Procol Harum
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2ANGLAIS.Pdf
ANGLAIS domsdkp.com HERE WITHOUT YOU 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN IN DA CLUB 50 CENT CANDY SHOP 50 CENT WHAT'S UP ? 4 NON BLONDES TAKE ON ME A-HA MEDLEY ABBA MONEY MONEY MONEY ABBA DANCING QUEEN ABBA FERNANDO ABBA THE WINNER TAKES IT ALL ABBA TAKE A CHANCE ON ME ABBA I HAVE A DREAM ABBA CHIQUITITA ABBA GIMME GIMME GIMME ABBA WATERLOO ABBA KNOWING ME KNOWING YOU ABBA TAKE A CHANCE ON ME ABBA THANK YOU FOR THE MUSIC ABBA SUPER TROUPER ABBA VOULEZ VOUS ABBA UNDER ATTACK ABBA ONE OF US ABBA HONEY HONEY ABBA HAPPY NEW YEAR ABBA HIGHWAY TO HELL AC DC HELLS BELLS AC DC BACK IN BLACK AC DC TNT AC DC TOUCH TOO MUCH AC DC THUNDERSTRUCK AC DC WHOLE LOTTA ROSIE AC DC LET THERE BE ROCK AC DC THE JACK AC DC YOU SHOOK ME ALL NIGHT LONG AC DC WAR MACHINE AC DC PLAY BALL AC DC ROCK OR DUST AC DC ALL THAT SHE WANTS ACE OF BASE MAD WORLD ADAM LAMBERT ROLLING IN THE DEEP ADELE SOMEONE LIKE YOU ADELE DON'T YOU REMEMBER ADELE RUMOUR HAS IT ADELE ONLY AND ONLY ADELE SET FIRE TO THE RAIN ADELE TURNING TABLES ADELE SKYFALL ADELE WALK THIS WAY AEROSMITH WALK THIS WAY AEROSMITH BECAUSE I GOT HIGH AFROMAN RELEASE ME AGNES LONELY AKON EYES IN THE SKY ALAN PARSON PROJECT THANK YOU ALANIS MORISSETTE YOU LEARN ALANIS MORISSETTE IRONIC ALANIS MORISSETTE THE BOY DOES NOTHING ALESHA DIXON NO ROOTS ALICE MERTON FALLIN' ALICIA KEYS NO ONE ALICIA KEYS Page 1 IF I AIN'T GOT YOU ALICIA KEYS DOESN'T MEAN ANYTHING ALICIA KEYS SMOOTH CRIMINAL ALIEN ANT FARM NEVER EVER ALL SAINTS SWEET FANTA DIALO ALPHA BLONDY A HORSE WITH NO NAME AMERICA KNOCK ON WOOD AMII STEWART THIS -
Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Record World
record tWODedicated To Serving The Needs Of The Music & Record Industry x09664I1Y3 ONv iS Of 311VA ZPAS 3NO2 ONI 01;01 3H1 June 21, 1970 113N8V9 NOti 75c - In the opinion of the eUILIRS,la's wee% Tne itmuwmg diCtie SINGLE PICKS OF THE WEEK EPIC ND ARMS CAN EVER HOLD YOU CORBYVINTON Kenny Rogers and the First Mary Hopkin sings Doris Nilsson has what could be Bobby Vinton gets justa Edition advise the world to Day'sphilosophicaloldie, his biggest, a n dpossibly littlenostalgicwith"No "TellItAll Brother" (Sun- "Que Sera, Sera (Whatever hisbest single,a unique Arms Can Ever Hold You" beam, BMI), and it's bound WillBe, WillBe)" (Artist, dittyofhis own devising, (Gil, BMI),whichsounds tobe theirlatestsmash ASCAP), her way (A p p le "Down to the Valley" (Sun- just right for the summer- (Reprise 0923). 1823). beam, BM!) (RCA 74-0362). time (Epic 5-10629). SLEEPER PICKS OF THE WEEK SORRY SUZANNE (Jan-1111 Auto uary, Embassy BMI) 4526 THE GLASS BOTTLE Booker T. & the M. G.'s do Canned Heat do "Going Up The Glass Bottle,a group JerryBlavat,Philly'sGea something just alittledif- the Country" (Metric, BMI) ofthreeguysandthree for with the Heater,isal- ferent,somethingjust a astheydo itin"Wood- gals, introduce themselves ready clicking with "Tasty littleliltingwith"Some- stock," and it will have in- with "Sorry Suzanne" (Jan- (To Me),"whichgeators thing" (Harrisongs, BMI) creasedmeaningto the uary, BMI), a rouser (Avco andgeatoretteswilllove (Stax 0073). teens (Liberty 56180). Embassy 4526). (Bond 105). ALBUM PICKS OF THE WEEK DianaRosshasherfirst "Johnny Cash the Legend" "The Me Nobody Knows" "The Naked Carmen" isa solo album here, which is tributed in this two -rec- isthe smash off-Broadway "now"-ized versionofBi- startsoutwithherfirst ord set that includes' Fol- musical adaptation of the zet's timeless opera. -
New Orleans Nostalgia
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard True Bohemian Rhapsody The true “Bohemian Rhapsody” is neither “Caprice Bohémien” by Rachmaninoff, nor is it the 1975 hit by the rock group Queen. Freddie Mercury and Queen provided the world with its extremely popular (yet intensely cryptic) “Bohemian Rhapsody”, a stream-of-consciousness nightmare of a song that offered lyrics like: “I see a little silhouetto of a man, Scaramouche, Scaramouche, will you do the Fandango?” Research indicates that “Bohemian Rhapsody” is the second most played song on British radio and jukeboxes, and in clubs collectively, after “A Whiter Shade of Pale” by Procol Harum. Could it be because both songs incorporate the word “fandango” into their lyrics? But is there a song more truly worthy of the title “Bohemian Rhapsody”, especially in a place that has been called America’s most Bohemian city? And how was it that Carnegie Mellon University professor Richard Florida (author of “The Rise of the Creative Class”) gave New Orleans a fairly low standing in his “Bohemian Index”? How could it be that the Crescent City (with its French Quarter, musicians, writers, artists, eccentric characters, jazz and funky vibe) ranked below Salt Lake City? And why the beaucoup boo hoos over such a low boho rating (41st out of the 49 largest metro areas)? These questions will soon be answered. Bohemians refer, of course, to the inhabitants of the former Kingdom of Bohemia, located in the modern day Czech Republic. Their leader back in the day was “Good King Wenceslas”, Duke of Bohemia, who cruised around Prague in the early tenth century. -
