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Gordana Lazarevich. the Musical World of Frances James and Murray Adaskin. Toronto: University of Toronto Press, 1988
Document generated on 09/29/2021 12:32 p.m. Canadian University Music Review Revue de musique des universités canadiennes Gordana Lazarevich. The Musical World of Frances James and Murray Adaskin. Toronto: University of Toronto Press, 1988. x. 331 pp. Jack Behrens Volume 10, Number 1, 1990 URI: https://id.erudit.org/iderudit/1014899ar DOI: https://doi.org/10.7202/1014899ar See table of contents Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this review Behrens, J. (1990). Review of [Gordana Lazarevich. The Musical World of Frances James and Murray Adaskin. Toronto: University of Toronto Press, 1988. x. 331 pp.] Canadian University Music Review / Revue de musique des universités canadiennes, 10(1), 120–122. https://doi.org/10.7202/1014899ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1990 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ he must have thought that his life was almost over. Although he did not know it, a new and far more fruitful life was about to begin. Gay nor G. Jones * * * GORDANA LAZAREVICH. -
The Darius Milhaud Society Newsletter, Vol. 18, Spring/Summer/ Fall 2002
Cleveland State University EngagedScholarship@CSU Darius Milhaud Society Newsletters Michael Schwartz Library 2002 The Darius Milhaud Society Newsletter, Vol. 18, Spring/Summer/ Fall 2002 Darius Milhaud Society Follow this and additional works at: https://engagedscholarship.csuohio.edu/milhaud_newsletters Part of the History Commons, and the Music Commons How does access to this work benefit ou?y Let us know! Recommended Citation Darius Milhaud Society, "The Darius Milhaud Society Newsletter, Vol. 18, Spring/Summer/Fall 2002" (2002). Darius Milhaud Society Newsletters. 10. https://engagedscholarship.csuohio.edu/milhaud_newsletters/10 This Book is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Darius Milhaud Society Newsletters by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE DARIUS MILHAUD SOCIETY NEWSLETTER Cleveland , Ohio Spring/ Summer/ Fall 2002 Vo l. 18, Nos. 1, 2, 3 Cezanne profoundly touclred something in me, but it has nothing or simply by looking at the blue horizons or the trunks of pines to do with my music. Cezanne, for me, represent s the in tlze shade, for it is only then that the interior color ofan object cormtryside of Aix, with which he is identified and which is also can be transmitted without the stimulation of luminous a part of myself I discovered Cezanne at a very early age, and I sunlight. However, as I said earlier, nothing h1 all that has have always retained an intense, consistent, unforgettable anything to do with my music. impression of him. -
Paul Pedersen Collection Finding
Paul Pedersen Collection A Finding Aid to the Collection in the Marvin Duchow Music Library Prepared by Michaela Dickey Edited by Cynthia A. Leive Marvin Duchow Music Library Schulich School of Music, McGill University Montreal, Quebec Finding Aid URL: http://www.mcgill.ca/library/library-findinfo/subjects/music/special/paul-pedersen Latest Revision: July 2012 Collection Summary Title: Paul Pedersen Collection Span Dates: 1955-2005 Creator: Pedersen, Paul, b. 1935. Language: Collection material in English, French, German and Swedish. Repository: Marvin Duchow Music Library, Schulich School of Music, McGill University, Montréal, Québec, Canada. Abstract: The Paul Pedersen Collection, at 18 linear feet, contains approximately 8200 items, organized into 29 boxes within 10 different series. The collection consists of compositions and sketches, as well as teaching materials, university administration documents, published and unpublished writings, information about special projects and consultations, concert programmes, clippings, reviews, photographs and audio/visual materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library’s online catalogue. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. 1 Administrative Information Provenance Gift; Paul Pedersen; 2009. Accruals Currently, no further accruals are expected. Processing History The Paul Pedersen Collection was processed in 2012 by Michaela Dickey. This Finding Aid was prepared with Microsoft Word, MAC 2008. Copyright Status The status of copyright on the materials of the Paul Pedersen Collection is governed by the Copyright Law of Canada. Restrictions The Paul Pedersen Collection is open to research. Researchers are advised to contact the Marvin Duchow Library prior to visiting. -
