVD DVD 1120 Hua yang nian hua = In the mood for love WCCC DVD DVD 346 49 up WCCC New GT2884 .A434 2020 Alcohol and humans WCCC New HC79.T4 F74 2019 Frey Carl Benedikt The technology trap WCCC New HD1476.U6 P46 2018 Penniman Leah Farming while Black WCCC New HD8066 .M188 2019 Martin Christopher R.
Load more

Recommended publications
  • Summer Reading by Grade/Title Fifth and Sixth Grades 2018 Summer
    Summer Reading By Grade/Title Fifth and Sixth Grades 2018 Summer Reading Requirements Choose 2 The Evolution of Calpurnia Tate Jacqueline Kelly 830L Fish in a Tree Lynda Mullaly Hunt 550L Inside Out and Back Again Thanhha Lai 800L Out of My Mind Sharon Draper 700L My Side of the Mountain Jean Craighead George 810L Auggie & Me: Three Wonder Stories RJ Palacio 680L (Wonder is suggested before reading this book) The Phantom Tollbooth Norton Juster 1000L Pax Sara Pennypacker 760L Sticks & Stones Abby Cooper 750L Rules Cynthia Lord 670L Ms. Bixby’s Last Day John David Anderson 800L Nine, Ten: A September 11 Story Nora Raleigh Baskin 730L Tuck Everlasting Natalie Babbitt 770L Where the Red Fern Grows Wilson Rawls 700L Seventh Grade: Required reading: Flying Lessons and Other Short Stories edited by Ellen Oh Book of choice list: Classics that Mrs. McDaniel loves: 1. Walk Two Moons by Sharon Creech 2. The Westing Game by Ellen Raskin 3. A Wrinkle in Time by Madeleine L’Engle 4. Roll of Thunder Hear My Cry by Mildred D. Taylor 5. Hatchet by Gary Paulson 6. The Watsons go to Birmingham by Christopher Paul Curtis Modern YA books: 7. Holes by Lois Sachar 8. The Wednesday Wars by Gary D. Schmidt 9. Hoot by Carl Hiaasen 10. Code Talker by Joseph Bruchac 11. A Monster Calls by Patrick Ness Eighth Grade: Required reading: Brown Girl Dreaming by Jaqueline Woodson Book of choice list: Classics that Mrs. McDaniel loves: 1. Anne of Green Gables by L.M. Montgomery 2. The Hobbit by J.R.R.
    [Show full text]
  • New York / New York Film Festival, September 23 - October 9, 1994]
    Document generated on 09/29/2021 7:21 p.m. ETC New York New York Film Festival, September 23 - October 9, 1994 Steven Kaplan La critique d’art : enjeux actuels 1 Number 29, February–May 1995 URI: https://id.erudit.org/iderudit/35725ac See table of contents Publisher(s) Revue d'art contemporain ETC inc. ISSN 0835-7641 (print) 1923-3205 (digital) Explore this journal Cite this review Kaplan, S. (1995). Review of [New York / New York Film Festival, September 23 - October 9, 1994]. ETC, (29), 23–27. Tous droits réservés © Revue d'art contemporain ETC inc., 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ nm/AiMiiEi NEW YORK New York Film Festival, September 23 - October 9,1994 ike the universe at large, film festivals often find the invidious structure of white overseer (coach, recruiter) it reassuring to start up with a big bang. The recent feeding off the talents and aspirations of a black underclass. 32nd edition of the New York Film Festival opened As Arthur Agee and William Gates progress from the with the explosive Pulp Fiction, fresh from its hood to a lily white suburban Catholic school (a basketball success at Cannes, continuing the virtual powerhouse which graduated Isiah Thomas) and hence to Ldeification of writer-director Quentin Tarantino among college, we are aware of the sacrifices they and their the hip media establishment, and poising him for entry families make, the difficulties of growing up black and into a wider marketplace.
    [Show full text]
  • Kennedy Matthew C 2016 Ma
    BLIND DATE MATTHEW KENNEDY A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERISTY TORONTO, ONTARIO June 2016 © Matthew Kennedy, 2016 Abstract Blind Date is a documentary film about a young woman from rural China named Chun Cao Zhao who is pressured into marriage through a tradition known as “blind dating.” The film begins in Guangzhou, a sprawling metropolis in Southern China, where she has been living for the past ten years, and is just days away from returning home for her wedding. As she slowly says goodbye to city life, the life she wants to keep, she reveals to the camera her feelings toward her fiancé, her thoughts on the impending wedding and her own struggles to find a boyfriend. As the film follows her back home we intimately witness the sacrifices she is forced to make in order to appease her parents and the greater instrument of Chinese culture. The film examines and contrasts contemporary China with traditional China and displays the varying roles of each gender in both rural and urban settings. The film concludes with her arranged marriage and a short follow-up with her new husband six months after the wedding. ii Acknowledgements Throughout the entire process of making this film I have several people to which I owe a tremendous amount of gratitude. Firstly, to my supervisor Barbara Evans, making this film was a long journey and it could not have been done without her patience, encouragement and unwavering support.
