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SOCIAL MEDIA MARKETING, REDES SOCIALES Y METAVERSOS Elvira San Millán Fernández María Luisa Medrano García Francisco Blanco Jiménez
SOCIAL MEDIA MARKETING, REDES SOCIALES Y METAVERSOS Elvira San Millán Fernández María Luisa Medrano García Francisco Blanco Jiménez RESUMEN Somos testigos del poder de la web para explotar la inteligencia colectiva, la interactividad con los usuarios, el You que actúa como co-desarrollador. La web 2.0 es la transición de las aplicaciones tradicionales hacia aplicaciones enfocadas al usuario final. Con relación al canal de Internet, el marketing digital utiliza diversas estrategias surgidas para comprender la web social 2.0 como plataforma interactiva. Se asiste al fortalecimiento del Social Media Marketing en redes sociales y mundos virtuales de navegación en 3D, como Second Life. El usuario activo y más exigente está provocando la ralentización de la inversión de la publicidad online. PALABRAS CLAVE: Social Media Marketing, Metaversos, redes sociales, web 2.0, Second Life. ABSTRACT We attend to the power of web to encourage collective intelligence, the interactivity with users, the You who act as co-developer. Web 2.0 is the transition of traditional applications to new approach where applications are focused on final user. Digital Marketing is based on strategies to use social web 2.0 as interactive platforms. We attend to the strengthening of the Social Media Marketing in social networks and metaverses, like Second Life. New publicity on line must be adapted to the behaviour of new, more active and intelligent cyberuser. KEYWORDS: Social Media Marketing, Metaverses, social networks, web 2.0, Second Life. 1. INTRODUCCIÓN Las nuevas tendencias en el marketing web van estrechamente unidas a los designios de la web social, el you1 y la red de las personas sobre las cosas. -
Software Social
Métodos y Técnicas de Trabajo Corporativo Software Social Juan Miguel Gómez Universidad Carlos III de Madrid Contenidos • ¿Qué es la Web 2.0? • Etiquetado de Recursos: del.icio.us • Compartir Recursos: Flickr y YouTube • Redes Sociales: LinkedIn, MySpace, Orkut, Friendster y Bebo • Conversaciones Distribuidas: Blogs • Multimedia Distribuido: Vlogs y Podcasting • Sistemas de Recomendación: Last FM • Recomendación de Recursos: Digg y Meneame • Wikis: Entornos de Trabajo Colaborativo • Mundos Virtuales: Second Life 2 El Homo Conexus Trabajo en Equipo Software Social Trabajo Colaborativo 3 ¿Qué es la Web 2.0? 4 ¿Qué es la Web 2.0? • Es un buzzword para representar un nuevo tipo de red más social, donde los contenidos vienen del usuario 5 ¿Qué es la Web 2.0? • Contenido creado por los usuarios • Compartición de recursos y arquitectura de la participación • Es simple usar y mezclar las cosas, creando aplicaciones nuevas • Suelen utilizar tecnología AJAX • Aplicaciones Típicamente Web 2.0: – Google Maps – Writely – Meebo 6 Google Maps 7 Writely 8 Meebo 9 Etiquetado de Recursos • Los recursos de la Web pueden ser categorizados y etiquetados • La etiqueta representa una “alusión semántica” del recurso • Muchas páginas tienen “tag clouds” • “You are what you tag” 10 Etiquetado de Recursos • Los recursos de la Web pueden ser categorizados y etiquetados • La etiqueta representa una “alusión semántica” del recurso • Las etiquetas se organizan en “folksonomías” • Muchas páginas tienen “tag clouds” • “You are what you tag” 11 Etiquetado de Recursos • -
01 Worlock Editech 2008
Editech 2008 The European Digital Publishing Marketplace: An Overview David R Worlock Chief Research Fellow Outsell, Inc. [email protected] June 2008 © 2008 Outsell, Inc. All rights reserved. Slower Growth Ahead © 2008 Outsell, Inc. All rights reserved. 2 Search Surges Ahead of Information Industry 26.1% 25.1% 25.2% 24.8% 21.6% 22.5% 18.3% 9.0% 5.0% 4.3% 3.1% 3.1% 3.2% 3.4% 2004 2005 2006 2007 (P) 2008 (P) 2009 (P) 2010 (P) Search, Aggregation & Syndication Info Industry w/o SAS Source: Outsell’s Publishers & Information Providers Database © 2008 Outsell, Inc. All rights reserved. 3 Information Industry $380 Billion in 2007 9% 7% B2B Trade Publishing & Company Information 10% Credit & Financial Information 11% Education & Training HR Information Legal, Tax & Regulatory 5% 10% Market Research, Reports & Services IT & Telecom Research, 1% Reports & Services News Providers & Publishers 4% Scientific, Technical & Medical Information Search, Aggregation & 8% Syndication 1% Yellow Pages & Telephone 34% Directories Source: Outsell’s Publishers & Information Providers Database © 2008 Outsell, Inc. All rights reserved. 4 Search to Soar, While News Nosedives 2007-2010 Est. Industry Growth 5.5% Search, Aggregation & 22.7% Syndication HR Information 15.4% 9.5% IT & Telecom Research, Reports & Services 8.4% Credit & Financial Information 8.1% Market Research, Reports & Services 6.7% Scientific, Technical & Medical 6.7% Information Legal, Tax & Regulatory 5.8% B2B Trade Publishing & 5.7% Company Information Education & Training 5.2% -2.9% Yellow Pages & Directories Source: Outsell's Publishers & Information Providers Database News Providers & Publishers © 2008 Outsell, Inc. All rights reserved. 5 Global Growth in Asia and EMEA © 2008 Outsell, Inc. -
