{PDF EPUB} Clara's Grand Tour Travels with a Rhinoceros In

Total Page:16

File Type:pdf, Size:1020Kb

{PDF EPUB} Clara's Grand Tour Travels with a Rhinoceros In Read Ebook {PDF EPUB} Clara's Grand Tour Travels with a Rhinoceros in Eighteenth-century Europe by Glynis Ridley Glynis Ridley author biography, plus links to books by Glynis Ridley. Glynis Ridley is the author of Clara's Grand Tour: Travels with a Rhinoceros in Eighteenth-Century Europe , which won the Institute of Historical Research (University of London) Prize. A British citizen, she is now a professor of English at the University of Louisville. This biography was last updated on 12/28/2010. We try to keep BookBrowse's biographies both up to date and accurate, but with many thousands of lives to keep track of it's a tough task. So, please help us - if the information about this author is out of date or inaccurate, and you know of a more complete source, please let us know. Authors and publishers: If you wish to make changes to a bio, send the complete biography as you would like it displayed so that we can replace the old with the new. Clara's progress. When the 18th-century bookseller Tom Davies told James Boswell that Samuel Johnson "laughs like a rhinoceros", it seems that his simile was precise as well as ludicrous. For a few years earlier he, like all other curious Londoners, had had the opportunity to view one of the most famous animals of enlightenment Europe. In 1758, advertisements had announced: "To be seen, at The Horse and Groom in Lambeth-Market, the surprising, great and noble animal called Rinoceros alive." This was Clara, an Indian rhino whose travels around Europe are recorded in Glynis Ridley's entertaining book. After her mother was shot when she was a few months old, the rhinoceros had been reared in Assam in the household of a director of the Dutch East India Company. A rhino calf is apparently quick to accept human society, and Clara was allowed to come indoors, meet dinner guests and eat from the table. (The intimacy of some later drawings of her as an adult, evidently painstaking and closely observed, suggests that she remained relaxed about the presence of humans, even strangers.) She was purchased by the Dutch sea captain Douwemout van der Meer, who wished to bring her to Europe, believing she would make him money. Much of the book tries to imagine the means by which the huge, and growing, beast was transported on her many peregrinations. During the long voyage from India, the amiable young rhino was evidently kept in a cage on deck. She was fed with beer and tobacco by the sailors, her hide rubbed daily with fish oil, in lieu of the mud in which she would normally roll to keep herself from dehydrating. Van der Meer took her home to Leiden, where she was stabled on the city's outskirts. Soon he was constructing an extraordinary reinforced wagon with huge iron-rimmed wheels in which to tow her around Europe. It had to keep her hidden, for at each stop spectators would be asked to pay to view the mythical behemoth. Astutely, Van der Meer recruited the crown princes of Europe as patrons of the display. First, he headed to Vienna, hoping to impress the Habsburg empress Maria Theresa. Among the stopping places was Berlin, where the wonderful beast was inspected by Frederick the Great and his courtiers. In Vienna the royal family gave the rhino their blessing and the emperor made Van der Meer a baron. Sometimes Clara had to be walked over difficult terrain, tempted onwards by the oranges she loved. To get from Germany into Switzerland Clara was floated on a barge, pulled by horses, up the Rhine. Eventually she arrived in Versailles, where Louis XV had a large menagerie, established by Louis XIV to represent the exotic lands over which France held sway. "All Paris, so easily inebriated by small objects, is now busy with a kind of animal called rhinoceros," wrote Grimm to Diderot, one philosophe to another. Intellectuals were rapt; fashionable ladies took to wearing headgear imitative of the strange beast's horn. Struck by the rhinomania, Van der Meer tried to sell Clara to the French king, but set his price too high. Soon he was off to Italy, where his charge disconcertingly shed her horn but still managed to be the star of the Venice carnival. Clara eventually died in London, where her corpse was seized by the anatomists. Her bones are lost, though they probably reside in some museum. Just as he had hoped, Van der Meer made a small fortune from his travels with his rhinoceros. He also made money by selling rhino illustrations to those who had just had a viewing: woodcuts (to the plebs) and engravings (to the bourgeois). Everywhere there were mementoes of her unique presence. Medals were struck and portraits painted. Sculptures were made in marble and in bronze. In France, craftsmen made pendules au rhinoceros: model rhinos on elaborate ormolu bases supporting