    [Show full text]
  • DOCUMENTARY FILMS Page 1 of 10
    DOCUMENTARY FILMS Page 1 of 10 DOCUMENTARY FILMS Documentary Films, strictly speaking, are non-fictional, "slice of life" factual works of art - and sometimes known as cinema verite. For many years, as films became more narrative- based, documentaries branched out and took many forms since their early beginnings - some of which have been termed propagandistic or non-objective. Documentary films have comprised a very broad and diverse category of films. Examples of documentary forms include the following: z 'biographical' films about a living or dead person (Madonna, John Lennon, Muhammad Ali - When We Were Kings (1996), Robert Crumb, Stephen Hawking in A Brief History of Time (1992), or Glenn Gould) z a well-known event (Waco, Texas incident, the Holocaust, the Shackleton expedition to the Antarctic) z a concert or rock festival (Woodstock or Altamont rock concerts, Madonna: Truth or Dare (1991), Stop Making Sense (1984)) z a comedy show (Richard Pryor or Eddie Murphy shows) z a live performance (Cuban musicians as in Buena Vista Social Club (1998), or the stage show Cirque du Soleil-Journey of Man (2000)) z a sociological or ethnographic examination following the lives of individuals over a period of time (e.g., Michael Apted's series of films: 28 Up (1984), 35 Up (1992) and 42 Up (1999), or Steve James' Hoop Dreams (1994)) z an expose including interviews (e.g., Michael Moore's social concerns films) z a sports documentary (extreme sports, such as Extreme (1999) or To the Limit (1989), or surfing, such as in The Endless Summer (1966))
    [Show full text]
  • Rogan's List 2019
    Rogan’s List 2019 Greetings WFU parents! Fond thanks to the many of you who recommended this book or that movie or the new restaurant in your home city. Keep ‘em coming! Parents who’ve seen this previously skip this graf, but if you’re new to this odd enterprise: three inspirations converged a dozen-plus years ago. As a still-singleton, felt a response was necessary to my expanding circle of married-with-kids friends’ annual Holiday Letters, tinged with a certain “here’s how life works”-ness. And I loved pal Drew Littman’s roundup of his fave movies/books of the year (Drew also originated the B game/A game you’ll see on next page). Third, I grew up with Roger Angell’s annual New Yorker rhyming ‘poem’ of boldface names, & added my own pale imitation after Angell stopped…then NYer’s Ian Frazier picked up the tradition. Shifted therefore to a ‘found poem’ of lines from songs by millennial/rising-generation musicians; this year’s is after the best-of music page below. Speaking of poems, a stanza from one long beloved, WS Merwin’s To the New Year: so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible On to my favorites of 2019. To adapt a venerable Welsh saying, may the best artistic creations of the decade just ending be the worst of the next.
    [Show full text]
  • The American Nightmare, Or the Revelation of the Uncanny in Three
    The American Nightmare, or the Revelation of the Uncanny in three documentary films by Werner Herzog La pesadilla americana, o la revelación de lo extraño en tres documentales de DIEGO ZAVALA SCHERER1 Werner Herzog http://orcid.org/0000-0002-7362-4709 This paper analyzes three Werner Herzog’s films: How Much Wood Would a Woodchuck Chuck (1976), Huie’s Sermon (1981) and God´s Angry Man (1981) through his use of the sequence shot as a documentary device. Despite the strong relation of this way of shooting with direct cinema, Herzog deconstructs its use to generate moments of filmic revelation, away from a mere recording of events. KEYWORDS:Documentary device, sequence shot, Werner Herzog, direct cinema, ecstasy. El presente artículo analiza tres obras de la filmografía de Werner Herzog: How Much Wood Would a Woodchuck Chuck (1976), Huie´s Sermon (1981) y God´s Angry Man (1981), a partir del uso del plano secuencia como dispositivo documental. A pesar del vínculo de esta forma de puesta en cámara con el cine directo, Herzog deconstruye su uso para la generación de momentos de revelación fílmica, lejos del simple registro. PALABRAS CLAVE: Dispositivo documental, plano secuencia, Werner Herzog, cine directo, éxtasis. 1 Tecnológico de Monterrey, México. E-mail: [email protected] Submitted: 01/09/17. Accepted: 14/11/17. Published: 12/11/18. Comunicación y Sociedad, 32, may-august, 2018, pp. 63-83. 63 64 Diego Zavala Scherer INTRODUCTION Werner Herzog’s creative universe, which includes films, operas, poetry books, journals; is labyrinthine, self-referential, iterative … it is, we might say– in the words of Deleuze and Guattari (1990) when referring to Kafka’s work – a lair.