Gibson CV 2020
Mara Gibson maragibson.com 5652 Burgundy Ave [email protected] Baton Rouge, LA 70806 (913) 957-6876: cell Education 1996--2001 Ph.D. Music Composition, State University of New York at Buffalo; Buffalo, NY Committee Members: David Felder, Martha Hyde, Erik Oña, Michael Long; Outside Reader: Stephen Jaffe, Duke University; Dissertation: mirar 1990--1994 Bachelor of Arts, Music Composition and Piano Performance, Bennington College; Bennington, VT Positions 2017—present Louisiana State University, Associate Professor of Composition (starting 2018) Visiting Assistant Professor: Composition (2017-18), Composition Forum, Laptop Orchestra, Constantinides New Music Ensemble, Orchestration (CxC certified), Contemporary Musical Practices PhD Committees: William Montgomery (chair), Landon Viator, Shane Courville, Christopher McCardle; MM Committee: Austin Franklin; Honors Thesis Committee: Hollyn Slykhuis, Mikeila McQueston (National Board of Sigma Phi Chapter Scholastic Award, LSU Presser Award) 2004--2017 Conservatory of Music and Dance, University of Missouri-Kansas City Associate Teaching Professor (2013- present), Instructor (2004-2013): Composition (133-433), Creative Strategies for Collaboration, Composition Forum, Ensembles for Composers, MUSE, graduate faculty (committee member), Musicianship IV, Composition Coordinator for Undergraduate Recruitment (2016), supervise all teaching artists for Conservatory in the Schools, Composition Workshop founder and director. Recent DMA committees: Dylan Baker, Tatev Amiryan, AMao Wang, MM Committees: -
The Complete Guide to Social Media from the Social Media Guys
The Complete Guide to Social Media From The Social Media Guys PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 08 Nov 2010 19:01:07 UTC Contents Articles Social media 1 Social web 6 Social media measurement 8 Social media marketing 9 Social media optimization 11 Social network service 12 Digg 24 Facebook 33 LinkedIn 48 MySpace 52 Newsvine 70 Reddit 74 StumbleUpon 80 Twitter 84 YouTube 98 XING 112 References Article Sources and Contributors 115 Image Sources, Licenses and Contributors 123 Article Licenses License 125 Social media 1 Social media Social media are media for social interaction, using highly accessible and scalable publishing techniques. Social media uses web-based technologies to turn communication into interactive dialogues. Andreas Kaplan and Michael Haenlein define social media as "a group of Internet-based applications that build on the ideological and technological foundations of Web 2.0, which allows the creation and exchange of user-generated content."[1] Businesses also refer to social media as consumer-generated media (CGM). Social media utilization is believed to be a driving force in defining the current time period as the Attention Age. A common thread running through all definitions of social media is a blending of technology and social interaction for the co-creation of value. Distinction from industrial media People gain information, education, news, etc., by electronic media and print media. Social media are distinct from industrial or traditional media, such as newspapers, television, and film. They are relatively inexpensive and accessible to enable anyone (even private individuals) to publish or access information, compared to industrial media, which generally require significant resources to publish information. -
Claimed Studios Self Reliance Music 779
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Las Redes Sociales. Tipología, Uso Y Consumo De Las Redes 2.0 En La Sociedad Digital Actual
Las Redes Sociales. Tipología, uso y consumo de las redes 2.0 en la sociedad digital actual David CALDEVILLA DOMÍNGUEZ Profesor de Publicidad y Relaciones Públicas y Gabinete de Comunicación Departamento de. Comunicación Audiovisual y Publicidad 2 -CAP2. Facultad de Ciencias de la Información de la UCM [email protected] Recibido: 19-1-2010 Aceptado: 3-2-2010 RESUMEN El fenómeno de las redes sociales ha revolucionado nuestro concepto de relación social clásica y nuestra inversión en tiempo libre. En ellas buscamos contactos con aquellos con los que perdimos trato, mantenemos amistades, nos ponemos al día de la vida de los demás, conocemos a gente nueva o incluso encontramos trabajo. Sin embargo, las redes sociales despiertan un debate en torno a la privacidad, los riesgos de estas nuevas relaciones, la adicción