4.1 Wealthy Widow Feared Victim of Knife Slayer
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Commencement1991.Pdf (8.927Mb)
TheJohns Hopkins University Conferring of Degrees At the Close of the 1 1 5th Academic Year MAY 23, 1991 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1991 Contents Order of Procession 1 Order of Events 2 Johns Hopkins Society of Scholars 10 Honorary Degree Citations 12 Academic Regalia 15 Awards 17 Honor Societies 21 Student Honors 23 Degree Candidates 25 As final action cannot always be taken by the time the program is printed, the lists of candidates, recipients of awards and prizes, and designees for honors are tentative only. The University reserves the right to withdraw or add names. Order ofProcession MARSHALS Sara Castro-Klaren Peter B. Petersen Eliot A. Cohen Martin R. Ramirez Bernard Guyer Trina Schroer Lynn Taylor Hebden Stella M. Shiber Franklin H. Herlong Dianne H. Tobin Jean Eichelberger Ivey James W. Wagner Joseph L. Katz Steven Yantis THE GRADUATES * MARSHALS Grace S. Brush Warner E. Love THE FACULTIES **- MARSHALS Lucien M. Brush, Jr. Stewart Hulse, Jr. THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES CHDZF MARSHAL Noel R. Rose THE VICE PRESIDENT OF THE JOHNS HOPKINS UNDTERSLTY ALUMNI ASSOCIATION THE CHAPLAINS THE PRESENTERS OF THE HONORARY DEGREE CANDIDATES THE HONORARY DEGREE CANDIDATES THE INTERIM PROVOST OF THE UNIVERSITY THE CHADIMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNDTERSLTY 1 Order ofEvents William (.. Richardson President of the University, presiding * * « PRELUDE Suite from the American Brass Band Journal G.W.E. Friederich (1821-1885) Suite from Funff— stimmigte blasenda Music JohannPezel (1639-1694) » PROCESSIONAL The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. -
Crime and Punishment in Postwar Los Angelesby Jon Lewis
Jessica Johnson Book Review: Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles by Jon Lewis necessitate this sort of methodology. Instead, his work is concentrated on Los Angeles print sources, mainly using the Los Angeles Examiner, Los Angeles Times, Los Angeles Daily News, Los Angeles Herald- Express, and the Los Angeles Mirror to investigate the role of the press in either stifling or exploiting tales of scandal and corruption, all framed within the context of the changing Hollywood industry. The book is broken down into four chapters that cover an array of topics within this fifteen-year period, beginning with the death of Elizabeth Short and culminating in 1962 with the death of Marilyn Monroe. Together, these chapters paint a picture of the gritty sub-culture of crime, prostitution, and corruption that infiltrated Hollywood post-World War II. Chapter 1, entitled “The Real Estate of Crime: The Black Dahlia Dumped by the Side of the Road,” focuses on the “Black Dahlia” unsolved murder, the successive similar cases of other Hol- University of California Press, 2017. lywood hopefuls, and the subsequent media frenzy. $29.95 ISBN 978-0520284326 Particularly of interest is how Lewis traces the vari- ous angles of different print sources as these mur- The true-crime genre has long been an item of pub- ders proliferated, tracking how quickly the victims lic fascination, pairing all the intrigue of a thrilling were discredited, labelled merely as “party girls,” and mystery with the harrowing truth that the events exploited -
Commencement
.,B Texas Tech University COMMENCEMENT May 15, 2004 Lubbock, Texas TEXAS TECH UNIVERSITY Texas Tech is a state-assisted, multipurpose university of approximately 28,000 students enrolled in nine colleges-Agricultural Sciences and Natural Resources, Architecture, Arts and Sciences, Business Administration, Education, Engineering, Honors, Human Sciences, and Visual and Performing Arts. Housed in the College of Arts and Sciences is the School of Mass Communications. The Graduate School and the School of Law provide graduate and professional programs. The Texas Tech Health Sciences Center-a separate institution-shares the Lubbock campus with the University. The common-campus arrangement, with a law school, is unique among the state's higher education institutions. As is necessary for an educational institution of its scope and purpose, Texas Tech operates in several locations. Beyond its 1,839-acre Lubbock campus-all in one tract-the University operates agricultural and biological facilities at Texas Tech University at Amarillo, various research activities at the East Campus Research Center, and the Institute of Environmental and Human Health at Reese Center. Other agricultural research and teaching facilities are in Lubbock County. The Texas Tech University Center at Junction, in the Texas hill country, is a 411-acre unit including teaching, conference, and lodging facilities. There are Texas Tech University Centers in Amarillo, Abilene, Fredericksburg, and Marble Falls. Texas Tech University Health Sciences Center is a multi-campus institution with Lubbock as the administrative center and regional campuses at Amarillo, El Paso and Odessa. Paul Whitfield Hom, the first president of Texas Tech, drew from the broad open plains of West Texas his vision for the institution. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