Orchestral Music of the Canadian Centennial
! ! ORCHESTRAL MUSIC OF THE! CANADIAN CENTENNIAL ! ! ! ! ! ! Isaac !Page ! ! ! ! ! ! ! ! Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF! MUSIC May 2020 ! Committee: Emily Freeman Brown, Advisor Per Broman ! !ii ! ABSTRACT ! Emily Freeman Brown, Advisor ! In 1967, Canada celebrated its centennial anniversary of confederation. Celebrations were marked with many significant events in the decade leading up to the centennial, notably the adoption of a new Canadian flag, the construction of many cultural landmarks across the country, and Expo 67 in Montreal. In addition to these major cultural celebrations, there was a noticeable push to create and promote Canadian art. Approximately 130 compositions were written for the centennial year, with many commissions coming from Centennial Commission grants as well as the Canadian Broadcasting Corporation (CBC). Of those works, 51 were orchestral compositions that were intended to be performed by orchestras across the country. These works form an important collection that is ripe for study into compositional trends of the time. I believe that composers, writing for such a significant cultural event in Canada, attempted, consciously or not, to codify a Canadian musical identity. I will look into whether shared compositional traits could be considered signifiers of a general Canadian style by looking at previous scholarship on Canadian identity and how it can relate to music. Specific works will be analyzed by Applebaum, Eckhardt-Gramatté, Freedman, Glick, Hétu, Morel, Surdin, and Weinzweig. !iii ! ACKNOWLEDGMENTS ! Thank you to my parents, Carolyn Ricketts and Steven Page. I am very aware that I would likely not be where I am, and able to write a document like this, if both of my parents had not been musicians and had not continued to encourage me through my education. -
The Contribution of Twentieth-Century Canadian Composers to The
THE CONTRIBUTION OF TWENTIETH-CENTURY CANADIAN COMPOSERS TO THE SOLO PEDAL HARP REPERTOIRE, WITH ANALYSIS OF SELECTED WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY GRACE BAUSON APPROVED BY: ____________________________________________ _____________ Ms. Elizabeth Richter, Committee Co-Chairperson Date ___________________________________________ _____________ Dr. Keith Kothman, Committee Co-Chairperson Date ______________________________________________ _____________ Dr. James Helton, Committee Member Date ______________________________________________ _____________ Dr. Michael Oravitz, Committee Member Date ______________________________________________ _____________ Dr. Debra Siela, Committee Member Date ______________________________________________ _____________ Robert Morris, Dean of Graduate School Date BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2012 Copyright © 2012 by Grace Bauson All rights reserved THE CONTRIBUTION OF TWENTIETH-CENTURY CANADIAN COMPOSERS TO THE SOLO PEDAL HARP REPERTOIRE, WITH ANALYSIS OF SELECTED WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY GRACE BAUSON ADVISOR – MS. ELIZABETH RICHTER BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2012 ii ABSTRACT DISSERTATION: The Contribution of Twentieth-Century Canadian Composers to the Solo Pedal Harp Repertoire, with Analysis of Selected Works STUDENT: Grace Bauson DEGREE: Doctor of Arts COLLEGE: Fine Arts DATE: May 2012 PAGES: 158 The purpose of this dissertation was to research harp solos written by Canadian composers in the twentieth century and to determine factors that could have contributed to the rise in output of harp literature in Canada during that period. In addition to research of existing writings, interviews with two performers, Erica Goodman and Judy Loman, and two composers, Marjan Mozetich and R. Murray Schafer, were conducted. -
Adaskin Program.Pages
