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THE DIAPASON FEBRUARY 2021 Quimby Pipe Organs, Inc. 50th Anniversary Cover feature on pages 18–20 PHILLIP TRUCKENBROD CONCERT ARTISTS ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN BÁLINT KAROSI JEAN-WILLY KUNZ HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK JACK MITCHENER BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO W͘K͘ŽdžϰϯϮ ĞĂƌďŽƌŶ,ĞŝŐŚƚƐ͕D/ϰဒϭϮϳ ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ĞŵĂŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ဒϲϬͲϱϲϬͲϳဒϬϬ ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚ WŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ BRADLEY HUNTER WELCH SEBASTIAN HEINDL INSPIRATIONS ENSEMBLE ϮϬϭဓ>ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄt®ÄÄÙ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Twelfth Year: No. 2, 20 Under 30 Whole No. 1335 We thank the many people who submitted nominations for FEBRUARY 2021 our 20 Under 30 Class of 2021. Nominations closed on Feb- Established in 1909 ruary 1. We will reveal our awardees in the May issue, with Stephen Schnurr ISSN 0012-2378 biographical information and photographs! 847/954-7989; [email protected] www.TheDiapason.com An International Monthly Devoted to the Organ, A gift subscription is always appropriate. the Harpsichord, Carillon, and Church Music Remember, a gift subscription of The Diapason for a In this issue friend, colleague, or student is a gift that is remembered each Gunther Göttsche surveys organs and organbuilding in the CONTENTS month. (And our student subscription rate cannot be beat at Holy Land. There are approximately sixty pipe organs in this FEATURES $20/year!) Subscriptions can be ordered by calling our sub- region of the world. -
Signumclassics
126booklet 13/5/08 11:28 Page 1 ALSO AVAILABLE ON signumclassics Ragtime & Blue Brahms and Schumann Haydn Piano Sonatas Elena Kats-Chernin - Piano John Lill - Piano John Lill - Piano SIGCD058 SIGCD075 SIGCD097 Elena Kats-Chernin is a composer who Much-loved pianist, John Lill, plays John Lill returns to take the listener on a defies categorisation: a virtuosic pianist touchstones of the 19th-century romantic journey through the many moods of Haydn, and improviser, her compositions flow piano tradition. Lill is at his sparkling in brilliant performances of some from her like a fountain. This CD is best in this wonderful repertoire. composer’s most intriguing works for drawn from the small works she often the keyboard. writes for her own enjoyment - a cornucopia of rags, blues and heart- melting melodies. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 126booklet 13/5/08 11:28 Page 3 MESSIAEN: CHAMBER WORKS MESSIAEN: CHAMBER WORKS The general perception of Messiaen is of a always turned up at class with mountains of work 1. Fantaisie [8.59] composer who lived in some rarefied atmosphere (not guaranteed to ensure popularity!) and was of his own, floating far above the mundane, recognised as a young man likely to succeed. But Quatuor pour la fin du Temps material world. Given his preoccupation with any view of Messiaen as vague or indecisive in his 2. Liturgie de cristal [2.37] esoteric rhythms, sound-colours, theology and opinions needs to be set against the truth - for all birdsong, this is perhaps a reasonable judgment his pacific demeanour (and, in later years, 3. -
CHRIST CATHEDRAL CONCERTS 2017–2018 Second Season