clocks. In Dresden the master animal modeller Johann Kändler made sketches for what would become exotic works of Meissen ware. Clara's owner had to be paid, of course, for each sitting. Frustratingly, while the book does have illustrations, many of the most intriguing artifacts are not shown. Ridley tries to make her story into "a portrait of an era", but it does not really bear this weight. Instead it is an assortment of pleasant digressions. The rhino and her carer arrive in Austria and you get a potted history of the Habsburg dynasty. They visit Dresden and Ridley gives you several pages on the elaborate manufacture of Meissen porcelain in the 18th century. The fragments of 18th-century culture are as miscellaneous and often amusing as all the odd "Clara memorabilia" that the book records. · John Mullan is senior lecturer in English at University College London. Clara's Grand Tour : Travels with a Rhinoceros in Eighteenth-century Europe. In an age before railways and modern roads, the three-ton Clara, as she became known, had to travel in an enormous coach drawn by eight horses. For seventeen years she journeyed across mainland Europe and to Britain: she became a favourite of heads of state, including Frederick the Great and Louis XV; she modelled for scientific portraits and etchings; and she inspired poems, songs, fashions and trinkets. Glynis Ridley has brought Clara's tragicomic story vividly to life. Her book is also a portrait of an era that saw the rhinoceros as an object of marvel and a challenge to fundamental philosophical and theological beliefs. Результаты поиска по книге. Отзывы - Написать отзыв. LibraryThing Review. Thoroughly unreadable. It's like an awkward, dry dissertation. Though unlike a dissertation, the author employs the laziness of middle schoolers everywhere trying to pad a word count - say the same . Читать весь отзыв. LibraryThing Review. A perfectly fine, just not particularly interesting or impressive account of a rhinoceros in Europe. Given what she had to work with Ridley did an admirable job with this book, but it's little more than a popular account of Clara's journey. Читать весь отзыв. Clara's Grand Tour: Travels with a Rhinoceros in Eighteenth-Century Europe. For nearly 20 years in the mid-1700s, a 3-ton Indian rhino named Clara traveled Europe--from Rotterdam to Breslau, Naples, Marseilles, and many places in between. Making this an even more amazing achievement is that it happened before railways and modern roads existed. Clara, orphaned when she was only months old, was hand raised by a Dutch merchant in Assam, India. When she was 3 years old, a Dutch sea captain brought her to Europe. There, she became a sensation. In one of the first marketing campaigns of all time, her owner promoted Clara's appearances to peasants and royalty alike. Both came to see her. There were Clara product tie-ins galore: poems, songs, fashions, portraits, etchings, and bronze figurines. Her image adorned everything from tin coins to fine porcelain, and a fortune for the Dutch captain. Ridley, a first- time author, is a professor of 18th-century studies, and as such discusses not just Clara's travels but also diverse subjects including early publishing and the long-term effects of Hannibal's invasion of Italy. This book should please anyone interested in the history of the 18th century or of marketing. Atlantic Monthly Press, 2005, 224 p., b&w illus., hardcover, $21.00. ISBN 13: 9780871138835. Clara's Grand Tour: Travels with a Rhinoceros in Eighteenth-Century Europe. Ridley, Glynis. This specific ISBN edition is currently not available. The author chronicles the adventures of Clara, a three-ton rhinoceros who became the toast of Europe, seen by royalty and ordinary folk alike on a spectacular series of tours across the continent during the mid-eighteenth century. "synopsis" may belong to another edition of this title. Glynis Ridley was a lecturer in eighteenth- century studies at Queen's University, Belfast. She now lives in Kentucky. From Publishers Weekly : The titular rhino was raised from a calf by a Dutch sea captain who exhibited her in the 1740s and '50s to enthusiastic crowds of European commoners and royalty. In this pleasant if somewhat aimless study, Ridley treats Clara as an early harbinger of the society of the spectacle. Poets celebrated her, sculptors and painters immortalized her, and she was the star of "one of the first recognizable media campaigns," as her owner drummed up excitement with enticing ads and raked in a fortune at the box office and from the sale of posters, medallions and other Clara memorabilia. Ridley's narrative ambles agreeably along, veering from the details of Clara's diet and travel arrangements to accounts of her impact on contemporary observers, and feels padded out with digressions on such topics as Renaissance anatomy texts, porcelain production in Saxony and Hannibal's invasion of Italy.