The Canadian Music Centre in BC Presents The Murray Adaskin Salon Concert Series CELEBRATING OUR LEGACY Murray Adaskin Celebration Friday, October 14, 2016 • 7:00pm As a courtesy… Please turn off the sound for all phones and other electronic devices. You are welcome to take non-flash photos during applause between pieces, but please refrain from taking photos during a performance and between movements, thank you. We encourage you to post your photos and share your experience on social media using the hashtag #CMCBC CMC BC on Twitter: @MusicCentreBC CMC BC on Facebook: facebook.com/CanadianMusicCentreBC Website: musiccentrebc.ca CMC National on Twitter: @CMCnational CMC National on Facebook: facebook.com/CanadianMusic Website: musiccentre.ca Red and white wine from Show your ticket and get Chaberton Estate Winery, a 10% off all hot beverages at local vineyard in Langley, BC, Breka Bakery next door at is available at the lobby bar. 855 Davie Street. Program notes adapted by Stefan Hintersteininger from Murray Adaskin: An Annotated Catalogue of his Music by Gordana Lazarevich and Robyn Cathcart, Dolce Publications, Victoria, 2003. Letter from the BC Director It’s not every day that an organization launches a new concert series, let alone a new theatre. Undertaking one of these projects alone would be daunting. Doing both simultaneously is the challenge of a lifetime, and it’s only been possible with the help of dozens of remarkably talented people. The theme for our first concert season is Celebrating Our Legacy! To do that, we’ve chosen five BC composers who have made larger-than-life contributions, both in terms of their bodies of work, and their substantial dedication towards teaching the next generation of composers. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Aitwr MI 48106-1346 USA 313/761-4700 800/521-0600 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SELECTED INTERMEDIATE TO EARLY-ADVANCED WORKS FOR PIANO SOLO BY VIOLET BALESTRERI ARCHER: AN ANALYSIS FOR TEACHING AND PERFORMANCE A DOCUMENT SUBMITTED TO THE GR.ADUATE FACULTi' in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By ROSALYN WAI-YAN SOO Norman, Oklahoma 1997 UMI Number: 9721057 UMI Microform 9721057 Copyright 1997, by UMI Company. -
Stravinsky Manuscripts in the Library of Congress and the Pierpont Morgan Library." Thefournal Ofmusicology 1, No
Supplement to the Annotated Catalogue of the H. Colin Slim STRAVINSKY COLLECTION PROFESSOR SLIM BRITISH COLUMBIA m kfmbmmtb** vmrn Supplement to the Annotated Catalogue of the H. Colin Slim STRAVINSKY COLLECTION DONATED BY PROFESSOR SLIM TO THE UNIVERSITY OF BRITISH COLUMBIA LIBRARY THE UNIVERSITYOF BRITISH COLUMBIA f Library ACKNOWLEDGMENTS The author owes a particular debt of gratitude to Kevin Madill, the Music Librarian at the University of British Columbia, for his efforts in advancing the publication of this monograph. The H. Colin Slim Stravinsky Collection is one of the treasures of the UBC Library. It includes letters, autograph scores, books, and musical quotations representing every period of the composers life. UBC Library published the original version of this annotated catalogue in 2002, and it is an honour to partner again with Dr. Slim to produce this supplement. This publication is a celebration of a lifelong commitment to Stravinsky, and also signifies Dr. Slim's strong connection to UBC as an alumnus. Dr. Slim's interest in Stravinsky began while he was a teenager in Vancouver, but it progressed and deepened during his years as a music student at UBC. That foundation helped to build Dr. Slim's life as a musicologist and widely published scholar. It also helped to spark his lifelong interest in collecting, as well as his desire to enhance the UBC environment for future students. In sharing this collection through his donation, Dr. Slim lends his confidence and support to UBC, the UBC Library, and UBC students. By making the annotated catalogue and its supplement available at no charge to institutions and conservatories, Dr. -
Community Arts Council Video Collection (SC497)
University of Victoria Special Collections and University Archives Finding Aid - Community Arts Council Video collection (SC497) Generated by Access to Memory (AtoM) 2.5.4 Printed: January 29, 2021 Language of description: English University of Victoria Special Collections and University Archives Special Collections and University Archives University of Victoria PO Box 1800 STN CSC Victoria BC Canada V8W 3H5 Telephone: 250-721-8257 Fax: 250-721-8215 Email: [email protected] https://www.uvic.ca/library/locations/home/archives/ https://uvic2.coppul.archivematica.org//index.php/community-arts-council-video-collection Community Arts Council Video collection Table of contents Summary information ...................................................................................................................................... 4 Scope and content ........................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Collection holdings .......................................................................................................................................... 5 SC497-2015-006, Video Collection (1989 - 2008) ..................................................................................... -