KARAOKE Buch 2019 Vers 2
Wenn ihr euer gesuchtes Lied nicht im Buch findet - bitte DJ fragen Weitere 10.000 Songs in Englisch und Deutsch auf Anfrage If you can’t find your favourite song in the book – please ask the DJ More then 10.000 Songs in English and German toon request 10cc Dreadlock Holiday 3 Doors Down Here Without You 3 Doors Down Kryptonite 4 Non Blondes What's Up 50 Cent Candy Shop 50 Cent In Da Club 5th Dimension Aquarius & Let The Sunshine A Ha Take On Me Abba Dancing Queen Abba Gimme Gimme Gimme Abba Knowing Me, Knowing You Abba Mama Mia Abba Waterloo ACDC Highway To Hell ACDC T.N.T ACDC Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Adele Chasing Pavements Adele Hello Adele Make You Feel My Love Adele Rolling In The Deep Adele Skyfall Adele Someone Like You Adrian (Bombay) Ring Of Fire Adrian Dirty Angels Adrian My Big Boner Aerosmith Dream On Aerosmith I Don’t Want To Miss A Thing Afroman Because I Got High Air Supply All Out Of Love Al Wilson The Snake Alanis Morissette Ironic Alanis Morissette You Oughta Know Alannah Miles Black Velvet Alcazar Crying at The Discotheque Alex Clare Too Close Alexandra Burke Hallelujah Alice Cooper Poison Alice Cooper School’s Out Alicia Keys Empire State Of Mind (Part 2) Alicia Keys Fallin’ Alicia Keys If I Ain’t Got You Alien Ant Farm Smooth Criminal Alison Moyet That Old Devil Called Love Aloe Blacc I Need A Dollar Alphaville Big In Japan Ami Stewart Knock On Wood Amy MacDonald This Is The Life Amy Winehouse Back To Black Amy Winehouse Rehab Amy Winehouse Valerie Anastacia I’m Outta Love Anastasia Sick & Tired Andy Williams Can’t Take My Eyes Off Of You Animals, The The House Of The Rising Sun Aqua Barbie Girl Archies, The Sugar, Sugar Arctic Monkeys I Bet You Look Good On The Dance Floor Aretha Franklin Respect Arrows, The Hot Hot Hot Atomic Kitten Eternal Flame Atomic Kitten Whole Again Avicii & Aloe Blacc Wake Me Up Avril Lavigne Complicated Avril Lavigne Sk8er Boi Aztec Camera Somewhere In My Heart Gesuchtes Lied nicht im Buch - bitte DJ fragen B.J. -
PROCOL HARUM 2014 BIOGRAPHY Procol Harum Are Still Going Strong
PROCOL HARUM 2014 BIOGRAPHY Procol Harum are still going strong. March 2014 sees a new double CD, Inside/Outside, celebrating over forty years of studio and live recordings. In addition the spring will see a new download-only release, Some Long Road, featuring tracks from the band’s 2012 US tour. Alongside this Procol continue to tour many parts of the world, and are considering options on three continents at the moment. You could not be blamed for thinking that, with the monumental success of Procol's first smash hit, the band just stopped there, like so many others. Even the recently-awarded accolade of ‘most- played single of the past seventy-five years’ has not quelled their need to go forward: hence 2014’s new live album. In the past couple of years they have released ten re-mastered CD albums, plus the 2CD anthology Secrets of the Hive (all generally available in Europe, and sourceable on import); their DVDs In Concert with the Danish National Concert Orchestra and Live at Union Chapel have been widely acclaimed. There’s also a special 4-disc CD/DVD box-set compendium – aptly entitled All this and More – featuring 68 of the band’s many unique compositions: this prompted Classic Rock magazine to observe, ‘it’s small wonder The Who’s Tommy and Queen’s Bohemian Rhapsody can be traced to Procol’s influence’. It could be termed a plethora of Procol. The quality of writing and performance has remained Procol Harum’s gold standard through the gradually-mutating line-ups: each participating musician has kept the ideas flowing and prevented Procol from resting on their laurels. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
1972 Brown and Gold Vol 55 November 17, 1972