a estar interconectado con cientos de amigos, el descenso de la productividad en el trabajo, etc. Es nuestra intención hacer un profuso análisis de las redes a través de su definición, tipología, uso e influencia para concluir defendiendo sin una amenaza o una oportunidad para la sociedad. Palabras-clave: Facebook, Tuenti, redes sociales, Internet, relaciones, entretenimiento electrónico, teletrabajo. The social webs. typology, use and consumption of the webs 2.0 in today’s digital society ABSTRACT The ‘social network phenomenon’ has revolutionized not only the ‘classic/ancient concept’ of relationship, but also how we manage our free time nowadays. We either look for old colleagues or we keep friendship, we get up to date with other’s lives or we meet new people, or even more, we apply for a job. -
"Análisis De La Red Social Twitter Como Herramienta De Información Y Comunicación En Los Jóvenes Universitarios Guatemaltecos." Tesis De Grado
UNIVERSIDAD RAFAEL LANDÍVAR FACULTAD DE HUMANIDADES LICENCIATURA EN CIENCIAS DE LA COMUNICACIÓN "ANÁLISIS DE LA RED SOCIAL TWITTER COMO HERRAMIENTA DE INFORMACIÓN Y COMUNICACIÓN EN LOS JÓVENES UNIVERSITARIOS GUATEMALTECOS." TESIS DE GRADO SUSAN MELISSA MORALES CASTILLO CARNET 10096-08 GUATEMALA DE LA ASUNCIÓN, OCTUBRE DE 2017 CAMPUS CENTRAL UNIVERSIDAD RAFAEL LANDÍVAR FACULTAD DE HUMANIDADES LICENCIATURA EN CIENCIAS DE LA COMUNICACIÓN "ANÁLISIS DE LA RED SOCIAL TWITTER COMO HERRAMIENTA DE INFORMACIÓN Y COMUNICACIÓN EN LOS JÓVENES UNIVERSITARIOS GUATEMALTECOS." TESIS DE GRADO TRABAJO PRESENTADO AL CONSEJO DE LA FACULTAD DE HUMANIDADES POR SUSAN MELISSA MORALES CASTILLO PREVIO A CONFERÍRSELE EL TÍTULO Y GRADO ACADÉMICO DE LICENCIADA EN CIENCIAS DE LA COMUNICACIÓN GUATEMALA DE LA ASUNCIÓN, OCTUBRE DE 2017 CAMPUS CENTRAL AUTORIDADES DE LA UNIVERSIDAD RAFAEL LANDÍVAR RECTOR: P. MARCO TULIO MARTINEZ SALAZAR, S. J. VICERRECTORA ACADÉMICA: DRA. MARTA LUCRECIA MÉNDEZ GONZÁLEZ DE PENEDO VICERRECTOR DE ING. JOSÉ JUVENTINO GÁLVEZ RUANO INVESTIGACIÓN Y PROYECCIÓN: VICERRECTOR DE P. JULIO ENRIQUE MOREIRA CHAVARRÍA, S. J. INTEGRACIÓN UNIVERSITARIA: VICERRECTOR LIC. ARIEL RIVERA IRÍAS ADMINISTRATIVO: SECRETARIA GENERAL: LIC. FABIOLA DE LA LUZ PADILLA BELTRANENA DE LORENZANA AUTORIDADES DE LA FACULTAD DE HUMANIDADES DECANO: MGTR. HÉCTOR ANTONIO ESTRELLA LÓPEZ, S. J. VICEDECANO: DR. JUAN PABLO ESCOBAR GALO SECRETARIA: MGTR. ROMELIA IRENE RUIZ GODOY DIRECTORA DE CARRERA: LIC. MIRIAM AMARILIS MADRID ESTRADA DE VALDEZ NOMBRE DEL ASESOR DE TRABAJO DE GRADUACIÓN MGTR. MICHAEL ERIC FINKEL STERN REVISOR QUE PRACTICÓ LA EVALUACIÓN LIC. RAMIRO MAC DONALD LOPEZ Guatemala, 21 de agosto de 2017 Señores Miembros del Consejo Facultad de Humanidades Universidad Rafael Landívar Presente Estimados Señores del Consejo Atentamente me dirijo a ustedes, para someter a su consideración el trabajo de tesis de la estudiante SUSAN MELISSA MORALES CASTILLO, Carné No. -
TITRE Sous-Titre
Research paper 2007 Social Network websites: best practices from leading services faberNovel Consulting 2007 28.11.2007 – Research paper Public document This work is licensed under the Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported license. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, 171 2nd Street, Suite 300, San Francisco, California, 94105, USA. 28. 11. 2007 – Research paper 2 About the study Amid the growing number of online “social” feature offers, many companies, from major actors to start-ups, may ask themselves: How online social features can impact their customer relationship policy Which social features and practices bring value to their activities What the best candidate for an acquisitions is This study aims at answering part or the totality of these questions by: Providing a social networking website typology and understanding the specificities of these different categories Identifying social networking website best practices and trends and proposing specific analyses for each site Assessing the profitability for firms to be involved in online social networking activities, under which conditions and regarding what type of investments This document provides a general background for understanding social network websites and the study of online matchmaking websites and business network websites This study is only the first step. Distributed under creative commons license, it should be completed and improved through the contribution of external experts, firms and web users as major moves in the industry are expected to occur in the coming months 28. 11. 2007 – Research paper 3 Summary Some broad principles for understanding social networking websites Case study: online matchmaking websites Meetic Match.com Case study: business network websites Xing LinkedIn 28. -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
Web 2.0: Where Does Europe Stand?