Welcome to CHRIST CATHEDRAL CONCERTS 2017–2018 Second Season JOHANN VEXO STILE ANTICO CHRISTMAS AT THE ORGANISTS DE ANGELIS ORGANIST EARLY MUSIC ENSEMBLE THE CATHEDRAL OF CHRIST VOCAL ENSEMBLE NOTRE DAME CATHEDRAL, FROM LONDON CATHEDRAL PARIS, FRANCE Friday, December Friday, April 20, Friday, October 27, 15, 2017 7:30 p.m. Friday, February 2, 2018 7:30 p.m. Monday, October 9, 2017 7:30 p.m. The Diocesan Choir, the 2018 7:30 p.m. Enjoy one of Southern 2017 7:30 p.m. Stile Antico is one of the Diocesan Children’s Choir, Christ Cathedral is California’s finest vocal French Organist Johann Vexo world’s most accomplished the Christ Cathedral blessed with two of the ensembles as they transport has performed extensively in and innovative vocal Spanish Choir and the world’s greatest organs: you to the glories of France Europe, the U.S., Canada and ensembles. Working Christ Cathedral Choir help The Hazel Wright Organ in a program entitled Sacré Russia. Vexo is the organist without a conductor, its usher in the blessed season in the Cathedral and the France. The evening’s for both the choir organ at 12 members have thrilled of Christmas with splendid Fred Swann Organ in the program features works by Notre Dame Cathedral in audiences throughout carols, both new and old. Arboretum. As we anticipate Duruflé, Peeters, Desenclos Paris and the great organ of Europe and North America They will be accompanied the re-installation of “Hazel,” and Francis Poulenc, the Cathedral of Nancy. with their fresh, vibrant and by the arboretum’s 82-rank we revel in the beauty of including the stunningly Johann Vexo was born moving performances of Aeolian-Skinner Organ, the 82-rank Aeolian-Skinner beautiful Mass in G Major. -
Transfigured Nights Brochure 2015-2016 Single Pages for Website
Transfigured Nights The Voice of Prayer Is Never Silent 2015–2016 Season The Episcopal Church of the Transfi guration # Dallas, Texas Prelude~ We are delighted to introduce you to the 2015-2016 season of Transfigured Nights. This year’s series will focus heavily on the Anglican Offi ce of Evensong, as the Transfi guration Choir prepares music for its England Tour 2016 during which it will be in residence for a week of services at Bristol Cathedral. Two guest organists will make their debut recitals on the Jerry D. Godwin Organ – Richards, Fowkes & Co.’s Opus 17. The Transfi guration Choir will also present two events which will benefi t the upcoming tour – “From Broadway to Bristol” in October and “Tea and Tallis Three!” in April. Our popular chamber music series in the Performance Hall – Art Music Mondays – returns for its fi fth season with four concerts. The March 14 event will feature Arnold Schoenberg’s seminal work Verklärte Nacht (“Transfi gured Night”) in a program performed in the Church. Please see the inside back page of the brochure for specifi cs on all the programs. We hope that you will join us often during the coming season and that your spirit will be refreshed and renewed by the musical and liturgical offerings for which Transfigured Nights has become known. The next page includes a complete listing of the offerings of the 2015- 2016 combined series. Keep it handy as you plan your activities each month. Also, see the back page for details regarding Orpheus Chamber Singers Christmas Program which will be presented at Transfi guration again this year. -
DECEMBER 2019 — 110Th Anniversary Issue
THE DIAPASON DECEMBER 2019 — 110th Anniversary Issue Dunwoody United Methodist Church Dunwoody, Georgia Cover feature on pages 22–24 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN ^^d/E,/E> 2019 W®ÙÙ^͘çWÊÄã &®ÙÝãWÙ®þt®ÄÄÙ >ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄ ò®½½®Äã«h͘^͘ ¦®ÄĮĦ®ÄÝçÃÃÙ JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 12, A milestone, indeed! Whole No. 1321 In December 1909, Siegfried E. Gruenstein published in DECEMBER 2019 Chicago and distributed far afi eld the fi rst issue of The Diapa- Established in 1909 son. The current issue, our 1,321st, marks 110 years of qual- Stephen Schnurr ISSN 0012-2378 ity publishing of news of all matters related to the organ and 847/954-7989; [email protected] church music worlds. Can you bring to mind another journal www.TheDiapason.com An International Monthly Devoted to the Organ, that has been doing this monthly for over a century? the Harpsichord, Carillon, and Church Music We could not put this issue together without you—your Speaking of subscriptions subscription, your advertisement, your articles and news items, There will be slight adjustments to subscription rates on CONTENTS your support. -