S U M M E R 2 0
THE MAGAZINE OF TRINE UNIVERSITY SUMMER 2016 Eric Roldan of Chicago stands between his father Erwin and mother Evelyn following commencement on May 7 at Trine University. Eric graduated with a BSBA in sport management and plans to attend graduate school and eventually work in college athletics. He graduated magna cum laude and earned the ACBSP Outstanding Student Leadership Award, given to a student from the Ketner School of Business who demonstrates outstanding and consistent leadership. 2 TRINE MAGAZINE | Summer 2016 3 From the Publisher Trine University, Angola, Indiana, www.trine.edu This magazine is published twice yearly by University Marketing and Communications. President’s Desk 8 Editor-In-Chief and Chief Copy Writer Hockey comes James Tew Project Manager to Trine Janet Deahl Growth — It’s A Trine Thing $18.9 million project Art Director As an institution of higher education, Trine University is committed to strategic will bring two new Steven R. Faramelli arenas to campus growth — growth with purpose and vision: growth in our programs; growth in the Chief Photographer number of people we positively impact; growth in not only the knowledge base, but the Dean Orewiler personal and professional lives and development of our students. Photographer In this edition of Trine magazine, you will see a chart showing how Trine University Lindsey Mechalik has evolved since the beginning of the new millennium. You’ll also read stories Sports Information Director about how Trine continues to expand and is laying the foundation for future growth, Matt Vader including: Contributors Denise Draper, class of 2017 • Two new athletic facilities that will be constructed thanks to the generosity of a 12 Debbie Myers significant lead gift. -
Earl Carroll Theatre History Key Facts: Opened: December 26, 1938 Architect: Gordon B
Earl Carroll Theatre History Key Facts: Opened: December 26, 1938 Architect: Gordon B. Kaufmann, with interior and exterior design work by Count Alexis de Sakhnovsky and Kaufmann. Building Cost: estimated at $500,000 Seating: 1,000 -- in a dinner-show arrangement (Gordon B. Kaufman also designed the original LA Times building, Hoover Dam, Santa Anita Race Park, and the Palladium across the street, among other buildings.) Earl Carroll built his second famous theater at 6230 Sunset Boulevard in Hollywood, California. It opened on December 26, 1938. As he had done at the New York theater, over the entrance Carroll emblazoned the words "Through these portals pass the most beautiful girls in the world". An "entertainment palace", the glamorous supper club-theater offered shows on a massive stage that featured a 60' turntable with separately operated inner and outer sections. There was also a water curtain, an orchestra pit lift, a small circular lift downstage center for a soloist and a revolving tower of four pianos stage right. The building's façade was adorned by what at the time was one of Hollywood's most famous landmarks: a 20-foot-high (6.1 m) neon head portrait of entertainer Beryl Wallace, one of Earl Carroll's "most beautiful girls in the world", who became his devoted companion. The sign survived several changes of ownership and venue name but was completely removed during major decorative overhauling in 1968. A re-creation made from photos is today on display at Universal CityWalk, at Universal City, as part of the collection of historic neon signs from the Museum of Neon Art. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
Commencement, 1967 Marshall University
Marshall University Marshall Digital Scholar Marshall University Commencement University Archives 1967 Commencement, 1967 Marshall University Follow this and additional works at: https://mds.marshall.edu/commencement Part of the Higher Education Commons Recommended Citation Marshall University, "Commencement, 1967" (1967). Marshall University Commencement. 126. https://mds.marshall.edu/commencement/126 This Program is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in Marshall University Commencement by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 1837 1967 ONE HUNDRED THIRTIETH COMMENCEMENT MARSHALL UNIVERSITY MARSHALL UN"IE SITY JAMES E. MO ,Rv.J\I LIB ARV HUNTINGTO vv v A. 25701 SUNDAY AFTERNOON, MAY TWENTY-EIGHTH NINETEEN HUNDRED AND SIXTY-SEVEN TWO O'CLOCK UNIVERSITY CAMPUS "Alma Mater" Marshall Gracious Alma Mater, We thy name revere: May each noble son and daughter Cherish thine honor dear. May thy lamp be ever bright, Guiding us to truth and light; As a beacon o'er dark water This is for thee our prayer. May the years be kind to Marshall; May she grow in fame; May her children fail her never, True to her beacon flame. May her spirit brave and strong Honor right and conquer wrong; This the burden of our song Ever her truth proclaim. Music: DR. C. E. HAWORTH Words: JAMES HAWORTH '06 ONE HUNDRED THIRTIETH COMMENCEMENT MARSHALL UNIVERSITY PRO.GRAM PRESIDENT STEWART HAROLD SMITH, Presiding Prelude--"Capriccio Italien" .................................... Tschaikowsky Marshall University Band PROFESSOR HOWARD L. BELL, Conductor Processional-"Proud Heritage" . -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