Recommended publications
  • Clara: a Brief Biography
    Clara: A Brief Biography In a culture awash in instant and global access to information and images, it’s difficult to imagine the impact that a female Indian rhinoceros could have had on 18th-century Europe. But during her 17 years touring the continent, everyone wanted to make her acquaintance. Miss Clara, as the hefty quadruped would affectionately come to be known, was the Age of Enlightenment’s equivalent of a modern day rock star. In 1738, Jan Albert Sichtermann, a director of the Dutch East India Company adopted a one-month-old female rhino from the Assam region of India. She spent her first two years at his family’s estate near present-day Calcutta. Although quite tame—she was allowed to roam throughout the house and would often amuse dinner guests with her table skills—she would soon grow too large to be in the house without causing damage. Dutch sea captain Douwemout Van der Meer of the Dutch East India Company acquired the young rhino when she was about three years old. After a seven-month sea voyage around Africa, Van der Meer and his rhino arrived in the Dutch port of Rotterdam in July of 1741. She was stabled and pastured in Leiden and Amsterdam and exhibited in the Netherlands for several years before she made her first trip abroad to Hamburg, Germany in 1744. Known as the “Dutch” Rhino, she acquired her nickname “Miss Clara” four years later when she visited the German town of Würzburg in August 1748. Caring for a growing rhino on the road—at the age of eight she weighed nearly 5,000 lbs.
    [Show full text]
  • TFO Tour 2017
    Tongyeong Festival Orchestra European Tour 2017 Celebrating the 100th Anniversary of Isang Yun (1917-1995) 23 September to 2 October 2017 Program Maurice Ravel: Le Tombeau du Couperin Isang Yun: Violin Concerto No. 3 (1992) Isang Yun: Harmonia (1974) Maurice Ravel: Ma Mère l´oye (Ballett) Clara Jumi Kang Violin Tongyeong Festival Orchestra Heinz Holliger Conductor Inquiries: Tongyeong International Music Foundation www.timf.org [email protected] Tongyeong Festival Orchestra Following the example of Lucerne, Switzerland, Tongyeong Festival Orchestra (TFO) was created to enhance the musical spectrum of the Tongyeong International Music Festival, and to serve as an artistic ambassador for Tongyeong City, a UNESCO Creative City of Music. Since the festival’s first edition in 2002, TIMF has been striving to assemble highly qualified musicians in order to build its own ensemble. In 2011, then Alexander Liebreich initiated a collaboration of musicians from Ensemble TIMF with the Munich Chamber Orchestra, thus for the first time building a truly international Festival Orchestra. From then on, the group was assembled annually, performing at home and abroad. At the opening of the new Tongyeong Concert Hall in 2014, TFO was again led by Alexander Liebreich and included musicians from Ensemble TIMF, Polish National Radio Orchestra of Katowice, and from major international symphony orchestras, such as NDR Hamburg, Munich Philharmonic, Kremerata Baltica, Osaka Philharmonic, Melbourne Symphony and Sydney Symphony Orchestra. In 2015, TFO truly became a musical centerpiece of the Tongyeong International Music Festival. Following the festival theme „Voyages“, the orchestra went abroad to play in Japan and China. Performing together with violinist Gidon Kremer and German conductor Christoph Poppen, the orchestra consisted of musicians mainly from Korea, Japan and China to create a musical bridge between the three countries.
