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Max Emanuel Cencic Contratenor Max Emanuel Cencic Contratenor CV CV PARNASSUS ARTS PRODUCTIONS Max Emanuel Cencic Contratenor «Cencic está bendecido con la más bella voz Dresde, el Ludwigsburger Schlossfestspiele en de contratenor de nuestro tiempo» Baden-Wurtemberg, el Hessisches Staatsthea- Opernwelt, mayo de 2008 ter de Wiesbaden, el Carnegie Hall de Nueva York, el Tokyo Opera Nomori, Musikfestspiele En los últimos años, Max Emanuel Cencic se Postdam, el Festival Händel en Halle, el Festi- ha convertido en uno de los contratenores val dei Due Mondi di Spoleto y el Haydn Festi- más aclamados de su generación, entusias- val en Eisenstadt. mando por igual al público y a la crítica espe- cializada. Ya en su temprana infancia comen- En 2003, la interpretación que llevó a cabo en zó su formación vocal, especialmente en el Basiela del Nerone de L’incoronazione di Poppea Coro de los Niños Cantores de Viena, del que sirvió para que la prestigiosa revista Opernwelt fue miembro solista. lo premiara como mejor cantante novel del En 1992 iniciaría su periplo artístico en solita- año. Otro momento decisivo de su trayectoria rio: en un primer momento como soprano, y a artística viene marcado por su participación partir de 2001 como contratenor. como Perseo en la redescubierta Andromeda liberata, de Antonio Vivaldi, papel con el que Su carrera se ha venido desarrollando en los actúa, entre otras importantes salas, en el más importantes teatros de ópera del mundo, Carnegie Hall de Nueva York. La función que incluidos la Wiener Staatsoper, la Bayerische de esta serenata vivaldiana tuvo lugar en To- Staatsoper en Múnich, el Teatro Carlo Felice kio en 2005 fue premiada por la prensa japo- de Génova, la Semperoper de Dresde, el Teato nesa como el mejor concierto del año en el Real de Madrid, el Théâtre des Champs-Ély- país nipón. sées, La Monnai de Bruselas, la Deutsche Oper Además, este trabajo sería editado por el sello de Berlín, la Opéra National de Lorraine en Deutschen Grammophon. Cabe igualmente Nancy, el Grand Théâtre de Ginebra, el Gran destacar su intervención como rol principal Teatre de Liceu en Barcelona, la Ópera de en la ópera de Händel Faramondo —olvidada Fráncfort, el Teatro Nacional de São Carlos durante largo tiempo— y su encarnación de en Lisboa, el Théâtre Capitole de Toulouse, el Herold en el estreno mundial de la ópera Theater an der Wien, etc. Medea, de Aribert Reimann, en la Wiener Staatsoper (febrero/marzo de 2010). Asimismo, cuenta con una amplia trayecto- ria concertística que le ha llevado a actuar en Por lo demás, colabora regularmente con di- algunos de los más relevantes recintos y festi- rectores de la talla de William Christie, René vales del panorama internacional. Jacobs, Ottavio Antone, Diego Fasolis, Jean- No en vano, ha sido invitado, entre otros, por Christophe Spinosi, George Petrou, Emanuelle el Barbican Center de Londres, el Concertge- Haim o Riccardo Muti. bouw de Ámsterdam, el Musikverein de Vie- na, la Festspielhaus Baden-Baden, el Festival Muchos de sus discos han sido galardonados. de Ambronay, el Laeiszhalle de Hamburgo, la Así, su grabación en CD de la ópera hande- Ópera de Colonia, el Palais Garnier de París, liana Faramondo (en el mercado desde marzo el Festival de Dubrovnik, la Frauenkirche de de 2009 bajo el sello EMI/ Virgin Classics) ha 1 CV PARNASSUS ARTS PRODUCTIONS recibido once premios, entre ellos el prestigio- en el rol principal. so DIAPASON DÉCOUVERTE. Con la primera de estas obras, Max Emanuel Su álbum en solitario dedicado a Rossini (EMI/ Cencic pisará en la temporada 2011/2012 los Virgin Classics, 2007) no sólo lo convirtió en escenarios del Théâtre des Champs-Élysées, objeto de un abrumador reconocimiento por parte de la crítica, sino también en merecedor de los premios TELERAMA y PRIN, el Premio de la Crítica Alemana a la mejor grabación del año y el ORFEO D’OR. Con su último disco compacto como solista, titulado Mezzo-Soprano (EMI/Virgin Classics, 2010), Max Emanuel Cencic vuelve a demos- trar su gran virtuosismo y sentido de la musi- calidad abordando un repertorio de arias de Händel. Max Emanuel Cencic hizo furor en el rol de Farnace en la ópera de Vivaldi con el mismo título (entre otros en el Théâtre des Champs Élysées en Paris, la Opéra de Lausanne, el Concertgebouw de Amsterdam, el Musikfest de Bremen, en la Opéra national du Rhin en Estrasburgo y Mulhouse y en la Opéra Royal en Versailles). En septiembre de 2011 se lan- zó la grabación de la celebrada ópera de Vi- valdi (EMI/Virgin Classics), otra vez con Max Emanuel Cencic en el rol titular. Los críticos lo aclamaron entusiasmados, resaltando no sólo la impresionante brillantez de la voz y de la interpretación de Cencic, sino también su importancia como visionario y figura clave de una nueva generación de contra-tenores: “Él es considerado, con razón, uno de los mejores cantantes barrocos de la actualidad, siendo líder y guía indiscutible de su generación de contra-tenores.“ Sobre su conmovedora in- terpretación del aria „Gelido in ogni vena“ se puede leer además: No se puede olvidar […] el halo trágico, que Cencic le da a „Gelido in ogni vena“. Logra esto gracias a su voz cantabile, que sorprende casi más que la virtuosidad de sus coloraturas. La trágica tensión adquiere en estos momentos una profundidad fasci- nante, ya que Cencic juega, de forma muy consciente, con el especial colorido de su ins- trumento vocal. Su voz posee una perfección sonora y un carisma extraordinario, únicos en el registro de los contra-tenores.“ (Mormile, en: L’Opera, 4.2.2012, Traducción del La Ópera de Lausana, el Concertgebouw de italiano) Ámsterdam, el Musikfest Bremen, la Opéra National du Rhin en Estrasburgo y Mulhouse, Virgin Classics, otoño de 2012) y Alessandro el Grand Théâtre de Mónaco y la Opéra Royal (Decca, mayo de 2013), con Max nuevamente de Versailles. 2 CV PARNASSUS ARTS PRODUCTIONS Para esa misma temporada, también ha reci- Riccardo Muti y ofrecerá recitales y concier- bido la invitación de la Opéra National de Lor- tos como solista que le llevarán a la Cité de raine en Nancy, el Gran Teatre de Liceu (con la Musique en París, el Arsenal de Metz, el Plácido Domingo), el Musikfestival Bremen o Vatroslav Lisinski Concert Hall de Zagreb o el la Ópera de Lille, entre otros. Asimismo, parti- Onassis Hall en Atenas. cipará en una gira por EE. UU. con el maestro www.cencic.com Management Georg Lang Erzherzog Wilhelm Ring 13 A - 2500 Baden, Österreich T: +43(0) 2252 82 777 F: +43(0) 2252 82 777-50 Fotos: Julian Laidig E: [email protected] TEMPORADA 2013/2014 – ACTUALIZAMOS NUESTRAS BIOGRAFÍAS 3 REGULARMENTE. POR FAVOR, NO USE MATERIAL CON FECHA ANTERIOR..
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