Web 2.0: Where does Europe stand? Author: Sven Lindmark EUR 23969 EN - 2009 The mission of the JRC-IPTS is to provide customer-driven support to the EU policy- making process by developing science-based responses to policy challenges that have both a socio-economic as well as a scientific/technological dimension. European Commission Joint Research Centre Institute for Prospective Technological Studies Contact information Address: Edificio Expo. c/ Inca Garcilaso, 3. E-41092 Seville (Spain) E-mail: [email protected] Tel.: +34 954488318 Fax: +34 954488300 http://ipts.jrc.ec.europa.eu http://www.jrc.ec.europa.eu Legal Notice Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. Europe Direct is a service to help you find answers to your questions about the European Union Freephone number (*): 00 800 6 7 8 9 10 11 (*) Certain mobile telephone operators do not allow access to 00 800 numbers or these calls may be billed. A great deal of additional information on the European Union is available on the Internet. It can be accessed through the Europa server http://europa.eu/ JRC 53035 EUR 23969 EN ISBN 978-92-79-13182-0 ISSN 1018-5593 DOI 10.2791/16327 Luxembourg: Office for Official Publications of the European Communities © European Communities, 2009 Reproduction is authorised provided the source is acknowledged Printed in Spain PREFACE Information and Communication Technology (ICT) markets are exposed to a more rapid cycle of innovation and obsolescence than most other industries. -
Wwaaagggooonnn Wwhhheeeeeell
WWAAGGOONN WWHHEEEELL RREECCOORRDDSS Music for Education & Recreation Rhythms • Folk • Movement YYoouurr CChhiillddrreenn’’ss aanndd TTeeaacchheerr’’ss SSppeecciiaalliisstt ffoorr MusicMusic andand DanceDance VS 067 Brenda Colgate WWAAGGOONN WWHHEEEELL RREECCOORRDDSS 16812 Pembrook Lane • Huntington Beach, CA 92649 Phone or Fax: 714-846-8169 • www.wagonwheelrecords.net TTaabbllee ooff CCoonntteennttss Music for Little People . .3 Holiday Music . .20 Quiet Time . .3 Kid’s Fun Music . .21-22 Expression . .3 Kid’s Dance/Party Music . .23 Fun For Little People . .4-5 Dance/Party Music . .24-26 Manipulatives & Games . .6-8 Sports . .26 Jump-Rope Skills . .6 Island Music . .26 Streamers/Scarves/Balls . .6 Dance Videos & Music - Christy Lane . .27-29 Games & Skills . .7 Country Dancing Bean Bag . .7 . .30 Parachute Activities . .8 Square Dancing . .31-33 Seated Exercises . .8 Christy Lane’s . .31 Aerobic/Fitness/Movement . .9 Everyone’s Square Dances . .32 Square Dancing for All Ages . .32 Fitness/Movement Activities . .10-11 Fundamentals of Square Dancing Instructional Series . .33 Lee Campbell-Towell . .10 Square Dance Party For The New Dancer Series . .33 Physical Education . .12-13 Folk Dancing . .34-37 Dynamic Program . .12 Rhythmically Moving Series . .34 Spark Program . .13 Beginning Folk Dances . .35 Music & Movement . .14-15 We Dance Series . .35 Rhythm & Movement . .16-18 Young People’s Folk Dances . .36 Rhythm Sticks . .16 Christy Lane . .37 Tinikling . .16 Multicultural Songs & Greg and Steve . .18 Dances . .38-39 Rhythm, Movement