Commencement 1967
1837 1967 ONE HUNDRED THIRTIETH COMMENCEMENT MARSHALL UNIVERSITY MARSHALL UN"IE SITY JAMES E. MO ,Rv.J\I LIB ARV HUNTINGTO vv v A. 25701 SUNDAY AFTERNOON, MAY TWENTY-EIGHTH NINETEEN HUNDRED AND SIXTY-SEVEN TWO O'CLOCK UNIVERSITY CAMPUS "Alma Mater" Marshall Gracious Alma Mater, We thy name revere: May each noble son and daughter Cherish thine honor dear. May thy lamp be ever bright, Guiding us to truth and light; As a beacon o'er dark water This is for thee our prayer. May the years be kind to Marshall; May she grow in fame; May her children fail her never, True to her beacon flame. May her spirit brave and strong Honor right and conquer wrong; This the burden of our song Ever her truth proclaim. Music: DR. C. E. HAWORTH Words: JAMES HAWORTH '06 ONE HUNDRED THIRTIETH COMMENCEMENT MARSHALL UNIVERSITY PRO.GRAM PRESIDENT STEWART HAROLD SMITH, Presiding Prelude--"Capriccio Italien" .................................... Tschaikowsky Marshall University Band PROFESSOR HOWARD L. BELL, Conductor Processional-"Proud Heritage" . .. .. .. .. .. .. .. .. .. William Latham Invocation ................ The Reverend LYNN TEMPLE JONES, B.A., BD., D.D. Pastor of First Presbyterian Church President of the Huntington Ministerial Association Chorus-"Psalm 96" ..... , . .. .. .. .. .. .. .. .. .. .. .. .. William McCrea ''Praise To The Lord" . .. .. .. .. .. .. .. .. .. Hugo Distler The Symphonic Choir, PROFESSOR PAUL A. BALSHAW, Director Commencement Address . .. .. .. .. .. .. .. .. .. .. "The Businessman" HENRY S. WINGATE, A.B., JurD., LL.D. Chairman and -
Peru Daily Tribune Obituaries
Peru Daily Tribune Obituaries: Feb 2005- Wanda Burnadea Daub, 80 Tuesday, February 22, 2005 11:47 PM EST Wanda Burnadea Daub, 80, Rosehaven Care Homes, San Clemente, Calif., passed away Friday, Feb. 18, 2005 at her residence after a long illness. She was born Nov. 11, 1924 in Wabash to Walter Vestel and Tessie May Hawley. She graduated from Peru High School in 1942, and lived in Wabash and North Manchester before moving to California in 1966. She married Arthur Marshall, and he died in World War II. She then married Ralph Daub, and he preceded her in death. Daub worked for the Huntington Beach Union High School District at various schools primarily as a financial secretary. She finished her career as the personnel manager at the Orange County Teachers Federal Credit Union, where she retired in 1985. She loved to square dance and belonged to several different clubs. She also enjoyed sewing, cooking and traveling throughout the U.S. and camping in a motor home. One of her favorite activities was playing cards and board games with relatives and friends. Survivors include three sons, Arthur Daub and wife Beverly, Gardnerville, Nev., John Daub, Oceanside, Calif., and Scott Daub and wife Terri, Laguna Hills, Calif.; two sisters, Velma Smith, LaFontaine, and Roberta Martin, Wabash; and six grandchildren, Bradley, Eric, Owen, Andrea, Blake and Heather. She was preceded in death by her parents; two brothers, Robert and Richard Hawley; a sister, Garnet Gibson; two husbands; and a companion, Harley Hillyard. A graveside service will be at 11 a.m. Friday at Fairhaven Memorial Park & Mortuary, Santa Ana, Calif. -
Smithsonian Jazz Oral History Interview with Chico Hamilton in His Home on 45Th Street in New York City
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. FORESTSTORN “CHICO” HAMILTON NEA Jazz Master (2004) Interviewee: Foreststorn “Chico” Hamilton (September 21, 1921 – November 25, 2013) Interviewer: Dr. Anthony Brown with recording engineer Ken Kimery Date: January 9-10, 2006 Repository: Archives Center, National Museum of American History Description: Transcript 150 pp. Brown: Today is January 9, 2006. This is the official Smithsonian Jazz Oral History interview with Chico Hamilton in his home on 45th Street in New York City. This is a partnership with the National Endowment for the Arts Jazz Masters program. Good afternoon, Chico Hamilton. If we could begin by you stating your full name and your date and place of birth, please. Hamilton: Oh, I’m not going to tell you that, man. Okay, my name is Foreststorn Chico Hamilton, aka Chico Hamilton. I was born in LA in 1921, September the 21st or 23rd, 1921. Brown: 21st through the 23rd? Hamilton: Well it was either the 21st or 23rd, but I go for the 21. It’s easier to remember, 21. Brown: Why is there a discrepancy of the date? Hamilton: Well there was a discrepancy at that time in LA. You know, I don’t know whether you can remember that far back but because I guess my ethnic background in For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 regards to that being from sort of a multi race family, you know, mixed, so, you know, but anyway – Brown: Were you born in a hospital? Hamilton: I was born upstairs by the kitchen sink and you’re supposed to ask me how do I know, I heard the water running.