    [Show full text]
  • 0Fzvu [Download Free Pdf] Clara: the (Mostly) True Story of the Rhinoceros Who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone
    0fzvu [Download free pdf] Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a Online [0fzvu.ebook] Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a Pdf Free Emily Arnold McCully audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #80130 in Books McCully Emily Arnold 2016-06-07 2016-06-07Original language:EnglishPDF # 1 11.88 x .39 x 9.75l, 1.25 #File Name: 055352246948 pagesClara The Mostly True Story of the Rhinoceros Who Dazzled Kings Inspired Artists and Won the Hearts of Everyone Wh | File size: 78.Mb Emily Arnold McCully : Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a before purchasing it in order to gage whether or not it would be worth my time, and all praised Clara: The (Mostly) True Story of the Rhinoceros who Dazzled Kings, Inspired Artists, and Won the Hearts of Everyone . While She Ate Her Way Up and Down a: 0 of 0 people found the following review helpful. Five StarsBy MishellyMy daughter loves this! Such a. Cute story and the pictures are so elegant!0 of 0 people found the following review helpful. Five StarsBy CustomerIt will be a nice gift for our grandchildren. Glad I discovered it.0 of 0 people found the following review helpful.
    [Show full text]
  • Archbp. = Archbishop/Archbishopric; B
    Cambridge University Press 978-0-521-88909-4 - German Histories in the Age of Reformations, 1400-1650 Thomas A. Brady Index More information Index Abbreviations: archbp. = archbishop/archbishopric; b. = born; bp. = bishop/bishopric; d. = died; r. = reigned/ruled Aachen, 89, 207, 252, 303, 312 Albert V ‘‘the Magnanimous’’ (b. 1528,r. absolutism, 7. See also European imperial 1550–79), duke of Bavaria, 294 nation-state Albert ‘‘the Stout-hearted’’ (1443–1500), duke academies: Bremen, 253; Herborn, 253, 279 of Saxony, 244 Acceptance of Mainz, 92n13 Albertine Saxony. See Saxony, Albertine acculturation, 289n101 Alcala´de Henares (Castile), 210 accumulation, benefices, 57n25 Alexander VI (r. 1492–1503), pope, 144 Adalbero (d. 1030), bp. of Laon, 29–30, 34, 49 Alexander VII (r. 1655–67), pope, 401n83, 410 Admont, abbey (Styria), 81 Alfonso I (b. 1396,r.1442–58), king of Naples, Adrian VI (r. 1522–23), pope, 145n63, 208 93 AEIOU, 91 Allga¨u, 193 Agnes (1551–1637), countess of Mansfeld- alliances, confessional: Catholics 1525, 215; Eisleben, 365 League of Gotha 1526, 215; Protestants 1529, Agricola, Gregor, pastor of Hatzendorf 216; Swiss cities with Strasbourg and Hesse (Styria), 344 1530, 217. See also Smalkaldic League Agricola, Johannes (1494–1566), 39 Alsace, 18, 23, 190; religious wars, 239; Swabian agriculture, 31 War, 119 Agrippa of Nettesheim, Cornelius (1486–1535), Alt, Salome (1568–1633), domestic partner of 54n10 Archbp. Wolf Dietrich von Raitenau, 306 Ahausen (Franconia), 368 Alte Veste, battle 1632, 382 Alba, duke of, Francisco Alvarez de Toledo Altenstetter, David (1547–1617), goldsmith of (1507–82), 238n41, 250n80 Augsburg, 332 Alber, Erasmus (1500–53), 264, 281 Alto¨ tting, shrine (Bavaria), 286 Albert (b.
    [Show full text]
  • From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire
    Cornelia Aust From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire Abstract: This article examines the different styles of attire that had emerged by the eighteenth century among Jews in Poland and German-speaking lands. It ar- gues that Jews in both regions developed their attire from older styles of dress that had fallen out of fashion among German burghers and Polish noblemen, re- spectively. Nevertheless, the distinguishability of Jews and Christians and distinc- tions among Jews according to social status, gender, and geographic origin were never clear-cut issues. Picturing a Hasidic Jew in Jerusalem or New York today, with a long black coat, a silk or satin caftan on Sabbath, and a black (fur) hat, many believe that this or similar attire has been the typical dress of (East European) Jews throughout time.1 However, dress and appearance have always undergone continual change and are a rather fluid marker of identity and belonging. Though Jewish law traditionally prescribes that Jews be distinguishable from their non-Jewish neighbors, and Christian and Jewish authorities have since the thirteenth century explicitly stipulated distinctive dress, such normative prescriptions do not allow for the conclusion that Jewish men and women have always been recognizable by their dress. Likewise, the fact that Jews were sometimes forced to wear distinctive signs does not mean that they were other- wise invisible as Jews or could pass as Christians when not wearing a discrimi- natory sign.2 Nevertheless, by the end of the eighteenth century there seems to have been a clear sense of a “Jewish attire”.