The Influence of Plainchant on French Organ Music After the Revolution
Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2013-8 The Influence of Plainchant on rF ench Organ Music after the Revolution David Connolly Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Musicology Commons Recommended Citation Connolly, D. (2013) The Influence of Plainchant on rF ench Organ Music after the Revolution. Doctoral Thesis. Dublin, Technological University Dublin. doi:10.21427/D76S34 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License The Influence of Plainchant on French Organ Music after the Revolution David Connolly, BA, MA, HDip.Ed Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music Dublin Institute of Technology Conservatory of Music and Drama Supervisor: Dr David Mooney Conservatory of Music and Drama August 2013 i I certify that this thesis which I now submit for examination for the award of Doctor of Philosophy in Music, is entirely my own work and has not been taken from the work of others, save and to the extent that such work has been cited and acknowledged within the text of my work. This thesis was prepared according to the regulations for postgraduate study by research of the Dublin Institute of Technology and has not been submitted in whole or in part for another award in any other third level institution. -
Departamento De Filosofía
DEPARTAMENTO DE FILOSOFÍA APROXIMACIÓN AL LENGUAJE DE OLIVIER MESSIAEN: ANÁLISIS DE LA OBRA PARA PIANO VINGT REGARS SUR L’ENFANT - JESÚS FRANCISCO JAVIER COSTA CISCAR UNIVERSITAT DE VALENCIA Servei de Publicacions 2004 Aquesta Tesi Doctoral va ser presentada a Valencia el día 12 de Febrer de 2004 davant un tribunal format per: - D. Francisco José León Tello - D. Salvador Seguí Pérez - D. Antonio Notario Ruiz - D. Francisco Carlos Bueno Camejo - Dª. Carmen Alfaro Gómez Va ser dirigida per: D. Román De La Calle D. Luis Blanes ©Copyright: Servei de Publicacions Francisco Javier Costa Ciscar Depòsit legal: I.S.B.N.:84-370-5899-6 Edita: Universitat de València Servei de Publicacions C/ Artes Gráficas, 13 bajo 46010 València Spain Telèfon: 963864115 UNIVERSIDAD DE VALENCIA FACULTAD DE FILOSOFIA Y CIENCIAS DE LA EDUCACION AREA DE ESTETICA Y TEORIA DEL ARTE APROXIMACION AL LENGUAJE DE OLIVIER MESSIAEN: ANALISIS DE LA OBRA PARA PIANO VINGT REGARDS SUR L´ ENFANT - JESUS TESIS DOCTORAL REALIZADA POR: FRANCISCO JAVIER COSTA CISCAR DIRIGIDA POR LOS DOCTORES: DR. D. LUIS BLANES ARQUES DR. D. ROMAN DE LA CALLE VALENCIA 2003 I N D I C E 1.- Introducción ........................................................................ 5 2.- Antecedentes e influencias estilísticas en el lenguaje de Olivier Messiaen ........................................... 10 3.- Elementos musicales del lenguaje de Messiaen y su aplicación en la obra para piano Vingt Regards sur l ´ Enfant - Jésus ........................................................ 15 4.- Vingt Regards sur l ´ Enfant - Jésus : Datos Generales. Características de su escritura pianística .................. 42 5.- Temática, simbología e iconografía en Vingt Regards sur l ´ Enfant - Jésus ........................................................ 45 6.- Análisis Formal de la obra .......................................... 67 7.- Evolución de los Temas de la obra: Estudio comparativo de su desarrollo y presentación ........ -
