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The Cutting Edge, March/April 2010, Vol. 21 Issue 2
Marshall University Marshall Digital Scholar The Cutting Edge The Society of American Fight Directors 4-2010 The Cutting Edge, March/April 2010, Vol. 21 Issue 2 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/cutting Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation The Society of American Fight Directors, "The Cutting Edge, March/April 2010, Vol. 21 Issue 2" (2010). The Cutting Edge. 89. https://mds.marshall.edu/cutting/89 This Newsletter is brought to you for free and open access by the The Society of American Fight Directors at Marshall Digital Scholar. It has been accepted for inclusion in The Cutting Edge by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. March/April 2010, Volume XXI, Issue 2 Introducing Our New Regional Representatives The staff of The Cutting Edge would like to welcome three new regional HEY, YOU! representatives to the SAFD. Danette GO TO MY WORKSHOP! Baker will be taking over for Mike Speck in the Middle America region, Travis Sims will be taking over for Robert Hamilton in the THEN GO TO THIS OTHER WORK Pacific West region, and Matthew Ellis will SHOP! be taking over for Ann Chandler Harlan in the South West region. A D THE BUY SOME RAFFLE TICKETS! Thanks to Ann, Mike and Robert for their years of service! Your commitment to the betterment of the SAFD and this publication is appreciated and valued beyond words. -
The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways. The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp. "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre. -
A National Tradition
Baseball A National Tradition. by Phyllis McIntosh. “As American as baseball and apple pie” is a phrase Americans use to describe any ultimate symbol of life and culture in the United States. Baseball, long dubbed the national pastime, is such a symbol. It is first and foremost a beloved game played at some level in virtually every American town, on dusty sandlots and in gleaming billion-dollar stadiums. But it is also a cultural phenom- enon that has provided a host of colorful characters and cherished traditions. Most Americans can sing at least a few lines of the song “Take Me Out to the Ball Game.” Generations of children have collected baseball cards with players’ pictures and statistics, the most valuable of which are now worth several million dollars. More than any other sport, baseball has reflected the best and worst of American society. Today, it also mirrors the nation’s increasing diversity, as countries that have embraced America’s favorite sport now send some of their best players to compete in the “big leagues” in the United States. Baseball is played on a Baseball’s Origins: after hitting a ball with a stick. Imported diamond-shaped field, a to the New World, these games evolved configuration set by the rules Truth and Tall Tale. for the game that were into American baseball. established in 1845. In the early days of baseball, it seemed Just a few years ago, a researcher dis- fitting that the national pastime had origi- covered what is believed to be the first nated on home soil. -
Calendar of Events 2017 Board Meetings Website Upgrading
Monthly Newsletter for The Tiffany Homeowners Association • A Covenant Protected Community Calendar April 2017 Vol. 12 No. 04 • Circulation: 175 of Events 2017 Upgrading Telecom Lines April 15th: Easter Egg Hunt The Xfinity/Comcast folks are upgrading the Telecom lines from Dry Creek Road 10:30 a.m. In our park to Milwaukee for the Tiffany neighborhood. They are using a horizontal directional April 22nd: Park Clean-up Day drilling, (HDD) machine to drill 4-5 feet below the ground to install new cable and con- 9:00 a.m. In our park duit. The utility easement runs behind the houses and along the property lines between May 26-29: Dumpster Days houses. The contractor should request access before entering your yard or opening a gate. The City of Centennial has issued a building permit for these folks. Call the City June 3: Spring Walk Thru of Centennial if you have any concerns or questions. June 9-10: Annual Yard Sale — Tom Wood July 4th: 4th of July Parade Starts at Milwaukee Way/ Fillmore Circle Park Clean Up Day August 13th: Neighborhood Picnic 5 p.m. In our park & Plant Swap All residents are invited to park clean-up day on Saturday April 22 at 9 a.m. We can pull weeds, pick up trash and sticks, trim bushes, and more. Does your garden need a change this Spring? Bring your unwanted perennials to Board Meetings the park during clean-up day. Trade them for plants someone else brings. Or take some June 19: Board Meeting – 6:30 p.m. -