    [Show full text]
  • Two Portraits of the Prince Ladislas-Sigismund Vasa from the Collections in Wawel Castle Re-Examined
    Rocznik Historii Sztuki, tom XXXVII PAN WDN, 2012 KATARZYNA KRZYŻAGÓRSKA-PISAREK INDEPENDENT ART HISTORIAN LONDON TWO PORTRAITS OF THE PRINCE LADISLAS-SIGISMUND VASA FROM THE COLLECTIONS IN WAWEL CASTLE RE-EXAMINED INTRODUCTION This article aims to re-evaluate the existing evidence concerning the attribution and provenance of the two portraits of the Polish Prince Ladislas-Sigismund (1595–1648), later King Ladislas IV, formerly ascribed to the Flemish master Peter Paul Rubens, and now to his workshop and his school or circle respectively. Both pictures are at present in the Wawel Castle in Cracow, and are the two most important works associated with Rubens and his studio in Poland. As both paintings originally came from British collection, so they might benefit from being reviewed from this perspective. The first one is a half-length (to the knees) portrait on long-term loan from the Metropolitan Museum, New York1, described there as workshop of Peter Paul Rubens, Ladislas-Sigismund IV, King of Poland, c. 1624, oil on canvas, 49¼ ϋ 39¾ in. or 125.1 ϋ 101 cm, Inv. n. 29.100.13 (fig. 1). The second one is a full-length equestrian portrait by the school or circle of Rubens, Ladislas-Sigismund, Prince of Poland on horseback, after 1624, oil on canvas, 259 ϋ 185.5 cm, Wawel Castle, Cracow, State Collection of Art, Inv. n. 6320 (fig. 3). Later known as King Ladislas IV, the Polish Prince was the son of the King Sigismund III Vasa and his first wife Anne of Austria (1573–1598), also known as Anna Habsburg.
    [Show full text]
  • The Contribution of New States to the Development of International Law, 32 Santa Clara L
    Santa Clara Law Review Volume 32 | Number 3 Article 4 1-1-1992 The onC tribution of New States to the Development of International Law Mochtar Kusuma-Atmadja Follow this and additional works at: http://digitalcommons.law.scu.edu/lawreview Part of the Law Commons Recommended Citation Mochtar Kusuma-Atmadja, Symposium, The Contribution of New States to the Development of International Law, 32 Santa Clara L. Rev. 889 (1992). Available at: http://digitalcommons.law.scu.edu/lawreview/vol32/iss3/4 This Symposium is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara Law Review by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. SYMPOSIUM THE CONTRIBUTION OF NEW STATES TO THE DEVELOPMENT OF INTERNATIONAL LAW Mochtar Kusuma-Atmadja" I. If we view the term international law in a broad sense, including the law of nations, then the history of international law is a very old one, as there was already a law of nations (ius gentium) in Roman times. If on the contrary, we view the term in a narrower sense, meaning the law that governs relations between nation-states, then international law is relatively new as it is only a few hundred years old. Modern international law, as a system of law that governs the relations between states, was born when the modern soci- ety of nations came into existence. The 1647 Treaty of Westphalia is usually taken as the moment of the birth of the modem society of nations.