God, Nature, and Politics in Olivier Messiaen's <I>Des Canyons Aux Étoiles
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2014 Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . Ryan James Taussig University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Taussig, Ryan James, "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .. " Master's Thesis, University of Tennessee, 2014. https://trace.tennessee.edu/utk_gradthes/2853 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Ryan James Taussig entitled "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie C. Gay, Jacqueline A. Avila Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) ! Sonic Environmentalism:! God, Nature, and Politics in Olivier Messiaen’s Des canyons aux étoiles . -
Aspects of Structure in Olivier Messiaen's Vtngt Regards Sur L'enfant-Jesus
ASPECTS OF STRUCTURE IN OLIVIER MESSIAEN'S VTNGT REGARDS SUR L'ENFANT-JESUS by DAVID ROGOSIN B.Mus., l'Universite de Montreal, 1978 M.Mus., l'Universite de Montreal, 1981 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE STUDIES School of Music We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA March 1996 © David Rogosin, 1996 AUTHORIZATION In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia, Vancouver, Canada Date DE-6 (2/88) ASPECTS OF STRUCTURE IN OLIVIER MESSIAEN'S "VINGT REGARDS SUR L'ENFANT-JESUS" ABSTRACT The paper explores various structural aspects of the 1944 masterwork for piano, Vingt Regards sur I'Enfant-Jesus, by Olivier Messiaen (1908-1992). Part One examines elements of the composer's style in isolation, focusing prin• cipally on the use of the modes of limited transposition to generate diverse tonal styles, as well as the use of form and "cyclical" or recurring themes and motifs to both unify and diversify the work. -
La Nuit Des Assises Du Guirbaden
Revue d’Alsace 142 | 2016 Les reconstructions d'après-guerre en Alsace La nuit des assises du Guirbaden Entre traditions orales, traditions écrites et histoire An assize court session one night at the castle of Guirbaden: oral and writtten traditions and history Das Guirbaden-Treffen: zwischen mündlicher und schriftlicher Überlieferung und der Geschichte Laura Kern Édition électronique URL : http://journals.openedition.org/alsace/2419 DOI : 10.4000/alsace.2419 ISSN : 2260-2941 Éditeur Fédération des Sociétés d'Histoire et d'Archéologie d'Alsace Édition imprimée Date de publication : 1 octobre 2016 Pagination : 231-249 ISSN : 0181-0448 Référence électronique Laura Kern, « La nuit des assises du Guirbaden », Revue d’Alsace [En ligne], 142 | 2016, mis en ligne le 01 octobre 2019, consulté le 16 mai 2020. URL : http://journals.openedition.org/alsace/2419 ; DOI : https://doi.org/10.4000/alsace.2419 Tous droits réservés Laura KERN La nuit des assises du Guirbaden Entre traditions orales, traditions écrites et histoire Les ruines des châteaux-forts vosgiens sont le théâtre d’un certain nombre de légendes qui se rapportent à des faits historiques. Nous allons tenter de mettre en lumière l’archéologie de la source d’une légende se déroulant au château du Guirbaden, intitulée Die Gerichtsnacht des Schloss Girbaden et d’interpréter ce récit en démêlant les faits archéologiques et historiques des faits imaginaires. Cet article a été rédigé dans le cadre d’une thèse de doctorat visant à analyser l’invention, les migrations et remaniements des légendes de fondation et des légendes étiologiques – c’est-à-dire des légendes explicatives – depuis leur première mise par écrit au Moyen Âge ou à l’époque moderne jusqu’aux opérations de collecte du XIXe siècle. -