    [Show full text]
  • An Anguished Self-Subjection: Man and Animal in Werner Herzog's Grizzly
    An Anguished Self-Subjection: Man and Animal in Werner Herzog’s Grizzly Man Stefan Mattessich Santa Monica College Do we not see around and among us men and peoples who no longer have any essence or identity—who are delivered over, so to speak, to their inessentiality and their inactivity—and who grope everywhere, and at the cost of gross falsifications, for an inheritance and a task, an inheritance as task? Giorgio Agamben The Open erner herzog’s interest in animals goes hand in hand with his Winterest in a Western civilizational project that entails crossing and dis- placing borders on every level, from the most geographic to the most corporeal and psychological. Some animals are merely present in a scene; early in Fitzcarraldo, for instance, its eponymous hero—a European in early-twentieth-century Peru—plays on a gramophone a recording of his beloved Enrico Caruso for an audience that includes a pig. Others insist in his films as metaphors: the monkeys on the raft as the frenetic materializa- tion of the conquistador Aguirre’s final insanity. Still others merge with characters: subtly in the German immigrant Stroszek, who kills himself on a Wisconsin ski lift because he cannot bear to be treated like an animal anymore or, literally in the case of the vampire Nosferatu, a kindred spirit ESC 39.1 (March 2013): 51–70 to bats and wolves. But, in every film, Herzog is centrally concerned with what Agamben calls the “anthropological machine” running at the heart of that civilizational project, which functions to decide on the difference between man and animal.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Network Review #37 Cannes 2021
    Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening
    [Show full text]
  • LFL MAG Medweb.Pdf
    ENDING AIDS NOW * ART AS ACTIVISM * GLOBAL HEROES LEARNLEARN FIGHT LOVE FIGHT LOVE UNLEASHING THE POWER OF Peter Staley PHOTO: © William Lucas Walker PHOTO: HOW TO SURVIVE A PLAGUE Acts Up HTSAPxm_poster_ACADEMY_Jan_2013_v1 1/16/13 3:23 PM Page 1 PHOTO: © Karine Laval © Karine PHOTO: discipline removed from the real world A LETTER FROM of ordinary people. It took up to a dozen years for a new drug to be tested and THE FILMMAKER released. Even after the onset of the AIDS epidemic, with its grim prognosis of just How to Survive a Plague bears witness. 18 months, a hermetic sense of academic The film documents what I saw with my sluggishness prevailed. They knocked on own eyes in those first long dark days of doors at the NIH and FDA, then knocked the worst plague in America—it shows them down when their pleas were both the tragedy and the brilliance not answered. leading up to 1996 when effective That’s how the “inside” forces flooded medication finally made it possible to in and demanded a place at the table think of HIV/AIDS as a chronic condition, for patients and their advocates in every like diabetes. I witnessed all this in my role aspect of medicine and science. Their as a journalist, not an activist. Instead of a task was daunting. In order to become bullhorn or placard, I carried a notepad full partners in the research, they had to and pen. There I am in the background of become experts themselves. I watched these frames. You can see brief glimpses Peter, Mark, Garance, David, and the of me nearly hidden in those crowds of others turn to textbooks and teach activists, pressed against the walls of themselves the fundamentals of science— their meetings or counting their heads as quizzing one another on the basics police officers carted them off, trying to of immunology and virology, cellular stay out of their way.
    [Show full text]
  • Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
    Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.
    [Show full text]
  • TRUE/FALSE FILM FEST 2020 FEATURE FILMS 45365 | Dir. Bill & Turner Ross; 2009; 94 Min (United States) Prod. Bil & Turner
    TRUE/FALSE FILM FEST 2020 FEATURE FILMS 45365 | Dir. Bill & Turner Ross; 2009; 94 min (United States) Prod. Bil & Turner Ross It’s 69 degrees and sunny at the Shelby County Fair. Long-haul trucks whiz by, a solo trumpeter takes the stage, and downtown Sidney’s tree-lined main street disappears into the rearview mirror in a stunning opening sequence. Dazzling and earnest, this debut film by Bill and Turner Ross uses the sounds of public radio, marching bands, and police scanners to cleverly collapse time and space, taking us from the weekend weather to a live interview with the 4-H queen first runner-up. Here, in the heart of the Ohio valley, spotted horses prance in their stables, teenage boys race in junk derbies and local politicians canvass door-to-door for their reelections. Filmed over the course of nine months, the camera moves deftly between flirting, freak shows, and football, reminding us that the everyday is extraordinary and “it’s ​ ​ always fun to watch little kids run around with their hogs.” (JA) ​ ​ Aswang | Dir. Alyx Ayn Arumpac; 2019; 85 min (Philippines) Prod. Armi Rae Cacanindin Blood stains the sidewalks as President Duerte undertakes what he calls the “neutralization of illegal drug personalities,” but what citizens of Manilla have come to know as nothing less than a killing spree. In her feature-length debut, Director Alyx Arympac sensitively approaches the trauma that has befallen her subjects: a journalist who fights the government’s lawlessness; a restrained coroner; a brave missionary’s brother who tries to comfort the bereaved families of the dead; and Jomari, who lives on the streets after his parents were jailed.
    [Show full text]