R13970 Photograph Collection of the Music Division
R13970_Photograph Collection of the Music Division Accession Negative Subject Content Physical Date Photographer 823 Abramson, Ronney Portrait photo: b&w / n&b; 21 x 26 ca. 1970s 428 Acklund, Jeanne Portrait photo: b&w / n&b; 9 x 7 ca. 1950 824 Adams, Bryan Portrait, with guitar photo: b&w / n&b; 25 x 21 ca. 1980s 1755 Adams, Bryan Portrait photo: b&w / n&b; 21 x 26 ca. 1990s Catlin, Andrew 1810 Adams, Bryan Portrait photo: b&w / n&b; 26 x 21 ca. 1990s Catlin, Andrew Frances and Harry Adaskin in CBC-TV "To play like an photo: b&w / n&b; 21 x 26 Adaskin, Frances angel" on Spectrum, 7 (composite print of two 1 Marr|Adaskin, Harry November 1979. portraits 16 x 12) 1979 L 1936 Adaskin, John Portrait contact card ca. 1940s photo: b&w / n&b; 13 119 NL 14550 Adaskin, Murray Composing at the piano x13|contact card ca 1978 405 Adaskin, Murray Portrait photo: col. / coul.; 11 x 13 819 Adeney, Marcus Portrait photo: b&w / n&b; 18 x 13 ca 1940s Roy, Marcel 825 Adeney, Marcus Portrait with cello photo: b&w / n&b; 26 x 21 ca 1945 Roy, Marcel Eleanor Agnew and Margaret Agnew, Eleanor|Wilson, Wilson in performance on 368 Margaret violin. photo: b&w / n&b; 18 x 25 335 Wilson, Margaret Portrait with violin L 1935 Agostini, Lucio Portrait contact card 1946 826 Agostini, Lucio In rehearsal photo: b&w / n&b; 20 x 25 820 Aide, William Portrait photo: b&w / n&b; 21 x 13 1985 Robert Aitken with the Accordes String Quartet in Aitken, Robert|Boulez, rehearsal with Pierre Boulez Pierre|Berard, for New Music Concerts, Marie|Accordes String Mississauga, Ont., 1991. -
Contributors / Collaborateurs
Document generated on 09/27/2021 10:11 p.m. Canadian University Music Review Revue de musique des universités canadiennes --> See the erratum for this article Contributors Collaborateurs Volume 16, Number 2, 1996 URI: https://id.erudit.org/iderudit/1014440ar DOI: https://doi.org/10.7202/1014440ar See table of contents Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this document (1996). Contributors / Collaborateurs. Canadian University Music Review / Revue de musique des universités canadiennes, 16(2), 153–155. https://doi.org/10.7202/1014440ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1996 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ CONTRIBUTORS Joan Backus is visiting Assistant Professor of Musicology at the University of Victoria. Her main area of research is the music of Liszt, but she has recently developed a passion for interdisciplinary issues in the arts of Canada. Terry Brown completed the doctoral programme in musicology at the University of Toronto in the Fall of 1994, with a thesis on devotional music and texts for late medieval saints. -
British and Commonwealth Symphonies from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH SYMPHONIES FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KATY ABBOTT (b. 1971) She studied composition with Brenton Broadstock and Linda Kouvaras at the University of Melbourne where she received her Masters and PhD. In addition to composing, she teaches post-graduate composition as an onorary Fellow at University of Melbourne.Her body of work includes orchestral, chamber and vocal pieces. A Wind Symphony, Jumeirah Jane was written in 2008. Symphony No. 1 "Souls of Fire" (2004) Robert Ian Winstin//Kiev Philharmonic Orchestra (included in collection: "Masterworks of the New Era- Volume 12") ERM MEDIA 6827 (4 CDs) (2008) MURRAY ADASKIN (1905-2002) Born in Toronto. After extensive training on the violin he studied composition with John Weinzweig, Darius Milhaud and Charles Jones. He taught at the University of Saskatchewan where he was also composer-in-residence. His musical output was extensive ranging from opera to solo instrument pieces. He wrote an Algonquin Symphony in 1958, a Concerto for Orchestra and other works for orchestra. Algonquin Symphony (1958) Victor Feldbrill/Toronto Symphony Orchestra ( + G. Ridout: Fall Fair, Champagne: Damse Villageoise, K. Jomes: The Jones Boys from "Mirimachi Ballad", Chotem: North Country, Weinzweig: Barn Dance from "Red Ear of Corn" and E. Macmillan: À Saint-Malo) CITADEL CT-601 (LP) (1976) Ballet Symphony (1951) Geoffrey Waddington/Toronto Symphony Orchestra (included in collection: “Anthology Of Canadian Music – Murray Adaskin”) RADIO CANADA INTERNATIONAL ACM 23 (5 CDs) (1986) (original LP release: RADIO CANADA INTERNATIONAL RCI 71 (1950s) THOMAS ADÈS (b.