Regis University ePublications at Regis University Brown and Gold Archives and Special Collections 11-17-1972 1972 Brown and Gold Vol 55 November 17, 1972 Follow this and additional works at: https://epublications.regis.edu/brownandgold Part of the Catholic Studies Commons, and the Education Commons Recommended Citation "1972 Brown and Gold Vol 55 November 17, 1972" (1972). Brown and Gold. 417. https://epublications.regis.edu/brownandgold/417 This Book is brought to you for free and open access by the Archives and Special Collections at ePublications at Regis University. It has been accepted for inclusion in Brown and Gold by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. ilrnmu nub ~nlb Regts College Newspaper VOLUME NUMBER LV Denver, Colorado FRIDAY, NOVEMBER 17, 1972 EDUCATIONAL POLICIES CHALLENGED . FR. GROLLMES VALIDITY OF t APPEARS AT -uRE EXAM }- G.A. MEETING QUESTIONED by Rick Veatch Editor by Pat Cronan A concerned ·group of students, Vice-President Student Senate about ten in number. organized by Senior John Topp, met with the On November l, the members of Business Administration Depart the General Assembly were ment on Wednesday, November 8. presented with the Educational Their purpose was to attempt to Objectives of Regis College, as persuade the members of the formulated by the Educational department to reduce the URE Planning Committee. The written requirements for graduation. objectives were brought before the According to the 1972-73 Student Assembly by Pete Martin who is a Handbook. it is necessary to success member of the Ed . Planning fully pass a written comprehensi\·e Committee. -
April 19, 1974
Hope College Hope College Digital Commons The Anchor: 1974 The Anchor: 1970-1979 4-19-1974 The Anchor, Volume 86.22: April 19, 1974 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1974 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 86.22: April 19, 1974" (1974). The Anchor: 1974. Paper 10. https://digitalcommons.hope.edu/anchor_1974/10 Published in: The Anchor, Volume 86, Issue 22, April 19, 1974. Copyright © 1974 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1970-1979 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1974 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. DeYoung discusses self-governance by Robert Ei kert DeYoung commented that Hope structure as allowing a large de- will contribute to the "quality of tion by stating, "All things con- has been moving in the direction gree of self-governance, but ac- life." sidered, how many people will Vice-President for Student Af- of self-governance, but that "there ceded that "maybe it is time to WHEN ASKED to comment on care enough to take in their own fairs Robert DeYoung expressed is evidence that people living in try something more elaborate." the notion that dorm rights and hands the need to govern the hall support for the concept of self- residence halls aren't willing to THE PROPOSAL for self- privileges should match those in in such a way that it will provide governance, but disapproval for spend the time necessary to regu- governance as passed CLB was an apartment or house, DeYoung the best thing for you and for the Campus Life Board's version late their own affairs." met with disfavor by DeYoung said, "A dorm is not the same as Hope College?" in an interview Wednesday. -
V Nocus Calks
VOLUME 92 NUMBER 49 AMi[T, CAMBRIDGE, MASSACHUSETTS TUESDAY,, NOVEMBER 21, 1972 FIVE CENTS __ .M r~~~~~~ eme By Walter ']. Middlebrook When asked about the sup- last Monday be observed as a Approximately 200 people port for the students from the day of moratorium, and that gathered at Kresge Auditorium black community, she replied, next Monday be used as the first last night to discuss the slayings "From the community our sup- day of a nation wide student of two black students as port has been over-whelming, strike. Southern University. parents, workers, students from Long before any ot the news The rally at Kresge was the other campuses in the city, and media in the city began to cover climax in the Boston area of a residents of the state are doing the events at Southern in detail, nationwide day-long protest and all that can be done in our WTBS began a grueling campaign moratorium concerning the struggle." She was rather upset, for support and facts regarding deaths of Denver A. Smith of however, at the lack of response the incident by way of one of its New Roads, Louisiana and that had been received from the programs, the Ghetto. Since Leonard Brown of Gilbert, black faculties on the campuses. twelve midnight on Thursday, Louisiana. The other memorial She did point out that some the Ghetto has been carrying services imathe Boston area were faculty members had shown constant coverage of the events held at Boston College, Boston some sense of concern and as of that went on in Baton Rouge University, Harvard University, this date, six of those professors with recorded telephone reports and Brandeis University.