IN the NEXT ROOM Or the Vibrator Play
47th Season • 447th Production JULIANNE ARGYROS STAGE / SEPTEMBER 26 - OCTOBER 17, 2010 David Emmes Martin Benson PRODUCING aRTISTIC DIRECTOR aRTISTIC DIRECTOR presents IN THE NEXT ROOM or the vibrator play BY Sarah Ruhl John Arnone David Kay Mickelsen Daniel Ionazzi Jim Ragland SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINaL MUSIC/SOUND DESIGN Philip D. Thompson Jackie S. Hill Kathryn Davies* DIaLECT COaCH PRODUCTION MaNaGER STaGE MaNaGER DIRECTED BY Casey Stangl Jean and Tim Weiss HONORaRY PRODUCERS Original Broadway Production by Lincoln Center Theater, New York City, 2009. IN THE NEXT ROOM or the vibrator play was originally commissioned and produced by Berkeley Repertory Theatre, Berkeley, CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director. IN THE NEXT ROOM or the vibrator play was developed at New Dramatists. IN THE NEXT ROOM or the vibrator play is presented by special arrangement with SAMUEL FRENCH, INC. In the Next Room • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Catherine Givings .......................................................................... Kathleen Early* Dr. Givings ...................................................................................... Andrew Borba* Annie ...................................................................................................... Libby West* Sabrina Daldry ................................................................................. Rebecca Mozo* Mr. Daldry .......................................................................................... -
HELENA from the WEDDING Directed by Joseph Infantolino
HELENA FROM THE WEDDING Directed by Joseph Infantolino “Absorbing...deftly written and acted!” -- Jonathan Rosenbaum USA | 2010 | Comedy-Drama | In English | 89 min. | 16x9 | Dolby Digital Film Movement Press Contact: Claire Weingarten | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 208 | fax: (212) 941-7812 | [email protected] Film Movement Theatrical Contact: Rebeca Conget | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 213 | fax: (212) 941-7812 | [email protected] 1 SYNOPSIS Newlyweds Alex (Lee Tergesen) and Alice (Melanie Lynskey) Javal are hosting a weekend-long New Year’s Eve party for their closest friends at a remote cabin in the mountains. They expect Alex’s best friend Nick (Paul Fitzgerald), newly separated from his wife, to show up at the cabin with his girlfriend Lola. Alex and Nick’s childhood friend Don (Dominic Fumasa) is also set to arrive with his wife-of-many-years Lynn (Jessica Hecht), as are Alice’s pregnant friend Eve (Dagmara Dominczyk) and her husband Steven (Corey Stoll) Any thoughts of a perfect weekend are quickly thrown out the window as Nick arrives with only a cooler of meat and the news that he and Lola have recently called it quits. Don and Lynn show up a few minutes later deep in an argument. Finally, Eve and Steven make it to the cabin with a surprise guest in tow—Eve’s friend Helena, who was a bridesmaid with Alice at Eve’s wedding. With tensions running high at the cabin, Alex tries to approach the young and beautiful Helena. -
Ritual in the “Church of Baseball”: Suppressing the Discourse of Democracy After 9/11 Michael L