    [Show full text]
  • City of New Prague Historic Context Study
    City of New Prague Historic Context Study “We live not alone in the present, but also in the past and future. We can never look out thoughtfully at our own immediate surroundings but a course of reasoning will start up, leading us to inquire into the causes that produced the development around us, and at the same time we are led to conjecture the results to follow causes now in operation. We are thus linked indissolubly with the past and the future. If, then, the past is not simply a stepping-stone to the future, but a part of our very selves, we cannot afford to ignore, or separate it from ourselves as a member might be lopped off from our bodies; for though the body thus maimed, might perform many and perhaps most of its functions, still it could never again be called complete.” - Charles S. Bryant ii Table of Contents Acknowledgments ………………………………………………………………………………………………………………………..iv City of New Prague’s Historic Context Study……………………………………………………………………………...... v Timeline………………………………………………………………………………………………………………………………….… vii Map of New Prague ……………………………………………..…………………………………………………………………… viii Brief History of New Prague………………………………………………………………………….……………………….…… 1 Context 1 - Early History ……………………………………………………………………………………………………………… 4 Context 2 - Agriculture and Agribusiness …………………………………………………………………………………….11 Context 3 - Transportation ………………………………………………………….…………………………………………….. 23 Context 4 – Commerce ………………………………………………………………………………………………………………. 31 Context 5 – Religion…………………………………………………………………………………………………………………… 47 Context 6 – Civic Life
    [Show full text]
  • Clara M. Chu Mortenson Center for International Library Programs, UIUC Library
    Curriculum Vitae Clara M. Chu Mortenson Center for International Library Programs, UIUC Library E-mail: [email protected] 142 Undergraduate Library, MC-522 Webpage: http://www.library.illinois.edu/mortenson 1402 W. Gregory Dr., Urbana, IL 61801 USA Date: January 6, 2021 (217) 300-0918 EDUCATIONAL BACKGROUND Ph.D. & M.L.S. University of Western Ontario, Library and Information Science, 1992 & 1985, respectively. B.A. University of British Columbia, Spanish Language & Literature (major), Psychology & French (minor), 1982. Other Education Monterey Institute of International Studies (California), Translation and Interpretation (English/Spanish/French), 1982-83. One year of studies in the M.A. degree program. National Autonomous University of Mexico, Spanish Language and Literature Program, Summer 1981. Languages: English, Spanish, French (basic), and Cantonese (spoken). AREAS OF SPECIAL COMPETENCE IN LIBRARY AND INFORMATION STUDIES Equity, Diversity and Inclusion in Library and Information Services and Education Social and Critical Studies of Library and Information Practices User Information Behavior and Needs Assessment International and Comparative Library and Information Services Other Areas of Competence: Multiple Literacies, Research Methodology, Strategic Planning TEACHING and ADMINSTRATIVE EXPERIENCE Director, Mortenson Center for International Library Programs, and Mortenson Distinguished Professor, University of Illinois at Urbana-Champaign (UIUC), 2015-present. Professor (0% appt.), School of Information Sciences (formerly Graduate School of Library and Information Science), UIUC, 2015-present. - Field Leader, Engaged Learning in Costa Rican Libraries (Study Abroad), March 2018. Professor Emerita, Department of Information Studies, UCLA, 2011-present. (Associate Professor, 2000-2011, Assistant Professor, 1992-2000, Acting Assistant Professor, 1990-92) Adjunct Professor, School of Information Technology, University of Pretoria (South Africa).
    [Show full text]
  • “Jaksonas” from Lithuania to America
    “Jaksonas” From Lithuania to America Edward Jackson edited by Anthony Cianciarulo and Irene Jackson Henry December 2002 1 2 “Jaksonas” From Lithuania to America Edward Jackson edited by Anthony Cianciarulo and Irene Jackson Henry December 2002 3 4 INTRODUCTION summer the subject of memoirs arose in conversation with Tony Cianciarulo, and I gave him the draft to read. He not only read it When I came to the United States and learned the language, my but edited them. Later I copied some photos and added them to friends and acquaintances often asked about the circumstances of the draft and then forgot the entire thing. my arrival in this country. Occasionally I told the story to our daughter Irene, our son Ray, and many other people. But once in Marie Manson then sent us a book about her life, so I sent her the a while, questions about our life during the war would come up. draft of my memoirs, and she again encouraged me to finish Several times I had long conversations about the Civil War, them. United States history and World War II with my friend Jim Barrett, and the subject of our adventures in Europe during the In the fall and winter of 2002-2003, our daughter Irene and her ward would come up. Once while I was a member of the husband Bill visited us, and I decided to arrange the memoirs in a Northwest Kiwanis Club, I told the story as part of a program. new format of a half-size page. Irene took the entire thing into her hands, and scanned the photos into the text.