MESSIAEN Messe De La Pentecôte Livre D’Orgue Louis THIRY
MESSIAEN Messe de la Pentecôte Livre d’orgue Louis THIRY la dolce volta PLAGES CD ↖ ↖ TRACKS Olivier MESSIAEN 1908 - 1992 PLAGES CD ↖ ↖ TRACKS L’Œuvre d’orgue Orgue Metzler de la Cathédrale Saint-Pierre de Genève PLAGES CD ↖ ↖ TRACKS CD 1 / TT: 69'28 Les Corps Glorieux 45'34 1 Subtilité des Corps Glorieux 4'56 2 Les Eaux de la Grâce 2'56 3 L’Ange aux parfums 6'06 4 Combat de la Mort et de la Vie 16'25 5 Force et Agilité des Corps Glorieux 3'40 6 Joie et Clarté des Corps Glorieux 6'01 7 Le Mystère de la Sainte-Trinité 5'30 L’Ascension 23'46 8 Majesté du Christ demandant sa Gloire à son Père 5'41 9 Alleluias sereins d’une âme qui désire le Ciel 6'18 10 Transports de Joie d’une âme devant la Gloire du Christ qui est la sienne 4'30 11 Prière du Christ montant vers son Père 7'17 PLAGES CD ↖ 4 LOUIS THIRY / OLIVIER MESSIAEN ↖ TRACKS CD 2 / TT: 71'25 Messe de la Pentecôte 27'52 1 Entrée : Les Langues de feu 2'47 2 Offertoire : Les choses visibles et invisibles 10'49 3 Consécration : Le don de la Sagesse 4'49 4 Communion : Les oiseaux et les sources 6'09 5 Sortie : Le vent de l’Esprit 3'18 Livre d’orgue 43'25 6 Reprises par interversions 5'15 7 Pièce en trio 2'18 8 Les mains de l’abîme 8'09 9 Chants d’oiseaux 7'55 10 Pièce en trio 7'34 11 Les yeux dans les roues 1'42 12 Soixante-quatre durées 10'32 PLAGES CD ↖ 5 LOUIS THIRY / OLIVIER MESSIAEN ↖ TRACKS CD 3 / TT: 73'19 La Nativité 59'07 1 La Vierge et l’Enfant 5'34 2 Les Bergers 6'07 3 Desseins Eternels 5'23 4 Le Verbe 11'18 5 Les Enfants de Dieu 4'09 6 Les Anges 3'11 7 Jésus accepte la souffrance 4'26 8 Les Mages 10'07 9 Dieu parmi nous 8'52 10 Le Banquet céleste 5'58 11 Apparition de l'Église éternelle 8'08 PLAGES CD ↖ 6 LOUIS THIRY / OLIVIER MESSIAEN ↖ TRACKS PLAGES CD ↖ ↖ TRACKS « La liberté dans l’interprétation me semble primordiale, et c’est peut-être l’une des choses les plus importantes que Messiaen doit aux oiseaux. -
Lettre De La Tribune De Saint-Barnard
LETTRE DE LA TRIBUNE DE SAINT-BARNARD Numéro 17 – février 2017 ISSN 2258-7640 - Dépôt légal à parution Les Amis de l’orgue de Saint-Barnard Romans - Drôme La petite cuisine qui prévaut à l’élaboration des Lettres de la tribune consiste à creuser les fonds documentaires les plus variés afin d’élire les sujets qui donneront de l’orgue et de son répertoire des visages sans cesse renouvelés. Alors que nous approchons doucement de la vingtaine de numéros, nous ne nous priverons pas de dresser un petit constat en forme de satisfecit : quelle variété d’approches ! Pour autant, nous n’en avons pas fini avec le sujet et il est loin le moment où on l’aura épuisé : pas moins d’une vingtaine de nouveaux numéros sont d’ores et déjà prêts –ou en chantier ! Dès lors, comment choisir ? Lequel faire paraître maintenant ?… Sans déflorer totalement nos projets, nous pouvons vous dire que, alors qu’une nouvelle monographie tenait la corde pour être publiée en ce début d’année, une rencontre singulière a décidé d’un revirement éditorial afin de préparer, pour décembre, un numéro 18, monographique lui aussi, et que l’on peut d’ores et déjà annoncer comme contenant une magnifique exclusivité ! Aussi, pour ne pas faire se suivre deux monographies, nous avons consacré ce n°17 à un sujet qui n’est pas en reste d’originalité : « Femmes et orgue ». Non que son propos sous-entende une quelconque approche spécifiquement féminine de l’orgue, ce dossier met essentiellement en lumière plusieurs figures peu connues de femmes organistes qui furent parmi les premières à briller, au même titre que leurs nombreux confrères, en tant que titulaires de tribunes prestigieuses, concertistes acclamées et professeurs recherchées.