Communication and Critical/Cultural Studies Vol. 2, No. 2, June 2005, pp. 107–129 Ritual in the “Church of Baseball”: Suppressing the Discourse of Democracy after 9/11 Michael L. Butterworth Baseball was among the most prominent American institutions to respond to the terrorist attacks of September 11, 2001. Tributes at ballparks across the country promised comfort to millions in shock but soon developed into rituals of victimization that affirmed the Bush administration’s politics of war, discouraged the expression of dissenting opinions, and burdened the nation with yet another disincentive to reflect constructively on its response to terrorism. This essay views the aftermath of 9/11 as a quasi-religious social drama in which ballpark tributes became a ritualized vehicle for a belligerent patriotism that sought unity at the expense of democratic discourse. Keywords: Baseball; Democracy; Patriotism; War on Terrorism; Rituals of Victimization On October 12, 2003, the Chicago Cubs and Florida Marlins played in the fifth game of baseball’s National League Championship Series. Thousands of Chicago fans, hoping to see their team end a 58-year World Series drought, made their way to Miami’s Pro Player Stadium and provided loyal and raucous support for the visiting Cubs. When the game reached the seventh-inning stretch, Cubs fans enthusiastically began singing “Take Me Out to the Ballgame,” but they were quickly silenced by the stadium’s public address system and the remaining fans who belted out “God Bless America” instead. One fan in a Cubs hat and jersey lamented, “Come on, it’s a baseball game!” Only after the public display of patriotism had subsided were Cubs fans able to perform their song.1 Michael L. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Olympus on My Mind
Artistic Director Bruce Miller Managing Director Phil Whiteway in association with “MURRAY THE FURRIER” OLYMPUS ON MY MIND Originial Production Book and Lyrics by Music by Directed by BARRY GRANT BARRY HARMAN STURIALE HARMAN Originially presented by Harve Brosten and Mainstage Productions, Ltd. STAGE MANAGEMENT Kristy Bell COSTUME DESIGN LIGHT DESIGN SET COORDINATION Sarah Grady K. Jenna Ferree Chase Kniffen MUSIC DIRECTION Jason Marks DIRECTION & CHOREOGRAPHY K Strong SPONSORS CAST The Chorus Tom Tyler D. Wilson Dick Paul S. Major Horace Dan Cimo Delores Maggie Roop JupiterRichardTravis MercuryMoscatiArden Charis Mary Anne Furey S ara SommersAlcmeneSara Sosia Scott Wichmann* Amphitryon George Spelvin FOR THIS PRODUCTION Cover Art Illustration Robert Meganck Accompaniment Creation Jason Marks Deck Crew Maggie Peterson Light Board Operator Kristy Bell Sound Engineer Zach Baumann SETTING The ancient Greek city of Thebes during the course of a 41-hour day. There will be one 15-minute intermission between acts. * Member of Actors’ Equity Association, the union of professional actors and stage managers in the U.S.A. SONGS ACT ONE Welcome to Greece Chorus Heaven on Earth Jupiter, Alcmene, and Chorus The Gods on Tap Delores, Jupiter, Mercury, and Chorus Surprise! Sosia Love--What a Concept Jupiter and Mercury Wait ‘Til It Dawns Mercury, Chorus I Know My Wife Amphitryon It Was Me Sosia Back So Soon? Amphitryon, Sosia, and Chorus Wonderful Alcmene At Liberty in Thebes Charis and Chorus Jupiter Slept Here Entire Company ACT TWO Back to the Play Chorus Something of Yourself Mercury General’s Pandemonium Amphitryon, Jupiter, Sosia, and Chorus Heaven on Earth (Reprise) Sosia and Charis Olympus is a Lonely Town Jupiter A Star is Born Delores and Company Final Sequence Entire Company Heaven on Earth (Reprise) Jupiter and Alcmene ABOUT THE MYTHOLOGY The legend of Amphitryon, which chronicles the birth of Hercules, has been used as source material by dramatists down through the ages. -
Protrax Catalogue Protrax Backing Tracks
PROTRAX CATALOGUE PROTRAX BACKING TRACKS July - August 2021 Customer Service & General Enquiries e: [email protected] w: www.protraxonline.com ABOUT THE CATALOGUE ProTrax Productions (South Africa) The backing tracks in this catalogue are arranged e: [email protected] in alphabetical order according to the song title, t: (+27) 82 770 0902 (Weekdays 08h30 to 17h00 - GMT +2) irrespective of language or genre. The availability f: (+27) 86 684 4187 a:191 Lisdogan Avenue, Lisdogan Park, Pretoria, 0083 of catalogued backing tracks may change without notice. ProTrax Music Production House (Australia) e: [email protected] Visit www.protraxonline.com to browse content, f: (+61) 450 778 577 (Weekdays 10h00 to 15h00 - GMT +8) listen to demos or search for backing tracks by: a: P.O. Box 717, South Fremantle, Western Australia, 6162 Genre Latest Additions PROTRAX RECORDING STUDIO Specials Top 10 Charts Bookings & Enquiries (South Africa) w: www.protraxstudio.com e: [email protected] On the website you can also request new tracks, t: (+27) 82 770 0902 (Weekdays 08h30 to 17h00) demos in different keys and view our terms of use. f: (+27) 6 684 4187 a: 191 Lisdogan Avenue, Lisdogan Park, Pretoria, 0083 PROTRAX KARAOKE EXCLUSIVES Customer Service & General Enquiries e: [email protected] w: www.protraxkaraoke.com t: (+27) 82 770 0902 (Weekdays 08h30 to 17h00) ProTrax Backing Track Catalogue J u l y - A u g u s t 2021 P a g e | 1 Joe Niemand from A Candle Burning Pam Thum A New Day Aan Jou Vas Eden "Faith Like Potatoes" A Cradle Prayer Rebecca St. -
TV Theme Songs
1 TV Themes Table of Contents Page 3 Cheers Lawman - 38 4 Bonanza Wyatt Earp - 39 5 Happy Days Bob Hope - 4 6 Hawaii 5-O Jack Benny - 43 6 Daniel Boone 77 Sunset Strip - 44 7 Addams Family Hitchcock - 46 8 “A” Team Kotter - 48 9 Popeye You Bet Your Life - 50 11 Dick Van Dyke Star Trek - 52 11 Mary Tyler Moore Godfrey - 54 13 Gomer Pyle Casper - 55 13 Andy Griffith Odd Couple - 56 14 Gilligan’s Island Green Acres - 57 15 Davey Crockett 16 Flipper Real McCoys - 59 16 Cheyenne Beverly Hill Billies - 60 17 The Rebel Hogan's Heroes - 61 17 Mash Love Boat - 62 19 All in the Family Mission Impossible - 63 20 Mike Hammer McDonalds - 65 21 Peter Gunn Oscar Myers - 65 22 Maverick Band Aids - 65 23 Lawman Budweiser - 66 24 Wyatt Earp 24 Bob Hope 26 Jack Benny 27 77 Sunset Strip 27 Alfred Hitchcock 28 Welcome Back Kotter 28 You Bet Your Life (Groucho Marx) 29 Star Trek 31 Arthur Godfrey 31 Casper the Friendly Ghost 32 Odd Couple 32 Green Acres 33 The Real McCoys 34 Beverly Hillbillies 35 Hogan’s Heroes 35 Love Boat 36 Mission Impossible 37 Mr. Ed 37 Dream Alone with Me (Perry Como) 2 2 Cheers - 1982-1993 – Music by Gary Portnoy & Judy Hart Angelo This popular theme song was written by Gary Portnoy and Judy Hart Angelo when both were at crossroads in their respective careers. Judy was having dinner and seated next to a Broadway producer who was looking for someone to compose the score for his new musical. -
****10 Tag'' a BILLBOARD SPOTLIGHT: PAGE 51
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) Z04£-L0906 V3 H3V39 91101 V t 3AV W13 04LE 0911 9Zi Z (,jnjrjrjnntjjjnjnjjnjnrjnrjjrjnjnrjjnjtjj005Z£Ó33TTÓOA1tJOW 959 0919 tZ00W34L2339L0906t 906 1I9I0-£ ******* TA3J11X9t THE INTERNATIONAL NEWSWIEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT REACHING 110 COUNTRIES NOVEMBER 21, 1998 THERE'S A NEW SOUND FOR THE SEASON... "Unigram' Takes Shape, But Details Unresolved V:Awn/.l-CJGf/Ief,;/I2 A Billboard staff report. The broad strokes may have been The switch has not been finalized, through" in December (Billboard, painted, but none of the lines has says a senior PolyGram executive, Nov 14). l%')Gr2P/.lIeß'i NEW YORK -While the proposed been filled in yet, says one executive but "it has essentially been agreed." "No final decisions have been involved in the consolidation process. Paul McGuinness of Dublin -based made," says Universal Music "Strikingly original." master plan to consolidate PolyGram Management says, "We do spokesman Bob Bernstein, who -- People and the Universal Music Group In fact, some of the senior label exec- Principle (UMG) into one company has been utives who are upset by how not know as of now where declines further comment. "...the best selling album of the season." revealed via press reports in advance their new roles are being certain players are going to Rank and file employees, who have --NT Times of official word, the thousands of defined in the consolidated end up. This is by no means been anxious since the deal was first details needed to make the scheme company are said to be lob- RSAL done and dusted." announced in mid -May to see how the "Amazing...powerful..." work are still being sorted out, accord- bying to overturn some of The relationship between two companies will be fitted togeth- --Scott Shannon/WPLJ ing to executives at both companies.