    [Show full text]
  • Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz University of South Florida
    University of South Florida Scholar Commons Outstanding Honors Theses Honors College 4-1-2011 Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/honors_et Part of the American Studies Commons Scholar Commons Citation Torchynowycz, Alexa, "Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice" (2011). Outstanding Honors Theses. Paper 17. http://scholarcommons.usf.edu/honors_et/17 This Thesis is brought to you for free and open access by the Honors College at Scholar Commons. It has been accepted for inclusion in Outstanding Honors Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. 1 Exhibition of a Rhinoceros: Iconography and Collecting in Eighteenth Century Venice Alexa Torchynowycz Thesis Mentor: Helena Szépe, Ph.D. Professor of Art History University of South Florida Thesis Committee Member: Elisabeth Fraser, Ph.D. Professor of Art History University of South Florida Spring 2011 2 Abstract This paper examines the painting titled The Exhibition of a Rhinoceros (1751) by the Venetian artist Pietro Longhi and its context within the art patronage of the Venetian patrician Giovanni Grimani ai Servi. Study of the decline of Venice‟s political power during the eighteenth century, the lineage of rhinoceros imagery begun by the famous Renaissance German artist, Albrecht Dürer, and Italian collecting practices of naturalia influenced by the sixteenth century natural scientist, Ulisse Aldrovandi, were factors in the development of the thesis. Previously, many art historians have interpreted The Exhibition of a Rhinoceros as representing the “spectacle” of Venetian Carnival.
    [Show full text]
  • Imaginations and Configurations of Polish Society. from the Middle
    Imaginations and Configurations of Polish Society Polen: Kultur – Geschichte – Gesellschaft Poland: Culture – History – Society Herausgegeben von / Edited by Yvonne Kleinmann Band 3 / Volume 3 Imaginations and Configurations of Polish Society From the Middle Ages through the Twentieth Century Edited by Yvonne Kleinmann, Jürgen Heyde, Dietlind Hüchtker, Dobrochna Kałwa, Joanna Nalewajko-Kulikov, Katrin Steffen and Tomasz Wiślicz WALLSTEIN VERLAG Gedruckt mit Unterstützung der Deutsch-Polnischen Wissenschafts- stiftung (DPWS) und der Deutschen Forschungsgemeinschaft (Emmy Noether- Programm, Geschäftszeichen KL 2201/1-1). Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © Wallstein Verlag, Göttingen 2017 www.wallstein-verlag.de Vom Verlag gesetzt aus der Garamond und der Frutiger Umschlaggestaltung: Susanne Gerhards, Düsseldorf © SG-Image unter Verwendung einer Fotografie (Y. Kleinmann) von »Staffel«, Nationalstadion Warschau Lithografie: SchwabScantechnik, Göttingen ISBN (Print) 978-3-8353-1904-2 ISBN (E-Book, pdf) 978-3-8353-2999-7 Contents Acknowledgements . IX Note on Transliteration und Geographical Names . X Yvonne Kleinmann Introductory Remarks . XI An Essay on Polish History Moshe Rosman How Polish Is Polish History? . 19 1. Political Rule and Medieval Society in the Polish Lands: An Anthropologically Inspired Revision Jürgen Heyde Introduction to the Medieval Section . 37 Stanisław Rosik The »Baptism of Poland«: Power, Institution and Theology in the Shaping of Monarchy and Society from the Tenth through Twelfth Centuries . 46 Urszula Sowina Spaces of Communication: Patterns in Polish Towns at the Turn of the Middle Ages and the Early Modern Times . 54 Iurii Zazuliak Ius Ruthenicale in Late Medieval Galicia: Critical Reconsiderations .
    [Show full text]